Redding was born in Dawson, Georgia, and at the age of 2, moved to Macon, Georgia. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first single, "These Arms of Mine", in 1962.
Stax released Redding's debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small gigs in the American South. He later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic "(Sittin' On) The Dock of the Bay" with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding's premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.
Redding received many posthumous accolades, including the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In addition to "(Sittin' On) The Dock of the Bay," "Respect" and "Try a Little Tenderness" are among his best-known songs.
Redding has been called the "King of Soul", an honorific also given to Brown and Cooke. He remains one of the genre's most recognized artists. His lean and powerful style exemplified the Stax sound; he was said to be "the heart and soul of Stax", while artists such as Al Jackson, Dunn and Cropper helped to expand its structure. His open-throated singing, the tremolo/vibrato, the manic, electrifying stage performances and perceived honesty were particular hallmarks, along with the use of interjections (such as "gotta, gotta, gotta"), some of which came from Cooke. Producer Stewart thought the "begging singing" was stress-induced and enhanced by Redding's shyness.
Artists from many genres have named Redding as a musical influence. George Harrison called "Respect" an inspiration for "Drive My Car". The Rolling Stones also mentioned Redding as a major influence. Other artists influenced by Redding include Led Zeppelin, Grateful Dead, Lynyrd Skynyrd, the Doors, and virtually every soul and R&B musician from the early years, such as Al Green, Etta James, William Bell, Aretha Franklin, Marvin Gaye and Conley. Janis Joplin was influenced by his singing style, according to Sam Andrew, a guitarist in her band Big Brother and the Holding Company. She stated that she learned "to push a song instead of just sliding over it" after hearing Redding.
The Bee Gees' Barry Gibb and Robin Gibb wrote the song "To Love Somebody" for him to record. He loved it, and he was going to "cut it", as Barry put it, on his return from his final concert. They dedicated the song to his memory.
I've Been Loving You Too Long
Otis Redding Lyrics
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You were tired and you want to be free
My love is growing stronger, as you become a habit to me
Ooh, I've been loving you too long
I don't want to stop now, oh
With you my life has been so wonderful
You were tired and your love is growing cold
My love is growing stronger as our affair, affair grows old
I've been loving you, oh, too long, long to stop now
Oh, oh oh
I've been loving you a little too long
I don't want to stop now
Oh, oh
Don't make me stop now, oh, baby
I'm down on my knees, just please, don't make me stop now
I love you, I love you
I love you with all of my heart
And I can't stop now
Please, please, please don't, don't make me stop now, yeah
Oh, talkin' 'bout heart and soul, crying
Crying out loud
The lyrics of Otis Redding's "I've Been Loving You Too Long" express the singer's deep and undying love for someone who is tired and wants to be free. Redding's love is growing stronger, becoming a habit that he cannot break. The singer pleads with his lover not to make him stop loving her, even if her love is growing cold. He begs her not to stop their affair, which has become an integral part of his life. The lyrics are filled with emotion, as Redding's passion for his lover is palpable.
The song has a soulful and bluesy sound, with Redding's distinctive voice conveying a sense of longing and desperation. The repeated refrain of "I've been loving you too long to stop now" adds to the emotional impact of the lyrics. The use of the word "habit" is particularly powerful, as it suggests that Redding's love is addictive and impossible to resist.
Overall, "I've Been Loving You Too Long" is a poignant and heartfelt tribute to the intensity of love and the difficulty of letting go. Redding's lyrics speak to anyone who has ever felt consumed by a love that they cannot control.
Line by Line Meaning
I've been loving you too long to stop now
I have been loving you for so long that I cannot stop now.
You were tired and you want to be free
You are tired and want to be free from our relationship or commitment.
My love is growing stronger, as you become a habit to me
As I continue to love you, my love for you is growing stronger and you have become a habit that I cannot break.
Ooh, I've been loving you too long
Oh, I have been loving you for too long, longer than necessary.
I don't want to stop now, oh
I do not want to stop loving you now.
With you my life has been so wonderful
My life has been wonderful because you are in it.
I can't stop now
I cannot stop loving you now.
You were tired and your love is growing cold
You are becoming tired and your love for me is becoming cold and distant.
My love is growing stronger as our affair, affair grows old
My love for you is growing stronger as our relationship grows older.
I've been loving you, oh, too long, long to stop now
I have been loving you for too long, too long to stop now.
Don't make me stop now, oh, baby
Please do not make me stop loving you now, my love.
I'm down on my knees, just please, don't make me stop now
I am begging you, do not make me stop loving you.
I love you, I love you
I love you, I love you with all of my heart.
I love you with all of my heart
My love for you is pure and strong, with all my heart.
And I can't stop now
I cannot stop loving you now.
Please, please, please don't, don't make me stop now, yeah
Please do not make me stop loving you now, I beg of you.
Oh, talkin' 'bout heart and soul, crying
I am talking about my heart and soul, crying out for you.
Crying out loud
I am crying out loud because I cannot imagine living without you.
Lyrics © Universal Music Publishing Group, Royalty Network
Written by: Jerry Butler, Otis Redding
Lyrics Licensed & Provided by LyricFind