Pascal Rogé is a French pianist who was born in Paris on April 6, 1951. His… Read Full Bio ↴Pascal Rogé is a French pianist who was born in Paris on April 6, 1951. His playing exemplifies the elegance and subtlety said to distinguish French pianism, in his interpretation of the works of compatriot composers Saint-Saëns, Fauré, Debussy, Ravel, Satie, and Poulenc, among others. However, his repertoire also covers the masters Haydn, Mozart, Brahms, and Beethoven.
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Gymnopédie No.1
Pascal Rogé Lyrics
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Steinway & Sons
The eminent French pianist and Steinway Artist Pascal Rogé performs Erik Satie’s timeless work of tranquility, “Gymnopédie No. 1,” at New York City’s Steinway Hall. Satie’s most celebrated gem, which is the soundtrack to all your favorite indie films, is deceptively simple in that the melody — unbeknownst to the listener — begins on the second beat (in 3/4 time). Rogé’s gentle use of rubato adds to the aura of uncertainty.
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Steinway & Sons
The eminent French pianist and Steinway Artist Pascal Rogé performs Erik Satie’s timeless work of tranquility, “Gymnopédie No. 1,” at New York City’s Steinway Hall. Satie’s most celebrated gem, which is the soundtrack to all your favorite indie films, is deceptively simple in that the melody — unbeknownst to the listener — begins on the second beat (in 3/4 time). Rogé’s gentle use of rubato adds to the aura of uncertainty.
https://www.steinway.com/
https://www.facebook.com/steinway/
https://www.instagram.com/steinwayandsons/
https://twitter.com/SteinwayAndSons
Thibo Meurkens
Moest of Satie’s compositions basically show that music doesn’t need to be complicated to be beautiful!
xl xd
Finally an interpretation where the piano keys are not hammered. Its subtle sensual and nice
Another Level
He's an artist not a robot, he doesn't need a metronome. It's called rubato and he's using it to be more expressive.
Faster than I'm used to hearing it, but I like his interpretation here.
B
it is called non musical. It sounds like a kid who hasn't learned meter yet.
B
@Jacob Wallingford It is out of time.
チドリ
Right? Imagine being stuck to the rules forever. One must simply know when and how to break them. Pascal does that very well with this one
meiangie
Whoever uses a metronome for this piece doesn't have any cow idea of this piece.
creepysusie
very refreshing. sometimes when people play this they sound like they’re asleep playing it. he is wandering through the song and exploring it
Weed an' Wine
the composer notes literally say to play this "slow and painful" lol