A self-taught musician, McCartney is proficient on bass, guitar, keyboards, and drums. He is known for his melodic approach to bass-playing (mainly playing with a plectrum), his versatile and wide tenor vocal range (spanning over four octaves), and his eclecticism (exploring styles ranging from pre-rock and roll pop to classical and electronica). McCartney began his career as a member of the Quarrymen in 1957, which evolved into the Beatles in 1960. Starting with the 1967 album Sgt. Pepper's Lonely Hearts Club Band, he gradually became the Beatles' de facto leader, providing the creative impetus for most of their music and film projects. His Beatles songs "And I Love Her" (1964), "Yesterday" (1965), "Eleanor Rigby" (1966) and "Blackbird" (1968) rank among the most covered songs in history.
In 1970, McCartney debuted as a solo artist with the album McCartney. Throughout the 1970s, he led Wings, one of the most successful bands of the decade, with more than a dozen international top 10 singles and albums. McCartney resumed his solo career in 1980. Since 1989, he has toured consistently as a solo artist. In 1993, he formed the music duo the Fireman with Youth of Killing Joke. Beyond music, he has taken part in projects to promote international charities related to such subjects as animal rights, seal hunting, land mines, vegetarianism, poverty, and music education.
McCartney is one of the most successful composers and performers of all time. He has written or co-written 32 songs that have reached No. 1 on the Billboard Hot 100, and as of 2009, had sales of 25.5 million RIAA-certified units in the United States. His honours include two inductions into the Rock and Roll Hall of Fame (as a member of the Beatles in 1988 and as a solo artist in 1999), 18 Grammy Awards, an appointment as a Member of the Order of the British Empire in 1965, and a knighthood in 1997 for services to music. As of 2020, he is also one of the wealthiest musicians in the world, with an estimated fortune of £800 million.
Best known for primarily using a plectrum or pick, McCartney occasionally plays fingerstyle. He was strongly influenced by Motown artists, in particular James Jamerson, whom McCartney called a hero for his melodic style. He was also influenced by Brian Wilson, as he commented: "because he went to very unusual places". Another favourite bassist of his is Stanley Clarke. McCartney's skill as a bass player has been acknowledged by bassists including Sting, Dr. Dre bassist Mike Elizondo, and Colin Moulding of XTC.
During McCartney's early years with the Beatles, he primarily used a Höfner 500/1 bass, although from 1965, he favoured his Rickenbacker 4001S for recording. While typically using Vox amplifiers, by 1967, he had also begun using a Fender Bassman for amplification. During the late 1980s and early 1990s, he used a Wal 5-String, which he said made him play more thick-sounding basslines, in contrast to the much lighter Höfner, which inspired him to play more sensitively, something he considers fundamental to his playing style. He changed back to the Höfner around 1990 for that reason. He uses Mesa Boogie bass amplifiers while performing live.
McCartney was inducted into the Rock and Roll Hall of Fame in 1988 as a member of the Beatles and again as a solo artist in 1999. In 1979, the Guinness Book of World Records recognised McCartney as the "most honored composer and performer in music", with 60 gold discs (43 with the Beatles, 17 with Wings) and, as a member of the Beatles, sales of over 100 million singles and 100 million albums, and as the "most successful song writer", he wrote jointly or solo 43 songs which sold one million or more records between 1962 and 1978. In 2009, Guinness World Records again recognised McCartney as the "most successful songwriter" having written or co-written 188 charted records in the United Kingdom, of which 91 reached the top 10 and 33 made it to number one.
McCartney has written, or co-written, 32 number-one singles on the Billboard Hot 100: twenty with the Beatles; seven solo or with Wings; one as a co-writer of "A World Without Love", a number-one single for Peter and Gordon; one as a co-writer on Elton John's cover of "Lucy in the Sky with Diamonds"; one as a co-writer on Stars on 45's "Medley"; one as a co-writer with Michael Jackson on "Say Say Say"; and one as writer on "Ebony and Ivory" performed with Stevie Wonder. As of 2009, he has 15.5 million RIAA certified units in the United States as a solo artist plus another 10 million with Wings.
Credited with more number ones in the UK than any other artist, McCartney has participated in twenty-four chart topping singles: seventeen with the Beatles, one solo, and one each with Wings, Stevie Wonder, Ferry Aid, Band Aid, Band Aid 20 and "The Christians et al." He is the only artist to reach the UK number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", the Beatles), quintet ("Get Back", the Beatles with Billy Preston) and as part of a musical ensemble for charity (Ferry Aid).
