Austrian-born Paul Haslinger has secured a distinctive reputation for compo… Read Full Bio ↴Austrian-born Paul Haslinger has secured a distinctive reputation for composing film scores, which incorporate both robust classical elements and compelling electronica. Formally trained in his hometown of Linz, Haslinger ventured to Vienna, where he continued his classical studies while exploring the new domain of electronic music. Auditions for the band Tangerine Dream led to a five year collaboration, four albums, and several films, including Miracle Mile, Near Dark, and Canyon Dreams.
After his “Dream” period, Haslinger released three solo albums and scored two landmark animated science-fiction films, Planetary Traveler and Infinity’s Child. He continued perfecting his film scoring skills as the programmer for Graeme Revell, supplying memorable textures and atmospheric style to Blow, the Negotiator, The Siege, Pitch Black, and Tomb Raider, to name a few.
Haslinger earned his first solo credit as a film composer for the 2000 movie Cheaters, directed by John Stockwell. Since then, he has worked on Stockwell’s Crazy/Beautiful, Blue Crush, and last summer’s Into The Blue, starring Jessica Alba and Paul Walker.
2002 found Haslinger composing and producing musical segments for Steven Spielberg’s thriller Minority Report. In 2003, Haslinger scored Len Wiseman’s Underworld, his first film to open #1 at the US box office. In recent years, Haslinger has made a conscious effort to expand and diversify his work. His scores for Ubisoft’s Xbox releases Far Cry: Instincts and RainbowSix – Vegas were enthusiastically received by the gaming community; while his work on the Golden Globe & Emmy nominated series SleeperCell (Showtime) received wide critical acclaim for its mix of Western and Middle East music elements. He continues to be in high demand as a film composer having recently completed work on several feature releases including Turistas (dir John Stockwell), Crank (dirs Brian Taylor and Mark Neveldine), Gardener of Eden (dir Kevin Connolly) and most recently Sony Screen Gems’ thriller Vacancy (dir Nimrod Antal) and the upcoming New Line thriller/dark comedy Shoot Em Up (dir Michael Davis).
Haslinger’s immense vision embraces film, games, albums and live performance in a modern musical world without boundaries.
TAKEN FROM PAUL HASLINGER`S OFFICIAL SITE.
After his “Dream” period, Haslinger released three solo albums and scored two landmark animated science-fiction films, Planetary Traveler and Infinity’s Child. He continued perfecting his film scoring skills as the programmer for Graeme Revell, supplying memorable textures and atmospheric style to Blow, the Negotiator, The Siege, Pitch Black, and Tomb Raider, to name a few.
Haslinger earned his first solo credit as a film composer for the 2000 movie Cheaters, directed by John Stockwell. Since then, he has worked on Stockwell’s Crazy/Beautiful, Blue Crush, and last summer’s Into The Blue, starring Jessica Alba and Paul Walker.
2002 found Haslinger composing and producing musical segments for Steven Spielberg’s thriller Minority Report. In 2003, Haslinger scored Len Wiseman’s Underworld, his first film to open #1 at the US box office. In recent years, Haslinger has made a conscious effort to expand and diversify his work. His scores for Ubisoft’s Xbox releases Far Cry: Instincts and RainbowSix – Vegas were enthusiastically received by the gaming community; while his work on the Golden Globe & Emmy nominated series SleeperCell (Showtime) received wide critical acclaim for its mix of Western and Middle East music elements. He continues to be in high demand as a film composer having recently completed work on several feature releases including Turistas (dir John Stockwell), Crank (dirs Brian Taylor and Mark Neveldine), Gardener of Eden (dir Kevin Connolly) and most recently Sony Screen Gems’ thriller Vacancy (dir Nimrod Antal) and the upcoming New Line thriller/dark comedy Shoot Em Up (dir Michael Davis).
Haslinger’s immense vision embraces film, games, albums and live performance in a modern musical world without boundaries.
TAKEN FROM PAUL HASLINGER`S OFFICIAL SITE.
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Death Race Main Titles
Paul Haslinger Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
TheHystericalMind
i always loved that little guitar twang sound, gives me chills every time i hear it.
Matteo DeLaPaz
Reminds me a bit of Marilyn Manson’s Killing Strangers from the John Wick franchise; so awesome!
moidh
pure adrenaline track, big & phat beats, guitars and great atmosphere. excepcional
Sir Sufferer
Love this sound track, fits the film perfectly.
Wangash18
I love this soundtrack it has that gangsta feel to it.
Sergio Mendoza
"Nadie en este mundo es perfecto. Y al final,eso es lo que importa" jensen.
hectorthefox 7
tu si sabes UWU
Mitena Grace
I love the music for this movie, It really caught my attention the first time seeing it.
Criss Eagle
For years I thought this was Nine Inch Nails' "The Mark Has Been Made". But, still, this is very, very similar to it, and Nine Inch Nails did it first, sooo... But anyways, epic track.
DSW22
Sampling track probably