A self-taught musician, McCartney is proficient on bass, guitar, keyboards, and drums. He is known for his melodic approach to bass-playing (mainly playing with a plectrum), his versatile and wide tenor vocal range (spanning over four octaves), and his eclecticism (exploring styles ranging from pre-rock and roll pop to classical and electronica). McCartney began his career as a member of the Quarrymen in 1957, which evolved into the Beatles in 1960. Starting with the 1967 album Sgt. Pepper's Lonely Hearts Club Band, he gradually became the Beatles' de facto leader, providing the creative impetus for most of their music and film projects. His Beatles songs "And I Love Her" (1964), "Yesterday" (1965), "Eleanor Rigby" (1966) and "Blackbird" (1968) rank among the most covered songs in history.
In 1970, McCartney debuted as a solo artist with the album McCartney. Throughout the 1970s, he led Wings, one of the most successful bands of the decade, with more than a dozen international top 10 singles and albums. McCartney resumed his solo career in 1980. Since 1989, he has toured consistently as a solo artist. In 1993, he formed the music duo the Fireman with Youth of Killing Joke. Beyond music, he has taken part in projects to promote international charities related to such subjects as animal rights, seal hunting, land mines, vegetarianism, poverty, and music education.
McCartney is one of the most successful composers and performers of all time. He has written or co-written 32 songs that have reached No. 1 on the Billboard Hot 100, and as of 2009, had sales of 25.5 million RIAA-certified units in the United States. His honours include two inductions into the Rock and Roll Hall of Fame (as a member of the Beatles in 1988 and as a solo artist in 1999), 18 Grammy Awards, an appointment as a Member of the Order of the British Empire in 1965, and a knighthood in 1997 for services to music. As of 2020, he is also one of the wealthiest musicians in the world, with an estimated fortune of £800 million.
Best known for primarily using a plectrum or pick, McCartney occasionally plays fingerstyle. He was strongly influenced by Motown artists, in particular James Jamerson, whom McCartney called a hero for his melodic style. He was also influenced by Brian Wilson, as he commented: "because he went to very unusual places". Another favourite bassist of his is Stanley Clarke. McCartney's skill as a bass player has been acknowledged by bassists including Sting, Dr. Dre bassist Mike Elizondo, and Colin Moulding of XTC.
During McCartney's early years with the Beatles, he primarily used a Höfner 500/1 bass, although from 1965, he favoured his Rickenbacker 4001S for recording. While typically using Vox amplifiers, by 1967, he had also begun using a Fender Bassman for amplification. During the late 1980s and early 1990s, he used a Wal 5-String, which he said made him play more thick-sounding basslines, in contrast to the much lighter Höfner, which inspired him to play more sensitively, something he considers fundamental to his playing style. He changed back to the Höfner around 1990 for that reason. He uses Mesa Boogie bass amplifiers while performing live.
McCartney was inducted into the Rock and Roll Hall of Fame in 1988 as a member of the Beatles and again as a solo artist in 1999. In 1979, the Guinness Book of World Records recognised McCartney as the "most honored composer and performer in music", with 60 gold discs (43 with the Beatles, 17 with Wings) and, as a member of the Beatles, sales of over 100 million singles and 100 million albums, and as the "most successful song writer", he wrote jointly or solo 43 songs which sold one million or more records between 1962 and 1978. In 2009, Guinness World Records again recognised McCartney as the "most successful songwriter" having written or co-written 188 charted records in the United Kingdom, of which 91 reached the top 10 and 33 made it to number one.
McCartney has written, or co-written, 32 number-one singles on the Billboard Hot 100: twenty with the Beatles; seven solo or with Wings; one as a co-writer of "A World Without Love", a number-one single for Peter and Gordon; one as a co-writer on Elton John's cover of "Lucy in the Sky with Diamonds"; one as a co-writer on Stars on 45's "Medley"; one as a co-writer with Michael Jackson on "Say Say Say"; and one as writer on "Ebony and Ivory" performed with Stevie Wonder. As of 2009, he has 15.5 million RIAA certified units in the United States as a solo artist plus another 10 million with Wings.
Credited with more number ones in the UK than any other artist, McCartney has participated in twenty-four chart topping singles: seventeen with the Beatles, one solo, and one each with Wings, Stevie Wonder, Ferry Aid, Band Aid, Band Aid 20 and "The Christians et al." He is the only artist to reach the UK number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", the Beatles), quintet ("Get Back", the Beatles with Billy Preston) and as part of a musical ensemble for charity (Ferry Aid).
