OutKast is an American hip-hop duo from Atlanta, Georgia, United States. T… Read Full Bio ↴OutKast is an American hip-hop duo from Atlanta, Georgia, United States. The duo is one of the most successful hip-hop groups of all time, having received six Grammy Awards. Over 25 million copies have been sold of Outkast's seven releases: six studio albums—including one double album—and a greatest hits release.

The group's original musical style was a mixture of Dirty South and G-Funk. Since then funk, soul, pop, electronic music, rock, spoken word poetry, jazz, and blues have been added to the group's musical palette. The duo consists of Atlanta native André "Andre 3000" Benjamin (formerly known as Dré) and Georgia-born Antwan "Big Boi" Patton.

Speakerboxxx/The Love Below is one of only four hip-hop albums to be certified Diamond in the U.S. for shipping over 10 million units. Along with Outkast's commercial success, they have maintained an experimental approach in their music and are widely praised for their originality and artistic content.

Benjamin and Patton met while attending Tri-Cities High School, a Visual and Performing Arts School. Benjamin's parents were divorced and he was living with his father. Meanwhile, Patton had to move with his four brothers and six sisters from Savannah to Atlanta. Benjamin and Patton eventually teamed up and were pursued by Organized Noize, a group of local producers who would later make hits for TLC. The duo initially wanted to be called "2 Shades Deep" or "The Misfits", but because those names were already taken they later decided to use "OutKast" based on finding "outcast" as synonym for "misfit" in a dictionary. OutKast, Organized Noize, and schoolmates Goodie Mob formed the nucleus of the Dungeon Family organization.

OutKast signed to LaFace Records in 1992, becoming the label's first hip hop act and making their first appearance on the remix of label mate TLC's "What About Your Friends". In 1993, they released their first single, "Player's Ball". The song's funky style, much of it accomplished with live instrumentation, was a hit with audiences. "Player's Ball" hit number-one on the Billboard Hot Rap Tracks chart.

Their debut album, Southernplayalisticadillacmuzik, was issued on April 26th, 1994. This initial effort is credited with laying the foundation for southern hip hop and is considered a classic by many hip hop aficionados. Every track on Southernplayalisticadillacmuzik was produced by Organized Noize and featured other members of the Dungeon Family. Follow-up singles included the title track and "Git Up Git Out", a politically charged collaboration with Goodie Mob that was later sampled by Macy Gray for her 1999 hit "Do Something." On this early material, both André and Big Boi contrast lyrical content reflecting the lifestyles of pimps and gangsters with politically conscious material commenting on the status of African Americans in the South. OutKast won Best New Rap Group at the Source Awards in 1995. In the same year, the group contributed "Benz or a Beamer" to the popular New Jersey Drive soundtrack.

ATLiens was OutKast's second album, released on August 27th, 1996. The album exhibited more self-consciousness, and further solidified OutKast as the flagship representatives of the 1st generation Dungeon Family and the Southern hip hop movement. The album helped the group earn more recognition among East Coast hip hop fans in the East and West coasts.

For this album, OutKast joined with partner David "Mr. DJ" Sheats to form the Earthtone III production company, which allowed the group to produce some of their own tracks. "ATLiens" was the group's second Top 40 single (following "Player's Ball" from their first album), and reflected the beginning of André's increasingly sober lifestyle: "No drugs or alcohol/so I can get the signal clear," he rhymes about himself. "Elevators (Me & You)," OutKast's first self-produced single, became the group's first Top 20 hit the same year.

OutKast's third album Aquemini was released on September 29, 1998 and also reached the number-two position on the Billboard 200 album chart in the United States; its title was a combination of the zodiac signs of Big Boi (an Aquarius) and André (a Gemini). The album was widely praised as possibly the group's best material to date: when reviewed by popular hip-hop publication The Source, it received the much-coveted "5 Mics" (out of five) rating.

Producing more material themselves, both Big Boi and André explored more eclectic subject matter, delving into sounds inspired by soul, trip hop, and electro music. The album featured production by Organized Noize and collaborations with Raekwon, funk pioneer and musical forebear George Clinton, and Goodie Mob.

