Symphonic Metamorphosis after Themes by Carl Maria von Weber: Turandot: Scherzo
Paul Hindemith (1895-1963) was a German composer, violist, violinist, teach… Read Full Bio ↴Paul Hindemith (1895-1963) was a German composer, violist, violinist, teacher, and conductor.
Born in Hanau, Germany on the 16th November 1895, Hindemith was taught the violin as a child. He entered the Hoch'sche Konservatorium in Frankfurt am Main where he studied conducting, composition and violin under Arnold Mendelssohn and Bernhard Sekles, supporting himself by playing in dance bands and musical-comedy outfits. He led the Frankfurt Opera orchestra from 1915 to 1923 and played in the Rebner string quartet in 1921 in which he played second violin, and later the viola. In 1929 he founded the Amar Quartet, playing viola, and extensively toured Europe.
In 1922, some of his pieces were heard in the International Society for Contemporary Music festival at Salzburg, which first brought him to the attention of an international audience. The following year, he began to work as an organizer of the Donaueschingen Festival, where he programmed works by several avant garde composers, including Anton Webern and Arnold Schoenberg. From 1927 he taught composition at the Berliner Hochschule für Musik in Berlin and in the 1930s he made several visits to Ankara where he led the task of reorganising Turkish music education. Towards the end of the 1930s, he made several tours of America as a viola and viola d'amore soloist.
Despite protests from the conductor Wilhelm Furtwängler, his music was condemned as "degenerate" by the Nazis, and in 1940 he emigrated to the U.S.A. At the same time that he was codifying his musical language, his teaching began to be affected by his theories. At this time he taught primarily at Yale University where he had such notable pupils as Lukas Foss, Norman Dello Joio, Harold Shapero, and Ruth Schonthal. During this time he also held the Charles Eliot Norton Chair at Harvard, from which the book A Composer's World was extracted. He became an American citizen in 1946, but returned to Europe in 1953, living in Zürich and teaching at the University there. Towards the end of his life he began to conduct more. He was awarded the Balzan Prize in 1962.
Hindemith died in Frankfurt am Main on the 28th December 1963 from acute pancreatitis.
Born in Hanau, Germany on the 16th November 1895, Hindemith was taught the violin as a child. He entered the Hoch'sche Konservatorium in Frankfurt am Main where he studied conducting, composition and violin under Arnold Mendelssohn and Bernhard Sekles, supporting himself by playing in dance bands and musical-comedy outfits. He led the Frankfurt Opera orchestra from 1915 to 1923 and played in the Rebner string quartet in 1921 in which he played second violin, and later the viola. In 1929 he founded the Amar Quartet, playing viola, and extensively toured Europe.
In 1922, some of his pieces were heard in the International Society for Contemporary Music festival at Salzburg, which first brought him to the attention of an international audience. The following year, he began to work as an organizer of the Donaueschingen Festival, where he programmed works by several avant garde composers, including Anton Webern and Arnold Schoenberg. From 1927 he taught composition at the Berliner Hochschule für Musik in Berlin and in the 1930s he made several visits to Ankara where he led the task of reorganising Turkish music education. Towards the end of the 1930s, he made several tours of America as a viola and viola d'amore soloist.
Despite protests from the conductor Wilhelm Furtwängler, his music was condemned as "degenerate" by the Nazis, and in 1940 he emigrated to the U.S.A. At the same time that he was codifying his musical language, his teaching began to be affected by his theories. At this time he taught primarily at Yale University where he had such notable pupils as Lukas Foss, Norman Dello Joio, Harold Shapero, and Ruth Schonthal. During this time he also held the Charles Eliot Norton Chair at Harvard, from which the book A Composer's World was extracted. He became an American citizen in 1946, but returned to Europe in 1953, living in Zürich and teaching at the University there. Towards the end of his life he began to conduct more. He was awarded the Balzan Prize in 1962.
Hindemith died in Frankfurt am Main on the 28th December 1963 from acute pancreatitis.
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Symphonic Metamorphosis after Themes by Carl Maria von Weber: Turandot: Scherzo
Paul Hindemith Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
@reginaliuyx
Turandot Scherzo
Exposition
Theme - 3:56
Trans - 4:45
Variation 1 - 4:54
Variation 2 - 5:18
Variation 3 - 5:40
Variation 4 - 6:02
Variation 5 - 6:25
Variation 6 - 6:48
Variation 7 - 7:10
Cadence (where variations stop) - 7:33
Transition: 7:39
Development
Exposition 1 - 7:50
Episode 1 - 8:08
Exposition 2 - 8:14
Episode 2 - 8:23
Exposition 3 - 8:27
Episode 3 - 8:36
Exposition 4 - 8:45
Transition - 8:49
Exposition 5 - 8:52
Episode 5 - 9:04
Exposition 6 - 9:16
Recapitulation
Recapitulation - 9:43
Coda - 10:33
@reginaliuyx
Turandot Scherzo
Exposition
Theme - 3:56
Trans - 4:45
Variation 1 - 4:54
Variation 2 - 5:18
Variation 3 - 5:40
Variation 4 - 6:02
Variation 5 - 6:25
Variation 6 - 6:48
Variation 7 - 7:10
Cadence (where variations stop) - 7:33
Transition: 7:39
Development
Exposition 1 - 7:50
Episode 1 - 8:08
Exposition 2 - 8:14
Episode 2 - 8:23
Exposition 3 - 8:27
Episode 3 - 8:36
Exposition 4 - 8:45
Transition - 8:49
Exposition 5 - 8:52
Episode 5 - 9:04
Exposition 6 - 9:16
Recapitulation
Recapitulation - 9:43
Coda - 10:33
@Berlinchesmusic
Thank you!
@reginaliuyx
@Berlinches You’re very welcome! 🙆🏻♀️
@ultradmann2367
Oh my god, you just blew my mind! I had absolutely no clue that the Scherzo was a theme and variations and I've loved this movement for as long as I can remember. Pretty eye opening with the full score. Thanks!
@pastrychef1985
God's work. Thank you so much!
@cufflink44
I've never understood why this piece isn't HUGELY popular. You'd think every major symphony orchestra in the world would want to program it regularly! It's got everything--great tunes, spectacular orchestration, wit, excitement, accessibility. I can't think of a better orchestral showpiece. Maybe it needs to be retitled. "Symphonic Metamorphosis of Themes by Carl Maria von Weber" isn't exactly inviting. Anyone have any ideas?
@Eorzat
According to the description and Wikipedia (however accurate they may be), this is likely to be Hindemith's most popular work. Maybe Hindemith's entire repertoire needs to be retitled...
@Cephalopoda
Favourite of mine, this. We played it years ago with Edinburgh University Music Society. It does get played!
@Cephalopoda
Also, it's not like it has funny orchestration demands or anything. Piccolo, contra, four horns, nothing unexpected.
@steveburrus9347
I couldn't AGREE WITH YOU mpore about this Hindemith piece. Ex cept for Beethoven he was the best/finest musical composer out of Germany. Too damn bad that Germany had to also produce the likes of Hitler!