Otis Rush Jr. (Philadelphia, Mississippi, April 29, 1934 - September 29, 20… Read Full Bio ↴Otis Rush Jr. (Philadelphia, Mississippi, April 29, 1934 - September 29, 2018) was an American Chicago blues guitarist, singer and songwriter. Rush was left-handed and strummed with his left hand while fretting with his right. However, his guitars were strung with the low E string at the bottom, in reverse or upside-down to typical guitarists. He often played with the little finger of his pick hand curled under the low E for positioning. It is widely believed that this contributed to his distinctive sound. He had a wide-ranging, powerful tenor voice.

His distinctive guitar style featured a slow-burning sound and long bent notes. With qualities similar to the styles of Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and was an influence on many musicians, including
Michael Bloomfield, Peter Green and Eric Clapton.

Otis Rush, the son of Julia Campbell Boyd and O. C. Rush, was born near Philadelphia, Mississippi, in 1934. (or 1935?).
Rush moved to Chicago, Illinois, in 1948, and made a name for himself playing in blues clubs on the South Side and the West Side of the city.
From 1956 to 1958, he recorded for Cobra Records and released eight singles, some featuring Ike Turner or Jody Williams on guitar. His first single, "I Can't Quit You Baby", in 1956 reached number 6 on the Billboard R&B chart. During his tenure with Cobra, he recorded some of his best-known songs, such as "Double Trouble" and "All Your Love (I Miss Loving)."

Cobra Records went bankrupt in 1959, and Rush signed a recording contract with Chess Records in 1960. He recorded eight tracks for the label, four of which were released on two singles that year. Six tracks, including the two singles, were later included on the album Door to Door in 1969, a compilation also featuring Chess recordings by Albert King. Rush went into the studio for Duke Records in 1962, but only one single, "Homework" backed with "I Have to Laugh", was issued by the label. It was also released in Great Britain as Vocalion VP9260 in 1963. In 1965, he recorded for Vanguard; these recordings are included on the label's compilation album Chicago/The Blues/Today! Vol. 2. Rush began playing in other cities in the United States and in Europe during the 1960s, notably with the American Folk Blues Festival. In 1969, his album Mourning in the Morning was released by Cotillion Records. Recorded at the FAME Studios in Muscle Shoals, Alabama, the album was produced by Michael Bloomfield and Nick Gravenites (then of the band Electric Flag). The sound incorporated soul music and rock, a new direction for Rush.

In 1971, Rush recorded the album Right Place, Wrong Time in San Francisco for Capitol Records, but Capitol did not release it. The album was finally issued in 1976, when Rush purchased the master from Capitol and had it released by P-Vine Records in Japan. Bullfrog Records released it in the United States soon after. The album has since gained a reputation as one of his best works . He also released some albums for Delmark Records and for Sonet Records in Europe during the 1970s, but by the end of the decade he had stopped performing and recording.

Rush made a comeback in 1985 with a U.S. tour and the release of a live album, Tops, recorded at the San Francisco Blues Festival.

He released Ain't Enough Comin' In in 1994, his first studio album in 16 years. Any Place I'm Goin' followed in 1998, and he earned his first Grammy Award for Best Traditional Blues Album in 1999. Rush did not record a new studio album after 1998 but he continued to tour and perform until 2003, when he suffered a stroke. In 2002, he was featured on the Bo Diddley tribute album Hey Bo Diddley – A Tribute!, performing the song "I'm a Man", produced by Carla Olson. Rush's 2006 album Live...and in Concert from San Francisco, a live recording from 1999, was released by Blues Express Records. Video footage of the same show was released on the DVD Live Part 1 in 2003.

In June 2016, Rush made a rare appearance at the Chicago Blues Festival in Grant Park. Chicago Mayor Rahm Emmanuel honored Rush's appearance by declaring June 12 to be Otis Rush Day in Chicago. Due to his ongoing health problems Rush was unable to play, but celebrated on the sidelines with his family who stood around him.

Awards

Rush was elected to the Blues Hall of Fame in 1984.

In 2015, Rolling Stone ranked Rush number 53 on its 100 Greatest Guitarists list.

The Jazz Foundation of America honored Rush with a Lifetime Achievement Award on April 20, 2018 "for a lifetime of genius and leaving an indelible mark in the world of blues and the universal language of music."

His death on September 29, 2018, from complications arising from his stroke in 2003, was announced on his website by his wife Masaki.

