Bobby briefly joined Snake River Conspiracy for a while, and Jay formed his own independent record label, D1 Music, with his father. In 2004, Orgy's third album, "Punk Statik Paranoia," was released under D1, but with little to no radio play or recognition from the mainstream music media.
Ryan and Amir have also started a side project known as Julien-K, with a much more electronic focus, and have released a song featuring the vocals of Chester Bennington of Linkin Park on the recent Underworld Evolution soundtrack. They have since formed the project Dead By Sunrise with Bennington. Amir Derakh was immortalised in the Coal Chamber song Amir of the Desert. He produced their debut album. Jay Gordon appeared on the follow up "Chamber Music".
When asked for an Orgy update in late July 2008, Shuck informed fans that Orgy's return is still underway but their priority is getting the much delayed Julien-K album released. During a video interview at the annual Californian NAMM 2009 convention, Derakh mentioned a 2010 Orgy reunion.
On March 30, 2010, through a video to his Julien-K, Dead By Sunrise, and Orgy followers, Shuck informed that there are plans for a tour in 2010. On October 25, 2010, Ryan Shuck and Amir Derakh informed on the Julien-K blog that "As of Oct. 26th we will no longer be part of Orgy. Jay will continue making music without the original members. On October 30, 2010, Jay Gordon released a statement via his official Facebook profile stating that he still owns the Orgy name and wants to continue forth creating new material for the band. Jay wrote that all previous members of the band were too busy with numerous side-projects to continue with the original band.
On November 7, 2011, Blabbermouth.net published a news story detailing the bitter feud between vocalist Gordon and guitarists Shuck and Derakh that has spiraled out of control after Gordon revealing his plans to assemble a band of musicians and begin touring under the name Orgy.
On February 3, 2012, it was announced that Orgy would embark on a five-week run titled the Bad Blood Tour. The new lineup features members of Deadsy, Snot, and Run Run Run. Vocalist Jay Gordon is the only original member of Orgy appearing on this tour; the support acts are the Texas-based One-Eyed Doll Cleveland-based industrial metal band Ventana and Faultline from Richmond, Virginia. The band has reportedly been in the studio in recent weeks recording new material, including a collaboration with Skrillex. This was confirmed after they cancelled the last five shows of their tour.
On August 4, 2012, Orgy linked to a 30 second demo of a new song, "Grime of the Century" via their Twitter and Facebook page.
In 2013, Orgy embarked on the Wide Awake and Dead Tour with Vampires Everywhere! and Davey Suicide.
Fetisha
Orgy Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
dayglow all of you
made for these little sick ones
played out in super drag
mistreat another piece of you
pleasing you was a trick
raping you all with a stick
arming up with more reasons
crawled out of aleister fiend
you're entering this machine
glaring one eye for me
just a second and a chance to see you
violated by a crowd of me
it's getting bigger like you used to be
CHORUS:
tell them all she won't be back
because she needed a change
turned away form her fears
she's been falling down
tell them all
she's gonna be gone gone gone
just listen to me
leaving your new found cool
what will you do to save
what oh no
promising your filthiness
something strange or catalyst
fetisha, this beloved perversion
slide over, come to kill what you do
bend over, come to cure all of you
slide over, come to kill what you do
glide over, come to cure all of you
chorus
because she needed the friends
she will always be
she will always be
because she needed the friends
she will always know me
she will always know me
she needed the friends, deep to follow the fears
before she goes, she will always know me
chorus(x2)
The lyrics to Orgy's song "Fetisha" can be interpreted as a critique of society's fetishization of youth and beauty. The chorus suggests that the titular character, Fetisha, is leaving behind her old way of living in pursuit of something different. The verses illustrate a distorted, hyper-sexualized world where people are mistreated and violated for the pleasure of others. The line "made for these little sick ones" could refer to the way popular culture caters to the desires of younger generations. The reference to Aleister Crowley, the infamous occultist, implies a deeper layer of depravity at work.
The song also touches on themes of control and power dynamics. The lines "pleasing you was a trick, raping you all with a stick" suggest that the people in power are manipulating and abusing those beneath them. The repetition of "slide over, come to kill what you do" and "glide over, come to cure all of you" could represent a push-pull dynamic of seduction and domination. Overall, the song paints a bleak picture of a world where superficial beauty masks a dark underbelly of exploitation and perversion.
Line by Line Meaning
Fe-tish-a
This is a song about a fetish.
dayglow all of you
Everyone is glowing in a bright and unnatural way.
made for these little sick ones
This fetish is intended for those who are sick or perverted.
played out in super drag
This fetish is being acted out in a flamboyant and exaggerated way.
mistreat another piece of you
The fetish involves mistreating and degrading oneself or others.
pleasing you was a trick
The pleasure derived from the fetish is not genuine or sincere, but rather a trick or illusion.
raping you all with a stick
The fetish may involve violent or non-consensual acts.
arming up with more reasons
The fetishist is seeking more reasons or justifications for their behavior.
to snap you out of bliss
The fetish may involve interrupting or disturbing a state of happiness or contentment.
crawled out of aleister fiend
The fetishist is likening themselves to legendary occultist Aleister Crowley.