In 1999, OutKast and LaFace Records were sued by Rosa Parks over the album's most successful radio single, which bore Parks' name as its title. The lawsuit alleged that the song misappropriated Parks' name, and also objected to some of the song's obscene language.

The song's lyrics were largely unrelated to Parks, save for a line in the chorus: "Ah ha, hush that fuss / Everybody move to the back of the bus". The song, which OutKast maintained was intended partly as homage, only refers to Parks as a metaphor: the purpose of the song's chorus is to imply that OutKast is overturning hip hop's old order, that people should make way for a new style and sound. The initial lawsuit was dismissed. Parks' representation hired lawyer Johnnie Cochran to appeal the decision in 2001, but the appeal was denied on First Amendment grounds. In 2003, the Supreme Court allowed Parks' lawyers to proceed with the lawsuit.

In 2004, the judge in the case appointed an impartial representative for Parks after her family expressed concerns that her caretakers and her lawyers were pursuing the case based on their own financial interest. Later that same year, the members of OutKast were dropped as co-defendants, and Parks' lawyers continued to seek action against LaFace and parent company BMG. In 2003 André told UK journalist Angus Batey that, following a Detroit concert in the midst of the legal battle, relatives of Parks had approached him and implied that the case was less to do with Rosa than with the lawyers. The suit was finally settled on April 14, 2005, with neither OutKast nor their label having to admit any wrongdoing. The group did, however, have to agree to perform some sort of tribute to Parks.

Originally titled "Sandbox", the pair's fourth album, "Stankonia", was released in October 2000 to excellent reviews. It debuted at number two on the Billboard 200 in the U.S., and would eventually be certified quadruple-platinum. Stankonia's first single was "B.O.B. (Bombs Over Baghdad)", a high-tempo jungle-influenced record. The second single, "Ms. Jackson," combined a pop hook with lyrics about divorce and relationship breakups, particularly André's breakup with singer Erykah Badu; the titular "Ms. Jackson" character being a doppelgänger for Badu's mother. It was at this time that André changed his stage name to the current "André 3000".

The single became their first pop hit, landing the number-one position on the Billboard Hot 100 chart, and the number-two position on the UK Singles Chart. The album's final single was the Organized Noize-produced "So Fresh, So Clean", featuring a credited guest appearance from regular guest vocalist and Organized Noize-member Sleepy Brown and garnered a remix featuring Snoop Dogg. All three singles' videos had heavy MTV2 airplay, and Outkast won two 2001 Grammy Awards, one for Best Rap Performance by a Duo or Group for "Ms. Jackson", and another for Stankonia as Best Rap Album.

During the recording of Stankonia, OutKast and Mr. DJ began producing tracks for the artists on their Aquemini Records imprint through Columbia, including Slimm Cutta Calhoun and Killer Mike, who made his debut on Stankonia's "Snappin' & Trappin."

Webzine Pitchforkmedia.com named Stankonia the 4th greatest album released between 2000 and 2004 in its 2005 feature. In 2009, B.O.B. was chosen as the number one song of the decade.

In December 2001, OutKast released a greatest hits album, Big Boi and Dre Present...OutKast, which also contained three new tracks. One of these new tracks was the single "The Whole World," which won a 2002 Grammy Award for Best Rap Performance by a Duo or Group. Killer Mike also was featured on the song, gaining some exposure among areas outside of his native Atlanta. The other two new songs were called "Funkin' Around" and "Movin' Cool (The After Party)"

The same year OutKast participated in the only Dungeon Family group album, Even in Darkness, along with Goodie Mob, Killer Mike, Sleepy Brown, Witchdoctor, and Backbone among others, and featuring Bubba Sparxxx, Shuga Luv and Mello. In 2002, the group and Killer Mike contributed the lead single "Land of a Million Drums" to the Scooby Doo soundtrack.

