With an uncommon instrumental variety (accordion, bandoneon, cavaquinho, banjo, cornet, alto horn, guitar, vibraphone, marimba, contrabass, drums and voice), Paté de Fuá is an unconventional proposal offering extreme change because the musicians play more than one instrument.
Giving priority to the personal concept of their interpretation, making original compositions and arrangements, and keeping careful selection of the repertoire, Paté de Fuá has become one of the most distinguished groups within the Mexican musical scene.
The original compositions are from Guillermo Perata and Yayo Gonzalez. These compositions have a strong influence from old musical styles, which are widely enriched with the talent of the musicians of the band.
The repertoire includes dixieland jazz, mussete waltz, fox-trot, tango, tarantella, paso doble, and distinctive elements of the traditional world music, explored and composed by these outstanding musicians; with their creativity they offer us a rather unique style that leads to a modern attitude that has not been previously known.
The nature of the band is mainly acoustic, warm, and enormously versatile. They have great artistic, creative, and interpretative backgrounds. They all come to Paté de Fuá from different musical pathways such as Jazz, Tango and Classical music leading to the merging of their styles and personalities which in itself creates the identity that characterizes the project.
Considering that in today’s musical horizon it is much easier to fall into repetitive formulae, that express abstract languages with nonlegible speeches, to force avant-garde expressions, Paté de Fuá proposals, not diminishing the others, searches exactly the opposite. Paté de Fuá proposes without forcing, invites by the work itself, from the own musicality and essence of its content. The complexity of such material is not in the language, but in the careful selection through the search and development of musical material. Which rescues the basic spirit of the music that is, was and will be, born to be listened.
Guillermo Perata:
Cornet, Banjo, Cavaquinho, Alto Horn, Composition & Musical Arrangements.
Yayo Gonzalez:
Guitars, Voice, Composition & Lyric Writing.
Víctor Madariaga:
Accordion & Bandoneon.
Alexis Ruiz:
Vibraphone & Marimba.
Jorge Luri Molina:
Contrabass.
Gabriel Puentes:
Drums.
Guillermo Perata:
Cornet, Banjo, Cavaquinho, Alto Horn, Composition & Musical Arrangements.
He was born in Buenos Aires the 31 of January 1973. He studied classical trumpet with Pascual Mazzitelli (Teatro Colón Orchestra).
He developed remarkable features in improvisation in an autodidact form, integrating since 1992 musical groups with different styles.
Since 1998 he is a leading instrumentist and arranger “Los Rolling Stompers”, With this group he has performed in the most important stages
of Buenos Aires. In 1999 he formed the "2-Trumpet Quartet” and in the same year he takes part in the Argentinian Jazz Orchestra. In July of the 2000 he traveled to the “34th Montreaux Jazz Festival” with the “Buenos Aires Jazz Orchestra”, as one of the main soloists.
Since 2003 he is living in Mexico city and has participated in diverse projects such as “Tijuana Trash”, "Arte 01 Big Band" and "La Tricota del Ritmo". In 2004 he forms the group "Los Rolling Stompers" again with some of the most remarkable mexican jazz players and in 2005 Paté de Fuá.
Yayo Gonzalez:
Guitars, Voice, Composition & Song Writing.
He was born in Buenos Aires Argentina the 14 of may of 1977. He is a composer, singer and guitar player. He studied at the “Escuela Popular de Música del Sindicato Argentino de Músicos” (1997-2002) and in the “Conservatorio Nacional Juan Manuel de Falla” (1998-2003) and is currently living in Mexico City where he has founded Paté de Fuá.
He has taken courses with Eduardo Kacheli, Juan Benítez, Armando De la Vega and Gustavo Mozzi among others.
He has taken part in different musical groups: Plaque Trío: A Tango guitar trio, where as a founding member and arreglista has developed or pefomed (se ha desarrollado) during the period of 1998 to 2002 and participated in Tango festivals in Argentina such as the fetival of music from the “el festival de la música del sindicato argentino de músicos “ sharing scene with artists such as Rodolfo Mederos and León Gieco. Yayo y los Gonzalez: Southamerican popular music quintet, were he has worked as a composer, arreglista, guitar player and Singer during the period of 1999 to 2003. With this group he traveled to Mexico for the first time and participated in the historical center Festival in Mexico city. He is also a founding member of the quartet Cuatro de Copas and de Duo Los Mareados.Now a days with Paté de Fuá he has performed in great scenaries and festivals of Mexico such as Festival del Zócalo, Festival del Desierto San Luís Potosí, Universidad del Claustro de Sor Juana, Zinco Jazz Club, Papa Beto Jazz, Centro Cultural Juan José Areola Casa del Lago, Lunario del Auditorio Nacional, Colegio de México, Pata Negra, among others.
Víctor Madariaga:
Accordion & Bandoneon.
