His distinctive guitar style featured a slow-burning sound and long bent notes. With qualities similar to the styles of Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and was an influence on many musicians, including
Michael Bloomfield, Peter Green and Eric Clapton.
Otis Rush, the son of Julia Campbell Boyd and O. C. Rush, was born near Philadelphia, Mississippi, in 1934. (or 1935?).
Rush moved to Chicago, Illinois, in 1948, and made a name for himself playing in blues clubs on the South Side and the West Side of the city.
From 1956 to 1958, he recorded for Cobra Records and released eight singles, some featuring Ike Turner or Jody Williams on guitar. His first single, "I Can't Quit You Baby", in 1956 reached number 6 on the Billboard R&B chart. During his tenure with Cobra, he recorded some of his best-known songs, such as "Double Trouble" and "All Your Love (I Miss Loving)."
Cobra Records went bankrupt in 1959, and Rush signed a recording contract with Chess Records in 1960. He recorded eight tracks for the label, four of which were released on two singles that year. Six tracks, including the two singles, were later included on the album Door to Door in 1969, a compilation also featuring Chess recordings by Albert King. Rush went into the studio for Duke Records in 1962, but only one single, "Homework" backed with "I Have to Laugh", was issued by the label. It was also released in Great Britain as Vocalion VP9260 in 1963. In 1965, he recorded for Vanguard; these recordings are included on the label's compilation album Chicago/The Blues/Today! Vol. 2. Rush began playing in other cities in the United States and in Europe during the 1960s, notably with the American Folk Blues Festival. In 1969, his album Mourning in the Morning was released by Cotillion Records. Recorded at the FAME Studios in Muscle Shoals, Alabama, the album was produced by Michael Bloomfield and Nick Gravenites (then of the band Electric Flag). The sound incorporated soul music and rock, a new direction for Rush.
In 1971, Rush recorded the album Right Place, Wrong Time in San Francisco for Capitol Records, but Capitol did not release it. The album was finally issued in 1976, when Rush purchased the master from Capitol and had it released by P-Vine Records in Japan. Bullfrog Records released it in the United States soon after. The album has since gained a reputation as one of his best works . He also released some albums for Delmark Records and for Sonet Records in Europe during the 1970s, but by the end of the decade he had stopped performing and recording.
Rush made a comeback in 1985 with a U.S. tour and the release of a live album, Tops, recorded at the San Francisco Blues Festival.
He released Ain't Enough Comin' In in 1994, his first studio album in 16 years. Any Place I'm Goin' followed in 1998, and he earned his first Grammy Award for Best Traditional Blues Album in 1999. Rush did not record a new studio album after 1998 but he continued to tour and perform until 2003, when he suffered a stroke. In 2002, he was featured on the Bo Diddley tribute album Hey Bo Diddley – A Tribute!, performing the song "I'm a Man", produced by Carla Olson. Rush's 2006 album Live...and in Concert from San Francisco, a live recording from 1999, was released by Blues Express Records. Video footage of the same show was released on the DVD Live Part 1 in 2003.
In June 2016, Rush made a rare appearance at the Chicago Blues Festival in Grant Park. Chicago Mayor Rahm Emmanuel honored Rush's appearance by declaring June 12 to be Otis Rush Day in Chicago. Due to his ongoing health problems Rush was unable to play, but celebrated on the sidelines with his family who stood around him.
Awards
Rush was elected to the Blues Hall of Fame in 1984.
In 2015, Rolling Stone ranked Rush number 53 on its 100 Greatest Guitarists list.
The Jazz Foundation of America honored Rush with a Lifetime Achievement Award on April 20, 2018 "for a lifetime of genius and leaving an indelible mark in the world of blues and the universal language of music."
His death on September 29, 2018, from complications arising from his stroke in 2003, was announced on his website by his wife Masaki.
Selected discography
Singles
1956 "I Can't Quit You Baby" / "Sit Down Baby" (Cobra 5000)
1956 "My Love Will Never Die" / "Violent Love" (Cobra 5005)
1957 "Groaning the Blues" / "If You Were Mine" (Cobra 5010)
1957 "Jump Sister Bessie" / "Love That Woman" (Cobra 5015)
1957 "She's a Good 'Un" / "Three Times a Fool" (Cobra 5023)
1958 "Checking on My Baby" / "It Takes Time" (Cobra 5027)
1958 "Double Trouble" / "Keep On Loving Me Baby" (Cobra 5030)
1958 "All Your Love (I Miss Loving)" / "My Baby's a Good 'Un" (Cobra 5032)
1960 "So Many Roads So Many Trains" / "I'm Satisfied" (Chess 1751)
1960 "You Know My Love" / "I Can't Stop Baby" (Chess 1775)
1962 "Homework" / "I Have to Laugh" (Duke 356)
1969 "Gambler's Blues" / "You're Killing My Love" (Cotillion 44032)
Original albums
1968 This One's a Good One (Blue Horizon)
1969 Mourning in the Morning (Cotillion)
1972 Blues Masters, Vol. 2
1974 Screamin' and Cryin' (Black & Blue)
1975 Cold Day in Hell (Delmark)
1976 So Many Roads (Delmark)
1976 Right Place, Wrong Time (Bullfrog)
1978 Troubles Troubles (Sonet)
1988 Tops (Blind Pig)
1989 Blues Interaction – Live in Japan 1986 (P-Vine)
1991 Lost in the Blues (Alligator ALCD4797)
1993 Live in Europe (Evidence Music ECD)
1994 Ain't Enough Comin' In (This Way Up/Mercury)
1998 Any Place I'm Going (House of Blues)
2006 Live...and in Concert from San Francisco (Blues Express)
2009 Chicago Blues Festival 2001 (P-Vine)
2015 Double Trouble LIVE Cambridge 1973 (RockBeat Records)
Compilation albums
1969 Door to Door, with Albert King (Chess)
1989 I Can't Quit You Baby: The Cobra Sessions 1956–1958 (P-Vine)
2000 Good 'Uns: The Classic Cobra Recordings 1956–1958 (Westside)
2000 The Essential Otis Rush: The Classic Cobra Recordings 1956–1958 (Fuel 2000)
2002 Blue on Blues: Buddy Guy & Otis Rush (Fuel 2000)
2005 All Your Love I Miss Loving: Live at the Wise Fools Pub, Chicago (Delmark)
2006 Live at Montreux 1986 (Eagle Rock Entertainment) (joint performance with Eric Clapton and Luther Allison)
2015 Double Trouble: Live Cambridge 1973 (Rockbeat Records ROCCD 3220)
DVDs
2003 Live Part One (Blues Express)
2006 Live at Montreux 1986 (Eagle Rock Entertainment)[
Three Times a Fool
Otis Rush Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Time wears on but I have to let you go
I'm trying to be nice
Baby, it's so hard to do.
