Desmond was bor… Read Full Bio ↴Paul Desmond (1924-1977) was a U.S jazz saxophonist.
Desmond was born Paul Emil Breitenfeld in San Francisco, California on 25th November 1924. He came to prominence with the Dave Brubeck Quartet, which lasted from 1951 until 1967. Desmond wrote their biggest hit, "Take Five".
Desmond's alto saxophone tone and technique owed nothing to the great alto player of the time, Charlie Parker; instead his was a clear, light, floating sound and highly melodic playing style. Much of the success of the classic Brubeck quartet was due to the superposition of his fragile, airy sound over Brubeck's sometimes relatively heavy, polytonal piano work.
Desmond died on 30th May 1977.
Paul Desmond is widely recognized for his genius as a melodic improviser and as the benchmark of cool jazz sax players. His warm, elegant tone was one that he admittedly tried to make sound like a dry martini. He and Art Pepper were virtually the only alto players of their generation not directly influenced by Charlie Parker. Desmond was influenced by Lester Young, but took it further, into melodic and harmonic worlds never before traveled by reedmen -- especially in the upper registers. Desmond is best known for his years with the Dave Brubeck Quartet (1959-1967) and his infamous composition "Take Five." He met Brubeck in the late '40s and played with his Octet. The Quartet formed toward the end of 1950 and took final shape with Eugene Wright and Joe Morello a few years later. Jazz at Oberlin and Take Five were considered essential purchases by college students of the era, but Jazz Impressions of Japan was its most innovative recording. Desmond played his loping, slow, ordered, and intricate solos in direct contrast to the pianist's obsession with large chords, creating a myriad of textures for melodic and rhythmic counterpoint unlike any heard in jazz. His witty quotations from musicals, classical pieces, and folk songs were also a watermark of his artistry. When the Quartet split in 1967, Desmond began an intermittent yet satisfying recording career. It included dates with Gerry Mulligan for Verve, various sessions with Jim Hall, and a concert with the the Modern Jazz Quartet. He played his last gigs with the Brubeck Quartet at reunions before dying of lung cancer. Desmond's recordings for RCA have gotten box-set treatment and Mosaic issued one of the complete sessions with Hall. There are also reissues from A&M and CTI, though recordings on Artist House and Finesse remain regrettably out of print. ~ Thom Jurek, Rovi
Why Shouldn't I
Paul Desmond Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Why shouldn't I know of love?
Why wait around when each age has a sage who has sung
That upon this earth love is all that is really worth thinking of?
It must be fun, lots of fun
To be sure when day is done
That the hour is coming when you'll be kissed
All debutantes say it's good
And every star out in far Hollywood
Seems to give it a try
So why shouldn't I?
All debutantes say it's good
And every star out in far Hollywood
Seems to give it a try
So why shouldn't I?
The first stanza of "Why Shouldn't I?" is posed as a series of rhetorical questions, with the singer challenging the idea that they shouldn't take a chance on love when the opportunity arises. The lyrics suggest that love is a worthwhile pursuit, as it is the only thing truly worth thinking about on this earth. The second stanza goes into more detail about the pleasures of love, with the singer suggesting that being sure of receiving a kiss at the end of the day is a fun prospect. The final stanza points to social pressure to seek out and try love, with debutantes and Hollywood stars offering encouragement to the singer.
Overall, the song paints a picture of a person who may have some hesitation or uncertainty about pursuing love, but ultimately decides that there is no reason not to take a chance. The lyrics suggest that the rewards of love are worth the risk, and that social norms also encourage people to seek out romantic connections.
Line by Line Meaning
Why shouldn't I take a chance when romance passes by?
Why would I hesitate when the opportunity for love presents itself?
Why shouldn't I know of love?
Why wouldn't I want to experience love?
Why wait around when each age has a sage who has sung
That upon this earth love is all that is really worth thinking of?
Why waste time when wise individuals throughout different generations have emphasized the importance of love as the most valuable thing in life?
It must be fun, lots of fun
To be sure when day is done
That the hour is coming when you'll be kissed
And then you'll be kissed again
It sounds enjoyable to be certain that at the end of each day, you'll have someone to kiss, and then be kissed again.
All debutantes say it's good
And every star out in far Hollywood
Seems to give it a try
So why shouldn't I?
Even esteemed members of society, such as debutantes and Hollywood stars, speak positively about love, so why wouldn't I also give it a chance?
All debutantes say it's good
And every star out in far Hollywood
Seems to give it a try
So why shouldn't I?
Even esteemed members of society, such as debutantes and Hollywood stars, speak positively about love, so why wouldn't I also give it a chance?
Writer(s): COLE PORTER
Contributed by Victoria S. Suggest a correction in the comments below.