Tramp
Otis & Carla Lyrics


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(Tramp!)
What you call me? (tramp!)
No you didn't! (you don't wear continental clothes, or Stetson hats)
Well, I tell you one doggone thing
It makes me feel good to know one thing, I know I am a lover
(Matter of opinion) that's all right, mama was, papa too
And I'm the only child, lovin' is all I know to do
(You know what, Otis?) what? (you're country)
That's all right (you straight from the Georgia woods) that's good!
(You know what, you wear overalls)
(And big old brogan shoes)
And you need a haircut, tramp (haircut, woman, you foolin', ooh, I'm a lover)
Mama was, grandmama, papa too, boogaloo, all that stuff
And I'm the only son-of-a-gun this side of the Sun

Tramp! (yeah, that's what you are)

(You know what, Otis? I don't care what you say, you're still a tramp) what?
(That's right, you haven't even got a fat bankroll in your pocket)
(You probably haven't even got twenty-five cents)
I got six Cadillacs, five Lincolns, four Fords
Six Mercuries, three T-Birds, Mustangs, ooh, I'm a lover
My mama was, my papa too
I'm gonna tell you one thing (well, tell me)
I'm the only son-of-a-gun this side of the sun.

(You're a tramp, Otis) (no I'm not)
(I don't care what you say, you're still a tramp) what's wrong with that?
(Lookee here, ou ain't got no money) I got everything
(You can't buy me all those minks and sables and all that stuff I want)
I can buy you minks, rats, frogs, squirrels, rabbits, anything you want, woman
(Look, you can go out in the Georgia woods and catch them, baby)
Oh, you goofy, now (no, you're still a tramp) that's all right
(Tramp, Otis, you just a tramp) that's all right, that's all right
You wear overalls, you need a haircut, baby




Cut off some of that hair off your head
You think you a lover, huh?

Overall Meaning

The song "Tramp" by Otis & Carla is a back-and-forth conversation between a man and a woman about the man being called a tramp. The lyrics begin with the woman calling the man a tramp because he does not wear fancy clothes, but the man responds by saying that he knows he is a lover. He claims that his family members were all lovers as well, and that loving is all he knows how to do. The woman continues to poke fun at the man by saying he is from the Georgia woods, wears overalls, and needs a haircut. The man remains confident in his ability to love and claims that he is the only son-of-a-gun this side of the sun.


The conversation gets more playful as the lyrics continue. The woman accuses the man of not having any money, but the man claims he has six Cadillacs, five Lincolns, and more. He tells the woman he can buy her anything she wants, but she still calls him a tramp. The man ends the conversation by telling the woman she is goofy and that he is still a lover, despite her insults.


Overall, "Tramp" is a fun and lighthearted song about two people teasing each other. It highlights the playful banter that can exist between men and women, and shows that sometimes it's okay to not take each other too seriously.


Line by Line Meaning

Tramp!
A term of insult for someone who is seen as promiscuous or unfaithful.


What you call me?
Asking for clarification on the use of the term 'tramp'.


No you didn't! (you don't wear continental clothes, or Stetson hats)
Disagreeing with the characterization of being a 'tramp'; pointing out that they don't dress in high-society clothing.


Well, I tell you one doggone thing
Starting to assert their own point of view.


It makes me feel good to know one thing, I know I am a lover
Taking pride in their romantic abilities.


(Matter of opinion) that's all right, mama was, papa too
Acknowledging that different people have different views on what constitutes a 'tramp'; also pointing out that their parents were loving people, which they see as a positive thing.


And I'm the only child, lovin' is all I know to do
Emphasizing their background as a child of loving parents who taught them to value affection and intimacy.


(You know what, Otis?) what? (you're country)
Taking another jab at Otis's working-class roots, implying that they are unsophisticated or unrefined.


(That's all right (you straight from the Georgia woods) that's good!)
Pushing back against the insult, saying that they are proud of their working-class roots.


(You know what, you wear overalls)
Pointing out their simple fashion sense, which may be seen as unfashionable or unfancy.


(And big old brogan shoes)
Further highlighting their lack of fashion sense, by pointing out their footwear.


And you need a haircut, tramp (haircut, woman, you foolin', ooh, I'm a lover)
Insisting that their long hair is a feature they can be proud of, and emphasizing their identity as a loving romantic partner.


Mama was, grandmama, papa too, boogaloo, all that stuff
Referencing a lineage of lovers in their family; 'boogaloo' could refer to a dance or a style of music associated with love or romance.


