His distinctive guitar style featured a slow-burning sound and long bent notes. With qualities similar to the styles of Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and was an influence on many musicians, including
Michael Bloomfield, Peter Green and Eric Clapton.
Otis Rush, the son of Julia Campbell Boyd and O. C. Rush, was born near Philadelphia, Mississippi, in 1934. (or 1935?).
Rush moved to Chicago, Illinois, in 1948, and made a name for himself playing in blues clubs on the South Side and the West Side of the city.
From 1956 to 1958, he recorded for Cobra Records and released eight singles, some featuring Ike Turner or Jody Williams on guitar. His first single, "I Can't Quit You Baby", in 1956 reached number 6 on the Billboard R&B chart. During his tenure with Cobra, he recorded some of his best-known songs, such as "Double Trouble" and "All Your Love (I Miss Loving)."
Cobra Records went bankrupt in 1959, and Rush signed a recording contract with Chess Records in 1960. He recorded eight tracks for the label, four of which were released on two singles that year. Six tracks, including the two singles, were later included on the album Door to Door in 1969, a compilation also featuring Chess recordings by Albert King. Rush went into the studio for Duke Records in 1962, but only one single, "Homework" backed with "I Have to Laugh", was issued by the label. It was also released in Great Britain as Vocalion VP9260 in 1963. In 1965, he recorded for Vanguard; these recordings are included on the label's compilation album Chicago/The Blues/Today! Vol. 2. Rush began playing in other cities in the United States and in Europe during the 1960s, notably with the American Folk Blues Festival. In 1969, his album Mourning in the Morning was released by Cotillion Records. Recorded at the FAME Studios in Muscle Shoals, Alabama, the album was produced by Michael Bloomfield and Nick Gravenites (then of the band Electric Flag). The sound incorporated soul music and rock, a new direction for Rush.
In 1971, Rush recorded the album Right Place, Wrong Time in San Francisco for Capitol Records, but Capitol did not release it. The album was finally issued in 1976, when Rush purchased the master from Capitol and had it released by P-Vine Records in Japan. Bullfrog Records released it in the United States soon after. The album has since gained a reputation as one of his best works . He also released some albums for Delmark Records and for Sonet Records in Europe during the 1970s, but by the end of the decade he had stopped performing and recording.
Rush made a comeback in 1985 with a U.S. tour and the release of a live album, Tops, recorded at the San Francisco Blues Festival.
He released Ain't Enough Comin' In in 1994, his first studio album in 16 years. Any Place I'm Goin' followed in 1998, and he earned his first Grammy Award for Best Traditional Blues Album in 1999. Rush did not record a new studio album after 1998 but he continued to tour and perform until 2003, when he suffered a stroke. In 2002, he was featured on the Bo Diddley tribute album Hey Bo Diddley – A Tribute!, performing the song "I'm a Man", produced by Carla Olson. Rush's 2006 album Live...and in Concert from San Francisco, a live recording from 1999, was released by Blues Express Records. Video footage of the same show was released on the DVD Live Part 1 in 2003.
In June 2016, Rush made a rare appearance at the Chicago Blues Festival in Grant Park. Chicago Mayor Rahm Emmanuel honored Rush's appearance by declaring June 12 to be Otis Rush Day in Chicago. Due to his ongoing health problems Rush was unable to play, but celebrated on the sidelines with his family who stood around him.
Awards
Rush was elected to the Blues Hall of Fame in 1984.
In 2015, Rolling Stone ranked Rush number 53 on its 100 Greatest Guitarists list.
The Jazz Foundation of America honored Rush with a Lifetime Achievement Award on April 20, 2018 "for a lifetime of genius and leaving an indelible mark in the world of blues and the universal language of music."
His death on September 29, 2018, from complications arising from his stroke in 2003, was announced on his website by his wife Masaki.
