The group's original musical style was a mixture of Dirty South and G-Funk. Since then funk, soul, pop, electronic music, rock, spoken word poetry, jazz, and blues have been added to the group's musical palette. The duo consists of Atlanta native André "Andre 3000" Benjamin (formerly known as Dré) and Georgia-born Antwan "Big Boi" Patton.
Speakerboxxx/The Love Below is one of only four hip-hop albums to be certified Diamond in the U.S. for shipping over 10 million units. Along with Outkast's commercial success, they have maintained an experimental approach in their music and are widely praised for their originality and artistic content.
Benjamin and Patton met while attending Tri-Cities High School, a Visual and Performing Arts School. Benjamin's parents were divorced and he was living with his father. Meanwhile, Patton had to move with his four brothers and six sisters from Savannah to Atlanta. Benjamin and Patton eventually teamed up and were pursued by Organized Noize, a group of local producers who would later make hits for TLC. The duo initially wanted to be called "2 Shades Deep" or "The Misfits", but because those names were already taken they later decided to use "OutKast" based on finding "outcast" as synonym for "misfit" in a dictionary. OutKast, Organized Noize, and schoolmates Goodie Mob formed the nucleus of the Dungeon Family organization.
OutKast signed to LaFace Records in 1992, becoming the label's first hip hop act and making their first appearance on the remix of label mate TLC's "What About Your Friends". In 1993, they released their first single, "Player's Ball". The song's funky style, much of it accomplished with live instrumentation, was a hit with audiences. "Player's Ball" hit number-one on the Billboard Hot Rap Tracks chart.
Their debut album, Southernplayalisticadillacmuzik, was issued on April 26th, 1994. This initial effort is credited with laying the foundation for southern hip hop and is considered a classic by many hip hop aficionados. Every track on Southernplayalisticadillacmuzik was produced by Organized Noize and featured other members of the Dungeon Family. Follow-up singles included the title track and "Git Up Git Out", a politically charged collaboration with Goodie Mob that was later sampled by Macy Gray for her 1999 hit "Do Something." On this early material, both André and Big Boi contrast lyrical content reflecting the lifestyles of pimps and gangsters with politically conscious material commenting on the status of African Americans in the South. OutKast won Best New Rap Group at the Source Awards in 1995. In the same year, the group contributed "Benz or a Beamer" to the popular New Jersey Drive soundtrack.
ATLiens was OutKast's second album, released on August 27th, 1996. The album exhibited more self-consciousness, and further solidified OutKast as the flagship representatives of the 1st generation Dungeon Family and the Southern hip hop movement. The album helped the group earn more recognition among East Coast hip hop fans in the East and West coasts.
For this album, OutKast joined with partner David "Mr. DJ" Sheats to form the Earthtone III production company, which allowed the group to produce some of their own tracks. "ATLiens" was the group's second Top 40 single (following "Player's Ball" from their first album), and reflected the beginning of André's increasingly sober lifestyle: "No drugs or alcohol/so I can get the signal clear," he rhymes about himself. "Elevators (Me & You)," OutKast's first self-produced single, became the group's first Top 20 hit the same year.
OutKast's third album Aquemini was released on September 29, 1998 and also reached the number-two position on the Billboard 200 album chart in the United States; its title was a combination of the zodiac signs of Big Boi (an Aquarius) and André (a Gemini). The album was widely praised as possibly the group's best material to date: when reviewed by popular hip-hop publication The Source, it received the much-coveted "5 Mics" (out of five) rating.
Producing more material themselves, both Big Boi and André explored more eclectic subject matter, delving into sounds inspired by soul, trip hop, and electro music. The album featured production by Organized Noize and collaborations with Raekwon, funk pioneer and musical forebear George Clinton, and Goodie Mob.
In 1999, OutKast and LaFace Records were sued by Rosa Parks over the album's most successful radio single, which bore Parks' name as its title. The lawsuit alleged that the song misappropriated Parks' name, and also objected to some of the song's obscene language.
The song's lyrics were largely unrelated to Parks, save for a line in the chorus: "Ah ha, hush that fuss / Everybody move to the back of the bus". The song, which OutKast maintained was intended partly as homage, only refers to Parks as a metaphor: the purpose of the song's chorus is to imply that OutKast is overturning hip hop's old order, that people should make way for a new style and sound. The initial lawsuit was dismissed. Parks' representation hired lawyer Johnnie Cochran to appeal the decision in 2001, but the appeal was denied on First Amendment grounds. In 2003, the Supreme Court allowed Parks' lawyers to proceed with the lawsuit.
