The group's original musical style was a mixture of Dirty South and G-Funk. Since then funk, soul, pop, electronic music, rock, spoken word poetry, jazz, and blues have been added to the group's musical palette. The duo consists of Atlanta native André "Andre 3000" Benjamin (formerly known as Dré) and Georgia-born Antwan "Big Boi" Patton.
Speakerboxxx/The Love Below is one of only four hip-hop albums to be certified Diamond in the U.S. for shipping over 10 million units. Along with Outkast's commercial success, they have maintained an experimental approach in their music and are widely praised for their originality and artistic content.
Benjamin and Patton met while attending Tri-Cities High School, a Visual and Performing Arts School. Benjamin's parents were divorced and he was living with his father. Meanwhile, Patton had to move with his four brothers and six sisters from Savannah to Atlanta. Benjamin and Patton eventually teamed up and were pursued by Organized Noize, a group of local producers who would later make hits for TLC. The duo initially wanted to be called "2 Shades Deep" or "The Misfits", but because those names were already taken they later decided to use "OutKast" based on finding "outcast" as synonym for "misfit" in a dictionary. OutKast, Organized Noize, and schoolmates Goodie Mob formed the nucleus of the Dungeon Family organization.
OutKast signed to LaFace Records in 1992, becoming the label's first hip hop act and making their first appearance on the remix of label mate TLC's "What About Your Friends". In 1993, they released their first single, "Player's Ball". The song's funky style, much of it accomplished with live instrumentation, was a hit with audiences. "Player's Ball" hit number-one on the Billboard Hot Rap Tracks chart.
Their debut album, Southernplayalisticadillacmuzik, was issued on April 26th, 1994. This initial effort is credited with laying the foundation for southern hip hop and is considered a classic by many hip hop aficionados. Every track on Southernplayalisticadillacmuzik was produced by Organized Noize and featured other members of the Dungeon Family. Follow-up singles included the title track and "Git Up Git Out", a politically charged collaboration with Goodie Mob that was later sampled by Macy Gray for her 1999 hit "Do Something." On this early material, both André and Big Boi contrast lyrical content reflecting the lifestyles of pimps and gangsters with politically conscious material commenting on the status of African Americans in the South. OutKast won Best New Rap Group at the Source Awards in 1995. In the same year, the group contributed "Benz or a Beamer" to the popular New Jersey Drive soundtrack.
ATLiens was OutKast's second album, released on August 27th, 1996. The album exhibited more self-consciousness, and further solidified OutKast as the flagship representatives of the 1st generation Dungeon Family and the Southern hip hop movement. The album helped the group earn more recognition among East Coast hip hop fans in the East and West coasts.
For this album, OutKast joined with partner David "Mr. DJ" Sheats to form the Earthtone III production company, which allowed the group to produce some of their own tracks. "ATLiens" was the group's second Top 40 single (following "Player's Ball" from their first album), and reflected the beginning of André's increasingly sober lifestyle: "No drugs or alcohol/so I can get the signal clear," he rhymes about himself. "Elevators (Me & You)," OutKast's first self-produced single, became the group's first Top 20 hit the same year.
OutKast's third album Aquemini was released on September 29, 1998 and also reached the number-two position on the Billboard 200 album chart in the United States; its title was a combination of the zodiac signs of Big Boi (an Aquarius) and André (a Gemini). The album was widely praised as possibly the group's best material to date: when reviewed by popular hip-hop publication The Source, it received the much-coveted "5 Mics" (out of five) rating.
Producing more material themselves, both Big Boi and André explored more eclectic subject matter, delving into sounds inspired by soul, trip hop, and electro music. The album featured production by Organized Noize and collaborations with Raekwon, funk pioneer and musical forebear George Clinton, and Goodie Mob.
In 1999, OutKast and LaFace Records were sued by Rosa Parks over the album's most successful radio single, which bore Parks' name as its title. The lawsuit alleged that the song misappropriated Parks' name, and also objected to some of the song's obscene language.
The song's lyrics were largely unrelated to Parks, save for a line in the chorus: "Ah ha, hush that fuss / Everybody move to the back of the bus". The song, which OutKast maintained was intended partly as homage, only refers to Parks as a metaphor: the purpose of the song's chorus is to imply that OutKast is overturning hip hop's old order, that people should make way for a new style and sound. The initial lawsuit was dismissed. Parks' representation hired lawyer Johnnie Cochran to appeal the decision in 2001, but the appeal was denied on First Amendment grounds. In 2003, the Supreme Court allowed Parks' lawyers to proceed with the lawsuit.