And I'm the only son-of-a-gun this side of the Sun
Asserting that they are unique and have a special identity as a loving person.


(That's right, you haven't even got a fat bankroll in your pocket)
Another insult, this time pointing out Otis's lack of wealth or material possessions.


(You probably haven't even got twenty-five cents)
Further emphasizing their lack of money.


I got six Cadillacs, five Lincolns, four Fords
Countering the previous insult by boasting about their car collection.


Six Mercuries, three T-Birds, Mustangs, ooh, I'm a lover
Continuing the list of cars and again emphasizing their identity as a lover.


My mama was, my papa too
Referencing their family again and implying that their parents were successful or wealthy.


I'm gonna tell you one thing (well, tell me)
Asserting their confidence and power in the interaction.


You're a tramp, Otis
Returning to the original insult.


(no I'm not)
Denying the insult.


(I don't care what you say, you're still a tramp)
Maintaining the insult despite Otis's denial.


what's wrong with that?
Questioning why being a 'tramp' is a bad thing.


(Lookee here, you ain't got no money) I got everything
Disputing the insult about their finances, asserting that they have plenty of money and material possessions.


(You can't buy me all those minks and sables and all that stuff I want)
Suggesting that the other person wants expensive or luxurious things, and that money can't necessarily buy everything they desire.


I can buy you minks, rats, frogs, squirrels, rabbits, anything you want, woman
Boasting that they are wealthy enough to buy even exotic types of fur or clothing.


(Look, you can go out in the Georgia woods and catch them, baby)
Pointing out that the other person could find animals and fur in their local environment, rather than relying on money to buy them.


Oh, you goofy, now
Playfully teasing the other person.


(no, you're still a tramp) that's all right
Accepting the insult and acknowledging that it doesn't necessarily mean anything negative about them.


(Tramp, Otis, you just a tramp) that's all right, that's all right
Returning to the insult as a playful teasing remark, and again indicating that they are not offended.


You wear overalls, you need a haircut, baby
Continuing to joke around about their simple fashion sense and long hair.


Cut off some of that hair off your head
Suggesting that they should get a haircut.


You think you a lover, huh?
Returning to their identity as a lover and playful teasing of Otis.




Lyrics © BMG Rights Management, Universal Music Publishing Group
Written by: Jimmy McCracklin, Lowell Fulsom

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

@That_AMC_Guy

@@Hamman21 Stax was not the most well-equipped studio even into the 1970's. If memory serves me, they shelled out the big money for an AMPEX 8-track tape machine in 1965 or '66.... but they used that machine well into the 70's. I don't think they had the money to go 16-track until sometime in 1971. The Shaft Soundtrack by Isaac Hayes was probably one of their first - if not THE first 16-track session at Stax.

For comparison, the big boy studios controlled by the likes of RCA or Columba were 16-track by the fall of 1968. Even some of the independent studios like the Record Plant in New York or American Sound in LA were 16-track no later than 1970.

Recording vocals is no easy task. You also had to consider distortion. Are you familiar with the Beatles song "Revolution"? EMI engineers originally told the boys they could not cut that record. The needle would jump out of the groove!

Otis' voice would cause lots of distortion if his voice weren't toned-down a bit when he gets loud.

So many things to consider in this case.... his vocal mike.... how many takes they tried to do, what the booth sounded like..... the recording process in the 60's was pretty difficult.



All comments from YouTube:

@queenratv115

I’m here 2023 I’m 68 love this song

@cohoegravitino5559

I think that this song loves you too.

@raymyslewski9494

I think I've heard this with my friends. Of course it was, like, 1968 when it came out. But I've heard this kind of back and forth across tables many times. "Oakland's Own"...

@darrenduncan1674

😂 This old familiar comical duet with the late great Otis Redding just popped into my head for no particular reason at all while I was washing my dishes this morning and it kept playing over and over in my mind on 10/25/23. So that's what brought me here. Haven't heard it in years.

@raymyslewski9494

Same thing here. I take a 3 mile walk every morning. Four years running. I was just walking and I thought "...And you need a haircut, Tramp...", "Woman, you too!"

@EmmelineBT

Ain’t nobody still killing it like Otis man!! Heart and soul ❤️

@robcockayne

Doesn't come anywhere near Lowell

@stevengilmore1509

Wilson Pickett too. Driving force soul!

@goosedoesnotapprove

I think of Rooster entering the bar in Top Gun whenever I hear this

@stevengilmore1509

That is exactly why I sought out this song!

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