A self-taught musician, McCartney is proficient on bass, guitar, keyboards, and drums. He is known for his melodic approach to bass-playing (mainly playing with a plectrum), his versatile and wide tenor vocal range (spanning over four octaves), and his eclecticism (exploring styles ranging from pre-rock and roll pop to classical and electronica). McCartney began his career as a member of the Quarrymen in 1957, which evolved into the Beatles in 1960. Starting with the 1967 album Sgt. Pepper's Lonely Hearts Club Band, he gradually became the Beatles' de facto leader, providing the creative impetus for most of their music and film projects. His Beatles songs "And I Love Her" (1964), "Yesterday" (1965), "Eleanor Rigby" (1966) and "Blackbird" (1968) rank among the most covered songs in history.
In 1970, McCartney debuted as a solo artist with the album McCartney. Throughout the 1970s, he led Wings, one of the most successful bands of the decade, with more than a dozen international top 10 singles and albums. McCartney resumed his solo career in 1980. Since 1989, he has toured consistently as a solo artist. In 1993, he formed the music duo the Fireman with Youth of Killing Joke. Beyond music, he has taken part in projects to promote international charities related to such subjects as animal rights, seal hunting, land mines, vegetarianism, poverty, and music education.
McCartney is one of the most successful composers and performers of all time. He has written or co-written 32 songs that have reached No. 1 on the Billboard Hot 100, and as of 2009, had sales of 25.5 million RIAA-certified units in the United States. His honours include two inductions into the Rock and Roll Hall of Fame (as a member of the Beatles in 1988 and as a solo artist in 1999), 18 Grammy Awards, an appointment as a Member of the Order of the British Empire in 1965, and a knighthood in 1997 for services to music. As of 2020, he is also one of the wealthiest musicians in the world, with an estimated fortune of £800 million.
Best known for primarily using a plectrum or pick, McCartney occasionally plays fingerstyle. He was strongly influenced by Motown artists, in particular James Jamerson, whom McCartney called a hero for his melodic style. He was also influenced by Brian Wilson, as he commented: "because he went to very unusual places". Another favourite bassist of his is Stanley Clarke. McCartney's skill as a bass player has been acknowledged by bassists including Sting, Dr. Dre bassist Mike Elizondo, and Colin Moulding of XTC.
During McCartney's early years with the Beatles, he primarily used a Höfner 500/1 bass, although from 1965, he favoured his Rickenbacker 4001S for recording. While typically using Vox amplifiers, by 1967, he had also begun using a Fender Bassman for amplification. During the late 1980s and early 1990s, he used a Wal 5-String, which he said made him play more thick-sounding basslines, in contrast to the much lighter Höfner, which inspired him to play more sensitively, something he considers fundamental to his playing style. He changed back to the Höfner around 1990 for that reason. He uses Mesa Boogie bass amplifiers while performing live.
McCartney was inducted into the Rock and Roll Hall of Fame in 1988 as a member of the Beatles and again as a solo artist in 1999. In 1979, the Guinness Book of World Records recognised McCartney as the "most honored composer and performer in music", with 60 gold discs (43 with the Beatles, 17 with Wings) and, as a member of the Beatles, sales of over 100 million singles and 100 million albums, and as the "most successful song writer", he wrote jointly or solo 43 songs which sold one million or more records between 1962 and 1978. In 2009, Guinness World Records again recognised McCartney as the "most successful songwriter" having written or co-written 188 charted records in the United Kingdom, of which 91 reached the top 10 and 33 made it to number one.
McCartney has written, or co-written, 32 number-one singles on the Billboard Hot 100: twenty with the Beatles; seven solo or with Wings; one as a co-writer of "A World Without Love", a number-one single for Peter and Gordon; one as a co-writer on Elton John's cover of "Lucy in the Sky with Diamonds"; one as a co-writer on Stars on 45's "Medley"; one as a co-writer with Michael Jackson on "Say Say Say"; and one as writer on "Ebony and Ivory" performed with Stevie Wonder. As of 2009, he has 15.5 million RIAA certified units in the United States as a solo artist plus another 10 million with Wings.
Credited with more number ones in the UK than any other artist, McCartney has participated in twenty-four chart topping singles: seventeen with the Beatles, one solo, and one each with Wings, Stevie Wonder, Ferry Aid, Band Aid, Band Aid 20 and "The Christians et al." He is the only artist to reach the UK number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", the Beatles), quintet ("Get Back", the Beatles with Billy Preston) and as part of a musical ensemble for charity (Ferry Aid).