He was born in Mexico City and studied accordion at the . Escuela Nacional de Música de la UNAM. During two years he studied accordion at the Gniesin Institut in Moscow Russia and became the first latinamerican student with a scholarship in that institution, one of the most prestigious world institution in the accordion cathedra
He took magistral classes with Aldo Rizzardi and Claudio Jacomucci italian accordionists and with the argentinian bandoneonist and composer Cesar Olguín.
As a soloist he has performed in different recitals in mexico city and in other places of the country as well as in radio and T.V.
He represented Mexico at the international accordion contest held in Caracas Venezuela.
He has also performed with different theater and dance agrupations in Uruguay, Argentina, Venezuela, Italy, France and all over the Mexican country.
Alexis Ruiz:
Vibraphone & Marimba.
Drummer and Vibraphonist born in Mexico City.
He studied musical theory and piano at the at the “Centro de Investigación y Estudios Musicales”.
He also studies Harmony with Margarita Vega. He also studied a six month long course in recording techniques in Canada.
As a drummer he performs with rock bands: Jessy Bulbo and Titán.
As a Vibraphonist he has colaborated in groups such as “Los Chamberlains”, “los Shajatos” and "Paté de Fuá".
Jorge Luri Molina:
Contrabass.
He was born in México city. At the age of sixteen he began studying classical contrabass and jazz at the “Escuela Superior de Música” with Nikola Popov.
He has performed in Jazz festivals in Germany, France, United States and Mexico.
He has recorded more than 15 discographic materials with the most remarkable mexican Jazz musicians. He has played with musicians such as Fernando de la Mora, Eugenia León, Francisco Céspedes among others.
Recently he plays with the jazz Big Band Zinco group, la tricota del ritmo, Ricardo Benítez Jazz Quartet , Perata-Molina-Kaut trio, Magos Herrera, Gonzalo Romeo and is a founding member of Paté de Fuá as the contrabass player and Dancer.
Gabriel Puentes:
Drums.
Mi Corazón
Paté de Fuá Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Obsesionado por volverte a ver,
Pendiente de ti se agita, perdido en mis adentros,
Soñando con tu lejano regreso de mujer.
Mi corazón revive aquél momento
En que tu beso desató el amor,
Me empuja con su lamento y no entiende de razón,
Mi corazón no me entiende,
Por más que le aconsejo,
Errante lo que llevar se deja
Por una falsa ilusión.
Pagando tu amor con creces
Se ha vuelto triste y distante,
Viviendo tan sólo en el instante
En el que te conoció.
Mi corazón palpita con tu encuentro,
Obsesionado por volverte a ver,
Pendiente de ti se agita, perdido en mis adentros,
Soñando con tu lejano regreso de mujer.
Mi corazón revive aquél momento
En que tu beso desató el amor,
Me empuja con su lamento y no entiende de razón,
Por eso es que te busco con desesperación.
Mi corazón ya no escucha
Y por más que le aseguro
Que aquellos caprichos hoy los curas
Con las mieles de otro amor.
No entiende y por eso vive,
Para que tú se lo digas,
Y asomándose en mis tristes ojos
Lo escuche pero de tu voz.
Y asomándose en mis tristes ojos
Lo escuche pero de tu voz....
The song "Mi Corazón" tells the story of a person who is deeply in love and obsessed with someone who has left them. The lyrics express the intense longing and yearning for this person, with the singer's heart beating faster at the thought of their encounter and constantly searching for their return. The memories of the love they shared are vividly described in the song, with the singer feeling lost and lonely without the other person. Despite their attempts to move on and find love elsewhere, the singer's heart remains steadfast in its love for the one who left.
The lyrics also reveal the pain and sadness of unrequited love, with the singer paying dearly for their love for this person who no longer returns their feelings. They are described as living only in the moment of the initial encounter, unable to move past the love they once shared. The song ends with the singer acknowledging that their heart no longer listens to reason and can only find solace in the return of the person they love.
Overall, "Mi Corazón" is a poignant and emotional ballad about the powerful hold that love can have on a person, even after it has ended.
Line by Line Meaning
Mi corazón palpita con tu encuentro,
My heart beats with anticipation of seeing you,
Obsesionado por volverte a ver,
Obsessed with seeing you again,
Pendiente de ti se agita, perdido en mis adentros,
It longs for you and feels restless inside me,
Soñando con tu lejano regreso de mujer.
Dreaming of your return as a woman.
Mi corazón revive aquél momento
My heart relives that moment
En que tu beso desató el amor,
When your kiss unleashed love,
Me empuja con su lamento y no entiende de razón,
It pushes me with its sorrow and does not understand reason,
Por eso es que te busco con desesperación.
That is why I search for you desperately.
Mi corazón no me entiende,
My heart does not understand me,
Por más que le aconsejo,
No matter how much I advise it,
Errante lo que llevar se deja
It wanders and lets go of what it carries,
Por una falsa ilusión.
