By the late 1960s Austin was a prolific session musician and commercial jingle singer. By the 1980s she was signed to Jones's Qwest Records and she began having hits. She charted twenty R&B songs between 1969 and 1991 and had success on the Hot Dance Music/Club Play chart, where she hit number one in 1981 with "Do You Love Me?" / "The Genie."
The album containing that hit, Every Home Should Have One, also produced her biggest mainstream hit. "Baby, Come To Me," a duet with James Ingram, peaked at number 73 on the Billboard Hot 100 in early 1982. After being featured as the love theme in a prominent storyline on the soap opera General Hospital, the song re-entered the Billboard Hot 100 chart in October and went to number one in early 1983.
Next Austin released her third album in three years entitled "Gettin' Away With Murder". In addition to the title track, she had two more hit singles, "Honey For The Bees" (#24 R&B and #6 Dance) and "The Heat of Heat". Produced by Jimmy Jam & Terry Lewis, noted for their later work with Janet Jackson, the latter track returned Austin to the top 15 of the R&B charts for what would be the last time to date. It would also be her last Hot 100 charting to date, peaking at number 55, although she would score a top-5 dance hit with the single Reach that appeared originally on her 1994 CD That Secret Place (GRP Records). "Gettin' Away With Murder" used producers Russ Titelman, Tommy LiPuma, Monte Moir (of "The Time"), and Jimmy Jam and Terry Lewis. Billy Joel (Austin sang background on his "Just The Way You Are"), Dan Hartman, friends Luther Vandross and Jocelyn Brown, along with Chaka Khan were among the background vocalists on the project, with successful songwriters, Randy Goodrum, Michael Bolton, Jam & Lewis plus several other big name writers offering up their best compositions on what was likely a big budget affair. She next appeared with Jeff Bridges and Joan Allen in Francis Ford Coppola's critically acclaimed period piece Tucker: The Man and his Dream (1988). That year, Austin released The Real Me, a collection of standards which garnered her the first of several Top 10 showings on the Jazz Albums chart. "The Real Me" was chiefly produced by David Pack who had been a part of the Pop group Ambrosia. Austin served as a co-producer and as Executive Producer on the project. Austin sang "It's the Falling in Love" with Michael Jackson on his album Off The Wall. Other duet partners include George Benson ("Moody's Mood for Love" and "Keep Your Dreams Alive"), and Luther Vandross ("I'm Gonna Miss You In The Morning"). Earlier she'd recorded featured duets with Frankie Valli and The Four Seasons on "Our Day Will Come" and "Swearin' To God" with little billing. Austin also sang lead and background vocals on many contemporary Jazz instrumentalists' records in the 1970s. In 1985 she sang lead vocals on a collaboration with her producer, Narada Michael Walden, and the single, "Gimme, Gimme, Gimme", went top 40 on the R&B charts. In 1991, she recorded the duet "You Who Brought Me Love" with music legend Johnny Mathis, which was received with critical acclaim. That same year she was invited to be a guest on a Johnny Mathis television special that was broadcast across North America.
Austin led a new group of Raelettes for the 2006 album Ray Charles + Count Basie Orchestra = Geniusยฒ. That group also featured veteran session singer Valerie Pinkston and members of the group Perry.
During a 2007 interview promoting her latest recording, Austin reflected how as a teenager she reluctantly attended one of Judy Garland's last concerts and the experience helped focus her career, stating "She (Judy Garland) ripped my heart out. I wanted to interpret a lyric like that, to present who I was at the moment through the lyric."
In 2007 Patti Austin participated in the Avo Session Basel with a program dedicated to Ella Fitzgerald.
In 2008, fifty-three years after getting her first record contract, Patti Austin was awarded her first Grammy Award, winning Best Jazz Vocal Album for "Avant Gershwin" at the 50th annual Grammy Awards. The award came for her ninth nomination in that category.
Austin is co-producer and one of over 70 artists singing on "We Are the World: 25 for Haiti", a charity single in aid of the 2010 Haiti earthquake.
