A self-taught musician, McCartney is proficient on bass, guitar, keyboards, and drums. He is known for his melodic approach to bass-playing (mainly playing with a plectrum), his versatile and wide tenor vocal range (spanning over four octaves), and his eclecticism (exploring styles ranging from pre-rock and roll pop to classical and electronica). McCartney began his career as a member of the Quarrymen in 1957, which evolved into the Beatles in 1960. Starting with the 1967 album Sgt. Pepper's Lonely Hearts Club Band, he gradually became the Beatles' de facto leader, providing the creative impetus for most of their music and film projects. His Beatles songs "And I Love Her" (1964), "Yesterday" (1965), "Eleanor Rigby" (1966) and "Blackbird" (1968) rank among the most covered songs in history.
In 1970, McCartney debuted as a solo artist with the album McCartney. Throughout the 1970s, he led Wings, one of the most successful bands of the decade, with more than a dozen international top 10 singles and albums. McCartney resumed his solo career in 1980. Since 1989, he has toured consistently as a solo artist. In 1993, he formed the music duo the Fireman with Youth of Killing Joke. Beyond music, he has taken part in projects to promote international charities related to such subjects as animal rights, seal hunting, land mines, vegetarianism, poverty, and music education.
McCartney is one of the most successful composers and performers of all time. He has written or co-written 32 songs that have reached No. 1 on the Billboard Hot 100, and as of 2009, had sales of 25.5 million RIAA-certified units in the United States. His honours include two inductions into the Rock and Roll Hall of Fame (as a member of the Beatles in 1988 and as a solo artist in 1999), 18 Grammy Awards, an appointment as a Member of the Order of the British Empire in 1965, and a knighthood in 1997 for services to music. As of 2020, he is also one of the wealthiest musicians in the world, with an estimated fortune of £800 million.
Best known for primarily using a plectrum or pick, McCartney occasionally plays fingerstyle. He was strongly influenced by Motown artists, in particular James Jamerson, whom McCartney called a hero for his melodic style. He was also influenced by Brian Wilson, as he commented: "because he went to very unusual places". Another favourite bassist of his is Stanley Clarke. McCartney's skill as a bass player has been acknowledged by bassists including Sting, Dr. Dre bassist Mike Elizondo, and Colin Moulding of XTC.
During McCartney's early years with the Beatles, he primarily used a Höfner 500/1 bass, although from 1965, he favoured his Rickenbacker 4001S for recording. While typically using Vox amplifiers, by 1967, he had also begun using a Fender Bassman for amplification. During the late 1980s and early 1990s, he used a Wal 5-String, which he said made him play more thick-sounding basslines, in contrast to the much lighter Höfner, which inspired him to play more sensitively, something he considers fundamental to his playing style. He changed back to the Höfner around 1990 for that reason. He uses Mesa Boogie bass amplifiers while performing live.
McCartney was inducted into the Rock and Roll Hall of Fame in 1988 as a member of the Beatles and again as a solo artist in 1999. In 1979, the Guinness Book of World Records recognised McCartney as the "most honored composer and performer in music", with 60 gold discs (43 with the Beatles, 17 with Wings) and, as a member of the Beatles, sales of over 100 million singles and 100 million albums, and as the "most successful song writer", he wrote jointly or solo 43 songs which sold one million or more records between 1962 and 1978. In 2009, Guinness World Records again recognised McCartney as the "most successful songwriter" having written or co-written 188 charted records in the United Kingdom, of which 91 reached the top 10 and 33 made it to number one.
McCartney has written, or co-written, 32 number-one singles on the Billboard Hot 100: twenty with the Beatles; seven solo or with Wings; one as a co-writer of "A World Without Love", a number-one single for Peter and Gordon; one as a co-writer on Elton John's cover of "Lucy in the Sky with Diamonds"; one as a co-writer on Stars on 45's "Medley"; one as a co-writer with Michael Jackson on "Say Say Say"; and one as writer on "Ebony and Ivory" performed with Stevie Wonder. As of 2009, he has 15.5 million RIAA certified units in the United States as a solo artist plus another 10 million with Wings.
