His distinctive guitar style featured a slow-burning sound and long bent notes. With qualities similar to the styles of Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and was an influence on many musicians, including
Michael Bloomfield, Peter Green and Eric Clapton.
Otis Rush, the son of Julia Campbell Boyd and O. C. Rush, was born near Philadelphia, Mississippi, in 1934. (or 1935?).
Rush moved to Chicago, Illinois, in 1948, and made a name for himself playing in blues clubs on the South Side and the West Side of the city.
From 1956 to 1958, he recorded for Cobra Records and released eight singles, some featuring Ike Turner or Jody Williams on guitar. His first single, "I Can't Quit You Baby", in 1956 reached number 6 on the Billboard R&B chart. During his tenure with Cobra, he recorded some of his best-known songs, such as "Double Trouble" and "All Your Love (I Miss Loving)."
Cobra Records went bankrupt in 1959, and Rush signed a recording contract with Chess Records in 1960. He recorded eight tracks for the label, four of which were released on two singles that year. Six tracks, including the two singles, were later included on the album Door to Door in 1969, a compilation also featuring Chess recordings by Albert King. Rush went into the studio for Duke Records in 1962, but only one single, "Homework" backed with "I Have to Laugh", was issued by the label. It was also released in Great Britain as Vocalion VP9260 in 1963. In 1965, he recorded for Vanguard; these recordings are included on the label's compilation album Chicago/The Blues/Today! Vol. 2. Rush began playing in other cities in the United States and in Europe during the 1960s, notably with the American Folk Blues Festival. In 1969, his album Mourning in the Morning was released by Cotillion Records. Recorded at the FAME Studios in Muscle Shoals, Alabama, the album was produced by Michael Bloomfield and Nick Gravenites (then of the band Electric Flag). The sound incorporated soul music and rock, a new direction for Rush.
In 1971, Rush recorded the album Right Place, Wrong Time in San Francisco for Capitol Records, but Capitol did not release it. The album was finally issued in 1976, when Rush purchased the master from Capitol and had it released by P-Vine Records in Japan. Bullfrog Records released it in the United States soon after. The album has since gained a reputation as one of his best works . He also released some albums for Delmark Records and for Sonet Records in Europe during the 1970s, but by the end of the decade he had stopped performing and recording.
Rush made a comeback in 1985 with a U.S. tour and the release of a live album, Tops, recorded at the San Francisco Blues Festival.
He released Ain't Enough Comin' In in 1994, his first studio album in 16 years. Any Place I'm Goin' followed in 1998, and he earned his first Grammy Award for Best Traditional Blues Album in 1999. Rush did not record a new studio album after 1998 but he continued to tour and perform until 2003, when he suffered a stroke. In 2002, he was featured on the Bo Diddley tribute album Hey Bo Diddley – A Tribute!, performing the song "I'm a Man", produced by Carla Olson. Rush's 2006 album Live...and in Concert from San Francisco, a live recording from 1999, was released by Blues Express Records. Video footage of the same show was released on the DVD Live Part 1 in 2003.
In June 2016, Rush made a rare appearance at the Chicago Blues Festival in Grant Park. Chicago Mayor Rahm Emmanuel honored Rush's appearance by declaring June 12 to be Otis Rush Day in Chicago. Due to his ongoing health problems Rush was unable to play, but celebrated on the sidelines with his family who stood around him.
Awards
Rush was elected to the Blues Hall of Fame in 1984.
In 2015, Rolling Stone ranked Rush number 53 on its 100 Greatest Guitarists list.
The Jazz Foundation of America honored Rush with a Lifetime Achievement Award on April 20, 2018 "for a lifetime of genius and leaving an indelible mark in the world of blues and the universal language of music."
His death on September 29, 2018, from complications arising from his stroke in 2003, was announced on his website by his wife Masaki.