"Yesterday" is one of the most covered songs in history with more than 2,200 recorded versions, and according to the BBC, "the track is the only one by a UK writer to have been aired more than seven million times on American TV and radio and is third in the all-time list ... [and] is the most played song by a British writer [last] century in the US". His 1968 Beatles composition "Hey Jude" achieved the highest sales in the UK that year and topped the US charts for nine weeks, which is longer than any other Beatles single. It was also the longest single released by the band and, at seven minutes eleven seconds, was at that time the longest number one. "Hey Jude" is the best-selling Beatles single, achieving sales of over five million copies soon after its release.
In July 2005, McCartney's performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8 became the fastest-released single in history. Available within forty-five minutes of its recording, hours later it had achieved number one on the UK Official Download Chart.
In December 2020, the release of his album McCartney III and its subsequent charting at number 2 on the US Billboard 200 earned McCartney the feat of being the first artist to have a new album in the top two chart positions in each of the last six decades.
Caesar Rock
Paul McCartney Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
She's a rock
She's a rock
If I could find the words
To talk about my woman
Well I would surely shout them out
But every time I feel my inspiration coming
'Cause you pick me up
She take me down
She send sideways
You rip me every way I turn
If I was back to school
She gotta be my favorite teacher
There's such a lot for me to learn
She's a rock
She's a rock
She's a rock
She's a rock
So how she always knows
Exactly what is needed
When I've been wandering 'round and 'round
And if she wants me
But I know that I succeeded
I'll be heading back to town
She's a rock
She's a rock
She's a rock
She's a rock
She's a rock
She's a rock
She's a rock
She's a rock
She's a rock
She's a, she's a, she's a
She's a, she's a, she's a
She's a, she's a, she's a
She's a, yeah, now she's a rock
She's got royalty
Like the royalty
She's got symmetry
And liberty
She's got all of those
She got all of those
Your matching teeth
Your matching teeth
The song "Caesar Rock" by Paul McCartney is an upbeat rock tune that celebrates the joy and inspiration that his lover brings him. The lyrics depict just how much she means to him, even though he struggles to find the words that truly express his feelings. The repeated phrase, "She's a rock," emphasizes not only her steadfast presence in his life but also her strong, solid character. McCartney acknowledges that she challenges him and keeps him on his toes, yet he feels fortunate to have her as his partner.
Line by Line Meaning
She's a rock
The woman being described possesses qualities of strength and dependability.
If I could find the words
The singer struggles to express the depth of his feelings for the woman.
To talk about my woman
The woman in question is his romantic partner.
It's all too much, it won't come out
The artist is overwhelmed by his emotions and has trouble articulating them.
'Cause you pick me up
The woman lifts the artist's spirits.
She take me down
The woman challenges the singer and keeps him grounded.
She send sideways
The woman surprises and disorients the singer.
You rip me every way I turn
The woman affects the artist in multiple ways and leaves him feeling torn in different directions.
If I was back to school
The artist feels he still has much to learn about the woman.
She gotta be my favorite teacher
The woman is an excellent teacher and source of enlightenment for the artist.
So how she always knows
The woman in question has intuitive abilities and can anticipate the singer's needs.
Exactly what is needed
The woman knows precisely what the artist requires to feel satisfied or fulfilled.
When I've been wandering 'round and 'round
The woman helps the singer find direction when he is lost or confused.
And if she wants me
The singer seeks validation from the woman and feels that her approval will confirm his success.
But I know that I succeeded
The singer is confident he has done well in the woman's eyes.
I'll be heading back to town
The artist will return to familiar territory after his journey with the woman.
She's got royalty
The woman has an air of nobility or grandeur.
Like the royalty
She is comparable to a member of a royal family in terms of grace or poise.
She's got symmetry
The woman is aesthetically pleasing and displays balance, proportion, and harmony of features.
And liberty
The woman embraces freedom and the rights of individuals or groups to self-determination.
She's got all of those
The woman exhibits all these positive attributes.
Your matching teeth
This line is difficult to decipher and may be interpreted as the artist's attempt to flatter the woman by comparing her to a physical object. It seems less meaningful than the other lyrics and may be intended for comedic effect.
Lyrics © Kobalt Music Publishing Ltd.
Written by: Paul James McCartney
Lyrics Licensed & Provided by LyricFind