In 2004, the judge in the case appointed an impartial representative for Parks after her family expressed concerns that her caretakers and her lawyers were pursuing the case based on their own financial interest. Later that same year, the members of OutKast were dropped as co-defendants, and Parks' lawyers continued to seek action against LaFace and parent company BMG. In 2003 André told UK journalist Angus Batey that, following a Detroit concert in the midst of the legal battle, relatives of Parks had approached him and implied that the case was less to do with Rosa than with the lawyers. The suit was finally settled on April 14, 2005, with neither OutKast nor their label having to admit any wrongdoing. The group did, however, have to agree to perform some sort of tribute to Parks.
Originally titled "Sandbox", the pair's fourth album, "Stankonia", was released in October 2000 to excellent reviews. It debuted at number two on the Billboard 200 in the U.S., and would eventually be certified quadruple-platinum. Stankonia's first single was "B.O.B. (Bombs Over Baghdad)", a high-tempo jungle-influenced record. The second single, "Ms. Jackson," combined a pop hook with lyrics about divorce and relationship breakups, particularly André's breakup with singer Erykah Badu; the titular "Ms. Jackson" character being a doppelgänger for Badu's mother. It was at this time that André changed his stage name to the current "André 3000".
The single became their first pop hit, landing the number-one position on the Billboard Hot 100 chart, and the number-two position on the UK Singles Chart. The album's final single was the Organized Noize-produced "So Fresh, So Clean", featuring a credited guest appearance from regular guest vocalist and Organized Noize-member Sleepy Brown and garnered a remix featuring Snoop Dogg. All three singles' videos had heavy MTV2 airplay, and Outkast won two 2001 Grammy Awards, one for Best Rap Performance by a Duo or Group for "Ms. Jackson", and another for Stankonia as Best Rap Album.
During the recording of Stankonia, OutKast and Mr. DJ began producing tracks for the artists on their Aquemini Records imprint through Columbia, including Slimm Cutta Calhoun and Killer Mike, who made his debut on Stankonia's "Snappin' & Trappin."
Webzine Pitchforkmedia.com named Stankonia the 4th greatest album released between 2000 and 2004 in its 2005 feature. In 2009, B.O.B. was chosen as the number one song of the decade.
In December 2001, OutKast released a greatest hits album, Big Boi and Dre Present...OutKast, which also contained three new tracks. One of these new tracks was the single "The Whole World," which won a 2002 Grammy Award for Best Rap Performance by a Duo or Group. Killer Mike also was featured on the song, gaining some exposure among areas outside of his native Atlanta. The other two new songs were called "Funkin' Around" and "Movin' Cool (The After Party)"
The same year OutKast participated in the only Dungeon Family group album, Even in Darkness, along with Goodie Mob, Killer Mike, Sleepy Brown, Witchdoctor, and Backbone among others, and featuring Bubba Sparxxx, Shuga Luv and Mello. In 2002, the group and Killer Mike contributed the lead single "Land of a Million Drums" to the Scooby Doo soundtrack.
In September 2003, OutKast released a double album, Speakerboxxx/The Love Below. It is essentially two solo albums, one by each member, packaged as a single release under the OutKast banner; the two members also appear on each others' discs for a few songs apiece. Big Boi's Speakerboxxx is largely a funk and Dirty South blended party record; André 3000's The Love Below features only brief instances of hip hop, presenting instead elements found in funk, jazz, rock, electronic music, and R&B.
The album is also OutKast's biggest commercial success yet, having debuted on the Billboard 200 albums chart at number-one and stayed there for several weeks. The album eventually sold over five million copies, and, as double-album sales count double for Recording Industry Association of America certification, the album was certified diamond for 10 million units shipped in December 2004. Its latest certification, in May 2006, reaches 11 million copies in shipping.
The first two singles from the album(s), which were released nearly simultaneously, were Big Boi's "The Way You Move" and André 3000's "Hey Ya!" The video for "Hey Ya!" is based on The Beatles' landmark appearance on The Ed Sullivan Show. The video's storyline has "The Love Below"—a fictional band with all members, through the use of special effects, played by André—performing in London. "Hey Ya!" was the number one song on the very final weekend of American Top 40 with Casey Kasem. It was also number one a week later on the very first weekend of American Top 40 with Ryan Seacrest. The singles spent ten weeks at number one on the Hot 100 singles chart, with "Hey Ya!" spending nineteen weeks and "The Way You Move" briefly taking over in February 2004. These singles were seen as a breakthrough for the hip-hop industry, being among the first hip-hop songs to be widely played on adult contemporary radio stations.