In September 2003, OutKast released a double album, Speakerboxxx/The Love Below. It is essentially two solo albums, one by each member, packaged as a single release under the OutKast banner; the two members also appear on each others' discs for a few songs apiece. Big Boi's Speakerboxxx is largely a funk and Dirty South blended party record; André 3000's The Love Below features only brief instances of hip hop, presenting instead elements found in funk, jazz, rock, electronic music, and R&B.

The album is also OutKast's biggest commercial success yet, having debuted on the Billboard 200 albums chart at number-one and stayed there for several weeks. The album eventually sold over five million copies, and, as double-album sales count double for Recording Industry Association of America certification, the album was certified diamond for 10 million units shipped in December 2004. Its latest certification, in May 2006, reaches 11 million copies in shipping.

The first two singles from the album(s), which were released nearly simultaneously, were Big Boi's "The Way You Move" and André 3000's "Hey Ya!" The video for "Hey Ya!" is based on The Beatles' landmark appearance on The Ed Sullivan Show. The video's storyline has "The Love Below"—a fictional band with all members, through the use of special effects, played by André—performing in London. "Hey Ya!" was the number one song on the very final weekend of American Top 40 with Casey Kasem. It was also number one a week later on the very first weekend of American Top 40 with Ryan Seacrest. The singles spent ten weeks at number one on the Hot 100 singles chart, with "Hey Ya!" spending nineteen weeks and "The Way You Move" briefly taking over in February 2004. These singles were seen as a breakthrough for the hip-hop industry, being among the first hip-hop songs to be widely played on adult contemporary radio stations.

OutKast's next official single was not released until the summer of 2004. "Roses", a track featuring both members from The Love Below half of the album, did not meet the level of success as either of its predecessors, but it became a modest-sized hit on urban radio and the American music video networks. The video for "Roses" is loosely based on the musical West Side Story and Grease. It featured sparring 1950s-style gangs, one representing Speakerboxxx, and one representing The Love Below, parodying the widespread arguing among critics and fans as to which half of the album was better and that the two members were estranged. The final singles were André 3000's "Prototype", which was paired with a science fiction-themed video about alien visitors, and Speakerboxxx's "Ghettomusick," which featured both members of OutKast and a sample from a song by Patti LaBelle, who also makes an appearance in the video.

Speakerboxxx/The Love Below won the Grammy Award for the 2004 Album of the Year, becoming only the second rap album to ever receive the honor (the first being The Miseducation of Lauryn Hill by Lauryn Hill in 1999). OutKast was one of the headlining acts at the show, and gave two performances: Big Boi performed "The Way You Move" during a medley with George Clinton & P-Funk and Robert Randolph and the Family Band, while André 3000 performed "Hey Ya!" as the show closed. In February 2004, André 3000's performance, which featured female dancers moving wildly around a green teepee in war paint and feathered headdresses, was criticized by the Native American Cultural Center, who called for a boycott of OutKast, Arista Records, NARAS, and of CBS, the broadcaster of the awards show. CBS later apologized.

Between OutKast albums, Big Boi and André 3000 ventured into film projects. André co-starred in John Singleton's action film Four Brothers and also had a part in Be Cool, while Big Boi took a featured role in the T.I. movie ATL. Both members also began working on a joint film, Idlewild, directed by OutKast music video director Bryan Barber. Idlewild, a Prohibition-era musical film set to a blues-influenced hip-hop soundtrack, was released on August 25, 2006 by Universal Pictures. The Idlewild soundtrack was released August 22, 2006. Its lead single, "Mighty 'O'", features both OutKast members, and was briefly played exclusively on local Atlanta radio stations before being issued as a single in May 2006. They released and shot the video for "Morris Brown" instead. A video for "Idlewild Blue (Don'tchu Worry About Me)" soon followed.

Aquemini Records folded in 2004, and Big Boi founded a new record label, Purple Ribbon Entertainment, to be distributed by Virgin Records. Among its first signees were Sleepy Brown, Bubba Sparxxx, and Killer Mike, Big Boi has released a group album/compilation, titled Big Boi Presents... The Purple Ribbon All-Stars - Got Purp? Vol. 2.

