A self-taught musician, McCartney is proficient on bass, guitar, keyboards, and drums. He is known for his melodic approach to bass-playing (mainly playing with a plectrum), his versatile and wide tenor vocal range (spanning over four octaves), and his eclecticism (exploring styles ranging from pre-rock and roll pop to classical and electronica). McCartney began his career as a member of the Quarrymen in 1957, which evolved into the Beatles in 1960. Starting with the 1967 album Sgt. Pepper's Lonely Hearts Club Band, he gradually became the Beatles' de facto leader, providing the creative impetus for most of their music and film projects. His Beatles songs "And I Love Her" (1964), "Yesterday" (1965), "Eleanor Rigby" (1966) and "Blackbird" (1968) rank among the most covered songs in history.
In 1970, McCartney debuted as a solo artist with the album McCartney. Throughout the 1970s, he led Wings, one of the most successful bands of the decade, with more than a dozen international top 10 singles and albums. McCartney resumed his solo career in 1980. Since 1989, he has toured consistently as a solo artist. In 1993, he formed the music duo the Fireman with Youth of Killing Joke. Beyond music, he has taken part in projects to promote international charities related to such subjects as animal rights, seal hunting, land mines, vegetarianism, poverty, and music education.
McCartney is one of the most successful composers and performers of all time. He has written or co-written 32 songs that have reached No. 1 on the Billboard Hot 100, and as of 2009, had sales of 25.5 million RIAA-certified units in the United States. His honours include two inductions into the Rock and Roll Hall of Fame (as a member of the Beatles in 1988 and as a solo artist in 1999), 18 Grammy Awards, an appointment as a Member of the Order of the British Empire in 1965, and a knighthood in 1997 for services to music. As of 2020, he is also one of the wealthiest musicians in the world, with an estimated fortune of £800 million.
Best known for primarily using a plectrum or pick, McCartney occasionally plays fingerstyle. He was strongly influenced by Motown artists, in particular James Jamerson, whom McCartney called a hero for his melodic style. He was also influenced by Brian Wilson, as he commented: "because he went to very unusual places". Another favourite bassist of his is Stanley Clarke. McCartney's skill as a bass player has been acknowledged by bassists including Sting, Dr. Dre bassist Mike Elizondo, and Colin Moulding of XTC.
During McCartney's early years with the Beatles, he primarily used a Höfner 500/1 bass, although from 1965, he favoured his Rickenbacker 4001S for recording. While typically using Vox amplifiers, by 1967, he had also begun using a Fender Bassman for amplification. During the late 1980s and early 1990s, he used a Wal 5-String, which he said made him play more thick-sounding basslines, in contrast to the much lighter Höfner, which inspired him to play more sensitively, something he considers fundamental to his playing style. He changed back to the Höfner around 1990 for that reason. He uses Mesa Boogie bass amplifiers while performing live.
McCartney was inducted into the Rock and Roll Hall of Fame in 1988 as a member of the Beatles and again as a solo artist in 1999. In 1979, the Guinness Book of World Records recognised McCartney as the "most honored composer and performer in music", with 60 gold discs (43 with the Beatles, 17 with Wings) and, as a member of the Beatles, sales of over 100 million singles and 100 million albums, and as the "most successful song writer", he wrote jointly or solo 43 songs which sold one million or more records between 1962 and 1978. In 2009, Guinness World Records again recognised McCartney as the "most successful songwriter" having written or co-written 188 charted records in the United Kingdom, of which 91 reached the top 10 and 33 made it to number one.
McCartney has written, or co-written, 32 number-one singles on the Billboard Hot 100: twenty with the Beatles; seven solo or with Wings; one as a co-writer of "A World Without Love", a number-one single for Peter and Gordon; one as a co-writer on Elton John's cover of "Lucy in the Sky with Diamonds"; one as a co-writer on Stars on 45's "Medley"; one as a co-writer with Michael Jackson on "Say Say Say"; and one as writer on "Ebony and Ivory" performed with Stevie Wonder. As of 2009, he has 15.5 million RIAA certified units in the United States as a solo artist plus another 10 million with Wings.
Credited with more number ones in the UK than any other artist, McCartney has participated in twenty-four chart topping singles: seventeen with the Beatles, one solo, and one each with Wings, Stevie Wonder, Ferry Aid, Band Aid, Band Aid 20 and "The Christians et al." He is the only artist to reach the UK number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", the Beatles), quintet ("Get Back", the Beatles with Billy Preston) and as part of a musical ensemble for charity (Ferry Aid).
"Yesterday" is one of the most covered songs in history with more than 2,200 recorded versions, and according to the BBC, "the track is the only one by a UK writer to have been aired more than seven million times on American TV and radio and is third in the all-time list ... [and] is the most played song by a British writer [last] century in the US". His 1968 Beatles composition "Hey Jude" achieved the highest sales in the UK that year and topped the US charts for nine weeks, which is longer than any other Beatles single. It was also the longest single released by the band and, at seven minutes eleven seconds, was at that time the longest number one. "Hey Jude" is the best-selling Beatles single, achieving sales of over five million copies soon after its release.