OutKast's next official single was not released until the summer of 2004. "Roses", a track featuring both members from The Love Below half of the album, did not meet the level of success as either of its predecessors, but it became a modest-sized hit on urban radio and the American music video networks. The video for "Roses" is loosely based on the musical West Side Story and Grease. It featured sparring 1950s-style gangs, one representing Speakerboxxx, and one representing The Love Below, parodying the widespread arguing among critics and fans as to which half of the album was better and that the two members were estranged. The final singles were André 3000's "Prototype", which was paired with a science fiction-themed video about alien visitors, and Speakerboxxx's "Ghettomusick," which featured both members of OutKast and a sample from a song by Patti LaBelle, who also makes an appearance in the video.
Speakerboxxx/The Love Below won the Grammy Award for the 2004 Album of the Year, becoming only the second rap album to ever receive the honor (the first being The Miseducation of Lauryn Hill by Lauryn Hill in 1999). OutKast was one of the headlining acts at the show, and gave two performances: Big Boi performed "The Way You Move" during a medley with George Clinton & P-Funk and Robert Randolph and the Family Band, while André 3000 performed "Hey Ya!" as the show closed. In February 2004, André 3000's performance, which featured female dancers moving wildly around a green teepee in war paint and feathered headdresses, was criticized by the Native American Cultural Center, who called for a boycott of OutKast, Arista Records, NARAS, and of CBS, the broadcaster of the awards show. CBS later apologized.
Between OutKast albums, Big Boi and André 3000 ventured into film projects. André co-starred in John Singleton's action film Four Brothers and also had a part in Be Cool, while Big Boi took a featured role in the T.I. movie ATL. Both members also began working on a joint film, Idlewild, directed by OutKast music video director Bryan Barber. Idlewild, a Prohibition-era musical film set to a blues-influenced hip-hop soundtrack, was released on August 25, 2006 by Universal Pictures. The Idlewild soundtrack was released August 22, 2006. Its lead single, "Mighty 'O'", features both OutKast members, and was briefly played exclusively on local Atlanta radio stations before being issued as a single in May 2006. They released and shot the video for "Morris Brown" instead. A video for "Idlewild Blue (Don'tchu Worry About Me)" soon followed.
Aquemini Records folded in 2004, and Big Boi founded a new record label, Purple Ribbon Entertainment, to be distributed by Virgin Records. Among its first signees were Sleepy Brown, Bubba Sparxxx, and Killer Mike, Big Boi has released a group album/compilation, titled Big Boi Presents... The Purple Ribbon All-Stars - Got Purp? Vol. 2.
One album remains on the band's LaFace contract. It was originally planned as a ten-track release called 10 The Hard Way; shortly after Idlewild was released, the duo confirmed the album is still in the works, though both have begun new projects without releasing any new information on the album. Due to both Big Boi and André's interest in separate projects such as movies, TV (André's Class of 3000) and solo albums, rumors of a split have turned up frequently in the media. André denied those rumors in a phone interview with MTV News, stating that even though they do not feel like performing on stage together, OutKast is "still tight". In an August, 2006, interview with UK journalist Craig McLean, after emphasizing that they would not split, the pair looked beyond music and film careers, Big Boi suggesting he may consider running for the job of Mayor of Atlanta in the future.
In 2007, Andre 3000 confirmed a new OutKast album would be released, but said that he and Big Boi released solo records first, stating the group album is still possibly two years away. Big Boi's solo album will be released first in June/July of 2009, with the first single, "Royal Flush" (also featuring Andre 3000, essentially making it an OutKast song), planned to have been released on December 31, 2007, but was not released on the announced date. Big Boi announced on his MySpace that the release date for Sir Luscious Left Foot: The Son of Chico Dusty is now sometime in the summer of 2009.
On Nov 14, 2008, the Guardian reported that OutKast will release their follow-up to Idlewild in 2009 after Big Boi and Andre 3000 release their solo albums in the same year. As of August 2009, the albums have not yet been released.
