The group's original musical style was a mixture of Dirty South and G-Funk. Since then funk, soul, pop, electronic music, rock, spoken word poetry, jazz, and blues have been added to the group's musical palette. The duo consists of Atlanta native André "Andre 3000" Benjamin (formerly known as Dré) and Georgia-born Antwan "Big Boi" Patton.
Speakerboxxx/The Love Below is one of only four hip-hop albums to be certified Diamond in the U.S. for shipping over 10 million units. Along with Outkast's commercial success, they have maintained an experimental approach in their music and are widely praised for their originality and artistic content.
Benjamin and Patton met while attending Tri-Cities High School, a Visual and Performing Arts School. Benjamin's parents were divorced and he was living with his father. Meanwhile, Patton had to move with his four brothers and six sisters from Savannah to Atlanta. Benjamin and Patton eventually teamed up and were pursued by Organized Noize, a group of local producers who would later make hits for TLC. The duo initially wanted to be called "2 Shades Deep" or "The Misfits", but because those names were already taken they later decided to use "OutKast" based on finding "outcast" as synonym for "misfit" in a dictionary. OutKast, Organized Noize, and schoolmates Goodie Mob formed the nucleus of the Dungeon Family organization.
OutKast signed to LaFace Records in 1992, becoming the label's first hip hop act and making their first appearance on the remix of label mate TLC's "What About Your Friends". In 1993, they released their first single, "Player's Ball". The song's funky style, much of it accomplished with live instrumentation, was a hit with audiences. "Player's Ball" hit number-one on the Billboard Hot Rap Tracks chart.
Their debut album, Southernplayalisticadillacmuzik, was issued on April 26th, 1994. This initial effort is credited with laying the foundation for southern hip hop and is considered a classic by many hip hop aficionados. Every track on Southernplayalisticadillacmuzik was produced by Organized Noize and featured other members of the Dungeon Family. Follow-up singles included the title track and "Git Up Git Out", a politically charged collaboration with Goodie Mob that was later sampled by Macy Gray for her 1999 hit "Do Something." On this early material, both André and Big Boi contrast lyrical content reflecting the lifestyles of pimps and gangsters with politically conscious material commenting on the status of African Americans in the South. OutKast won Best New Rap Group at the Source Awards in 1995. In the same year, the group contributed "Benz or a Beamer" to the popular New Jersey Drive soundtrack.
ATLiens was OutKast's second album, released on August 27th, 1996. The album exhibited more self-consciousness, and further solidified OutKast as the flagship representatives of the 1st generation Dungeon Family and the Southern hip hop movement. The album helped the group earn more recognition among East Coast hip hop fans in the East and West coasts.
For this album, OutKast joined with partner David "Mr. DJ" Sheats to form the Earthtone III production company, which allowed the group to produce some of their own tracks. "ATLiens" was the group's second Top 40 single (following "Player's Ball" from their first album), and reflected the beginning of André's increasingly sober lifestyle: "No drugs or alcohol/so I can get the signal clear," he rhymes about himself. "Elevators (Me & You)," OutKast's first self-produced single, became the group's first Top 20 hit the same year.
OutKast's third album Aquemini was released on September 29, 1998 and also reached the number-two position on the Billboard 200 album chart in the United States; its title was a combination of the zodiac signs of Big Boi (an Aquarius) and André (a Gemini). The album was widely praised as possibly the group's best material to date: when reviewed by popular hip-hop publication The Source, it received the much-coveted "5 Mics" (out of five) rating.
Producing more material themselves, both Big Boi and André explored more eclectic subject matter, delving into sounds inspired by soul, trip hop, and electro music. The album featured production by Organized Noize and collaborations with Raekwon, funk pioneer and musical forebear George Clinton, and Goodie Mob.
In 1999, OutKast and LaFace Records were sued by Rosa Parks over the album's most successful radio single, which bore Parks' name as its title. The lawsuit alleged that the song misappropriated Parks' name, and also objected to some of the song's obscene language.
The song's lyrics were largely unrelated to Parks, save for a line in the chorus: "Ah ha, hush that fuss / Everybody move to the back of the bus". The song, which OutKast maintained was intended partly as homage, only refers to Parks as a metaphor: the purpose of the song's chorus is to imply that OutKast is overturning hip hop's old order, that people should make way for a new style and sound. The initial lawsuit was dismissed. Parks' representation hired lawyer Johnnie Cochran to appeal the decision in 2001, but the appeal was denied on First Amendment grounds. In 2003, the Supreme Court allowed Parks' lawyers to proceed with the lawsuit.