In 2004, the judge in the case appointed an impartial representative for Parks after her family expressed concerns that her caretakers and her lawyers were pursuing the case based on their own financial interest. Later that same year, the members of OutKast were dropped as co-defendants, and Parks' lawyers continued to seek action against LaFace and parent company BMG. In 2003 André told UK journalist Angus Batey that, following a Detroit concert in the midst of the legal battle, relatives of Parks had approached him and implied that the case was less to do with Rosa than with the lawyers. The suit was finally settled on April 14, 2005, with neither OutKast nor their label having to admit any wrongdoing. The group did, however, have to agree to perform some sort of tribute to Parks.
Originally titled "Sandbox", the pair's fourth album, "Stankonia", was released in October 2000 to excellent reviews. It debuted at number two on the Billboard 200 in the U.S., and would eventually be certified quadruple-platinum. Stankonia's first single was "B.O.B. (Bombs Over Baghdad)", a high-tempo jungle-influenced record. The second single, "Ms. Jackson," combined a pop hook with lyrics about divorce and relationship breakups, particularly André's breakup with singer Erykah Badu; the titular "Ms. Jackson" character being a doppelgänger for Badu's mother. It was at this time that André changed his stage name to the current "André 3000".
The single became their first pop hit, landing the number-one position on the Billboard Hot 100 chart, and the number-two position on the UK Singles Chart. The album's final single was the Organized Noize-produced "So Fresh, So Clean", featuring a credited guest appearance from regular guest vocalist and Organized Noize-member Sleepy Brown and garnered a remix featuring Snoop Dogg. All three singles' videos had heavy MTV2 airplay, and Outkast won two 2001 Grammy Awards, one for Best Rap Performance by a Duo or Group for "Ms. Jackson", and another for Stankonia as Best Rap Album.
During the recording of Stankonia, OutKast and Mr. DJ began producing tracks for the artists on their Aquemini Records imprint through Columbia, including Slimm Cutta Calhoun and Killer Mike, who made his debut on Stankonia's "Snappin' & Trappin."
Webzine Pitchforkmedia.com named Stankonia the 4th greatest album released between 2000 and 2004 in its 2005 feature. In 2009, B.O.B. was chosen as the number one song of the decade.
In December 2001, OutKast released a greatest hits album, Big Boi and Dre Present...OutKast, which also contained three new tracks. One of these new tracks was the single "The Whole World," which won a 2002 Grammy Award for Best Rap Performance by a Duo or Group. Killer Mike also was featured on the song, gaining some exposure among areas outside of his native Atlanta. The other two new songs were called "Funkin' Around" and "Movin' Cool (The After Party)"
The same year OutKast participated in the only Dungeon Family group album, Even in Darkness, along with Goodie Mob, Killer Mike, Sleepy Brown, Witchdoctor, and Backbone among others, and featuring Bubba Sparxxx, Shuga Luv and Mello. In 2002, the group and Killer Mike contributed the lead single "Land of a Million Drums" to the Scooby Doo soundtrack.
In September 2003, OutKast released a double album, Speakerboxxx/The Love Below. It is essentially two solo albums, one by each member, packaged as a single release under the OutKast banner; the two members also appear on each others' discs for a few songs apiece. Big Boi's Speakerboxxx is largely a funk and Dirty South blended party record; André 3000's The Love Below features only brief instances of hip hop, presenting instead elements found in funk, jazz, rock, electronic music, and R&B.
The album is also OutKast's biggest commercial success yet, having debuted on the Billboard 200 albums chart at number-one and stayed there for several weeks. The album eventually sold over five million copies, and, as double-album sales count double for Recording Industry Association of America certification, the album was certified diamond for 10 million units shipped in December 2004. Its latest certification, in May 2006, reaches 11 million copies in shipping.
The first two singles from the album(s), which were released nearly simultaneously, were Big Boi's "The Way You Move" and André 3000's "Hey Ya!" The video for "Hey Ya!" is based on The Beatles' landmark appearance on The Ed Sullivan Show. The video's storyline has "The Love Below"—a fictional band with all members, through the use of special effects, played by André—performing in London. "Hey Ya!" was the number one song on the very final weekend of American Top 40 with Casey Kasem. It was also number one a week later on the very first weekend of American Top 40 with Ryan Seacrest. The singles spent ten weeks at number one on the Hot 100 singles chart, with "Hey Ya!" spending nineteen weeks and "The Way You Move" briefly taking over in February 2004. These singles were seen as a breakthrough for the hip-hop industry, being among the first hip-hop songs to be widely played on adult contemporary radio stations.
