Otep have since released six full-length albums featuring many session musicians including Greg Wells, Joey Jordison of Slipknot, Koichi Fukuda of Static-X, Emilie Autumn, Tony Campos of Soulfly and Asesino (ex-Static-X), and Ulrich Wild. Their first three albums, Sevas Tra, House of Secrets, and The Ascension, were released on Capitol Records. However, after the label's merging with Virgin Records, Otep, along with many other bands, were released from their contracts with Capitol in 2007. Two years later, Otep signed with Victory Records and released their fourth album, Smash the Control Machine, which included a reunion with former members Mark "Moke" Bistany on drums and Rob Patterson on guitar. The album also featured Koichi Fukuda on piano and Emilie Autumn on violin.
Atavist was the first album not to feature longtime bassist Jason "eViL J" McGuire who left the band on September 30, 2010, the personnel consisted of session musicians Rani Sharone, Gil Sharone, Tony Campos, Collyn McCoy, Ulrich Wild, and Markus Estrada. On the tour supporting the album, her band consisted of support musicians courtesy of the supporting band and labelmates on the tour, Destrophy. The band is now mainly Otep Shamaya.
In 2011, Otep toured as a supporting act along with Earth Crisis for Cavalera Conspiracy. She also wrote and released a new book of poems titled "New Word Order" in December 2011.
In 2013, Otep released her sixth studio album titled Hydra on January 22 through Victory Records.
I Remember
Otep Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Who's there?
And I remember flashes of laughter
And lunatics lost in your soul
Seductive propaganda scrolling across my mind
Like guerrilla cinema
Flies in the afterbirth
Shadows across my mind
Smiling but dead, smiling but dead
Smiling but dead, smiling but dead
Smiling but dead, smiling but dead
Crawling on linoleum kitchens
TV streaming death
And corporate consciousness into my brain
Cracked porcelain sinks
Covered with insects and dirty dishes
The early morning anxiety of, of grade school
Dark stockings to hide the bruises
The secret friends, festive holidays
And everyone in their, in their Sunday best
Pretending to like each other
Generations and generations
Of loneliness, sad mistakes
Stealing away in the dead of night
To escape stiff jawed henchmen
In, in the hungry trucks of an angry slumlord
Miles and miles away
Patience and understanding
Waking on the side of the road
Hissing radiator, hoses cracked like, like burned skin
And days so hot
A nuclear holocaust would've felt like
A cyclonian blizzard
I remember the first time
I felt it alive inside me, turning
But the dead weight moving
Within the folds of its winged embrace
Opening and sliding those black feathers
Inches at a time
Its beak, its, its feet
Pushing and pushing and, and pushing
And digging into the membrane
And I remember going numb
And listening to it hum
I'm feeling it move in its mysteries
Exploring me with power
I remember this
And I know I never had a chance
There was never any escaping it
Amen
Guns and God
Guns and God
Amen
The lyrics to "I Remember" by Otep are both poignant and cryptic, with the artist exploring themes of trauma and oppression, often through the lens of memory. In the opening lines, Otep poses the question: "Who's there?" This could be seen as a reference to the voice inside of her head or the constant presence of anxiety and fear that haunts her memories. Otep then sings about "flashes of laughter" and "lunatics lost in your soul," which could be interpreted as memories of happier times contrasted with the darker, more tumultuous aspects of her psyche.
The second verse delves deeper into these darker themes, as Otep sings about "the early morning anxiety of grade school" and the "dark stockings to hide the bruises." She also touches on themes of conformity and social manipulation, describing "everyone in their Sunday best, pretending to like each other." The final verse takes an even more abstract turn, with Otep singing about feeling "it" alive inside her and the mysterious force exploring her with power.
Overall, "I Remember" is a powerful exploration of trauma, pain and memory, with Otep using cryptic lyrics and a haunting melody to convey the weight of these experiences.
Line by Line Meaning
And I remember flashes of laughter
I recall brief moments of joy and happiness
And lunatics lost in your soul
And individuals with uncontrolled and irrational behavior hidden within you
Seductive propaganda scrolling across my mind
Persuasive but misleading information being fed to me repeatedly
Like guerrilla cinema
Similar to tactics used by underground movements to spread their message
Belts and, and wooden spoons
Physical forms of punishment such as whipping and beating with wooden utensils
Flies in the afterbirth
Insects feeding on the remains of birth
Shadows across my mind
Dark clouds of negativity hindering my thoughts
Smiling but dead, smiling but dead
Appearing joyful outwardly but emotionally dead inside
Crawling on linoleum kitchens
Moving slowly and painfully on kitchen floors made of synthetic material
TV streaming death
Television transmitting depressing and violent content
And corporate consciousness into my brain
And ideas and values of the business world influencing my thoughts
Cracked porcelain sinks
Bathroom fixtures made of fragile material and broken
Covered with insects and dirty dishes
Infested with bugs and unwashed dishes
The early morning anxiety of, of grade school
Feeling uneasy in the early hours of school days
Dark stockings to hide the bruises
Wearing dark clothes to cover up physical injuries
The secret friends, festive holidays
Having friends in secrecy; cheerful celebrations
And everyone in their, in their Sunday best
Everyone wearing their best clothes on special occasions
Pretending to like each other
Feigning affection towards each other
Generations and generations
Multiple successive groups of people over the years
Of loneliness, sad mistakes
Experiencing prolonged periods of isolation and regrettable choices
Stealing away in the dead of night
Escaping unnoticed in the darkness
To escape stiff jawed henchmen
To get away from unyielding subordinates
In, in the hungry trucks of an angry slumlord
Being carried away in an angry landlord's vehicles while starving
Miles and miles away
Far away from the starting point
Patience and understanding
Tolerance and empathy towards others
Waking on the side of the road
Rousing from sleep while lying next to a street
Hissing radiator, hoses cracked like, like burned skin
Sibilant sound from heating device; pipes in disrepair resembling burned flesh
And days so hot
And extremely warm weather conditions
A nuclear holocaust would've felt like
It would have been similar to a catastrophic event like a nuclear blast
A cyclonian blizzard
A storm with snow and gales rotating in a circular motion
I remember the first time
I recollect the initial experience
I felt it alive inside me, turning
Feeling something active and in motion deep within me
But the dead weight moving
But the load being carried despite being inanimate
Within the folds of its winged embrace
Within the enveloping arms of its winged structure
Opening and sliding those black feathers
Expanding and moving the dark feathers
Inches at a time
Progressing slowly
Its beak, its, its feet
Its mouth and limbs
Pushing and pushing and, and pushing
Exerting force and momentum
And digging into the membrane
And penetrating the thin film covering it
And I remember going numb
And I remember losing all feeling in my body
And listening to it hum
And hearing it make a low buzzing sound
I'm feeling it move in its mysteries
I sense its enigmatic movements in me
Exploring me with power
Studying and monitoring me with strength
And I know I never had a chance
And I'm aware that I never had any possibility of avoiding it
There was never any escaping it
There was no avoiding it whatsoever
Amen
So be it, let it be done
Guns and God
Weapons and the divine
Guns and God
Weapons and the divine
Amen
So be it, let it be done
Contributed by Camilla M. Suggest a correction in the comments below.
KPH Kophijkkn
The Intro Takes Ages, Ima Bout To Go Sleep Waiting
Alyssa Baugh
Smile and prerend smile and pretend