In 2004, the judge in the case appointed an impartial representative for Parks after her family expressed concerns that her caretakers and her lawyers were pursuing the case based on their own financial interest. Later that same year, the members of OutKast were dropped as co-defendants, and Parks' lawyers continued to seek action against LaFace and parent company BMG. In 2003 André told UK journalist Angus Batey that, following a Detroit concert in the midst of the legal battle, relatives of Parks had approached him and implied that the case was less to do with Rosa than with the lawyers. The suit was finally settled on April 14, 2005, with neither OutKast nor their label having to admit any wrongdoing. The group did, however, have to agree to perform some sort of tribute to Parks.
Originally titled "Sandbox", the pair's fourth album, "Stankonia", was released in October 2000 to excellent reviews. It debuted at number two on the Billboard 200 in the U.S., and would eventually be certified quadruple-platinum. Stankonia's first single was "B.O.B. (Bombs Over Baghdad)", a high-tempo jungle-influenced record. The second single, "Ms. Jackson," combined a pop hook with lyrics about divorce and relationship breakups, particularly André's breakup with singer Erykah Badu; the titular "Ms. Jackson" character being a doppelgänger for Badu's mother. It was at this time that André changed his stage name to the current "André 3000".
The single became their first pop hit, landing the number-one position on the Billboard Hot 100 chart, and the number-two position on the UK Singles Chart. The album's final single was the Organized Noize-produced "So Fresh, So Clean", featuring a credited guest appearance from regular guest vocalist and Organized Noize-member Sleepy Brown and garnered a remix featuring Snoop Dogg. All three singles' videos had heavy MTV2 airplay, and Outkast won two 2001 Grammy Awards, one for Best Rap Performance by a Duo or Group for "Ms. Jackson", and another for Stankonia as Best Rap Album.
During the recording of Stankonia, OutKast and Mr. DJ began producing tracks for the artists on their Aquemini Records imprint through Columbia, including Slimm Cutta Calhoun and Killer Mike, who made his debut on Stankonia's "Snappin' & Trappin."
Webzine Pitchforkmedia.com named Stankonia the 4th greatest album released between 2000 and 2004 in its 2005 feature. In 2009, B.O.B. was chosen as the number one song of the decade.
In December 2001, OutKast released a greatest hits album, Big Boi and Dre Present...OutKast, which also contained three new tracks. One of these new tracks was the single "The Whole World," which won a 2002 Grammy Award for Best Rap Performance by a Duo or Group. Killer Mike also was featured on the song, gaining some exposure among areas outside of his native Atlanta. The other two new songs were called "Funkin' Around" and "Movin' Cool (The After Party)"
The same year OutKast participated in the only Dungeon Family group album, Even in Darkness, along with Goodie Mob, Killer Mike, Sleepy Brown, Witchdoctor, and Backbone among others, and featuring Bubba Sparxxx, Shuga Luv and Mello. In 2002, the group and Killer Mike contributed the lead single "Land of a Million Drums" to the Scooby Doo soundtrack.
In September 2003, OutKast released a double album, Speakerboxxx/The Love Below. It is essentially two solo albums, one by each member, packaged as a single release under the OutKast banner; the two members also appear on each others' discs for a few songs apiece. Big Boi's Speakerboxxx is largely a funk and Dirty South blended party record; André 3000's The Love Below features only brief instances of hip hop, presenting instead elements found in funk, jazz, rock, electronic music, and R&B.
The album is also OutKast's biggest commercial success yet, having debuted on the Billboard 200 albums chart at number-one and stayed there for several weeks. The album eventually sold over five million copies, and, as double-album sales count double for Recording Industry Association of America certification, the album was certified diamond for 10 million units shipped in December 2004. Its latest certification, in May 2006, reaches 11 million copies in shipping.
The first two singles from the album(s), which were released nearly simultaneously, were Big Boi's "The Way You Move" and André 3000's "Hey Ya!" The video for "Hey Ya!" is based on The Beatles' landmark appearance on The Ed Sullivan Show. The video's storyline has "The Love Below"—a fictional band with all members, through the use of special effects, played by André—performing in London. "Hey Ya!" was the number one song on the very final weekend of American Top 40 with Casey Kasem. It was also number one a week later on the very first weekend of American Top 40 with Ryan Seacrest. The singles spent ten weeks at number one on the Hot 100 singles chart, with "Hey Ya!" spending nineteen weeks and "The Way You Move" briefly taking over in February 2004. These singles were seen as a breakthrough for the hip-hop industry, being among the first hip-hop songs to be widely played on adult contemporary radio stations.
