A pan-pot is a simple, workday knob, given to side-to-side flip-flopping an… Read Full Bio ↴A pan-pot is a simple, workday knob, given to side-to-side flip-flopping and not much else. Pan-Pot, on the other hand, are a brilliant multi-dimensional Berlin duo currently twisting house and techno fans into rapturous fits. In just a few short years, Pan-Pot—comprised of Tassilo Ippenberger and Thomas Benedix—have developed a dominate presence amongst the top tier of electronic dance music, with an ascension paralleling the rise of their native label, mobilee records.
After booking Anja Schneider for an infamously ill-fated party in 2005, the duo established a connection with Schneider’s then recently formed imprint and within weeks had released the Popy and Caste EP on mobilee—their first release and the label’s second. Graduates of Berlin’s SAE, their initial musical efforts placed a primacy on integrating electronic experimentation with minimal stylings while simultaneously establishing the ominous, murky sounds that have since become synonymous with their name. The next few years saw the release of a steady stream of original tracks and remixes on both mobilee and Einmaleins, each demonstrating the duo’s commitment to precise, undulating and kinetic grooves accompanied by a steady expansion of their sonic palate.
The defining moment of their career, however, was the release of their debut artist album, Pan-O-Rama. The first artist album to be released on mobilee, the aptly named Pan-O-Rama provided a stunning 360-degree tour of techno at its most twisted, balancing somber atmospherics with an impeccable lightness of touch. Serving as a playground for their experimental leanings, the album was a definitive statement of Pan-Pot’s past, present, and future: an affirmation of the possibility of a wider sonic spectrum that suggested a move towards stripped-down techno while simultaneously hinting towards a newly developed sense of melody.
When not in the studio writing original material or putting their unique spin on tracks by a myriad of artists, the bad-boys of impassioned, pitch-black techno can be found on the road touring at a near ceaseless level. Their dance floor oriented DJ sets see them playing back to back and are unconstrained by boundaries as they effortlessly transition between techno, house and everything in between, demonstrating an immaculate understanding of the audience’s wants and needs.
Their willingness to expand the components of their productions while staying firmly rooted in what they do best—colossal, haunting techno tracks overflowing with noise and static, throbbing bass lines, and epic builds that manage to be both tasteful and restrained—is only part of what differentiates Pan-Pot from the hordes of other techno producers currently flooding the airwaves. They may name themselves after a piece of gear, but Pan-Pot’s music is ultimately about moving bodies, not knobs, all the while giving way to an unprecedented degree of dynamism on dance floors around the world.
After booking Anja Schneider for an infamously ill-fated party in 2005, the duo established a connection with Schneider’s then recently formed imprint and within weeks had released the Popy and Caste EP on mobilee—their first release and the label’s second. Graduates of Berlin’s SAE, their initial musical efforts placed a primacy on integrating electronic experimentation with minimal stylings while simultaneously establishing the ominous, murky sounds that have since become synonymous with their name. The next few years saw the release of a steady stream of original tracks and remixes on both mobilee and Einmaleins, each demonstrating the duo’s commitment to precise, undulating and kinetic grooves accompanied by a steady expansion of their sonic palate.
The defining moment of their career, however, was the release of their debut artist album, Pan-O-Rama. The first artist album to be released on mobilee, the aptly named Pan-O-Rama provided a stunning 360-degree tour of techno at its most twisted, balancing somber atmospherics with an impeccable lightness of touch. Serving as a playground for their experimental leanings, the album was a definitive statement of Pan-Pot’s past, present, and future: an affirmation of the possibility of a wider sonic spectrum that suggested a move towards stripped-down techno while simultaneously hinting towards a newly developed sense of melody.
When not in the studio writing original material or putting their unique spin on tracks by a myriad of artists, the bad-boys of impassioned, pitch-black techno can be found on the road touring at a near ceaseless level. Their dance floor oriented DJ sets see them playing back to back and are unconstrained by boundaries as they effortlessly transition between techno, house and everything in between, demonstrating an immaculate understanding of the audience’s wants and needs.
Their willingness to expand the components of their productions while staying firmly rooted in what they do best—colossal, haunting techno tracks overflowing with noise and static, throbbing bass lines, and epic builds that manage to be both tasteful and restrained—is only part of what differentiates Pan-Pot from the hordes of other techno producers currently flooding the airwaves. They may name themselves after a piece of gear, but Pan-Pot’s music is ultimately about moving bodies, not knobs, all the while giving way to an unprecedented degree of dynamism on dance floors around the world.
Confronted
Pan-Pot Lyrics
We have lyrics for 'Confronted' by these artists:
A Life Divided Take off the strip The strip off my eyes Show me the…
Valentine Dalla D A L L A I have connections Better not try me…
We have lyrics for these tracks by Pan-Pot:
Captain My Captain Set Me Free Christen me Navigate me Throw off your anchor a…
Radio Berlin Dresscode black Guest list check Go to Späti get a Wegbier A…
The Birds Beyond the shadows of what you settle for, there's a…
Wake Up Wake up with the sun It's been too long since I…
What Is What 坐在少了你笑声的午后 空气中氧气变得好稀薄 一个人喝的白开水太浓 无法入睡梦到有你的梦 你的围巾我还抱在怀中 你的温柔还…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@YordanMartinov
On a Tuesday morning
when I was coming home.
My baby got all crazy
and sent me to my room.
While I was waiting there for my mind turn clear.
I was listening to the blood rushing through my ears.
And there was something else that I could hear.
- Have you seen the girl with the red head?
She got lost one day and never came back.
Turned her back on a world in black and white
now she walks with bunnies hopping at her side.
@skotoseme01
I have tripped many people out with this song. I'm an Uber driver -_-
@BeRMoR666
Amazing job
@peterk2735
Uber is outlawed where I live (lel), but I love it when I come across a taxi driver who also listens to techno. Good times abound :D
@nathanwoods1810
bad ass-- love pan pot..confronted pt 2 is hard also. I'm from Los Angeles where the house scene is always on point- i moved to central Texas where there isn't a scene- depressing- maybe Austin has a scene
@azteka6103
This is my neighbour new favorite track
@albgri7
Azte ka 🤣🤣🤣🤣🤣🤣🤣🤣🤣
@NJBellyDanceEvents
Me too...Love this track
@gilliancockroft562
Did he confront you with it face to face ? 🤩
@innerufomaker
Azte ka now mine
@PRODIGY5369
Mine too 😂😳