E.T
OutKast Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
D.E.E.P. you want to go D.E.E.P., I'll take ya D.E.E.P
You know you fucked up when you let my mind creep
Deeper than the page of a book let me look
You let me hit the stage, that's when I got my folks hooked like
D.E.E.P. you want to go D.E.E.P., I'll take ya D.E.E.P
You know you fucked up when you let my mind creep
You let me hit the stage, that's when I got my folks hooked like
Deeper than deep dish, hammers and vogues
Deeper fish in the O(cean)
I got my gun on standby, like Coast Guards
You boast hard, you'll get your salty ass crumbled like erb, word (hey man)
You heard it here first with your master plan in reverse
I ain't the one with the curse, so disperse, yes, catching plagues
Niggas catching AIDS, niggas getting sprayed, niggas on they way
To a dead end, you won't catch me spreading no white thighs
I only see afro bitches up in my eyes
I don't eat no beef and surely not no pork
I used to drink that 8, but now I shove it down your throat
Quote, 'If they kill they own folks, what you think they gonna do to you?'
I'm Outkasted and claiming true
Aiming two at your muthafucking spine
No, I make that three cause I don't wanna hear you whine
Swine, got my folks blind, like Stevie
Me be, wondering when I'm gonna see the end
Andre 'gain slamming backs like King acts
Over Organized tracks full of facts
So you know that it's D.E.E.P
You want to go D.E.E.P., I'll take ya D.E.E.P
You know you fucked up when you let my mind creep
Deeper than the page of a book let me look
You let me hit the stage, that's when I got my folks hooked like
D.E.E.P. you want to go D.E.E.P., I'll take ya D.E.E.P
You know you fucked up when you let my mind creep
Deeper than the page of a book let me look
You let me hit the stage, that's when I got my folks hooked like
Well, you want me to get D.E.E.P., well then, I will
What? What will happen if you shoot that nigga and don't kill
He will come back and return like Lalah Hathaway
Aiming for your skull, yeah I'm flexing on you that a way
So if you pulling a tool, nigga you better use it
Cause if you're threatening my life, better believe I'll be a fool with it
I don't take no shit from nobody
I gots the Goodie Mo crew right beside of me
Damn, no pain, no gain, so I'mma hurt you
Breaking knees and elbows like I used to break my curfew
My mama used to tell me if a nigga ever hit me
Just to pick up the closest thing and knock the living shit out of he
So if you run up, you get done up, I'mma end it
Throw the gun up out the window, see the corner that I bent it
It's just so simple when we get so D.E.E.P
Learn a lesson, pick up the album when it hits the streets like
D.E.E.P. you want to go D.E.E.P., I'll take ya D.E.E.P
You know you fucked up when you let my mind creep
Deeper than the page of a book let me look
You let me hit the stage, that's when I got my folks hooked like
D.E.E.P. you want to go D.E.E.P., I'll take ya D.E.E.P
You know you fucked up when you let my mind creep
Deeper than the page of a book let me look
You let me hit the stage, that's when I got my folks hooked like
No, I ain't never been pimped by the system
That's because I ain't no slave
Don't be trying to sunbathe, never lived off in no cave
Bloody old chap and in this head of mine is full of naps
And the only thing I know is how to fuck and how to rap
Y'all think I'm stupid cause I shoots 'em up like cupid
And if you gave me a basketball, I'll show you how to shoot it
My head's polluted cause I'm zooted, bobbin to the bottom
If a pair of Jordan's came out, y'all figure that I got 'em
But no I don't because I don't be having funds
The gold that I am wearing is really made out of bronze
It weighs a ton and making my neck turn green
And I got a criminal record that will never come clean
Oh, and it seems that I make babies like a rabbit
And then never taking care of them has just become a habit
I grab my tablet and get busy with the pen
Y'all could not be just like me if y'all was my twin
So you get mad and try to make me inferior
You pissing me off, I'm in that ass like interior
Oh, step in my Cadillac, let's ride through the hood
Eh, why don't you roll that window down so you can see it real good
And take a look at all the pimps and all the pushers and the players
That's living on a whim, thin ice and a prayer
Oh and mayor, can I get a little backup
Please don't let them pussy muthafuckas put that flag up
But let me shut up cause they say we equal
Whenever the fuck out record comes out in 1994
Yeah, yes sir, it's like that
Gonna take y'all deep, so go back
D.E.E.P. you want to go D.E.E.P., I'll take ya D.E.E.P
You know you fucked up when you let my mind creep
Deeper than the page of a book let me look
You let me hit the stage, that's when I got my folks hooked like
D.E.E.P. you want to go D.E.E.P., I'll take ya D.E.E.P
You know you fucked up when you let my mind creep
Deeper than the page of a book let me look
You let me hit the stage, that's when I got my folks hooked like
I'm getting deeper than that prostitutes vagina
And pimping way mo' hoes than there's peoples out in China
I roll that black Lac with the crust velvet interior
Niggas try to bite that shit, but their shit is inferior
We rolling thick like the Pillsbury Doughboy
And I don't give a damn, muthafucka cause you know why
The Caucus Mountains and the mutant gene
You try to wipe a nigga like me slam up off the scene
You hairy bastard, work a little bit faster
Because of the shit that I done been through, I shall never call you master
You D-E-V-I-L, the cave is where you dwell
So stay up out the rain, it's beginning to smell like dog, yeah
I wonder how you would be acting if youse in my shoes
You'd probably shit your tight ass draws cause I got a short ass fuse
So what do you really wanna do when I get militant