OutKast's next official single was not released until the summer of 2004. "Roses", a track featuring both members from The Love Below half of the album, did not meet the level of success as either of its predecessors, but it became a modest-sized hit on urban radio and the American music video networks. The video for "Roses" is loosely based on the musical West Side Story and Grease. It featured sparring 1950s-style gangs, one representing Speakerboxxx, and one representing The Love Below, parodying the widespread arguing among critics and fans as to which half of the album was better and that the two members were estranged. The final singles were André 3000's "Prototype", which was paired with a science fiction-themed video about alien visitors, and Speakerboxxx's "Ghettomusick," which featured both members of OutKast and a sample from a song by Patti LaBelle, who also makes an appearance in the video.
Speakerboxxx/The Love Below won the Grammy Award for the 2004 Album of the Year, becoming only the second rap album to ever receive the honor (the first being The Miseducation of Lauryn Hill by Lauryn Hill in 1999). OutKast was one of the headlining acts at the show, and gave two performances: Big Boi performed "The Way You Move" during a medley with George Clinton & P-Funk and Robert Randolph and the Family Band, while André 3000 performed "Hey Ya!" as the show closed. In February 2004, André 3000's performance, which featured female dancers moving wildly around a green teepee in war paint and feathered headdresses, was criticized by the Native American Cultural Center, who called for a boycott of OutKast, Arista Records, NARAS, and of CBS, the broadcaster of the awards show. CBS later apologized.
Between OutKast albums, Big Boi and André 3000 ventured into film projects. André co-starred in John Singleton's action film Four Brothers and also had a part in Be Cool, while Big Boi took a featured role in the T.I. movie ATL. Both members also began working on a joint film, Idlewild, directed by OutKast music video director Bryan Barber. Idlewild, a Prohibition-era musical film set to a blues-influenced hip-hop soundtrack, was released on August 25, 2006 by Universal Pictures. The Idlewild soundtrack was released August 22, 2006. Its lead single, "Mighty 'O'", features both OutKast members, and was briefly played exclusively on local Atlanta radio stations before being issued as a single in May 2006. They released and shot the video for "Morris Brown" instead. A video for "Idlewild Blue (Don'tchu Worry About Me)" soon followed.
Aquemini Records folded in 2004, and Big Boi founded a new record label, Purple Ribbon Entertainment, to be distributed by Virgin Records. Among its first signees were Sleepy Brown, Bubba Sparxxx, and Killer Mike, Big Boi has released a group album/compilation, titled Big Boi Presents... The Purple Ribbon All-Stars - Got Purp? Vol. 2.
One album remains on the band's LaFace contract. It was originally planned as a ten-track release called 10 The Hard Way; shortly after Idlewild was released, the duo confirmed the album is still in the works, though both have begun new projects without releasing any new information on the album. Due to both Big Boi and André's interest in separate projects such as movies, TV (André's Class of 3000) and solo albums, rumors of a split have turned up frequently in the media. André denied those rumors in a phone interview with MTV News, stating that even though they do not feel like performing on stage together, OutKast is "still tight". In an August, 2006, interview with UK journalist Craig McLean, after emphasizing that they would not split, the pair looked beyond music and film careers, Big Boi suggesting he may consider running for the job of Mayor of Atlanta in the future.
In 2007, Andre 3000 confirmed a new OutKast album would be released, but said that he and Big Boi released solo records first, stating the group album is still possibly two years away. Big Boi's solo album will be released first in June/July of 2009, with the first single, "Royal Flush" (also featuring Andre 3000, essentially making it an OutKast song), planned to have been released on December 31, 2007, but was not released on the announced date. Big Boi announced on his MySpace that the release date for Sir Luscious Left Foot: The Son of Chico Dusty is now sometime in the summer of 2009.
On Nov 14, 2008, the Guardian reported that OutKast will release their follow-up to Idlewild in 2009 after Big Boi and Andre 3000 release their solo albums in the same year. As of August 2009, the albums have not yet been released.