Selected discography
Singles
1956 "I Can't Quit You Baby" / "Sit Down Baby" (Cobra 5000)
1956 "My Love Will Never Die" / "Violent Love" (Cobra 5005)
1957 "Groaning the Blues" / "If You Were Mine" (Cobra 5010)
1957 "Jump Sister Bessie" / "Love That Woman" (Cobra 5015)
1957 "She's a Good 'Un" / "Three Times a Fool" (Cobra 5023)
1958 "Checking on My Baby" / "It Takes Time" (Cobra 5027)
1958 "Double Trouble" / "Keep On Loving Me Baby" (Cobra 5030)
1958 "All Your Love (I Miss Loving)" / "My Baby's a Good 'Un" (Cobra 5032)
1960 "So Many Roads So Many Trains" / "I'm Satisfied" (Chess 1751)
1960 "You Know My Love" / "I Can't Stop Baby" (Chess 1775)
1962 "Homework" / "I Have to Laugh" (Duke 356)
1969 "Gambler's Blues" / "You're Killing My Love" (Cotillion 44032)
Original albums
1968 This One's a Good One (Blue Horizon)
1969 Mourning in the Morning (Cotillion)
1972 Blues Masters, Vol. 2
1974 Screamin' and Cryin' (Black & Blue)
1975 Cold Day in Hell (Delmark)
1976 So Many Roads (Delmark)
1976 Right Place, Wrong Time (Bullfrog)
1978 Troubles Troubles (Sonet)
1988 Tops (Blind Pig)
1989 Blues Interaction – Live in Japan 1986 (P-Vine)
1991 Lost in the Blues (Alligator ALCD4797)
1993 Live in Europe (Evidence Music ECD)
1994 Ain't Enough Comin' In (This Way Up/Mercury)
1998 Any Place I'm Going (House of Blues)
2006 Live...and in Concert from San Francisco (Blues Express)
2009 Chicago Blues Festival 2001 (P-Vine)
2015 Double Trouble LIVE Cambridge 1973 (RockBeat Records)
Compilation albums
1969 Door to Door, with Albert King (Chess)
1989 I Can't Quit You Baby: The Cobra Sessions 1956–1958 (P-Vine)
2000 Good 'Uns: The Classic Cobra Recordings 1956–1958 (Westside)
2000 The Essential Otis Rush: The Classic Cobra Recordings 1956–1958 (Fuel 2000)
2002 Blue on Blues: Buddy Guy & Otis Rush (Fuel 2000)
2005 All Your Love I Miss Loving: Live at the Wise Fools Pub, Chicago (Delmark)
2006 Live at Montreux 1986 (Eagle Rock Entertainment) (joint performance with Eric Clapton and Luther Allison)
2015 Double Trouble: Live Cambridge 1973 (Rockbeat Records ROCCD 3220)
DVDs
2003 Live Part One (Blues Express)
2006 Live at Montreux 1986 (Eagle Rock Entertainment)[
Violent Love
Otis Rush Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
To you by the moon above
I want to make violent love to you
I want to kiss every night
And hold and hug you tight
I want to make violent love to you
I don't want to be frantic
I don't want to cramp your style
You're driving me into a panic
You almost drive me wild
I want to make whoopee too
And have a little fun with you
I want to make violent love to you
I don't want to be frantic
I don't want to cramp your style
You're driving me into a panic
You almost drive me wild
I want to make whoopee too
And have a little fun with you
I want to make violent love to you
The song "Violent Love" by Otis Rush is a bold and passionate declaration of love. The title of the song may sound aggressive, but the lyrics reveal that the intention is not to be violent in a harmful or destructive way. Rather, the singer expresses his desire to make intense and passionate love to his partner.
The first verse declares the singer's intentions to make "violent love" to his partner under the moonlight. The use of the word "violent" suggests that the passion and intensity of the love will be powerful and raw. The second verse continues with the singer's desire to be close to his partner, wanting to kiss and hold them tight. The repetition in the chorus reinforces the singer's determination to express his love in a physically intense way.
The third verse acknowledges that the singer does not want to be clingy or suffocate their partner's space, demonstrating a respect for their autonomy. However, the declaration that the partner is driving the singer into a panic suggests that the passion and intensity of the relationship for the singer is overpowering. The last verse reiterates the singer's desire to have fun and experience pleasure with their partner, again expressing their willingness to engage in a physical relationship with passion and intensity.
Overall, "Violent Love" is a provocative and bold love song. While the title may seem alarming, the lyrics reveal that the singer's intentions are rooted in a deep desire for physical connection and intimacy with their partner.
Line by Line Meaning
I want to make violent love
I desire to have intimate relations with you, with a sense of passion and intensity
To you by the moon above
This love-making will be done under a romantic moonlit sky
I want to kiss every night
I yearn to share affectionate kisses with you every night
And hold and hug you tight
I want to embrace you tightly and hold you close to me
I don't want to be frantic
I don't want to be too anxious or nervous around you
I don't want to cramp your style
I don't want to restrict or hinder you in any way
You're driving me into a panic
Your actions or words are causing me to feel anxious or stressed
You almost drive me wild
Your behavior causes me to feel excited or aroused
I want to make whoopee too
I also want to engage in sexual activities with you
And have a little fun with you
I want to enjoy some light-hearted, enjoyable experiences with you
I want to make violent love to you
I deeply desire to engage in sexual activity with you that's full of passion and intensity
Contributed by Andrew N. Suggest a correction in the comments below.