Acus
Orlenis 22k Lyrics
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Yo me deje llebar por tus caricias y tu besos, y tu no bales un medio mami tu bales un peso, salte de ese canal, q no te de por eso y prestame atencio q a cualquier santo no le rezo
Y yo q me deje llebar por tus caricias y tu besos, y tu no bales un medio mami tu bales un peso, salte de ese canal, q no te de por eso y prestame atencio q a cualquier santo no le rezo
y prestame atencio q a cualquier santo no le rezo
y prestame atencio q a cualquier santo no le rezo
Salte de ese canal, q no te de por eso y prestame atencio q a cualquier santo no le rezo.
Yo le di y despues cojia pa eso, creyendose cosas y al final no bale un peso, tu pensaste q me hibas a trastear con eso, camina por callo hueso q yo a cualquier santo no le reso
Y yo q me deje llebar por tus caricias y tu besos, y tu no bales un medio mami tu bales un peso, salte de ese canal, q no te de por eso y prestame atencio q a cualquier santo no le rezo
y prestame atencio q a cualquier santo no le rezo
y prestame atencio q a cualquier santo no le rezo
Salte de ese canal, q no te de por eso y prestame atencio q a cualquier santo no le rezo.
Te dije q no te iba a dar bracke q no te iba a dar chanze y tu te sabes el proceso, q te coje 22 kilates pero con la promo el perso yai
Y ahora sueltate puti q tu novio no viene y si viene saco la metralleta y le hago pó, q el me muerde bien q el sabe quien soy yo, el niño de óro el 22
y prestame atencio q a cualquier santo no le rezo
y prestame atencio q a cualquier santo no le rezo
Salte de ese canal, q no te de por eso y prestame atencio q a cualquier santo no le rezo.
A la fiesta de los bombones, recuerda q no ban los caramelos, oye mira q no ban q no ban ahora vamos a darle agua q yo soy Rich Gang
y prestame atencio q a cualquier santo no le rezo
y prestame atencio q a cualquier santo no le rezo
Salte de ese canal, q no te de por eso y prestame atencio q a cualquier santo no le rezo.
Yo, siempre la formo con rutina, se descarga con poco o con mucho money y si no me cres entonces preguntale a ameth, lachy prowa, el rowa, gilbelito el roni
Atocha, el perso, atocha, la promo, la promo, andrew le puso la tapa al pomo
In Orlenis 22k's song "Acus," the lyrics delve deeply into themes of passion, betrayal, and the complexity of relationships, utilizing vivid imagery to illustrate the singer's experience with a woman. The opening lines reveal a deep emotional investment, where the singer admits to being swept away by the woman's affections and physical advances. However, this seems to devolve into a disillusionment as he declares that she is not worth more than a "medio" (half) but rather a true "peso" (a full unit of currency), signifying that despite the allure, there is an underlying sense of undervaluation. This interplay between desire and emotional betrayal sets the tone for the remainder of the song and captures a sense of urgency in needing the woman to recognize the gravity of their convoluted relationship.
As the song progresses, the singer navigates the experience of being emotionally manipulated ("hija del diablo") and highlights the conflicting emotions of attraction and rejection. The metaphor of her being "directo pal infierno" underscores a descent into chaos and highlights the potential for further betrayal, as she seems to have a tendency to lead others astray. The juxtaposition of heated encounters that feel fleeting contrasts starkly with the reality of feeling "fría" (cold), suggesting that her warmth is momentary and deceptive. This creates an atmosphere of tension as the singer wrestles with his feelings, revealing a sense of clarity grounded in disappointment—the realization that despite their intense connection, he perceives her as ultimately unworthy.
The repetition of key phrases throughout the track reinforces the unresolved nature of the singer's yearning and frustration. The refrain of urging her to "salte de ese canal" emphasizes a plea to change her path, hinting at an awareness of her detrimental choices. The insistence on asking for "atencio" evokes a desire for genuine acknowledgment and connection beyond mere physicality. This repeated admonition, "q a cualquier santo no le rezo," serves as a strong declaration against blind faith in their relationship, revealing a staunch refusal to seek redemption or solace in something that is inherently flawed. The singer's struggle derives not only from his emotional investment but also from navigating a relationship steeped in deceit, showcasing the frailty of human trust.
