Trademarks include concept albums focusing on social, environmental, philosophical, and emotional issues as well as songs that incorporate complex rhythms and time changes but retain flowing melodies.
The band was formed by Gildenlöw in 1984 under the name Reality. The band used to participate in many music contests in their homeland of Sweden. The first EP, Hereafter, was recorded in 1996 under the monicker Pain of Salvation, which has been the name of the band since 1991. The Lineup of the band was the same for their first official full length album, Entropia(1997).
After the departure of Daniel Magdic for continuing disagreements with the others over committing to the increasing demands of the band, the band recorded One Hour By The Concrete Lake(1999), a concept album about the issues of nuclear power/waste, disposition of indigenous peoples,industry and human discovery. The band began to receive more attention from critics and magazines all around the world. In 1999 they also played at the famous ProgPower festival in The Netherlands.
Their third and most famous album, The Perfect Element I was released in 2000 and received a great response from the crowd and critics, making them the second most famous Progressive Metal band over the world: a success confirmed by their fourth album, Remedy Lane (2002), a semi-autobiographical album written by Daniel Gildenlöw about loss, love, and life.
2004 saw the release of two different albums, an acoustic live show recorded at Eskilstuna called 12:5 where the band played most of their old famous songs rearranged, and the epic concept album about the origin of humanity and God called BE: It was the first album to divide the fan base in opinion, due to its musically experimental and philosophical nature; and perhaps also its lack of cohesive progressive metal pieces.
BE album was also released in a special DVD edition called BE: The Original Stage Production (2005). With a live CD recorded during the 2003 presentation of the album and a DVD rappresentation from the same dates.
On 21 February 2006, Kristoffer Gildenlöw was asked to leave the band due to him not being able to attend rehearsals, since he lived in Holland and the band lived in Sweden. Kristoffer has a solo album planned for the future, as well as a side project called Dial.
The new album, Scarsick, was released on January 22, 2007. It is more band oriented than BE, with Daniel Gildenlöw playing bass in the studio. Recent interviews with Daniel have revealed that Scarsick is, in fact, the second part of The Perfect Element, confirming the speculation of many fans.
A European tour to support the new album has been announced (it started February 17, 2007). The band will be playing with Simon Andersson, a new replacement bassist on this tour. On the 10th of March, after the Copenhagen show, Simon Andersson was welcomed into Pain of Salvation as a full member. The band issued this message on their website:
He (Simon Andersson) did an outstanding job on the tour and we are looking forward to the coming years with great anticipation. Since his girlfriend is a huge Pain of Salvation fan, we happily expect to see this decision put a little silver lining on their sex life as well, since she can now all of a sudden go to bed with a member of the band :-) Congratulations Simon, and welcome to the family!
In May 2007 it was announced that drummer Johan Langell had decided to leave the band to spend more time with his family.
For Progressive Nation 2009 Tour the band took a new bass guitar player - Per Schelander.
According to their website, there is a new EP "Linoleum" due in November 2009, while a double album "Road Salt", consisting of two parts (Ivory and Ebony) is recorded and to be released in 2010, 2011.
Current lineup:
Daniel Gildenlöw – vocals, guitar
Johan Hallgren – lead guitar, backing vocals
Léo Margarit - drums
Gustaf Hielm - bass guitar, double bass, vocals (1992–1994, 2011–present)
Daniel "D2" Karlsson – keyboards, percussion, backing vocals
Former members:
Daniel Magdic – guitar, backing vocals
Kristoffer Gildenlöw – bass guitar, double bass, backing vocals
Johan Langell – drums, percussion, backing vocals
Magnus Johansson - bass guitar (1990)
Joakim Strandberg - bass guitar (1984–1990)
Mikael Pettersson - drums (1984–1990)
Fredrik Hermansson – keyboards
Simon Andersson - bass guitar, backing vocals (2007-2008)
Per Schelander - bass guitar, backing vocals
Ragnar Zolberg - guitar, vocals, mandolin
Iter Impius
Pain of Salvation Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Expecting to find all that I sought
And climb the mountains of the life I bought
Finally I'm at the top of every hierarchy
Unfortunately there is no one left
But me
I woke up today
I'm the king upon this withering throne
I ruled every forest, every mountain, every sea
Now there're but ruins left to rule for me
And ? you see, it beckons me;
Life turned its back on us
How could you just agree?
How? I just don't see ?
I woke up today
To a world devoid of forests and trees
Drained of every ocean, every sea
Just like a useless brick upon the shore
The morning after the storm
That swept the bridge away
Relentless tide
No anger
Just this relentless time
That calls us all on
But
I'm never crossing that line
Leaving this world behind
I will stay on my own
On this bloodstained throne
I rule the ruins and wrecks
And the dust, dirt and stone
I rule rage rod and rattling of bones
I am on my own
I am all alone
Everything is gone
Stuck forever here
Already cold
I'm never crossing that line
Leaving this world behind
I will stay on my own
On this bloodstained throne?
I'm never crossing that line
Leaving this world behind
I will stay on my own
On this bloodstained throne
I rule the ruins and wrecks
And the dirt and the dust and the stone
I'm the ruler of rage rod and rust
And the rattling of bones
Ruler of ruin
I rule the ruins
The lyrics of Pain of Salvation's song "Iter Impius" describe a world in ruins and a person who wakes up to find that they have climbed the mountains of the life they bought, only to realize that they are the only one left. They rule the ruins and the wrecks, but everything else is gone. The world around them has been drained of forests, trees, and every ocean and sea. The singer of the song is stuck on their bloodstained throne and rules over the dust, dirt, and stone that remain in a world that has turned its back on humanity.