"Yesterday" is one of the most covered songs in history with more than 2,200 recorded versions, and according to the BBC, "the track is the only one by a UK writer to have been aired more than seven million times on American TV and radio and is third in the all-time list ... [and] is the most played song by a British writer [last] century in the US". His 1968 Beatles composition "Hey Jude" achieved the highest sales in the UK that year and topped the US charts for nine weeks, which is longer than any other Beatles single. It was also the longest single released by the band and, at seven minutes eleven seconds, was at that time the longest number one. "Hey Jude" is the best-selling Beatles single, achieving sales of over five million copies soon after its release.
In July 2005, McCartney's performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8 became the fastest-released single in history. Available within forty-five minutes of its recording, hours later it had achieved number one on the UK Official Download Chart.
In December 2020, the release of his album McCartney III and its subsequent charting at number 2 on the US Billboard 200 earned McCartney the feat of being the first artist to have a new album in the top two chart positions in each of the last six decades.
Heaven On A Sunday
Paul McCartney Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Peaceful like heaven on a Sunday
Wishful, not thinking what to do
We've been calling it love
But it's a dream we're going through
And if I only had one love
If I only had one love
Yours would be the one I'd choose
Restful, like Devon on a Monday
Cooling my fingers in the bay
We've been learning the song
But it's a long and lonely blues
If I only had one love
Yours would be the one I'd choose
If I only had one love
Yours would be the one I'd choose
If I only had one love
Yours would be the one I'd choose
It's peaceful like heaven on a Sunday
Wishful, not thinking what to do
We've been calling it love
But it's a dream we're going through
And if I only had one love
Yours would be the one I'd choose
If I only had one love
Yours would be the one I'd choose
If I only had one love
Yours would be the one I'd choose
If I only had one love
Yours would be the one I'd choose
If I only had one love
Yours would be the one I'd choose
If I only had one love
Yours would be the one I'd choose
If I only had one love
Yours would be the one I'd choose
If I only had one love
(Your's would be the, your's would be the)
(Heaven on a Sunday)
The lyrics of Paul McCartney's "Heaven On A Sunday" seem to be centered around the idea of a relationship that feels like a dream, where everything is peaceful and restful, as if it were heaven on a Sunday. The singer highlights that they have been calling this dream-like state "love", however, it seems to be a temporary phenomenon, a phase they are going through, and not a relationship with any future prospects. The singer says that if they only had one love, they would choose the person they are with presently, although it is uncertain whether this would change their current situation in any way.
The second verse also highlights the dream-like nature of the relationship. The singer feels restful like they do on a Monday in Devon, relaxing by the bay. However, the song they are playing is a long and lonely blues, indicating that the relationship might be melancholic and lonely despite the dreamy quality. The pattern is repeated with the chorus, where the metaphor of heaven on a Sunday is employed once again, and the singer claims that the person they are with is the one they would choose if they had to make a singular choice, even though they might both know that their relationship is transitional.
Overall, "Heaven On A Sunday" seems to be an introspective and melancholic look at a relationship that feels like a dream, where everything is peaceful, but it is temporary and likely to end. The use of the "If I only had one love" refrain is interesting as it can be interpreted as a hopeful hint that the relationship might have a future, but it can also be seen as a recognition of the transience of the situation.
Line by Line Meaning
Ooh, whoa, whoa
Instrumental
Peaceful like heaven on a Sunday
The feeling of peace that comes with a quiet Sunday, no obligations to think about.
Wishful, not thinking what to do
Daydreaming, no need to plan.
We've been calling it love
We think it's love but it's something else entirely.
But it's a dream we're going through
We are just living in a fantasy world.
And if I only had one love
If I could only have one true love.
Yours would be the one I'd choose
I would choose you as my true love.
Restful, like Devon on a Monday
Similar peacefulness to Devon on a Monday, just another day of the week.
Cooling my fingers in the bay
Literally cooling one's fingers in water on the beach.
We've been learning the song
Trying to understand our 'love' and its workings.
But it's a long and lonely blues
We keep making mistakes and are often sad.
Your's would be the one I'd choose
Your love would make everything better.
If I only had one love
If I had one true love.
It's peaceful like heaven on a Sunday
Reiterating the first stanza.
And if I only had one love
Reiterating that feeling of wanting to have only one true love.
Your's would be the one I'd choose
Reiterating that the one true love is the person the artist is singing to.
If I only had one love
Reiterating wanting one true love.
Your's would be the one I'd choose
Reiterating that the one true love is the person the singer is singing to.
If I only had one love
Reiterating again how the singer wants one true love, rather than other flings/relationships.
Your's would be the one I'd choose
Reiterating that the one true love is the person the artist is singing to.
If I only had one love
Final stanza reiterating wanting one true love.
(Your's would be the, your's would be the)
Ending chorus, repeating that the one true love is the person the artist is singing to.
(Heaven on a Sunday)
Ending chorus, repeating the peaceful feeling of a Sunday.
Lyrics © Kobalt Music Publishing Ltd.
Written by: Paul McCartney
Lyrics Licensed & Provided by LyricFind