Players Ball
OutKast Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
El Dawgs nothin' but them 'llacs
All the players all the hustlers I'm talking about
Black man heaven yeah know what I'm saying? Peace
It's beginnin' to look a lot like what?
Follow my every step take notes
On how I creep I's bout ta go in deep
Here's my ghetto rep I kept to say
The least no no it can't cease so I
Begin to piece my two and two together
Gots no snowy weather have to
Find something to do better bet!
I said subtract so shut up that
Nonsense about some solid nine I got say
Crock if it ain't real it
Ain't right I'm like no matter what the season
Forever chill with spin I get my fin I chill with less
And got my reasons so tell me what did you expect?
You thought I'd break my neck to help y'all deck the halls oh
Now I got 'nother means of celebratin' I'm gettin' biz to that ho-jo I
Gots the hoochie waitin' I made it through
To another year can't ask fo' much mo it's Outkast
For the boots I thought you knew so now you know
Let's go
All the players came from far and wide
Wearing Afros and braids in every gangster ride
Now I'm here to tell yeah there's a better day
When the player ball is happenin' all day every day
Hallelujah hallelujah yeah know I do some things more different than I
Used ta cause I'm a player doing what the players do the package store is
Closed okay my deck is woofin' this is ridiculous I'm gettin' serious I'm
Gettin' curious cause the house is smelling sick of chitlins all this
Vicious I make no wishes cause the modern folk is in the back gettin' tipsy
Off the nog-en and I's in a hellova contact smoke they havin' a smoke out
In my back seat they passing herb reminding verses cause it's in the air I
Hit the parks hit the cuts I'm makin' switches clicking the switches side
Ta side lookin' for bitches watchin' for snitches I'm wide open on the
Freeway my pager broke my vibe cause a junkie is a junkie three sixty
Five it's just another day of work to me the spirit just ain't in me
Grab my pistol and my ounce see what they junkies got to give me cause
It's like that, yeah
Clever pimpin', never slipin, that's how it is (check it!)
All the players came from far and wide
Wearing Afros and braids in every gangster ride
Now I'm here to tell yeah there's a better day
When the player ball is happenin' all day every day
Ain't no chimminies in the ghetto so I won't be hangin' my socks on no
Tip how far does it tick fix me a drink I got the remedy so bring in
That ham (not!) don't need no ham don't play me like I'm smokin'
Rocks I got the money we gots the freaks in the dungeon just to let you
Know cause in ninety three that's how we comin' so hoe hoe hoes check my
King ass fro the gin and juice gots me tipsy so on
It goes hit me ten and I'll serve you then now we in the corner in my
Cadillac my heart does not go pitty pat for no rat I'm leaning back my
Elbows out the windows cold rhyming indo fills my body where's the party
We rode deep we dip to underground see's a lot of hoes around I split my
Game while waiting count down a five fo' a three two here comes the one a
Do yeah have me copy folks spark another one
All the players came from far and wide
Wearing Afros and braids in every gangster ride
Now I'm here to tell yeah there's a better day
When the player ball is happenin' all day every day
Here's a little something for all the players out there hustling, gettin'
Down for theirs, from east point, college park, decatur, devrai, you
Know world wide, down for theirs
The song "Players Ball" by OutKast is a celebration of the black experience. The first verse paints a picture of black men driving expensive cars, the "low rides seventy seven Sevilles" and "Cadillacs." These are the "players" and "hustlers" that are in "Black man heaven." The second verse, with its opening line of "It's beginnin' to look a lot like what?" reveals that the song takes place during the holiday season. However, the singer is not interested in traditional holiday festivities. He is more interested in "gettin' biz to that ho-jo" and "makin' switches." The final verse is a message to all the players "out there hustling, gettin' down for theirs," a call for unity among black people across the world.
The song is notable for being OutKast's debut single, released in 1993, and its success helped establish the duo as one of the most innovative and influential groups in hip hop. It was also the first hip hop song to feature a live band. The song samples the funk classic "Soulful Christmas" by James Brown, as well as "Let It Snow" by Boyz II Men. The opening line, "scene was so thick low rides seventy seven Sevilles," is often misheard as "the city was so thick" and has become a meme on social media. The song was featured in the film "Friday" and several TV shows, including "The Fresh Prince of Bel-Air" and "Atlanta." The phrase "hallelujah, hallelujah" is a nod to the gospel roots of black music.