Selected discography
Singles
1956 "I Can't Quit You Baby" / "Sit Down Baby" (Cobra 5000)
1956 "My Love Will Never Die" / "Violent Love" (Cobra 5005)
1957 "Groaning the Blues" / "If You Were Mine" (Cobra 5010)
1957 "Jump Sister Bessie" / "Love That Woman" (Cobra 5015)
1957 "She's a Good 'Un" / "Three Times a Fool" (Cobra 5023)
1958 "Checking on My Baby" / "It Takes Time" (Cobra 5027)
1958 "Double Trouble" / "Keep On Loving Me Baby" (Cobra 5030)
1958 "All Your Love (I Miss Loving)" / "My Baby's a Good 'Un" (Cobra 5032)
1960 "So Many Roads So Many Trains" / "I'm Satisfied" (Chess 1751)
1960 "You Know My Love" / "I Can't Stop Baby" (Chess 1775)
1962 "Homework" / "I Have to Laugh" (Duke 356)
1969 "Gambler's Blues" / "You're Killing My Love" (Cotillion 44032)
Original albums
1968 This One's a Good One (Blue Horizon)
1969 Mourning in the Morning (Cotillion)
1972 Blues Masters, Vol. 2
1974 Screamin' and Cryin' (Black & Blue)
1975 Cold Day in Hell (Delmark)
1976 So Many Roads (Delmark)
1976 Right Place, Wrong Time (Bullfrog)
1978 Troubles Troubles (Sonet)
1988 Tops (Blind Pig)
1989 Blues Interaction – Live in Japan 1986 (P-Vine)
1991 Lost in the Blues (Alligator ALCD4797)
1993 Live in Europe (Evidence Music ECD)
1994 Ain't Enough Comin' In (This Way Up/Mercury)
1998 Any Place I'm Going (House of Blues)
2006 Live...and in Concert from San Francisco (Blues Express)
2009 Chicago Blues Festival 2001 (P-Vine)
2015 Double Trouble LIVE Cambridge 1973 (RockBeat Records)
Compilation albums
1969 Door to Door, with Albert King (Chess)
1989 I Can't Quit You Baby: The Cobra Sessions 1956–1958 (P-Vine)
2000 Good 'Uns: The Classic Cobra Recordings 1956–1958 (Westside)
2000 The Essential Otis Rush: The Classic Cobra Recordings 1956–1958 (Fuel 2000)
2002 Blue on Blues: Buddy Guy & Otis Rush (Fuel 2000)
2005 All Your Love I Miss Loving: Live at the Wise Fools Pub, Chicago (Delmark)
2006 Live at Montreux 1986 (Eagle Rock Entertainment) (joint performance with Eric Clapton and Luther Allison)
2015 Double Trouble: Live Cambridge 1973 (Rockbeat Records ROCCD 3220)
DVDs
2003 Live Part One (Blues Express)
2006 Live at Montreux 1986 (Eagle Rock Entertainment)[
So Many Roads so Many Trains
Otis Rush Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
So many roads, so many trains to ride
I've got to find my baby, 'fore I'll be satisfied
I was standin' by my window, when I heard that whistle blow
I was standin' by my window, when I heard that whistle blow
You know I thought it was a Streamline, but it was a B & O
It was a mean ol' fireman and a cruel ol' engineer
That took away my baby and left me standin' here
Otis Rush's "So Many Roads, So Many Trains" is a blues song about the numerous roads and trains the singer must take to find his lover. The urgency to find his significant other is present throughout the lyrics as the singer repeats the line, "I've got to find my baby, 'fore I'll be satisfied." That repeating line emphasizes the importance of love and how without it, one can never truly find satisfaction in life. The first two lines of the song introduce the problem that the singer faces; he is searching for his lover but is unsure of which road or train he must take. He is determined to find her, but the journey is long and uncertain. The repetition of the lines, "so many roads, so many trains to ride," emphasizes the distance between him and his lover and the multitude of paths that he must take to find her.
In the second verse, the singer is alerted to the train's arrival by a whistle, but he mistakenly assumes it's the train he was waiting for. His assumption is incorrect, and he realizes that he must continue his travels to find the right train. The third verse, however, gives more insight into what happened to his lover. The fireman and the engineer, who are supposed to be symbols of safety and security on the train, have instead taken his love away from him. The fact that they are described as "mean" and "cruel" underscores the pain and anguish that the singer is feeling. The song's theme is that love is elusive, and it takes a great deal of effort to find it; however, when it is lost, it can be incredibly challenging to get it back.
Line by Line Meaning
So many roads, so many trains to ride
There are countless opportunities and options in life, and many paths to take.
So many roads, so many trains to ride
Repeating the opening line emphasizes the vastness of the world and the endless possibilities to explore.
I've got to find my baby, 'fore I'll be satisfied
The singer has a strong desire and need to reunite with their loved one in order to feel complete.
I was standin' by my window, when I heard that whistle blow
The artist was at home, possibly feeling lonely or disconnected, when they were jolted back to reality by a train whistle.
You know I thought it was a Streamline, but it was a B & O
The artist had a brief moment of excitement, thinking it was a specific type of train, but it turned out to be a different one entirely.
It was a mean ol' fireman and a cruel ol' engineer
The people operating the train are described negatively, possibly reflecting the singer's bitterness towards them for taking their loved one away.
That took away my baby and left me standin' here
The train, and by extension the people operating it, are blamed for separating the singer from their loved one, leaving them feeling lost and alone.
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: MARSHALL PAUL
Lyrics Licensed & Provided by LyricFind