In 2011 Austin released a mostly covers album project titled "Sound Advice" which contained re-works of Bob Dylan's "Gotta Serve Somebody", Brenda Russell's "A Little Bit Of Love", a lesser known Jacksons tune, "Give It Up," her tribute to late friend/collaborator, Michael Jackson, a cover of Bill Withers, "Lean On Me" which she first sang at a milestone birthday for her Godfather Quincy Jones. Also on "Sound Advice" standout performances of Don McLean's "Vincent" (aka Starry Starry Night) and a deeply female take on "My Way." Austin wrote the anthemic "The Grace Of God" after watching an episode of the old "Oprah Winfrey Show" which featured a facially scarred woman ... Keeping relevant, Austin offered the bouncy slice of Pop/Rock/RandB "Round And Round" including the latest trendy vocal effects, though Austin remains one singer who clearly needs no such production techniques to cover a crystal clear, flexible, and knowing voice imitated by many, duplicated by none. Austin co-wrote and sings in the star-studded L.O.V.E. - Let One Voice Emerge, encouraging especially younger Americans to get out there and exercise their right to vote.[citation needed]
Austin appears in the Academy Award-winning documentary film 20 Feet from Stardom (2013), which premiered at the Sundance Film Festival and was released on 21 June 2013. She is working on an upcoming, as yet untitled duets album project with James Ingram.
You Can't Always Get What You Want
Patti Austin Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
She had a glass of wine in her hand
I knew she was gonna meet her connection
And at her feet there was her footloose man
You can't always get what you want
I said you can't always get what you want
You know you can't always get what you want
You get what you need, yeah
Get what you need
You know I went down to the demonstration
Just to get my fair share of abuse
Singing, "We're gonna vent our frustration
And if we don't we're gonna blow a fifty amp fuse"
You can't always get what you want
I said you can't always get what you want
You know you can't always get what you want
But if you try sometimes you just might find
You get what you need, oh yeah baby
You just might get what you need
I went down to the Chelsea drugstore
I was trying to get your prescription filled
I was standing in line with Mr Jimmy
And man, did he look pretty ill
We decided that we were gonna have a soda
My favorite flavor, cherry red
I sung my little song to Mr Jimmy
And he said one word to me, and that was "Dead"
You can't always get what you want
I said you can't always get what you want
You can't always get what you want
But if you try sometimes you just might find
You just might find, you get what you need, yeah
You just might get what you need
You know I saw her today at the reception
In her glass there was a bleeding man
She was practiced at the art of deception
I could tell by, I could tell by her blood-stained hands
You can't always get what you want
You know you can't always get what you want
I said you cannot always get what you want
But if you try sometimes you just might find
You get what you need
You can't always get what you want
You can't always get what you want
You can't always get what you want
You can't always get what you want
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
But if you try sometimes
You just might find
You get what you need now, yeah
You might get
You might get what you need, yeah
Sing it with me children, one more time
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
You can't get what you want
Just might get what you need
Well, if you try sometimes
You just might find
You get what you need
You might get what you need
Patti Austin's "Can't Always Get What You Want" is a cover of the classic Rolling Stones song. The lyrics speak to the universal experience of chasing what we want and coming up short, but realizing that what we actually need is often right in front of us. The first verse sets the scene at a reception where the singer sees a woman with a glass of wine, anticipating a meeting with her "connection" and her "footloose man" at her feet. The chorus repeats the title, reminding us that we can't always get what we want, before suggesting that if we try, we might just find what we need.
The second verse describes the singer going to a demonstration, seeking "his fair share of abuse." Here, the chorus repeats, anchoring the message that getting what we want isn't always possible. Then the song takes a turn toward the unexpected as the singer describes going to a drugstore, waiting in line with a sickly "Mr. Jimmy." They order soda which they share, and the singer sings a little song, which prompts "Mr. Jimmy" to respond with a single word: "dead." The third chorus brings us back to the main theme of the song โ you can't always get what you want, but if you try sometimes, you might just find what you need.