Thought I was a pimp, flip the script if you can' get with this
They call me Big Boi, I be capping with a big gun
Run up on it if you want it, then you bite the big one, yeah
Uh huh, can you deal with it, D-E-V-I-L
D.E.E.P. you want to go D.E.E.P., I'll take ya D.E.E.P
You know you fucked up when you let my mind creep
Deeper than the page of a book let me look
You let me hit the stage, that's when I got my folks hooked like
D.E.E.P. you want to go D.E.E.P., I'll take ya D.E.E.P
You know you fucked up when you let my mind creep
Deeper than the page of a book let me look
You let me hit the stage, that's when I got my folks hooked like
The first verse of Outkast’s E.T. talks about the daily cycle of life, with the sun setting “just like clockwork” and people wielding guns to take others’ lives. The lyrics seem to convey the idea that we are all living on a predetermined schedule, with some taking advantage of that predetermined life rhythm to do harm to others. This is illustrated with the metaphor “Taking that life is like taking a shit/Hit or miss, niggas are playing God/Trying to rob and steal/That's why ya gotta guard ya grill/Like a barbecue cause them harming you/Are just like honeybees swarming you.” Essentially, these lines suggest that killing someone is just another mundane task that people perform, much like defecation, with some who live to harm others being compared to vicious insects.
Outkast then goes on to describe their responsibility to arm their listeners with vocal ammunition to survive in a world where people compete fiercely to rob and steal from each other. The lines “It's killing me thinking that all these niggas see they flauging/Thinking they Steven Seagal and balling” imply that people boast about doing criminal acts as a way to assert power over others, as if they are action stars like Steven Seagal. The second verse of the song is more hopeful, with Outkast ruminating on the fleeting nature of life and the importance of savoring every moment. The lines “Right now I'm smiling, taking advantage of this moment/Cause there might not be another soon/Holding on to memories like roller coaster handle bars/Tightly cause I'm slightly off my rocker” create an image of someone trying to enjoy the present moment while uncertain of the future.
Overall, E.T. is a song about the human experience: the good, the bad, and the ugly. It shows how life can be unexpected, harsh and cruel, but it can also be beautiful, fleeting, and worth cherishing while it lasts.
Line by Line Meaning
Peep what I say
Listen carefully to what I'm about to say
Everyday the sun sets just like clockwork
The sunset happens every day like clockwork
To put the Glock to work
To use a gun (Glock) to commit violent acts
And putting the body to standstills
Committing murder and stopping someone's life permanently
Man it kills me
It metaphorically hurts me to see people committing violent acts
Taking that life is like taking a shit
Taking someone's life is as easy and thoughtless as going to the bathroom
Hit or miss, niggas are playing God
People are playing God by taking someone's life, sometimes without knowing the consequences
Trying to rob and steal
People are trying to commit crimes to make a living
That's why ya gotta guard ya grill
This is why you have to protect yourself
Like a barbecue cause them harming you
You have to protect yourself from others who may want to harm you
Are just like honeybees swarming you
People who want to harm you will attack like a swarm of bees
Vocally arming you was my responsibility
It was my responsibility to give you the tools to protect yourself through my lyrics
It's killing me thinking that all these niggas see they flauging
It's frustrating to see people boast about crimes they have committed
Thinking they Steven Seagal and balling
People think they are invincible and rich like a movie star
Falling to the wayside when ya try to call, I've fallen
People who think they are invincible will quickly disappear when things get tough
When we was little nappy headed niggas in the projects
We grew up poor and disadvantaged in the projects as children
But now they carjacks, wait on income tax and unsafe sex
Now they commit carjackings, wait for income tax returns, and engage in unsafe sex
Still yet they tend to flex like solo for tha lo-lo
They still try to show off and have expensive things even though they are poor
Smoke same thing no-no, not this time
They continue to do drugs even though they know it's not a good idea
Niggas around my way can rhyme
People from my neighborhood can rap
So fuck that country shit we done a bunch of shit
We've done a lot of things despite coming from a country area
And yes ya heard of this out of this world like E.T
Our music is unique and stands out like the character E.T. from the movie
Coming across ya T.V
Our music is broadcasted on TV
Extraterrestrial straight from ATL
We are unique musicians from Atlanta
Right now I'm smiling, taking advantage of this moment
I'm happy and living in the moment
Cause there might not be another soon
Future moments may not come, so I'm enjoying this one
Holding on to memories like roller coaster handle bars
I'm cherishing the memories I have, like holding onto the handle bars of a roller coaster
Tightly cause I'm slightly off my rocker
I'm hanging on tight because I may be a little crazy
But to you I may appear to be your average Joe
To others, I may seem like an ordinary person
But little do you know that even Joe got problems that he gots to joust with
Even normal people have problems they need to deal with
Floating in this game of life despite how out of place you may feel
We're all just going through the motions of life, even when we feel out of place
In this race oh you just can't quit
You have to keep going and not give up
Ain't that a bitch that be in heat
Isn't it frustrating?
