The album is as eclectic as Oren’s home bases of Tel Aviv, Israel (where he was born), Berlin Germany (where he recorded the album), and Los Angeles, CA (the home of his new label). It was released in Europe and immediately garnered great press with Uncut raving in a four-star review that the album is “cinematic and mellow, like Nick Drake in a cheerful summer bonnet…”
Many people in the US will be familiar with Oren’s music as his album track ‘Her Morning Elegance’ was featured in a national ad campaign for Chevy Malibu. He also wrote the end credit “A Dance ‘Round the Memory Tree” for the film The Chronicles of Narnia: Prince Caspian joining Regina Spektor and Hanne Hukkelberg on the soundtrack.
Born in Tel-Aviv, Israel, Oren began his creative journey as a playwright. At the age of 21 he wrote and directed a play for the Israeli Fringe Theater Festival, which won the awards for best newcomer writer and director. He later moved to London on a scholarship to attend the London Academy of Music and Dramatic Arts. While still at school he wrote a play he later directed in an Off West-end theater to critical acclaim. The production was named by Time-Out London as one of the best 5 shows in London during its run. Oren moved to NY where he gradually began to shift his focus from playwriting to a shorter form of storytelling, the song. Two years later he relocated to Berlin and began work on The Opposite Side of The Sea.
In 2007 the album was released in Europe, then found its way to the KCRW playlist in LA. Shortly after that the album track ‘Her Morning Elegance’ was synched to a Chevrolet Malibu TV campaign. Oren, who does not own a television and has not driven a car for 10 years, continues to ride the bus. With the earnings from the TV ad he started his own label in the US, named it, then renamed it, changed it again and finally decided to call it Quarter Past Wonderful. He then released The Opposite Side Of The Sea on iTunes US, where it climbed to #30 on the charts.
Oren Lavie's music doesn't come right at you through the front door; its elliptical nature is mysterious and dense and remains slightly unresolved. His vignettes of life are heartbreaking. One can hear his playwright past in his narratives as his songs unfold like a collection of short stories in musical poetic form.
http://www.orenlavie.com/
A Dance 'Round The Memory Tree
Oren Lavie Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Grew in my head
Colored I thought
Send me to bed
Lost memories
Grew into trees
Cover the doors
Winters have come and gone you know
Winters have come and gone you know
But I'll miss you young and free
For a dance round the memory tree
Said I forgot
But I did not
Dreams we have had
Play in my head
Did we believe,
The cry of the wind?
Did we regret?
Would we forget?
Winters have come and gone you know
Winters have come and gone you know
But I'll miss you young and sweet
For a dance round the memory tree
In this melancholic song, Oren Lavie reflects on lost memories of the past and the regret of not being able to relive them. The first verse talks about how the words that were once said between two individuals have now become a distant memory, and how they continue to play on in his head, coloring his thoughts and sending him to bed. The second verse goes on to describe how these lost memories have grown into trees that now cover the doors and swallow the cure to what once was. The winters that have come and gone symbolize the passing of time, and the chorus highlights how Lavie will always remember and miss the times when they were young and free, as well as the idea of a dance around a memory tree.
The third verse speaks about how Lavie may have said that he forgot, but in reality, those dreams they once had still play in his head. The lines "did we believe, the cry of the wind? Did we regret? Would we forget?" show the contemplation of past choices and the possibility of forgetting. The chorus then repeats, emphasizing the idea of longing for the past and missing the times they were young and sweet.
Overall, the song conveys a sense of remorse for the lost memories of the past, while also acknowledging the inevitability of time and change. The idea of a dance around a memory tree suggests the desire to relive and cherish those moments once again, but ultimately recognizing the impossibility of doing so.
Line by Line Meaning
Words we had said
The things we said to each other
Grew in my head
Stuck in my mind and kept growing
Colored I thought
I attached emotions and meaning to them
Send me to bed
Overwhelming me and affecting me even at night
Lost memories
Memories that we have forgotten and lost
Grew into trees
They became so significant, they turned into trees in my mind
Cover the doors
Blocking access and preventing me from moving on
Swallow the cure
Preventing me from finding a remedy and healing
Winters have come and gone you know
Time has passed by, and things have changed
But I'll miss you young and free
I will miss your youthful and carefree ways
For a dance round the memory tree
I long for a chance to reminisce about our memories together
Said I forgot
I claimed to have forgotten
But I did not
But the memories are still with me
Dreams we have had
The aspirations we shared and hoped for
Play in my head
Still present in my thoughts and imagination
Did we believe,
Did we have faith in our dreams
The cry of the wind?
The sound of the wind, a reminder of our time together
Did we regret?
Did we have any regrets about what we did or didn't do
Would we forget?
Would we ever truly forget each other and our experiences together
But I'll miss you young and sweet
I will miss your youthful and kind nature
For a dance round the memory tree
I long for a chance to reminisce about our memories together
Contributed by Noah A. Suggest a correction in the comments below.