One album remains on the band's LaFace contract. It was originally planned as a ten-track release called 10 The Hard Way; shortly after Idlewild was released, the duo confirmed the album is still in the works, though both have begun new projects without releasing any new information on the album. Due to both Big Boi and André's interest in separate projects such as movies, TV (André's Class of 3000) and solo albums, rumors of a split have turned up frequently in the media. André denied those rumors in a phone interview with MTV News, stating that even though they do not feel like performing on stage together, OutKast is "still tight". In an August, 2006, interview with UK journalist Craig McLean, after emphasizing that they would not split, the pair looked beyond music and film careers, Big Boi suggesting he may consider running for the job of Mayor of Atlanta in the future.

In 2007, Andre 3000 confirmed a new OutKast album would be released, but said that he and Big Boi released solo records first, stating the group album is still possibly two years away. Big Boi's solo album will be released first in June/July of 2009, with the first single, "Royal Flush" (also featuring Andre 3000, essentially making it an OutKast song), planned to have been released on December 31, 2007, but was not released on the announced date. Big Boi announced on his MySpace that the release date for Sir Luscious Left Foot: The Son of Chico Dusty is now sometime in the summer of 2009.

On Nov 14, 2008, the Guardian reported that OutKast will release their follow-up to Idlewild in 2009 after Big Boi and Andre 3000 release their solo albums in the same year. As of August 2009, the albums have not yet been released.

Claimin' True
OutKast Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Well it is I, the pimp playing nigga that you heard about
Yeah, I got the money and a half a million dope houses
I got the hookers on the go and player rhymes that I fuck with
I buy amps that pops my trunk swift
I've been a player since the age of two
That's when I learned to walk, grab my crotch, talk
Do how them hoe sellers do
See born and raised as a pimp, that's what I claim to be

Always claiming true to what I do and then fuck what I see
I pledge allegiance to the streets, that's where I growed up
And make my money 'cause my daddy never showed up
But fuck it, I'm on my own, I'm in my zone
And nothing wrong, you don't belong, you left me standing alone
Yeah, I'm the nigga with the feather in my hat
Finger waves and snake skins, shit, I got all that
But you ain't know I'm the one dipping and dodging bullets
The price you pay when you behind it steady trying to pull it
So Dolemite, Dolemite not shit, I studied the Mack and Rudy Ray Moore
They were my idols when I was a kid
From nappy head, greasy face, eating watermelon
To drug dealer, armed robber, now, to big felon

I wonder how you would react if you was in my shoes
I put in work and did the dirt, that's how I payed my dues
Uh, 1-2-3, that's how it be
So all the real niggas step up like the players that's in back of me
I wonder how you would react if you was in my shoes
I put in work and did the dirt, that's how I payed my dues
Uh, 1-2-3, that's how it be
So all the real niggas step up like the players that's in back of me

All heavenly Father, why do you even bother watching over me
Growin up a little G, my mama thought I'd grow to be
A lawyer or a doctor but I felt like coming harder
Packed a shank up in my socks when I started kindergarten
This ain't no secret garden, so you fly when niggas flee
If it is one of my own, I'm letting the trigger be
'cause I got love for any nigga who got love for me
And then I get a slap of dap when I'm slanging quarter keys
Just trying to make it, then of age, come through, take it
I ain't forgot about y'all women who be working niggas butt naked
At Magic City, shaking titties just to pay the rent
Lord, trying to hustle must be something that was heaven sent
But I ain't got no sense, that's what I got them thinking
I think about payback, strap myself and keep on dankin'
'cause I be taking the rough side of the mountain
If you cross my path, I'll leave you draining like a fountain
Yes it's been like that since way back, in 1975
Been taught to hustle with muscle and even try to strive
So little botty bwoy better say your prayers
You better learn some street sense before somebody lay ya