In the latter part of the song, the intensity escalates as the singer confronts the fear of losing a woman who seems to be straddling the line between loyalty and betrayal. His references to violence ("saco la metralleta") introduce an alarming escalation and reflect a protective instinct towards a relationship that has spiraled into chaos. By naming figures associated with strength and financial power, he aligns himself with a world of bravado and prestige, manifesting the notion that he is not to be trifled with. The closing lines, filled with references to camaraderie and recognition within the larger scene, point towards a validation both socially and emotionally. Overall, "Acus" captures a tumultuous journey through love and betrayal, layering the rawness of emotional expression with intricate cultural references that bring depth to the singer's struggle.
Line by Line Meaning
Yo me deje llebar por tus caricias y tu besos,
I surrendered to your affectionate touch and kisses,
y tu no bales un medio mami tu bales un peso,
yet you aren't worth even a dime; you're worth far more, my darling,
salte de ese canal, q no te de por eso
get away from that trap, don't let it consume you,
y prestame atencio q a cualquier santo no le rezo
and pay attention to me because I don't pray to just any saint.
Y yo q me deje llebar por tus caricias y tu besos,
And I, once again, have succumbed to your affectionate touch and kisses,
y tu no bales un medio mami tu bales un peso,
and you remain undervalued; you're worth so much more, sweetheart,
salte de ese canal, q no te de por eso
escape from that situation before it traps you,
y prestame atencio q a cualquier santo no le rezo
and focus on me because I don't pray to just any saint.
Hija del diablo bas directo pal infierno,
Daughter of the devil, you're heading straight for hell,
le dijo al novio q esta pa cuerno,
you told your boyfriend that you’re ready to cheat,
esa noche me llamo pa vernos asiendose la caliente y esta fria como invierno
that night you called me to meet, acting all hot while being cold as winter.
Yo le di y despues cojia pa eso, creyendose cosas y al final no bale un peso,
I indulged and later engaged with you, believing in illusions, but in the end, you were worthless.
tu pensaste q me hibas a trastear con eso,
You thought you could manipulate me with that,
camina por callo hueso q yo a cualquier santo no le reso
walk carefully because I don't bow to just any saint.
Y yo q me deje llebar por tus caricias y tu besos,
And once more, I let myself be carried away by your caresses and kisses,
y tu no bales un medio mami tu bales un peso,
even though you're still undervalued; you're truly worth more, my dear,
salte de ese canal, q no te de por eso
escape that trap before it engulfs you,
y prestame atencio q a cualquier santo no le rezo
and heed my words because I don't pray to just any saint.
Te dije q no te iba a dar bracke q no te iba a dar chanze
I told you I wouldn’t offer you any leeway or chances,
y tu te sabes el proceso, q te coje 22 kilates pero con la promo el perso yai
and you know the deal; it elevates you like pure gold, but with the promotional aspect.
Y ahora sueltate puti q tu novio no viene
So let loose, darling, your boyfriend isn't coming,
y si viene saco la metralleta y le hago pó,
and if he does come, I'll pull out my gun and fire,
q el me muerde bien q el sabe quien soy yo,
because he knows who I am, and he's aware of my reputation,
el niño de óro el 22
the golden boy, the 22 karat gem.
y prestame atencio q a cualquier santo no le rezo
and pay attention to me since I don't pray to just any saint.
A la fiesta de los bombones, recuerda q no ban los caramelos,
At the candy party, remember that not all sweets are present,
oye mira q no ban q no ban ahora vamos a darle agua q yo soy Rich Gang
now see that they’re missing; we’ll hydrate ourselves because I’m part of Rich Gang.
y prestame atencio q a cualquier santo no le rezo
and listen closely, as I don't pray to just any saint.
Yo, siempre la formo con rutina,
I continuously stir things up in my routine,
se descarga con poco o con mucho money
she unwinds regardless of having little or ample money,
y si no me cres entonces preguntale a ameth, lachy prowa, el rowa, gilbelito el roni
and if you don’t believe me, then ask Ameth, Lachy Prowa, Rowa, or Gilbelito El Roni,
Atocha, el perso, atocha, la promo, la promo, andrew le puso la tapa al pomo
Atocha, the style, Atocha, the promotion, promotion; Andrew capped it off perfectly.
Lyrics © O/B/O APRA AMCOS
Written by: Orlenis 22k
Lyrics Licensed & Provided by LyricFind