OutKast's next official single was not released until the summer of 2004. "Roses", a track featuring both members from The Love Below half of the album, did not meet the level of success as either of its predecessors, but it became a modest-sized hit on urban radio and the American music video networks. The video for "Roses" is loosely based on the musical West Side Story and Grease. It featured sparring 1950s-style gangs, one representing Speakerboxxx, and one representing The Love Below, parodying the widespread arguing among critics and fans as to which half of the album was better and that the two members were estranged. The final singles were André 3000's "Prototype", which was paired with a science fiction-themed video about alien visitors, and Speakerboxxx's "Ghettomusick," which featured both members of OutKast and a sample from a song by Patti LaBelle, who also makes an appearance in the video.
Speakerboxxx/The Love Below won the Grammy Award for the 2004 Album of the Year, becoming only the second rap album to ever receive the honor (the first being The Miseducation of Lauryn Hill by Lauryn Hill in 1999). OutKast was one of the headlining acts at the show, and gave two performances: Big Boi performed "The Way You Move" during a medley with George Clinton & P-Funk and Robert Randolph and the Family Band, while André 3000 performed "Hey Ya!" as the show closed. In February 2004, André 3000's performance, which featured female dancers moving wildly around a green teepee in war paint and feathered headdresses, was criticized by the Native American Cultural Center, who called for a boycott of OutKast, Arista Records, NARAS, and of CBS, the broadcaster of the awards show. CBS later apologized.
Between OutKast albums, Big Boi and André 3000 ventured into film projects. André co-starred in John Singleton's action film Four Brothers and also had a part in Be Cool, while Big Boi took a featured role in the T.I. movie ATL. Both members also began working on a joint film, Idlewild, directed by OutKast music video director Bryan Barber. Idlewild, a Prohibition-era musical film set to a blues-influenced hip-hop soundtrack, was released on August 25, 2006 by Universal Pictures. The Idlewild soundtrack was released August 22, 2006. Its lead single, "Mighty 'O'", features both OutKast members, and was briefly played exclusively on local Atlanta radio stations before being issued as a single in May 2006. They released and shot the video for "Morris Brown" instead. A video for "Idlewild Blue (Don'tchu Worry About Me)" soon followed.
Aquemini Records folded in 2004, and Big Boi founded a new record label, Purple Ribbon Entertainment, to be distributed by Virgin Records. Among its first signees were Sleepy Brown, Bubba Sparxxx, and Killer Mike, Big Boi has released a group album/compilation, titled Big Boi Presents... The Purple Ribbon All-Stars - Got Purp? Vol. 2.
One album remains on the band's LaFace contract. It was originally planned as a ten-track release called 10 The Hard Way; shortly after Idlewild was released, the duo confirmed the album is still in the works, though both have begun new projects without releasing any new information on the album. Due to both Big Boi and André's interest in separate projects such as movies, TV (André's Class of 3000) and solo albums, rumors of a split have turned up frequently in the media. André denied those rumors in a phone interview with MTV News, stating that even though they do not feel like performing on stage together, OutKast is "still tight". In an August, 2006, interview with UK journalist Craig McLean, after emphasizing that they would not split, the pair looked beyond music and film careers, Big Boi suggesting he may consider running for the job of Mayor of Atlanta in the future.
In 2007, Andre 3000 confirmed a new OutKast album would be released, but said that he and Big Boi released solo records first, stating the group album is still possibly two years away. Big Boi's solo album will be released first in June/July of 2009, with the first single, "Royal Flush" (also featuring Andre 3000, essentially making it an OutKast song), planned to have been released on December 31, 2007, but was not released on the announced date. Big Boi announced on his MySpace that the release date for Sir Luscious Left Foot: The Son of Chico Dusty is now sometime in the summer of 2009.
On Nov 14, 2008, the Guardian reported that OutKast will release their follow-up to Idlewild in 2009 after Big Boi and Andre 3000 release their solo albums in the same year. As of August 2009, the albums have not yet been released.