Credited with more number ones in the UK than any other artist, McCartney has participated in twenty-four chart topping singles: seventeen with the Beatles, one solo, and one each with Wings, Stevie Wonder, Ferry Aid, Band Aid, Band Aid 20 and "The Christians et al." He is the only artist to reach the UK number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", the Beatles), quintet ("Get Back", the Beatles with Billy Preston) and as part of a musical ensemble for charity (Ferry Aid).
"Yesterday" is one of the most covered songs in history with more than 2,200 recorded versions, and according to the BBC, "the track is the only one by a UK writer to have been aired more than seven million times on American TV and radio and is third in the all-time list ... [and] is the most played song by a British writer [last] century in the US". His 1968 Beatles composition "Hey Jude" achieved the highest sales in the UK that year and topped the US charts for nine weeks, which is longer than any other Beatles single. It was also the longest single released by the band and, at seven minutes eleven seconds, was at that time the longest number one. "Hey Jude" is the best-selling Beatles single, achieving sales of over five million copies soon after its release.
In July 2005, McCartney's performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8 became the fastest-released single in history. Available within forty-five minutes of its recording, hours later it had achieved number one on the UK Official Download Chart.
In December 2020, the release of his album McCartney III and its subsequent charting at number 2 on the US Billboard 200 earned McCartney the feat of being the first artist to have a new album in the top two chart positions in each of the last six decades.
Every Night
Paul McCartney Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Get out of my head
Every day, I don't wanna get up
Get out of my bed
Every night, I want to play out
And every day I wanna do, ooh, ooh, oh oh
But tonight, I just want to stay in
And be with you
Ooh, ooh, ooh
Ooh, ooh, ooh
Every day, I lean on a lamp post
I'm wasting my time
Every night, I lay on a pillow
I'm resting my mind
Every morning brings a new day
And every night that day is through, ooh, ooh, oh oh
But tonight, I just wanna stay in
And be with you, ooh
And be with you
Ooh, ooh, ooh
Believe me, mama
Ooh, ooh, ooh
Ooh, ooh, ooh
In Paul McCartney's song "Every Night," the lyrics describe the feeling of restlessness and the desire to escape one's thoughts and daily routine. The song begins with the desire to go out and play, but quickly turns into a plea for comfort and companionship. McCartney sings about the struggles of daily life and the need for a break. He describes feeling trapped in his own head and the relief that comes from spending time with a loved one.
The chorus repeats the desire to stay in and be with someone, with McCartney harmonizing over the word "ooh." The lyrics paint a picture of someone who is searching for meaning and connection in their life but finds it difficult to escape the monotony of daily routine. The song is ultimately a tender love song, with McCartney expressing his love and appreciation for the person who brings him comfort and happiness.
Line by Line Meaning
Every night, I just wanna go out
The singer desires to leave his room every night
Get out of my head
To escape his thoughts and emotions
Every day, I don't wanna get up
The singer lacks motivation to get out of bed in the morning
Get out of my bed
To leave the comfort and safety of his bed
Every night, I want to play out
The singer desires to engage in entertaining activities every night
And every day I wanna do, ooh, ooh, oh oh
The singer wants to be productive and engaged during the day
But tonight, I just want to stay in
The singer desires to remain at home tonight
And be with you
He wants to spend time with a loved one
Every day, I lean on a lamp post
The singer spends his days idly standing by a lamp post
I'm wasting my time
The singer feels unproductive and unfulfilled during the day
Every night, I lay on a pillow
The singer rests at night, or possibly even reflects on his thoughts and emotions before falling asleep
I'm resting my mind
The singer is taking a break from his thoughts and emotions by resting
Every morning brings a new day
A new opportunity to start fresh
And every night that day is through, ooh, ooh, oh oh
At the end of the day, the singer is ready for rest and reflection
Believe me, mama
The singer is addressing a specific person, likely a loved one, asking them to trust what he is saying
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: Paul McCartney
Lyrics Licensed & Provided by LyricFind