I'm on the beat like cops
I'm rapping on the beat like law enforcement officers
Only cultivate the stable dirt when I skeet my drops
I only focus my lyrics on important topics when rapping
No concentrating knocking other niggas out the box
I'm not trying to knock down other people's success
Why? Cause in a sense see we all be kind of fly
We're all unique and cool in our own way
Just can't be scared to spread your wings, head to better things
Don't be afraid to try new things and strive for better
Maybe the mockingbird and nightingale they want to sing
Everyone has their own talents and should be allowed to express them
Keeping this thing alive, to the table's what we bring
We're keeping music alive and bringing our talents to the table
We like hailstorms and blizzards in the middle of the spring
Our music is unexpected and stands out, like a hailstorm in the spring
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@janepatton8100
@@durterebelz
Adrenalines's leakin, hearts are beating, your life's a Rollercoaster speeding
What a thrill when you head over hills
In love with life, it's good fruit
just don't swallow the peels (pills)
Sometimes they digest (die just) before starting to live
What can I say
Life is worthy of a double entendre
Will going deep make these kids wander
When the goal is to make our kids wonder
Old heads All summer
Try their best to embrace the hip, becuz the falls comin
It's always been the same, they want us to stop our reign they hate we flooded the world with urban culture
Animals and black folks they put in the same boat, claiming we were two of a kind like they know us
Wait don't let it throw ya... rain, floods, animals, boats, two of a kind, Noah's the arc but slavery's the motive, or motif
We spit slick, you believe
without this, we concede
We couldn't grip the minds of the culture
Consider it the sugar to the medicine
The choir to the reverend
The promise of free medical to the veteran
It's all bait just to get'em in, we grab their minds then jettison outtadisworld like ATLiens.
Extraterrestrial, keep it sweat with no
Cholesterol
No harmful additives or preservatives y'all
🎶Outtadisworld, are you aliens🎶
@janepatton8100
Adrenalines's leakin, hearts are beating, your life's a Rollercoaster speeding
What a thrill when you head over hills
In love with life, it's good fruit
just don't swallow the peels (pills)
Sometimes they digest (die just) before starting to live
What can I say
Life is worthy of a double entendre
Will going deep make these kids wander
When the goal is to make our kids wonder
Old heads All summer
Try their best to embrace the hip, becuz the falls comin
It's always been the same, they want us to stop our reign they hate we flooded the world with urban culture
Animals and black folks they put in the same boat, claiming we were two of a kind like they know us
Wait don't let it throw ya... rain, floods, animals, boats, two of a kind, Noah's the arc but slavery's the motive, or motif
We spit slick, you believe
without this, we concede
We couldn't grip the minds of the culture
Consider it the sugar to the medicine
The choir to the reverend
The promise of free medical to the veteran
It's all bait just to get'em in, we grab their minds then jettison outtadisworld like ATLiens.
Extraterrestrial, keep it sweat with no
Cholesterol
No harmful additives or preservatives y'all
🎶Outtadisworld, are you aliens🎶
@janepatton8100
Adrenalines's leakin, hearts are beating, your life's a Rollercoaster speeding
What a thrill when you head over hills
In love with life, it's good fruit
just don't swallow the peels (pills)
Sometimes they digest (die just) before starting to live
What can I say... Life is worthy of a double entendre
Will going deep make these kids wander
When the goal is to make our kids wonder
Old heads all summer, try their best to embrace the hip, becuz the falls comin
It's always been the same, they want us to stop our reign, they hate we flooded the world with urban culture
Animals and black folks they put in the same boat, claiming we were two of a kind like they know us
Wait, don't let it throw ya... rain, floods, animals, boats, two of a kind, Noah's the arc but slavery's the motive, or motif
We spit slick, and you believe
Without this, we will concede
We couldn't grip the minds of the culture
Consider it the sugar to the medicine
The choir to the reverend
The promise of free medical to the veteran
It's all bait just to get'em in, we grab their minds then jettison outtadisworld like ATLiens.