"Yesterday" is one of the most covered songs in history with more than 2,200 recorded versions, and according to the BBC, "the track is the only one by a UK writer to have been aired more than seven million times on American TV and radio and is third in the all-time list ... [and] is the most played song by a British writer [last] century in the US". His 1968 Beatles composition "Hey Jude" achieved the highest sales in the UK that year and topped the US charts for nine weeks, which is longer than any other Beatles single. It was also the longest single released by the band and, at seven minutes eleven seconds, was at that time the longest number one. "Hey Jude" is the best-selling Beatles single, achieving sales of over five million copies soon after its release.
In July 2005, McCartney's performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8 became the fastest-released single in history. Available within forty-five minutes of its recording, hours later it had achieved number one on the UK Official Download Chart.
In December 2020, the release of his album McCartney III and its subsequent charting at number 2 on the US Billboard 200 earned McCartney the feat of being the first artist to have a new album in the top two chart positions in each of the last six decades.
Blue Moon Of Kentucky
Paul McCartney Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Keep on shining
Shine on the one that's gone and left me blue
I said blue moon of Kentucky
Keep on shining
Shine on the one that's gone and left me blue
Well, it was on one moonlight night
Stars shining bright
Love said good-bye
Blue moon of Kentucky
Keep on shining
Shine on the one that's gone and left me blue
Well, I said blue moon of Kentucky
Just keep on shining
Shine on the one that's gone and left me blue
I said blue moon of Kentucky
Keep on shining
Shine on the one that's gone and left me blue
Well, it was on one moonlight night
Stars shining bright
Wish blown high
Love said good-bye
Blue moon of Kentucky
Keep on shining
Shine on the one that's gone and left me blue
The lyrics of "Blue Moon of Kentucky" by Paul McCartney tell the story of heartbreak and loneliness after a lover has left. The phrase "blue moon" typically refers to a rare occurrence of an additional full moon within a month or season, but in this context, it refers to the feeling of sadness and melancholy that the singer is experiencing. He implores the blue moon to keep shining on him, despite the pain it represents, as a way of remembering the love that has been lost.
The lyrics paint a picture of a moonlit night, with stars shining bright, as the singer recalls the moment when his love said goodbye. The use of the phrase "wish blown high" suggests a metaphorical blowing away of hopes and dreams, as the reality of separation sets in. It's clear that the singer is in a state of mourning, and the repetition of the phrase "keep on shining" at the end of each verse reflects his desire to hold onto the memory of his lost love.
Overall, the lyrics of "Blue Moon of Kentucky" are a poignant reflection on the pain of heartbreak, and the power of memory and nostalgia to keep love alive even in the face of loss.
Line by Line Meaning
I said blue moon of Kentucky
The singer acknowledges the presence of the blue moon of Kentucky and addresses it directly.
Keep on shining
The singer requests the blue moon of Kentucky to keep shining its light.
Shine on the one that's gone and left me blue
The singer specifies that the blue moon of Kentucky should shine its light on someone important who has left them feeling sad and alone.
Well, it was on one moonlight night
The artist sets the scene for a specific moment in time.
Stars shining bright
The artist observes the brightness of the stars in the sky.
Wish blown high
The singer describes making a wish and blowing on something to symbolize their desire.
Love said good-bye
The singer expresses the pain of having someone they loved leave them.
Just keep on shining
The artist reiterates their request to the blue moon of Kentucky to continue shining its light.
Well, I said blue moon of Kentucky
The artist addresses the blue moon of Kentucky again.
Keep on shining
The artist repeats their request for the blue moon of Kentucky to keep shining.
Well, it was on one moonlight night
The singer sets the scene for the same moment in time as earlier in the song.
Stars shining bright
The artist again observes the brightness of the stars in the sky.
Wish blown high
The singer repeats the same imagery of wishing on something and blowing it away to symbolize their desire.
Love said good-bye
The singer reiterates the pain of having someone they loved leave them.
Keep on shining
The song concludes with the singer's final request to the blue moon of Kentucky to keep shining its light.
Lyrics © Peermusic Publishing, Warner Chappell Music, Inc.
Written by: Bill Monroe
Lyrics Licensed & Provided by LyricFind