Pablo's Eye was the Australian duo of Axel Liebert and Thierry Royo. Barcel… Read Full Bio ↴Pablo's Eye was the Australian duo of Axel Liebert and Thierry Royo. Barcelona (Celsius Blanco, 1991) and the EP Devotions (1993) collected brief vignettes of ethnic/jazzy ambient music.
The wedding of Brian Eno, David Sylvian and Miles Davis was better implemented with the 21 surreal essays of You Love Chinese Food (Extreme, 1995).
The first group of pieces revels in the abstract, ranging from shapeless electronic nebulae (A Boiling Life) to collages in which samples and electronics are indistinguishable (A Pagan Use, a "lengthy" track for them, at four minutes). Opina and Austin Texas seamlessly blend languid electronic soundscapes, manipulated voices and syncopated beats. They are littered with female monologues, and at least one works: Les Larmes de Tigre, accompanied by ethnic chanting, guitar notes, flute and electronic drones.
The second group of pieces approaches a more conventional song format, with louder production and prominent dance rhythms (Absolute, Gone By Night and especially the six-minute Brazilian dance Amb 7). The monologues, though, are no substitute for singing, despite The Wedding Girl that is high-brow enough to be part of a Robert Ashley opera.
The third group of pieces boasts a Loisaida Dub that totally deconstructs dub music, the looping claustrophobia of To Catch a Tone, the hallucinating voices of Across The Grass, the electrical discharge of A Last Confession. An impressive number of impressive ideas are left unfinished, barely sketched in one-minute tracks.
The wedding of Brian Eno, David Sylvian and Miles Davis was better implemented with the 21 surreal essays of You Love Chinese Food (Extreme, 1995).
The first group of pieces revels in the abstract, ranging from shapeless electronic nebulae (A Boiling Life) to collages in which samples and electronics are indistinguishable (A Pagan Use, a "lengthy" track for them, at four minutes). Opina and Austin Texas seamlessly blend languid electronic soundscapes, manipulated voices and syncopated beats. They are littered with female monologues, and at least one works: Les Larmes de Tigre, accompanied by ethnic chanting, guitar notes, flute and electronic drones.
The second group of pieces approaches a more conventional song format, with louder production and prominent dance rhythms (Absolute, Gone By Night and especially the six-minute Brazilian dance Amb 7). The monologues, though, are no substitute for singing, despite The Wedding Girl that is high-brow enough to be part of a Robert Ashley opera.
The third group of pieces boasts a Loisaida Dub that totally deconstructs dub music, the looping claustrophobia of To Catch a Tone, the hallucinating voices of Across The Grass, the electrical discharge of A Last Confession. An impressive number of impressive ideas are left unfinished, barely sketched in one-minute tracks.
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La Pedrera
Pablo's Eye Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
@luckystar3210
Truly nice
@oddsample
belleza...
@aleksannuki
Speechless
@JoaoVitor-xl8gy
massa fia
@cont.figueroav
Tus piedras antiguas tienen un alma
Pasado, presente, un nuevo destino
Colores del sol, paleta pretenciosa
Belleza absoluta, en tu cuerpo tan frágil
Viviera en tus ojos, con tu memoria
¿Por qué tanta gente?
del amanecer al anochecer, nunca me dejan
Sombras me amenazan, ojos me miran
Quiero quedarme aparte y mirar la luna
Aquí, allá
Pasado, presente, mañana
@thomaskenneally219
Moving.
@modernmansdove5549
So beautiful 😌
@ra-nn1tw
Es letra de un poema o es original de la canción?