Interestingly, the song was originally intended to be a Christmas-themed song using the "Let It Snow" sample, but was later changed to be more general. The lyrics "Follow my every step take notes" are a reference to the group's intention to innovate and create a new sound in the hip hop scene. The line "Clever pimpin', never slipin'" is a nod to the classic Blaxploitation film "Superfly." The distorted vocal sample of "from east point, college park, decatur, devrai" was created using an effects processor called the "Talk Box," which was also used by artists like Peter Frampton and Roger Troutman.
Chords (unknown)
Line by Line Meaning
Scene was so thick low rides seventy seven Sevilles
The scene was filled with low-rider cars, specifically 1977 Cadillac Sevilles.
El Dawgs nothin' but them 'llacs
The players driving these cars are referred to as 'El Dawgs' and they exclusively drive Cadillac vehicles.
All the players all the hustlers I'm talking about
The lyrics are referencing the players and hustlers of the urban community.
Black man heaven yeah know what I'm saying? Peace
The scene being described is a type of heaven for black men, and the artist is sending positive vibes of peace.
It's beginnin' to look a lot like what?
The artist is questioning the current state of affairs in their environment.
Follow my every step take notes
The artist is instructing the listener to pay attention and keep up with their actions.
On how I creep I's bout ta go in deep
The artist is explaining how they move about discreetly, and they are about to delve deeper into their hustle.
This is the way I creep my season
The artist is describing their current way of operating in their personal season of hustling.
Here's my ghetto rep I kept to say
The artist is presenting their reputation, specifically within the urban community.
The least no no it can't cease so I
The artist acknowledges that their reputation cannot be ignored or halted.
Begin to piece my two and two together
The artist is coming to a realization after putting the pieces together.
Gots no snowy weather have to
The artist does not have any external factors affecting their hustle.
Find something to do better bet!
The artist is looking for a way to improve their current situation.
I said subtract so shut up that
The artist is dismissing any negativity and focusing on their hustle.
Nonsense about some solid nine I got say
The artist is rejecting any unnecessary distractions from their hustle.
Crock if it ain't real it
The artist believes that anything fake is not worthwhile.
Ain't right I'm like no matter what the season
The artist feels strongly that something being real is important no matter the circumstances.
Forever chill with spin I get my fin I chill with less
The artist is content with riding in their car and being with people who have less than they do.
And got my reasons so tell me what did you expect?
The artist has specific reasons for their actions and is questioning why anyone would expect something different from them.
You thought I'd break my neck to help y'all deck the halls oh
The artist is rejecting any idea that they would go out of their way to help others celebrate the holiday season.
Now I got 'nother means of celebratin' I'm gettin' biz to that ho-jo I
The artist has found another way to celebrate and is getting down to business at the Howard Johnson (ho-jo) hotel.
Gots the hoochie waitin' I made it through
The artist has a companion waiting for them and has successfully made it through the challenges of the hustle.
To another year can't ask fo' much mo it's Outkast
The artist is grateful for another year and is expressing their name as Outkast.
For the boots I thought you knew so now you know
The artist is clarifying their style and what they are known for, specifically their footwear.
All the players came from far and wide
The song is now introducing the players and their origins.
Wearing Afros and braids in every gangster ride
The players are described as having specific hairstyles and driving cars associated with gangsters.
Now I'm here to tell yeah there's a better day
The artist is hopeful that the future will bring better circumstances for the urban community.
When the player ball is happenin' all day every day
The artist is looking forward to a time when the players will be successful in their hustle and celebrations will happen all day, every day.
Hallelujah hallelujah yeah know I do some things more different than I
The artist acknowledges that they may do things differently than others, but still give thanks and praise in their own way.
Used ta cause I'm a player doing what the players do the package store is
The artist is living the lifestyle of a player and is frequenting a store to purchase their goods.
Closed okay my deck is woofin' this is ridiculous I'm gettin' serious I'm
The store is closed and the artist is frustrated by their deck (music), but is remaining serious about their hustle.
Gettin' curious cause the house is smelling sick of chitlins all this
The artist takes note of the smell of chitlins, a southern cuisine often associated with poverty, and becomes curious about what is happening in the house.
Vicious I make no wishes cause the modern folk is in the back gettin' tipsy
The artist recognizes the recklessness of others, but chooses to not get involved and instead finds it better to let modern people get drunk in the back of a car.
Off the nog-en and I's in a hellova contact smoke they havin' a smoke out
The artist is under the influence of an alcoholic eggnog drink and secondhand smoke while people have a smoking session.