In July 2005, McCartney's performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8 became the fastest-released single in history. Available within forty-five minutes of its recording, hours later it had achieved number one on the UK Official Download Chart.
In December 2020, the release of his album McCartney III and its subsequent charting at number 2 on the US Billboard 200 earned McCartney the feat of being the first artist to have a new album in the top two chart positions in each of the last six decades.
Mistress And Maid
Paul McCartney Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come In My Dear,
You're Looking Tired Tonight.
Your Bath Is Drawn, Let Me Loosen Your Tie
And Fix You Your Usual Drink.
He Settles Back,
Takes A Magazine,
Of Every Appealing Soubrette.
But Where Are The Flowers That He Used To Bring?
Every Endearing Remark
Reminds Her Of Passionarte Promises,
That He Only Made In The Dark.
In Her Bed,
She Wants To Shout At The Back Of His Head
Look At Me, Look At Me, Look At Me I'm Afraid
See What It's Come To,
I'm Just Your Mistress And Maid.
The Wine Is Warm
But The Dinner Is Cold.
The Look In His Eye Tells Her It Won't Be Long
'Till The Girls On The Page Come To Life.
And They'll Get The Flowers That He Used To Bring
With Every Endearing Remark,
And All Of The Passionate Promises
He'll Never Fulfil In The Dark.
In Their Bed,
She Wants To Shout At The Back Of His Head
Look At Me, Look At Me, Now That I'm Not Afraid.
See What It's Come To,
I'm Not Your Mistress And Maid.
See What It's Come To,
I'm Not Your Mistress And Maid.
"Mistress and Maid" is a song by Paul McCartney, released in 1993 as a part of his album Off the Ground. The song tells the story of a mistress who is tired of being just a sexual object for the man she loves. The first verse talks about how the woman wants to help her lover relax after a tiring day. The second verse highlights how the man now seems to prefer his magazines and fantasizing over the real woman in front of him. The chorus shows the woman's frustration as she wants her lover to see her as an equal and not just his mistress. Finally, the last verse reveals that the woman has had enough and doesn't want to be his mistress anymore.
The song is an excellent depiction of the power dynamic between a man and a woman in a society where women are still seen as lesser than men. The mistress here is pleading to be seen as an equal, but her lover only sees her as an object that satisfies his sexual desires. The song draws attention to the idea that women often become helpless victims of societal norms, which allow men to treat them in a certain way.
This song was inspired by Paul McCartney's relationship experience from the 1980s. He had a companion named Julie, and he wrote the song to ask for forgiveness after their breakup. The song was not released at that time, but it lay in his archive. He revived it in 1992 for his upcoming album, Off The Ground.
Line by Line Meaning
She Said
Come In My Dear,
You're Looking Tired Tonight.
Your Bath Is Drawn, Let Me Loosen Your Tie
And Fix You Your Usual Drink.
She greets him warmly and offers him a drink and a relaxation after seeing he is tired, showing care for him.
He Settles Back,
Takes A Magazine,
Kicks Off His Shoes, As He Studies The Form
Of Every Appealing Soubrette.
But Where Are The Flowers That He Used To Bring?
Every Endearing Remark
Reminds Her Of Passionarte Promises,
That He Only Made In The Dark.
He relaxes and starts examining every detail of attractive models but forgets to bring her flowers like he used to, and his kind words lack genuine intent.
In Her Bed,
She Wants To Shout At The Back Of His Head
Look At Me, Look At Me, Look At Me I'm Afraid
See What It's Come To,
I'm Just Your Mistress And Maid.
She feels insecure and unimportant in their sexual relationship, wishing for his attention.
The Wine Is Warm
But The Dinner Is Cold.
The Look In His Eye Tells Her It Won't Be Long
'Till The Girls On The Page Come To Life.
And They'll Get The Flowers That He Used To Bring
With Every Endearing Remark,
And All Of The Passionate Promises
He'll Never Fulfil In The Dark.
Their dinner is unappealing, and he clearly desires intimacy with the women in his magazine. They will receive his attention and promises while she is ignored.
In Their Bed,
She Wants To Shout At The Back Of His Head
Look At Me, Look At Me, Now That I'm Not Afraid.
See What It's Come To,
I'm Not Your Mistress And Maid.
Upset with their physical relationship, she now finds her confidence to tell him she wants his affection, refusing to be just his mistress.
See What It's Come To,
I'm Not Your Mistress And Maid.
She has realized her worth and refuses to be just his mistress.
Lyrics © BMG Rights Management, Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: ELVIS COSTELLO, PAUL MCCARTNEY
Lyrics Licensed & Provided by LyricFind