Yes, it's so hard to be nice
When you treat me the way you do.
Temptation's great, but I love you anyhow
Tryin' to be nice
Baby, it's so hard to do...
Yes, it's so hard to be nice
Oh! When you treat me the way you do.
Might not be a bad thing to bring about a change
May bring sunshine, may bring rain
Tryin' to be nice
Baby, it's so hard to do...
Yes, it's so hard to be nice
Oh! When you treat me the way you do.
The lyrics to Otis Rush's "Three Times a Fool" speak to the complicated and painful emotions of being in love with someone who doesn't treat you well. The repetition of the phrase "Three times a fool" highlights the singer's self-awareness of his own emotional vulnerability and the difficulty of letting go of someone he loves despite their mistreatment of him. The lyrics also convey a sense of resignation and acceptance that the relationship has reached its end, even if the process of moving on is a painful one.
The song also touches on themes of temptation and the struggle to choose between what feels good in the moment, and what is ultimately best for oneself in the long run. The singer acknowledges that, despite the temptation to walk away from the relationship altogether, he still loves the person who is causing him pain. The chorus, in which the singer laments how hard it is to be nice to someone who treats him poorly, adds to the sense of emotional turmoil conveyed throughout the song.
Overall, "Three Times a Fool" is a powerful and evocative portrayal of the complex emotions that come with being in love with someone who doesn't treat you well. It speaks to the difficulty of letting go of someone you care about, even when it is clear that doing so is necessary for your own emotional well-being.
Line by Line Meaning
Three times a fool because I love you so
I feel foolish for loving you so much.
Time wears on but I have to let you go
Although it's been a long time, I must move on.
I'm trying to be nice
Baby, it's so hard to do.
I want to be kind, but it's difficult when you treat me poorly.
Yes, it's so hard to be nice
When you treat me the way you do.
It's challenging to maintain a positive attitude when you constantly mistreat me.
You've never been loved like you are right now
Temptation's great, but I love you anyhow
Tryin' to be nice
Baby, it's so hard to do...
You've never experienced this level of love, despite the presence of temptations. I'm attempting to be polite, but it's difficult.
Might not be a bad thing to bring about a change
May bring sunshine, may bring rain
Tryin' to be nice
Baby, it's so hard to do...
It could be beneficial to implement a shift, which could result in either positive or negative effects. I'm still trying to be kind, despite the difficulties.
Yes, it's so hard to be nice
Oh! When you treat me the way you do.
It's especially challenging to be polite when you treat me badly.
Contributed by Max O. Suggest a correction in the comments below.
scottcampbell1958
Otis Rush was one of the all-time bad asses. What a superb singer and player. Mant thanks for posting this.
william j burns
Some just don't get the beauty of the simplicity. What is played and more importantly what is not played. Most common is to overplay and leave no space. Beautiful!!!
radilja1994
I listened to this Cobra session for the first time when I was 16 and something really caught my heart.
Now I'm fuckin' 54years old and still want to listened to it very frequently.
I almost can not live without this.
It's so amazing that this session never gets old and still strikes my heart everytime when I listen to it.
Fantastic album.
Also, this is VSOP for Otis Rush himself I believe.
Mike Harismendy
One of the top blues artiest of all time; guitar and vocal,so smooth.
Mark Collins
It's hard to imagine the British Blues Boom without the influence of Otis Rush, he should have had much more recognition.
R.I.P. and thanks Mr Rush.
Ann Bugbee
YES YOU ARE EXACTLY RIGHT, MUCH MORE RECOGNITION,MAN HE WAS SO GREAT,STILL LISTEN TO HIM,CONSTANTLY, IMAGINE THE BLUES BAND THEY GOT IN HEAVEN, HARD TO IMAGINE FOR ME,IT REALLY IS, WALTER B,MEMPHIS TN.
Martin Ruiz
Listen to it with the lights down low, glass of wine and your loved one just looking at her eyes, No complaints, just love.
Dominic Lee
I think that he was one of the greatest electric blues guitarists.
Bobby Bluz
Along with also being one of the greatest vocalists.
Shams Arifin301101
Very underappreciated,love those sad licks