The lyrics are a commentary on the destructive forces of humanity and the consequences of our actions. We strive to climb the social and economic hierarchies, but at what cost? The world around us is being destroyed, and we are left alone on our bloodstained thrones in a world that we created.
One of the interesting things about this song is that "Iter Impius" is Latin for "Unholy Journey." Another fact is that the song is part of the album "In the Passing Light of Day," which deals with the theme of mortality and the fragility of life. The album was inspired by the hospitalization of the band's lead singer, Daniel Gildenlöw, who suffered a life-threatening illness that forced him to reevaluate his life and the legacy he was leaving behind. The song is also notable for its complex arrangement and use of various time signatures, which is a trademark of Pain of Salvation's music.
Chords: unfortunately, the chords to this song are not available at this time.
Line by Line Meaning
I woke up today
The singer is observing the present and the state of the world in which they live.
Expecting to find all that I sought
The singer has high hopes that all their desires and hard work would lead to success.
And climb the mountains of the life I bought
The singer wishes to overcome all the challenges they face in their life and achieve their goals.
Finally I'm at the top of every hierarchy
The artist believes that they have reached a place of ultimate power and authority over everything and everyone.
Unfortunately there is no one left
The artist laments the fact that they are all alone and there is no one else around to share in their success.
But me
The singer is the only one left, abandoned by others and by the world.
To a world that's ground to dust, dirt and stone
The singer views the world as a desolate wasteland where everything has crumbled to nothingness.
I'm the king upon this withering throne
The artist sees themselves as the ruler of this decaying world, with no one else to challenge them for the position.
I ruled every forest, every mountain, every sea
The artist once had control over every aspect of nature, but now everything has been destroyed or abandoned.
Now there're but ruins left to rule for me
The artist survey the ruins that were once part of their kingdom, but now are lifeless and barren.
And ? you see, it beckons me;
The singer is drawn to the world of ruins and the darkness it holds.
Life turned its back on us
The artist blames life for abandoning them and leaving them alone in the grim wasteland.
How could you just agree?
The singer is frustrated that no one else seems to have recognized the pain and suffering of their existence.
How? I just don't see ?
The singer is questioning how others could be so oblivious to their plight and the dire conditions of their world.
To a world devoid of forests and trees
The singer bemoans the loss of nature and its beauty in their world.
Drained of every ocean, every sea
The artist regrets the loss of the vast bodies of water that once existed in the world.
Just like a useless brick upon the shore
The artist feels like an unimportant and forgotten entity in the world, just like a random brick on a beach.
The morning after the storm
The singer alludes to the violence and chaos that led to the destruction of their world.
That swept the bridge away
The singer is describing the symbolic destruction of any connections they once had to the rest of society and the world outside their own realm.
Relentless tide
The artist evokes a sense of never-ending change and loss that they cannot control.
No anger
The artist shows no resentment towards the course of events, but is instead resigned to the situation.
Just this relentless time
The artist is acutely aware of the passage of time and how it is constantly eroding what once was a thriving world.
That calls us all on
The singer is reminding us that we are all ultimately subject to the unstoppable flow of life and time.
But
The artist is about to change directions in their narrative, as they decide to stay in their own world rather than cross over to the other side of the line.
I'm never crossing that line
The singer is definitively stating that they will never leave their world or the throne they have claimed within it.
Leaving this world behind
The singer refuses to abandon their world and all they have achieved by leaving it for something new.
I will stay on my own
The singer has made a decision to remain in their world by themselves, rather than seeking out others and creating something new.
On this bloodstained throne
The artist refers to the bloody history of their conquests to reach their current position of power and authority in the ruins of their world.
I rule the ruins and wrecks
The artist has taken control of what remains in their world, including the rubble and debris that surrounds them.
And the dirt and the dust and the stone
The singer sees themselves as being in charge of everything that is left of their world, including the smallest particles of dust, dirt, and stone.
I'm the ruler of rage rod and rust
The singer has taken control of all the violent and destructive forces that have ravaged their world, such as lightning and rust.
And the rattling of bones
The artist speaks to the impact that their reign of terror has had on the people of their world, reducing them to mere skeletons.
Ruler of ruin
The artist has acquired absolute power over the devastation and ruin that has befallen their world.
I rule the ruins
The artist has established themselves as the ultimate ruler of the remains of their world, with nobody else left to challenge their authority.
I am on my own
The singer is embracing their solitude and resignation to the emptiness of their existence in the ruins of their world.
I am all alone
The artist reiterates their isolation in a world devoid of all life and hope.
Everything is gone
The singer is acknowledging the total loss that has taken place in their world, with virtually nothing left to cling to.
Stuck forever here
The singer has accepted their fate in their own world, unable to leave and unable to move on.
Already cold
The singer has become numb to the emotions that were once a part of them, having been hardened by the violence and destruction they have inflicted and witnessed in their world.
Lyrics © BMG RIGHTS MANAGEMENT US, LLC
Written by: DANIEL GILDENLOEW, FREDRIK HERMANSSON
Lyrics Licensed & Provided by LyricFind