you're entering this machine
The fetish is like a machine that one is entering, becoming trapped in.
glaring one eye for me
The fetishist desires to be the center of attention or the object of desire.
just a second and a chance to see you
The fetishist wants a brief moment to glimpse the object of their desire.
violated by a crowd of me
The fetish may involve being violated or taken advantage of by multiple people.
it's getting bigger like you used to be
The fetishist feels the fetish is growing in power and intensity.
tell them all she won't be back
The fetishist believes that the object of their desire will not return.
because she needed a change
The object of desire is leaving because they wanted a change of some kind.
turned away form her fears
The object of desire is running away from something they fear.
she's been falling down
The object of desire is in a state of decline or despair.
she's gonna be gone gone gone
The object of desire is leaving and will be gone for good.
just listen to me
The fetishist wants others to listen to their desires.
leaving your new found cool
The object of desire is leaving behind a newly achieved sense of cool or popularity.
what will you do to save
The fetishist is asking what can be done to preserve or protect the fetish.
what oh no
This line is unclear and open to interpretation, but may suggest panic or disbelief.
promising your filthiness
The fetishist is making promises or commitments to their own depravity or kinkiness.
something strange or catalyst
The fetish may involve something unusual or a catalyst for change or excitement.
fetisha, this beloved perversion
This line reinforces the idea that the song is about a beloved or cherished fetish or perversion.
slide over, come to kill what you do
This line may suggest violence or destruction towards the object of desire.
bend over, come to cure all of you
This line may suggest a need for submission or vulnerability in order to experience the fetish.
glide over, come to kill what you do
This line may suggest a sense of inevitability or unstoppable force towards the fetish.
glide over, come to cure all of you
This line may suggest that the fetish is seen as a solution or panacea for all problems.
because she needed the friends
The object of desire wanted the fetishist's companionship or friendship.
she will always be
The object of desire will always remain a part of the fetishist's memories or fantasies.
she will always know me
The fetishist believes they will always have a connection with the object of desire, even in absentia.
she needed the friends, deep to follow the fears
The object of desire needed the fetishist's friendship in order to confront their fears.
before she goes, she will always know me
The fetishist believes that even if the object of desire leaves, they will never forget them.
Lyrics © Warner Chappell Music, Inc.
Written by: AMIR DERAKH, JAY GORDON, BOBBY HEWITT, RYAN SHUCK
Lyrics Licensed & Provided by LyricFind
@friss0nins1de70
Fe-tish-a
Dayglow all of you
Made for these little sick ones
Played out in super drag
Mistreat another piece of you
Pleasing you was a trick
Raping you all with a stick
Arming up with more reasons
To snap you out of bliss
Crawled out of aleister fiend
You're entering this machine
Glaring one eye for me
Just a second and a chance to see you
Violated by a crowd of me
It's getting bigger like you used to be
1st Chorus:
Tell them all she won't be back
Because she needed a change
Turned away form her fears
She's been falling down
Tell them all
She's gonna be gone gone gone
Just listen to me
Leaving your new found cool
What will you do to save
What oh no
Promising your filthiness
Something strange or catalyst
Fetisha, this beloved perversion
Slide over, come to kill what you do
Bend over, come to cure all of you
Slide over, come to kill what you do
Glide over, come to cure all of you
2nd Chorus:
Tell them all she won't be back
Because she needed the friends
She will always be
She will always be
Because she needed the friends
She will always know me
She will always know me
She needed the friends, deep to follow the fears
Before she goes, she will always know me
1st chorus (x2)
@RectorFilm
dayglow all of you
made for these little sick ones
played out in super drag
mistreat another piece of you
pleasing you was a trick
raping you all with a stick
arming up with more reasons
to snap you out of bliss
crawled out of aleister fiend
you're entering this machine
glaring one eye for me
just a second and a chance to see you
violated by a crowd of me
it's getting bigger like you used to be
CHORUS:
tell them all she won't be back
because she needed a change
turned away form her fears
she's been falling down
tell them all
she's gonna be gone gone gone
just listen to me
leaving your new found cool
what will you do to save
what oh no
promising your filthiness
something strange or catalyst
fetisha, this beloved perversion
slide over, come to kill what you do
bend over, come to cure all of you
slide over, come to kill what you do
glide over, come to cure all of you
chorus
because she needed the friends
she will always be
she will always be
because she needed the friends
she will always know me
she will always know me
she needed the friends, deep to follow the fears
before she goes, she will always know me
@wilc9199
one of the most underrated bands
@thaistomp
One of the best ever.
@insid0us
Candyass é um album incrível, mistura do que foi a musica naquela época
@ZamsadaZombie
Weird that this song is part of the album playlist but only uploaded last year. How old is this album? Came out in 1998 so right now its 23 years old. Still holds up, either way.
@thaistomp
Still so epic in 2022
@jasonduvall6565
When this came out I perpetually. Took acid and had this on repeat
@critmail
The best song on this album
@Nibbiex
1:42-1:49 👂🏻🎶
@joshuahowland5061
2021. I'm the legend
@dvg1985
The whole album is solid