I wonder how you would react if you was in my shoes
I put in work and did the dirt, that's how I payed my dues
Uh, 1-2-3, that's how it be
So all the real niggas step up like the players that's in back of me
I wonder how you would react if you was in my shoes
I put in work and did the dirt, that's how I payed my dues
Uh, 1-2-3, that's how it be
So all the real niggas step up like the players that's in back of me
I wonder how you would react if you was in my shoes
I put in work and did the dirt, that's how I payed my dues
Uh, 1-2-3, that's how it be
So all the real niggas step up like the players that's in back of me
I wonder how you would react if you was in my shoes
I put in work and did the dirt, that's how I payed my dues

Uh, 1-2-3, that's how it be
So all the real niggas step up like the players that's in back of me

Overall Meaning

The lyrics to Outkast's song "Claimin' True" speak to a sense of pride and authenticity in one's identity as a "pimp" or hustler on the streets. The singer boasts of having money, dope houses, and hookers at his disposal, as well as a love for flashy clothing and cars. He claims to have been a player since the age of two, and to always stay true to his identity and profession regardless of what others might think or say. The song also touches on themes of loyalty and camaraderie among those in the streets, with the singer pledging to support and defend those who have shown him love and respect.

There is a sense of danger and risk inherent in this lifestyle, with the singer alluding to the possibility of violence and gunfire in the streets. He also reflects on his upbringing and the challenges he faced growing up in a world without the support of his father. Despite this, he seems to embrace his identity as a "big felon" with pride and a sense of belonging.

Overall, "Claimin' True" is a vivid and unapologetic depiction of life on the streets and the unique challenges and rewards that come with that lifestyle.

Line by Line Meaning

Well it is I, the pimp playing nigga that you heard about
I am the well-known pimp, with money and multiple homes, a crew of prostitutes, and sick rhymes. My music is so good that it makes my car speakers boom.

I've been a player since the age of two
I have been on my game since I was a baby, playing it cool with my swag and hustling skills; that is just how I operate.

See born and raised as a pimp, that's what I claim to be
I come from a lineage of Pimphood, and that's all I know. I always stay true to who I am and don't concern myself with social norms.

I pledge allegiance to the streets, that's where I growed up
I am loyal to the streets that raised me, where I have made my money and paved my way to success.

But you ain't know I'm the one dipping and dodging bullets
I may look flash and fancy with my feather in my hat, but I am not above street violence, so watch your back.

So Dolemite, Dolemite not shit, I studied the Mack and Rudy Ray Moore
I have studied the masters of Blaxploitation and learned from their iconic filmmaking and storytelling. They were my childhood idols.

From nappy head, greasy face, eating watermelon
I started from nothing, with no fancy clothes or equipment; just a child eating a simple, cheap fruit with a messy face.

To drug dealer, armed robber, now, to big felon
I have paid my dues in the streets and have come a long way – from selling drugs to armed robbery – now, a big time criminal.

All heavenly Father, why do you even bother watching over me
I have done bad things in my life, and I am not sure why God still cares for me despite it all.

Packed a shank up in my socks when I started kindergarten
I have always been street-smart and started carrying a weapon since the beginning of my school days.

And then I get a slap of dap when I'm slanging quarter keys
I receive admiration and approval from my peers when I make a successful drug deal.

At Magic City, shaking titties just to pay the rent
Some women resort to stripping at Magic City just to survive and pay the bills.

So little botty bwoy better say your prayers
I warn the inexperienced and naive to stay safe and be careful on the streets.

I wonder how you would react if you was in my shoes
I wonder if you could handle the life I have lived, the things I have done, and the pain I have felt.

Uh, 1-2-3, that's how it be
My life has always been a hustle, with every day presenting new challenges and obstacles to overcome.

So all the real niggas step up like the players that's in back of me
I call upon all the true hustlers and players to support me and keep pushing forward with me.

Lyrics © BMG Rights Management
Written by: ANDRE BENJAMIN, ANTWAN PATTON, PATRICK BROWN, RAYMON MURRAY, RICO WADE

Lyrics Licensed & Provided by LyricFind

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