Orquesta La Terrífica was founded In 1972 by Joe Rodriguez , after a disagr… Read Full Bio ↴Orquesta La Terrífica was founded In 1972 by Joe Rodriguez , after a disagreement with Enrique 'Quique' Lucca (founder of Sonora Ponceña), Joe directed the organization of another musical group, originally called "Los Terríficos", a name that was soon changed by Orquesta La Terrífica. Together with Joe Rodriguez, they also left Sonora Ponceña, Tito Gomez (singer), Francisco Alvarado (bongosero) and others. Under the production of Larry Harlow and the label Fania, La Terrífica launches its first LP, "Orquesta La Terrífica". The voice was in charge of Tito Gomez, in the choirs was Héctor Lavoe and Adalberto Santiago. With this, La Terrífica became a strong competition for the salsero market.
In 1974, he recorded his second LP entitled "Terrífica" and in 1975 "The days of my life". In 1976 also records the album "Sabor a Pueblo" With these discs it releases three singers who soon would become important exponents of the sauce. One of them, Pichie Perez, who at 16 and being a student of Joe Rodriguez himself sings several important numbers and the other Yolanda Rivera, who stands out in the number "Guaguancó # 3". Also debut in the sauce Mannix Martinez who masterfully interprets the boleros and the sauces.
During the decade of the 70, Joe Rodriguez managed to create a distinctive sound with his orchestra, that reached great popularity. To the degree that it was the orchestra chosen by Fania to accompany Pete 'Conde' Rodriguez and Ismael Miranda. He also came to accompany Meñique and Justo Betancourt among others. However, it was in 1980 when La Terrífica recorded its greatest success: Poor House, Big House. This number was positioned in the first places of the salsa quickly in Puerto Rico as well as in South America, Mexico and the United States and took to Joe Rodriguez to the international scope.
This was followed by successes such as "Hinca la mare", "Everywhere" and "Flavor Ritmo y Coro". Arranged by Isidro Infante, José Febles and accompanied by other trumpeters such as Juancito Torres and Elias Lopez. Joe Rodriguez also recruited other sonos that soon would reach the fame such as Héctor Tricoche, Luisito Carrión and Wito Columbus.
At the end of the 90's Joe Rodriguez becomes Jehovah's Witness and leaves the music to dedicate himself to his work as a teacher and to evangelize from house to house.
In 2014, he returns to lead the Orchestra Abran Paso on National Salsa Day to remember La Terrífica, where the event is unexpectedly dedicated.
No doubt, he was a master of salsa and his legacy still persists
In 1974, he recorded his second LP entitled "Terrífica" and in 1975 "The days of my life". In 1976 also records the album "Sabor a Pueblo" With these discs it releases three singers who soon would become important exponents of the sauce. One of them, Pichie Perez, who at 16 and being a student of Joe Rodriguez himself sings several important numbers and the other Yolanda Rivera, who stands out in the number "Guaguancó # 3". Also debut in the sauce Mannix Martinez who masterfully interprets the boleros and the sauces.
During the decade of the 70, Joe Rodriguez managed to create a distinctive sound with his orchestra, that reached great popularity. To the degree that it was the orchestra chosen by Fania to accompany Pete 'Conde' Rodriguez and Ismael Miranda. He also came to accompany Meñique and Justo Betancourt among others. However, it was in 1980 when La Terrífica recorded its greatest success: Poor House, Big House. This number was positioned in the first places of the salsa quickly in Puerto Rico as well as in South America, Mexico and the United States and took to Joe Rodriguez to the international scope.
This was followed by successes such as "Hinca la mare", "Everywhere" and "Flavor Ritmo y Coro". Arranged by Isidro Infante, José Febles and accompanied by other trumpeters such as Juancito Torres and Elias Lopez. Joe Rodriguez also recruited other sonos that soon would reach the fame such as Héctor Tricoche, Luisito Carrión and Wito Columbus.
At the end of the 90's Joe Rodriguez becomes Jehovah's Witness and leaves the music to dedicate himself to his work as a teacher and to evangelize from house to house.
In 2014, he returns to lead the Orchestra Abran Paso on National Salsa Day to remember La Terrífica, where the event is unexpectedly dedicated.
No doubt, he was a master of salsa and his legacy still persists
No Hace Falta
Orquesta La Terrifica Lyrics
We have lyrics for 'No Hace Falta' by these artists:
Abel Zavala Quiero decirte que eres el amor de mi vida El dueño…
Christian Castro No hace falta que aparente, Tu conoces cada linea de…
Costumbre no hace falta que me digas que me quieres si en la…
Cristian No hace falta que aparente, Tu conoces cada linea…
Cristian Castro No hace falta que aparente Tu conoces cada linea de mi…
Domingo Quiñones No hace falta decirlo con tus ojos me basta Los conozco…
Dos Lunas No hace falta que se sequen los cielos Para arrancarme y…
Estoy Bien Hace años que me cuesta Pararme frente al espejo No sé cómo…
Il Volo Tal vez no quieras que esta melodía Te susurre el alma…
Julieta Venegas No hace falta que tu me cuentes todo No quiero…
La Costumbre & Costumbre no hace falta que me digas que me quieres si en la…
Manuel Mijares No hace falta que me mires no hace falta que…
Mijares No hace falta que me mires No hace falta que lo…
Monsieur Periné Para nacer, sólo basta un empujón La vida viene y no…
MR Hace falta mas bondad amabilidad y sinceridad Para que no re…
P.FLXWS NO TE HACE FALTA LEER, LEER NO TE HACE CREER NO…
VENEGAS JULIETA No hace falta que tu me cuentes todo No quiero…
Victor Manuelle No hace falta un claro de luna, no hace falta…
We have lyrics for these tracks by Orquesta La Terrifica:
Como da Vueltas la Vida Yo pase de niño malo A ser aventurero y luego fui…
Corazon Fracturado Quiero saber con quien tengo el placer de empezar esta nueva…
Sin Rumbo Fijo Déjame juntar tus labios con los míos Déjame saciar tu sed…
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