Extraterrestrial, keep it sweat with no
Cholesterol
No harmful additives or preservatives y'all
🎶Outtadisworld, are you aliens🎶
@janepatton8100
Adrenalines's leakin, hearts are beating, your life's a Rollercoaster speeding
What a thrill when you head over hills
In love with life, it's good fruit
just don't swallow the peels (pills)
Sometimes they digest (die just) before starting to live
What can I say
Life is worthy of a double entendre
Will going deep make these kids wander
When the goal is to make our kids wonder
Old heads All summer
Try their best to embrace the hip, becuz the falls comin
It's always been the same, they want us to stop our reign they hate we flooded the world with urban culture
Animals and black folks they put in the same boat, claiming we were two of a kind like they know us
Wait don't let it throw ya... rain, floods, animals, boats, two of a kind, Noah's the arc but slavery's the motive, or motif
We spit slick, you believe
without this, we concede
We couldn't grip the minds of the culture
Consider it the sugar to the medicine
The choir to the reverend
The promise of free medical to the veteran
It's all bait just to get'em in, we grab their minds then jettison outtadisworld like ATLiens.
Extraterrestrial, keep it sweat with no
Cholesterol
No harmful additives or preservatives y'all
🎶Outtadisworld, are you aliens🎶
@janepatton8100
Adrenalines's leakin, hearts are beating, your life's a Rollercoaster speeding
What a thrill when you head over hills
In love with life, it's good fruit
just don't swallow the peels (pills)
Sometimes they digest (die just) before starting to live
What can I say
Life is worthy of a double entendre
Will going deep make these kids wander
When the goal is to make our kids wonder
Old heads All summer
Try their best to embrace the hip, becuz the falls comin
It's always been the same, they want us to stop our reign they hate we flooded the world with urban culture
Animals and black folks they put in the same boat, claiming we were two of a kind like they know us
Wait don't let it throw ya... rain, floods, animals, boats, two of a kind, Noah's the arc but slavery's the motive, or motif
We spit slick, you believe
without this, we concede
We couldn't grip the minds of the culture
Consider it the sugar to the medicine
The choir to the reverend
The promise of free medical to the veteran
It's all bait just to get'em in, we grab their minds then jettison outtadisworld like ATLiens.
Extraterrestrial, keep it sweat with no
Cholesterol
No harmful additives or preservatives y'all
🎶Outtadisworld, are you aliens🎶
@janepatton8100
The worth and dignity of a soul is measured by what it delights in! And delight/happiness is our highest desire.
Men have killed to have it. Kings have gone mad trying to find it. Wars have served it. Affairs have worshiped it. We all seek it.
Sadly, billions have died without discovering its secret... namely, that joy is not an it, but a He.
The Gospel is the good news that sinners can delight in a Holy God. It's the good news that all of our deepest desires are satisfied in the ONE who sent His Son to bring us to Him. .
God is so valuable and so satisfying that the most loving thing he could do for us is to make Himself gloriously indispensable. He is the only being in the universe for whom self-exaltation is the highest virtue.
Therefore, God's commitment to be glorified and our goal to be satisfied are not at odds but come to simultaneous consumation in the worship of His Son... who took upon Himself the Wrath that God had towards us in our sinful disregard of Him. A wrath that could never be appeased through man-made religion.
Jesus didn't die to turn the world into a paradise, he died so that we could stop seeking paradise in the world...
Temporal things such as beauty, popularity, money, sex, racial identity, gender reassignment... can never truly satisfy. BECAUSE WE WERE MADE FOR SO MUCH MORE!
We were made to gaze intently into the Eternal Beauty of a majestic King, Father, and God... meet Jesus the Christ.
Life is hard, God is good, Glory is coming
😊... Thanks for taking the time to read this comment.
May God bless you with all things necessary for life and goodness.
God Bless!