Because of a false delusion.
Pagando tu amor con creces
Paying dearly for your love,
Se ha vuelto triste y distante,
It has become sad and distant,
Viviendo tan sólo en el instante
Living only in the moment
En el que te conoció.
When it met you.
Mi corazón ya no escucha
My heart no longer listens,
Y por más que le aseguro
And no matter how much I assure it,
Que aquellos caprichos hoy los curas
That those whims are now healed
Con las mieles de otro amor.
With the sweetness of another love.
No entiende y por eso vive,
It does not understand and so it lives,
Para que tú se lo digas,
So that you can tell it,
Y asomándose en mis tristes ojos
Peeking through my sad eyes
Lo escuche pero de tu voz.
May it hear, but from your voice.
Y asomándose en mis tristes ojos
Peeking through my sad eyes
Lo escuche pero de tu voz.
May it hear, but from your voice.
Contributed by Xavier R. Suggest a correction in the comments below.
@walternieto1491
Mi corazón palpita con tu encuentro
Obsesionado por volverte a ver
Pendiente de ti se agita, perdido en mis adentros
Soñando con tu lejano regreso de mujer
Mi corazón revive aquel momento
En que tu beso desató el amor
Me empuja con su lamento y no entiende de razón
Por eso es que te busco con desesperación
Mi corazón no me entiende
Y por más que le aconsejo
Errante lo que el lleva se deja
Por una falsa ilusión
Pagando tu amor con creces
Se ha vuelto triste y distante
Viviendo tan solo en el instante
En el que te conoció
Mi corazón palpita con tu encuentro
Obsesionado por volverte a ver
Pendiente de ti se agita, perdido en mis adentros
Soñando con tu lejano regreso de mujer
Mi corazón revive aquel momento
En que tu beso desató el amor
Me empuja con su lamento y no entiende de razón
Por eso es que te busco con desesperación
Mi corazón ya no escucha
Y por más que le aseguro
Que aquellos caprichos hoy los curas
Con las mieles de otro amor
No entiende y por eso vive
Para que tú se lo digas
Y asomándose en mis tristes ojos
Lo escuche, pero de tu voz
Y asomándose en mis tristes ojos
Lo escuche, pero de tu voz
@Greendale_spellman
"Mi corazón palpita con su encuentro
Obsesionado por volverla a ver
Pendiente de ti se agita, perdido en mis adentros
Soñando con tu lejano regreso de mujer
Mi corazón revive aquel momento
En que tu beso desató el amor
Me empuja con su lamento y no entiende de razón
Por eso es que te busco con desesperación
Mi corazón no me entiende
Y por más que le aconsejo
Errante lo que el lleva se deja
Por una falsa ilusión"
@xxchanguin10xx-_-_-22
Por qué este tipo de canciones que si valen la pena no tiene apoyo? Si son buenísimas
@eleazarlopezluna1062
Lo sé y me da coraje pero ahora prefieren oír cosas obscenas y sin sentido
@Zamudio55565
No es por politizar la posibilidad de disfrutar este hermoso tema, pero cuando vemos en derredor aparece una realidad muy cruel. La destrucción de un país también implica arremeter contra la cultura, la educación y el buen gusto..
@Zamudio55565
@@eleazarlopezluna1062 No pasa por una cuestión de gustos, da asco escuchar gente sin talento balbuceando con una papa caliente en la boca..
@gracekelly3852
@@Zamudio55565 ja ja ja ja ja ja!! Tienes razón
@paintingrojaso2581
A la gente de hoy solo miércoles le gusta, por eso esta música no se escucha en la radio. Solo queda disfrutarla aquí
@Ghost_80
Se lo dedico a mi novio, la verdad es que soy tan feliz con él que su simple existencia hace que florezcan los cerezos que llevo dentro, torna mi mundo de colores y me hace olvidar de lo malo. Cuando lo veo a él, solo veo paz y luz en sus ojos caídos, es lo más hermoso que he visto. Solo un beso suyo llega a calmar mi dolor, ando pendiente en su salud y en sus bellos ojos, me encanta todo de él, cuando me habla de sus días, cuando llora conmigo al momento de ponernos tan melancólicos. Me encanta todo de él.
@maju2495
soy esa
@Billcomesback
Leer esto como varon que ha entregado todo de si a una sola chica siempre, es doloroso, me pone tanto feliz como triste saber que si existen chicas como uno, con ese nivel de amor, respeto y valor o consideracion a uno, incluso como hombre en sus momentos mas sensibles, somos humanos tambien, no somos robots, es hermoso siempre tener a alguien que pueda consolarte, alguien con quien abrirte, mujeres asi quedan pocas, nunca se extingan chicas, son lo mas hermoso que todo caballero aspira. Solo ser querido.
@user-we5pr1vp5q
Tu novio ha ganado