Born in Jacksonville, Florida, USA, Boone is a direct descendant of the American pioneer Daniel Boone. He grew up in Nashville, Tennessee, attended David Lipscomb College and began recording in 1954 for Republic Records. His 1955 version of "Ain't That a Shame" was a huge hit, selling far better than Fats Domino's original version. This set the stage for the early part of Boone's career, which focused on covering R&B songs by black artists for a white market. Previously, rock 'n' roll had had only limited exposure outside of the African American community. Pat Boone's pale covers gave attention to the more authentic original artists, such as Little Richard and Fats Domino and to rhythm and blues in general. In addition, the songwriters and copyright holders benefited even when individual artists did not.
In fact, only six of Boone's many hit singles were R&B covers, and only four of those were rockers. All were released in the first two years of his long career. These were "Ain't That a Shame" by Fats Domino and "Tutti Frutti" and "Long Tall Sally" by Little Richard, and "At My Front Door (Crazy Little Mama)" by the El Dorados. The other two R&B covers were well-chosen blues ballads, "I Almost Lost My Mind" by Ivory Joe Hunter and "Chains of Love," a hit for Big Joe Turner and later B.B. King that had been written by Ahmet Ertegun. By 1957, Boone was concentrating on the middle-of-the-road music that dominated his career. He never recorded another R&B cover.
Known as "The Kid in White Buck Shoes", Boone sported a clean-cut image that appealed to white [teens]] and parents. His singing style, a rich baritone, followed in the tradition of his idol, Bing Crosby. Preferring to carry on in the Crosby tradition, he soon began turning more and more to ballads. Some of his biggest hits included "Love Letters in the Sand" (with the instrumental break featuring Boone's whistling), "April Love", "Friendly Persuasion (Thee I Love)", and "Don't Forbid Me".
His teen idol popularity in the late 1950s was second only to that of Elvis Presley, and, like Presley, he soon tried his hand at acting. Boone's pictures included 1960's Journey to the Center of the Earth alongside Hollywood notable James Mason.
His recording of the theme song from the 1957 film April Love topped the charts for six weeks and was nominated for an Academy Award. Pat also wrote the theme song for the movie Exodus.
A devout born-again Christian, he was raised in the conservative Church of Christ, but has been a member of a Pentecostal church for more than thirty years. Boone has refused both songs and movie roles that he felt might compromise his standards, including a role opposite the decade's reigning sex symbol, Marilyn Monroe. Among his other achievements, he hosted a TV series in the late 1950s and began writing in the early 1960s, a series of self-help books for adolescents, including Twixt Twelve and Twenty.
The British Invasion effectively ended Boone's career as a hitmaker, though he continued recording throughout the 1960s. In the 1970s, he switched to gospel and country, and he continued performing in other media as well, most importantly radio. He is currently working as the disc jockey of a popular oldies radio show and runs his own record company which provides a much-welcomed outlet for new recordings by 1950s greats who can no longer find a place with the major labels.
Boone married Shirley Lee Foley, daughter of country music great Red Foley and singer Judy Martin, in 1953 and they had four daughters: Cherry, Lindy, Debby, and Laury. In the 1960s and 1970s the Boone family toured as gospel singers and made gospel albums, such as The Pat Boone Family and The Family Who Prays.
In the early 1990s, Boone joined Amway and spoke at many motivational seminars. He was also a distributor. He never reached the coveted Amway rank of Diamond.
In 1997, Boone released In a Metal Mood: No More Mr. Nice Guy, a collection of heavy metal covers revamped to fit his style. To promote the album, he appeared at the American Music Awards in black leather, shocking audiences and losing his respectability among his largest constituency, conservative Christians. He was then fired from Gospel America, a TV show on the Trinity Broadcasting Network. About a year later, the controversy died down and many fans, including Jack Hayford, accepted his explanation of the leather outfit being a "parody of himself". He was re-hired by Trinity Broadcasting and Gospel America was brought back.