Church
OutKast Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Like why are we here? What the meaning to all of this?
Sometimes life can keep you down, with your face all in the dirt (HALL-LE-LU-JAH)
Now if you feel that left behind, need to get up and go to church (HALL-LE-LU-JAH)
Gon' go to church now, get up go to church now (HALL-LE-LU-JAH)
Gotta go to church now (HALL-LE-LU-JAH)
My life is going downhill like some cardboard in the snow
My bank account is frozen, I
Don't think that I can get out this hole
Feel like the figure four leg lock
Like the jury went away and then they came back deadlocked
I can't move, I can't eat, I can't even breathe
Can't even buy a decent sack without the stems and the seeds
No trees, no P's to ease the stress of everyday living
But homeless people gotta suck it up wherever they living
The unforgiven or the unwilling, live a life of sinning
And expect to be as pure as an infant in the beginning
But what about repentance?
What about the tension?
What about you eating dinner in the devil's kitchen?
But what about repentance?
What about committing the same sin
Over and over again and again and ah
Why are we here? Huh? Huh? Huh?
Please tell me, what are we here for?
Life, is nothing but a dream, so peaceful and serene
Unless you're being evil then you on the devil's team
Well I receive what you want to believe
But soon you'll have to sew those bad seeds
Please, any man can ask, to get a pass
Or a cleansing of sin to grant another chance
Perhaps another glance of the light at the end of the tunnel
Talk to the coach or break out the huddle
Whatever should you fumble your rebuttal should be subtle
Because he who lives in the upper room is never gullible
As you survey the syllables and sentences
The question that I'm merely trying to pose is as simple as me saying
But what about repentance?
What about the tension?
What about you eating dinner in the devil's kitchen?
But what about repentance?
What about committing the same sin
Over and over again and again and ah
Sometimes life can keep you down, with your face all in the dirt
Now if you feel that left behind, need to get up and go to church
Get up go to church now, gon' go to church now (ooh-woo, ooh-woo, ooh-woo, ooh-ooh)
Gon' go to church now, gotta go to church now (ooh-woo, ooh-woo, ooh-woo, ooh-ooh)
Why are we here? Huh? Huh? Huh?
Please tell me, what are we here for?
Doo-doo, doo-doo, doo-doo
Doo-doo, doo-doo, doo-doo, woo
Doo-doo, doo-doo, doo-doo
Doo-doo, doo-doo, doo-doo, woo
Doo-doo, doo-doo, doo-doo
Doo-doo, doo-doo, doo-doo, woo
Doo-doo, doo-doo, doo-doo
Doo-doo, doo-doo, doo-doo
(Church, church) Hey, hey
You know what I mean? Do you know what I mean? (Church, church)
Gotta go to church now, gon' go to church now (ohh hey)
Get up go to church now, gotta go to church now (oh, ohh, oh, ohh, hey, hey)
Get up go to church now, gon' go to church now (clap your hands, clap your feet)
Get up go to church now, gotta go to church now (ohh, ohh, hoo ohh, hoo ohh)
Gotta go to church now (hoo ohh, hoo ohh, hoo ohh, hoo ohh)
(Hoo ohh, ohh, ohh)
In Outkast's song "Church," the lyrics touch on the theme of existential questioning and the role of religion in addressing life's struggles. The opening lines set up the philosophical inquiry of "why are we here?," which then leads into a description of feeling defeated and stuck in life ("life can keep you down, with your face all in the dirt"). The singer then suggests that going to church can provide a solution to these struggles, with the repeated refrain of "HALL-LE-LU-JAH" emphasizing the idea of seeking help from a higher power.
The second half of the song takes a more introspective tone, with the singer expressing feelings of despair and hopelessness ("my life is going downhill...I can't move, I can't eat, I can't even breathe"). The lyrics then turn towards the possibility of redemption and forgiveness through repentance, despite the repetition of sinful behavior ("what about committing the same sin/ over and over again and again"). The song ends with a repetition of the original question of "why are we here?," followed by the plea to "tell me, what are we here for?"
Overall, "Church" can be interpreted as an exploration of the complex emotions and questions that arise from facing struggles in life, and the possible role that religion can play in finding answers and relief.
Line by Line Meaning
Man, have you ever really wondered
Have you ever pondered on the concept of existence?
Like why are we here? What the meaning to all of this?