In my back seat they passing herb reminding verses cause it's in the air I
People are passing around marijuana in the back seat of the artist's car while reciting lyrics and rhymes inspired by the environment.
Hit the parks hit the cuts I'm makin' switches clicking the switches side
The artist is driving around the city, switching cars and taking different routes, while riding with their companions.
Ta side lookin' for bitches watchin' for snitches I'm wide open on the
The artist is looking for potential companions while also being aware of their surroundings for potential threats.
Freeway my pager broke my vibe cause a junkie is a junkie three sixty
While driving on the freeway, the artist's pager malfunctions and they lose their good mood because of the realization that drug addiction is a constant issue in their environment.
Five it's just another day of work to me the spirit just ain't in me
The artist sees their work as just another day, without much excitement or spirit.
Grab my pistol and my ounce see what they junkies got to give me cause
The artist is arming themselves with a gun and marijuana to confront drug addicts and potentially get something in return.
It's like that, yeah
The artist concludes with an assertive tone, affirming that things are the way they are, with no further explanation needed.
Clever pimpin', never slipin, that's how it is (check it!)
The song ends with another affirmation of being a skilled hustler who never makes mistakes.
Ain't no chimminies in the ghetto so I won't be hangin' my socks on no
The artist notes the lack of chimneys in the urban community and thus will not be hanging stockings for Christmas.
Tip how far does it tick fix me a drink I got the remedy so bring in
The artist is looking for a solution to their current situation, and believes they can find it while drinking.
That ham (not!) don't need no ham don't play me like I'm smokin'
The artist rejects the idea of eating ham and also rejects the idea of being taken as a fool.
Rocks I got the money we gots the freaks in the dungeon just to let you
The artist is specifying that they do not do drugs and has sufficient funds, while also having a group of female companions ready to partake in their festivities.
Know cause in ninety three that's how we comin' so hoe hoe hoes check my
The artist is describing their current lifestyle and is telling others to take notice of their approach, employing a playful reference to Santa Claus with 'hoe hoe hoes'.
King ass fro the gin and juice gots me tipsy so on
The artist is enjoying their gin and juice and becoming drunk, while alluding to their hairstyle.
It goes hit me ten and I'll serve you then now we in the corner in my
The artist is willing to sell their product for $10, and then proceeds to be in a corner with their companions.
Cadillac my heart does not go pitty pat for no rat I'm leaning back my
The artist is in their Cadillac and will not show interest in anyone who is not up to their standards while leaning back in their seat.
Elbows out the windows cold rhyming indo fills my body where's the party
The artist has their elbows out the window and is rhyming while smoking marijuana, getting ready to ask about a party.
We rode deep we dip to underground see's a lot of hoes around I split my
The artist and their companions are a large group and visit an underground location, where they see many potential companions, with the artist choosing to talk to one.
Game while waiting count down a five fo' a three two here comes the one a
While waiting for their companion to be ready, the artist counts down from five to one.
Do yeah have me copy folks spark another one
The artist has their companion perform a specific action while mimicking their phrase, while also smoking another joint.
Here's a little something for all the players out there hustling, gettin'
The song concludes with a dedication to all the players and hustlers, giving them a little something for their efforts and achievements.
Down for theirs, from east point, college park, decatur, devrai, you
The dedication specifically mentions different communities from the Atlanta area and around the world.
Know world wide, down for theirs
The dedication extends to players and hustlers around the world, who are down for their own efforts and achievements.
Lyrics © BMG Rights Management
Written by: Andre Benjamin, Antwan Patton, Patrick Brown, Raymon Murray, Rico Wade
Lyrics Licensed & Provided by LyricFind
@DrBeauHightower
Mandala effect on the beat???
@RAINB0WZ.
Es otra versión :)
@NoLMAOnade
they changed it 100% this is the original version but for a long time they were using a different beat for this video.
@NoLMAOnade
they were using the "Christmas Mix"
@carboodle610
I liked that one the most tbh@@NoLMAOnade
@thepromiseman7745
OutKast was the hardest group to ever come out the ATL
@dwaynejeffers1632
Wrong! The whole south
@futurehofer1564
Nah, from the whole Earth
@jazzhippie3878
Still izz
@phillyeaglesforlife5127
I mean you can't forget about Migos though, not saying they're better but they're up there, of course Outkast is more popular and iconic, but you can't go against what Migos has done