The final verse circles back to the first, describing the woman from the reception again, but this time with a dramatic image of a bleeding man in her glass. The chorus repeats numerous times, first with variations on the phrasing, bringing in backing vocals, and emphasizing the words "just might" before ultimately concluding with a final repetition that emphasizes the importance of trying to find what we need. In all, the song serves as a potent reminder that we are not always in control of getting what we want, but sometimes the things we need are there all along, if only we open ourselves up to receiving them.
Line by Line Meaning
I saw her today at the reception
The singer saw a woman at a gathering.
She had a glass of wine in her hand
The woman was holding a beverage.
I knew she was gonna meet her connection
The singer knew the woman was going to meet someone she planned to see.
And at her feet there was her footloose man
The woman's lover was with her, relaxed and carefree.
You can't always get what you want
The singer highlights that it's impossible to have everything you desire.
I said you can't always get what you want
The singer reiterates that you won't get all that you desire.
You know you can't always get what you want
The singer reminds the listener once again that desires can't always be fulfilled.
But if you try sometimes you might find
The singer suggests that it's possible to find some satisfaction in life.
You get what you need, yeah
The singer points out that people can obtain what they truly require.
You know I went down to the demonstration
The singer attended a public protest or march for a particular cause.
Just to get my fair share of abuse
The singer prepared to handle or receive verbal/physical criticism or mistreatment.
Singing, "We're gonna vent our frustration
The singer shouted out or exclaimed that 'everyone should express their anger or dissatisfaction.'
And if we don't we're gonna blow a fifty amp fuse"
The singer warns that if the group fails to let out their feelings, they will explode with a lot of energy, referring to a 'fifty amp' fuse.
I went down to the Chelsea drugstore
The singer went to a drugstore in Chelsea, a neighborhood of Manhattan.
I was trying to get your prescription filled
The singer attempted to fill a prescription for a person whose name is not mentioned in the song.
I was standing in line with Mr Jimmy
The singer was waiting in a queue with a man named Jimmy.
And man, did he look pretty ill
The singer gives an observation that Jimmy looks like he's in poor health.
We decided that we were gonna have a soda
The singer and Jimmy agreed to buy themselves a soda drink.
My favorite flavor, cherry red
The singer mentions their preferred flavor of soda, which is cherry red.
I sung my little song to Mr Jimmy
The singer sang a brief song to Jimmy, ending their conversation on a pleasant note.
And he said one word to me, and that was "Dead"
Jimmy responded with only one word, which was 'dead,' which could be interpreted in a few ways (e.g., the song doesn't clarify whether he meant it seriously or jokingly).
You know you can't always get what you want
The singer repeats the well-known chorus of the song.
But if you try sometimes you just might find
The singer highlights that by attempting to improve or be content with what you do have, you can find satisfaction.
You just might find, you get what you need, oh yeah baby
The singer further emphasizes that people may obtain what they need if they're willing to put in effort.
In her glass there was a bleeding man
The woman at the reception had a glass containing an image of a man who was wounded and bleeding.
She was practiced at the art of deception
The singer believed that the woman was skilled at tricking or deceiving others.
I could tell by, I could tell by her blood-stained hands
The singer was able to deduce her deception from her stained hands.
Contributed by Lauren N. Suggest a correction in the comments below.
@TheRollingStones
#GetWhatYouNeed ย
@BerndLonnig
Saustark !!
@SOSanders
Try sometime
@carolineroy7462
Merci pour cette superbe vidรฉo. J'adore cette chanson. Elle est gรฉniale
@jean-patrickbladet945
Toujours aussiย plaisant ร รฉcouter et ร voir,
ces Rolling Stones.
Et tout ceci avec une superbe vidรฉo.
@benbolsenbroek2244
73 live version mick taylor the best
this one,.............
enjoi
@robmills1004
For someone like myself, a life long 50 plus yrs fan of the stones, who's now unfortunately too broke and too beat up to attend live concerts anymore, i truly appreciate being able to see all these great live concert songs on you tube. Thanks to all who make this possible, especially "my boys" the stones
@cocotimbo
Same for me, Rob...
@bernicehenry9738
Where do you live?
@shongkamphom6069
God bless you buddy