In 2003, the Gospel Music Association of Nashville, Tennessee recognized his gospel recording work by inducting him into its Gospel Music Hall of Fame.
Boone and his wife live in Los Angeles, California. They are members of The Church on the Way in Los Angeles's San Fernando Valley. His one-time neighbor was Ozzy Osbourne and his family. Boone's cover of Osborne's song "Crazy Train" became the theme song for The Osbornes. (It appears on The Osbornes Soundrack.) Osborne said that Boone "never complained once" about living next door to his less-than-traditional family.
Boone once claimed to use his own surname in lieu of curse words when upset.
In 2006, Boone penned an article for WorldNetDaily in which he argued that Democrats and others who are against the Iraq War cannot, under any circumstances, be considered patriotic. He also recently was interviewed by Neil Cavuto on Fox News, where he expressed his outrage against the opponents of George W. Bush (namely the Dixie Chicks) that their criticisms of the President showed they did not "respect their elders". Another article defended Mel Gibson after the actor was recorded making an anti-Semitic rant. Despite their differing political views, Pat Boone is friends with the Reverend Jesse Jackson.
Don't Worry 'bout Me
Pat Boone Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'll get along
Forget about me
Just be happy my love
Let's say that our little show is over
And so the story ends
Why not call it a day the sensible way
Look out for yourself
That should be the rule
Give your heart and your love
To whomever you love
Darlin' don't be a fool
Why do we cling to this old faded thing
That used to be
So if you can forget
Then don't worry 'bout me
Why should we cling to some old faded thing
That used to be
So if you can forget
Then you don't worry 'bout me
The lyrics of Pat Boone's "Don't Worry 'bout Me" convey a message of acceptance, moving on, and letting go of the past. The central theme of the song is the end of a relationship, a moment that marks a new beginning. The lines "Let's say that our little show is over, and so the story ends, why not call it a day the sensible way and still be friends" suggest the importance of being amicable and mature in the face of a breakup. The singer then advises his former partner to look out for herself and not to be a fool by holding onto something that is no longer viable.
Throughout the song, Boone portrays himself as someone who is content with the end of the relationship and is moving forward with his life. The lines "Don't worry 'bout me, I'll get along, forget about me, just be happy my love" suggest that he is not seeking sympathy or attention, and is instead encouraging his former partner to focus on her own happiness.
In short, "Don't Worry 'bout Me" is a song about acceptance and letting go. It suggests that life is too short to hold onto things that are no longer serving our best interests, and that it's important to move forward with grace, dignity, and positivity.
Line by Line Meaning
Don't worry 'bout me
Please don't be concerned about my well-being or what may happen to me.
I'll get along
I will manage and carry on without you.
Forget about me
Please put me out of your mind and don't dwell on our past together.
Just be happy my love
Do whatever makes you happy and live your life to the fullest, my love.
Let's say that our little show is over
Our relationship has come to an end.
And so the story ends
Our time together has concluded.
Why not call it a day the sensible way
Perhaps it is best for us to end things in a practical and rational manner.
And still be friends
We can still maintain a positive relationship with one another.
Look out for yourself
You should prioritize your own wellbeing and safety.
That should be the rule
It is important to remember that self-care and self-preservation are essential.
Give your heart and your love
Share your affection and devotion with whomever deserves it.
To whomever you love
Your love and devotion should be reserved for those who truly deserve it.
Darlin' don't be a fool
Please do not make foolish decisions or mistakes in the name of love.
Why do we cling to this old faded thing
Why are we holding onto something that has lost its luster and charm?
That used to be
The love and affection we once shared is in the past.
So if you can forget
If it is within your power to move on and forget about our past together...
Then don't worry 'bout me
...please don't worry about my own ability to move on and carry on.
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: Rube Bloom, Ted Koehler
Lyrics Licensed & Provided by LyricFind
steve rector
Excellent.