Selected discography

Singles
1956 "I Can't Quit You Baby" / "Sit Down Baby" (Cobra 5000)
1956 "My Love Will Never Die" / "Violent Love" (Cobra 5005)
1957 "Groaning the Blues" / "If You Were Mine" (Cobra 5010)
1957 "Jump Sister Bessie" / "Love That Woman" (Cobra 5015)
1957 "She's a Good 'Un" / "Three Times a Fool" (Cobra 5023)
1958 "Checking on My Baby" / "It Takes Time" (Cobra 5027)
1958 "Double Trouble" / "Keep On Loving Me Baby" (Cobra 5030)
1958 "All Your Love (I Miss Loving)" / "My Baby's a Good 'Un" (Cobra 5032)
1960 "So Many Roads So Many Trains" / "I'm Satisfied" (Chess 1751)
1960 "You Know My Love" / "I Can't Stop Baby" (Chess 1775)
1962 "Homework" / "I Have to Laugh" (Duke 356)
1969 "Gambler's Blues" / "You're Killing My Love" (Cotillion 44032)

Original albums

1968 This One's a Good One (Blue Horizon)
1969 Mourning in the Morning (Cotillion)
1972 Blues Masters, Vol. 2
1974 Screamin' and Cryin' (Black & Blue)
1975 Cold Day in Hell (Delmark)
1976 So Many Roads (Delmark)
1976 Right Place, Wrong Time (Bullfrog)
1978 Troubles Troubles (Sonet)
1988 Tops (Blind Pig)
1989 Blues Interaction – Live in Japan 1986 (P-Vine)
1991 Lost in the Blues (Alligator ALCD4797)
1993 Live in Europe (Evidence Music ECD)
1994 Ain't Enough Comin' In (This Way Up/Mercury)
1998 Any Place I'm Going (House of Blues)
2006 Live...and in Concert from San Francisco (Blues Express)
2009 Chicago Blues Festival 2001 (P-Vine)
2015 Double Trouble LIVE Cambridge 1973 (RockBeat Records)

Compilation albums
1969 Door to Door, with Albert King (Chess)
1989 I Can't Quit You Baby: The Cobra Sessions 1956–1958 (P-Vine)
2000 Good 'Uns: The Classic Cobra Recordings 1956–1958 (Westside)
2000 The Essential Otis Rush: The Classic Cobra Recordings 1956–1958 (Fuel 2000)
2002 Blue on Blues: Buddy Guy & Otis Rush (Fuel 2000)
2005 All Your Love I Miss Loving: Live at the Wise Fools Pub, Chicago (Delmark)
2006 Live at Montreux 1986 (Eagle Rock Entertainment) (joint performance with Eric Clapton and Luther Allison)
2015 Double Trouble: Live Cambridge 1973 (Rockbeat Records ROCCD 3220)

DVDs
2003 Live Part One (Blues Express)
2006 Live at Montreux 1986 (Eagle Rock Entertainment)[

You Got Me Running
Otis Rush Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

You got me runnin', you got me hidin'
You got me run, hide, hide, run
Anyway you wanna let it roll
Yeah, yeah, yeah

You got me doin' what you want me
A baby why you wanna let go?
I'm goin' up, I'm goin' down

I'm goin up, down, down, up
Anyway ya wanna let it roll
Yeah, yeah, yeah

You got me doin' what you want me
A baby why you wanna let go?
You got me peepin', you got me hidin'
You got me peep, hide, hide, peep
Anyway you wanna let it roll
Yeah, yeah, yeah

You got me doin' what you want me
Oh baby why you wanna let go?

Overall Meaning

The lyrics to Otis Rush's song You Got Me Running express the singer's intense feelings of being controlled and manipulated by his lover. The repetition of phrases like "you got me running" and "anyway you wanna let it roll" convey the sense that the singer is powerless in the relationship and willing to do whatever his lover wants, no matter how erratic or unpredictable their behavior may be. The use of the words "hide" and "peep" further emphasizes the singer's sense of being trapped and monitored by his lover.

In addition to conveying a sense of powerlessness and submission, the lyrics may also be interpreted as expressing the singer's desire for his lover's approval and attention. The repeated refrain of "baby why you wanna let go?" suggests that the singer fears losing his lover's affection and is desperate for them to stay with him.

One interesting aspect of the song is its use of bluesy guitar riffs and a driving rhythm section, which give the lyrics a sense of urgency and emotional intensity. Additionally, the song has been covered by many other artists over the years, including the Rolling Stones and Jeff Beck. Another notable fact is that the song was originally released on the Cobra record label, which was a small independent label based in Chicago that specialized in blues music.

Line by Line Meaning

You got me runnin', you got me hidin'
You're making me anxious and fearful, causing me to constantly flee and hide from something.

You got me run, hide, hide, run
You have me running away and hiding from you, only to have to do it again and again.

Anyway you wanna let it roll
You're in control of this situation and can make it go any way you want.

You got me doin' what you want me
You have complete power over my actions and decisions.

A baby why you wanna let go?
Why are you considering letting this situation end or fall apart?

I'm goin' up, I'm goin' down
My emotions are all over the place and fluctuating rapidly.

I'm goin up, down, down, up
My moods are constantly shifting and changing in intensity.

You got me peepin', you got me hidin'
You're making me feel paranoid and like I have to constantly watch my back and hide from something.

You got me peep, hide, hide, peep
You have me constantly peeking around corners and hiding to protect myself.

Oh baby why you wanna let go?
Why are you considering ending this situation or letting it fall apart?

Lyrics © O/B/O APRA AMCOS
Written by: Parker McGee

Lyrics Licensed & Provided by LyricFind