@janepatton8100
Adrenalines's leakin, hearts are beating, your life's a Rollercoaster speeding
What a thrill when you head over hills
In love with life, it's good fruit
just don't swallow the peels (pills)
Sometimes they digest (die just) before starting to live
What can I say
Life is worthy of a double entendre
Will going deep make these kids wander
When the goal is to make our kids wonder
Old heads All summer
Try their best to embrace the hip, becuz the falls comin
It's always been the same, they want us to stop our reign they hate we flooded the world with urban culture
Animals and black folks they put in the same boat, claiming we were two of a kind like they know us
Wait don't let it throw ya... rain, floods, animals, boats, two of a kind, Noah's the arc but slavery's the motive, or motif
We spit slick, you believe
without this, we concede
We couldn't grip the minds of the culture
Consider it the sugar to the medicine
The choir to the reverend
The promise of free medical to the veteran
It's all bait just to get'em in, we grab their minds then jettison outtadisworld like ATLiens.
Extraterrestrial, keep it sweat with no
Cholesterol
No harmful additives or preservatives y'all
🎶Outtadisworld, are you aliens🎶
@janepatton8100
Adrenalines's leakin, hearts are beating, your life's a Rollercoaster speeding
What a thrill when you head over hills
In love with life, it's good fruit
just don't swallow the peels (pills)
Sometimes they digest (die just) before starting to live
What can I say
Life is worthy of a double entendre
Will going deep make these kids wander
When the goal is to make our kids wonder
Old heads All summer
Try their best to embrace the hip, becuz the falls comin
It's always been the same, they want us to stop our reign they hate we flooded the world with urban culture
Animals and black folks they put in the same boat, claiming we were two of a kind like they know us
Wait don't let it throw ya... rain, floods, animals, boats, two of a kind, Noah's the arc but slavery's the motive, or motif
We spit slick, you believe
without this, we concede
We couldn't grip the minds of the culture
Consider it the sugar to the medicine
The choir to the reverend
The promise of free medical to the veteran
It's all bait just to get'em in, we grab their minds then jettison outtadisworld like ATLiens.
Extraterrestrial, keep it sweat with no
Cholesterol
No harmful additives or preservatives y'all
🎶Outtadisworld, are you aliens🎶
@janepatton8100
Adrenalines's leakin, hearts are beating, your life's a Rollercoaster speeding
What a thrill when you head over hills
In love with life, it's good fruit
just don't swallow the peels (pills)
Sometimes they digest (die just) before starting to live
What can I say
Life is worthy of a double entendre
Will going deep make these kids wander
When the goal is to make our kids wonder
Old heads All summer
Try their best to embrace the hip, becuz the falls comin
It's always been the same, they want us to stop our reign they hate we flooded the world with urban culture
Animals and black folks they put in the same boat, claiming we were two of a kind like they know us
Wait don't let it throw ya... rain, floods, animals, boats, two of a kind, Noah's the arc but slavery's the motive, or motif
We spit slick, you believe
without this, we concede
We couldn't grip the minds of the culture
Consider it the sugar to the medicine
The choir to the reverend
The promise of free medical to the veteran
It's all bait just to get'em in, we grab their minds then jettison outtadisworld like ATLiens.
Extraterrestrial, keep it sweat with no
Cholesterol
No harmful additives or preservatives y'all
🎶Outtadisworld, are you aliens🎶
@pablotores1647
Big Boi murdered this track . Amazing
@blackezi3
Big Boi killed it on this!!!
@ricerice566
I used one of Andre 3000's lines from this song as my grad quote. Lol, that's how much I respect Outkast.
@cwbyfan93
ricerice Holding onto memories like rollercoaster handles.. Class of ‘11 over here and now I’m feeling nostalgic lmao
@grimyboyp3549
What quote?
@Ty-wd9pz
You can't be scared to spread your wings..
Head to better things..
Maybe the mocking bird and Nightingale want to sing..
Keeping this thing alive to the tables what we bring..
We like hailstorm's and blizzard's the middle of the spring..
Those bars speak to my soul.
@petermckenziejr4125
Rice rice what bars u quoted
@youseehim_official
As soon as BIG BOI said Peep what I say… I knew this song was going to be a problem… Classic
@jhondoe2177
Outkast was ahead of there time. Love this track
@jarbon5
This song is one of the most amazing, most overlooked and underrated songs in hiphop! I was so on to this song when the album came out, and I opened a lot of eyes to how incredible this song is. Still, a lot of cats be just don't ain't feeling this song, and I understand the reason why, it doesn't have a beat. But to me, that, and some other things, make this one of the best tracks that I have ever heard. IMO, this is one of the best tracks that was ever produced in hiphop!