Asking about the purpose of life and its significance
Sometimes life can keep you down, with your face all in the dirt (HALL-LE-LU-JAH)
There are instances in life when one feels low and helpless
Now if you feel that left behind, need to get up and go to church (HALL-LE-LU-JAH)
If feeling lost, one can seek refuge in religion
(HALL-LE-LU-JAH)
A religious chant to amen or emphasize the previous line's message
Big, slide into the mode, time to drop a load
Making preparations to bring about a change, ready to take charge
My life is going downhill like some cardboard in the snow
My life is a mess and spiraling out of control
My bank account is frozen, I
I have no money and no hope
Don't think that I can get out this hole
Feeling trapped and helpless, unable to change the situation
Feel like the figure four leg lock
Enduring unbearable pain and discomfort
Like the jury went away and then they came back deadlocked
When helpless to change the verdict, the jury becomes deadlocked
I can't move, I can't eat, I can't even breathe
Metaphorically, feeling paralyzed and suffocated
Can't even buy a decent sack without the stems and the seeds
Even the little pleasures aren't accessible and come with disappointments
No trees, no P's to ease the stress of everyday living
No marijuana or pills to ease the burden and anxiety of daily life
But homeless people gotta suck it up wherever they living
Homeless people have to endure terrible conditions with no way out
The unforgiven or the unwilling, live a life of sinning
Those who don't repent or refuse help continue to lead a life of wrongdoing
And expect to be as pure as an infant in the beginning
It's impossible to be pure and innocent again after committing sins
But what about repentance?
What about seeking forgiveness for one's sins?
What about the tension?
What about the internal struggle and turmoil that occurs while trying to repent?
What about you eating dinner in the devil's kitchen?
What about willingly indulging in sinful behavior?
But what about committing the same sin
What about repeating the same sin?
Over and over again and again and ah
Repeatedly committing the same sin ending in regret and sorrow
Life, is nothing but a dream, so peaceful and serene
Life is often fleeting and temporary, peaceful and relaxing at times
Unless you're being evil then you on the devil's team
If one indulges in evil, then they are siding with the devil
Well I receive what you want to believe
I acknowledge what you believe in
But soon you'll have to sew those bad seeds
But eventually, you'll have to face the consequences of your actions
Please, any man can ask, to get a pass
Anyone can seek forgiveness
Or a cleansing of sin to grant another chance
Or to be absolved of one's sins for a fresh start
Perhaps another glance of the light at the end of the tunnel
Perhaps another opportunity or a hopeful outlook toward the future
Talk to the coach or break out the huddle
Seek guidance from a mentor or leader to move forward
Whatever should you fumble your rebuttal should be subtle
When making a mistake, it's best to accept it gracefully without aggression
Because he who lives in the upper room is never gullible
God is all-knowing and cannot be tricked or fooled
As you survey the syllables and sentences
As you reflect on the words and message being conveyed
The question that I'm merely trying to pose is as simple as me saying
The underlying question behind all of this is straightforward
Sometimes life can keep you down, with your face all in the dirt
Reiterating the feeling of helplessness and despair that life can bring
Now if you feel that left behind, need to get up and go to church
Urging that going to church can provide solace and hope when feeling lost
Why are we here? Huh? Huh? Huh?
Reiterating the question about the meaning of existence
Please tell me, what are we here for?
Asking for someone to give an answer or explanation to the question of purpose
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: Myrna Crenshaw, Kevin Lloyd Kendrick, Patrick Brown, Antwan Patton, Andre Benjamin
Lyrics Licensed & Provided by LyricFind
@WarrenJr1996
One of the most underrated outkast tracks ever
@danieljimenez1989
It's my fave from speakerboxxx, which is my fave from all of the OutKast albums. An absolute banger. There's a bunch of close contenders for second place, but this track goes really deep and resonates with me on another level.
@robytrice22
Fell in love with this track ever since I heard it in Madden 04
@ceddy82
robytrice22 great rosters back then too man. Clinton Portis, Ladanian Tomlison, Mike Vick, and Shockey
@tremontwhite7181
Madden 2004 soundtrack was the greatest
@FuriousMan226
robytrice22 Same, It’s one of the only games I’ve played on my PlayStation 2 in the fast few months
@willieventress6754
IKR
@detroitomega313
Me to this was the shit
@kitty7937
this is genuinely my favourite song of all time
@kevindewayne4819
its like jazz,hip hop,and classical all together