Paul Oakenfold (born August 30, 1963 in Greenhithe, Kent, England) is a wor… Read Full Bio ↴Paul Oakenfold (born August 30, 1963 in Greenhithe, Kent, England) is a world famous DJ and producer, whose works have helped define the mainstream of trance.
Not only does Paul Oakenfold produce records, but he also mixes them. In 1987 he spent several months in Ibiza with a few friends and fell in love with dance club music. Oakenfold produced "Happy Mondays' Pills 'n' Thrills and Bellyaches" before producing for U2, Massive Attack, Simply Red and New Order (to name a few).
In 1999 after building an American fanbase he released "Tranceport" which was widely accepted by American trance fans.
After "Tranceport" came "Perfecto Presents Another World" which was arguably his most successful album, as it introduced millions more to his style.
His popularity grew as many of his works were inclulded in movie soundtracks such as Swordfish, The Matrix Reloaded, The Matrix Revolutions, Die Another Day (where he remixed the James Bond theme before later going to work on the videogame Goldeneye: Rogue Agent in 2004) and Collateral.
In 2002 he released Bunkka, which featured the hit single 'Starry-Eyed Surprise'. In the same year, Oakenfold was listed in Q's "50 Bands to see Before you Die" compilition.
2004 brought about the double album 'Creamfields', but it was in 2005 that he released the Perfecto Album entitled 'Perfecto Presents The Club'.
He also released the album Great Wall, recorded live at the Great Wall of China.
2006 saw the release of 'A Lively Mind' where he colloborated with, amongst others, Brittany Murphy (for the single Faster Kill Pussycat) and Pharrell Williams. 'A Lively Mind' is an edgier, more club-based album, as opposed to his calmer album Bunkka.
Paul Oakenfold's musical career started from admirably humble beginnings, playing soul and rare groove cuts in a Covent Garden wine bar in the late 'seventies with mate Trevor Fung. By the early 'eighties, having decided that NYC was the place, Paul decamped there armed only with the chutzpah to blag his way into a courier's job in West Harlem. At that time, more than any other, New York was bursting with musical invention: hip-hop was the freshest street sound around, and Larry Levan - arguably the first ever superstar DJ, inspiring a frenzy in the crowd that some guy playing records had never inspired before - was packing out the Paradise Garage every week with the revolutionary, hypnotic mixing style that would become the acid house DJ's stock in trade.
Returning to London, Paul became one of the UK's leading authorities on hip-hop. During his stint as an A&R man for Champion he signed the as-then unknowns Jazzy Jeff and the Fresh Prince, and Salt N'Pepa. Oh yeah, and he appeared on Blue Peter with a breakdancing crew who he was looking after at the time.
In 1985 young Paul spent the summer on a beautiful Balearic island called Ibiza. Ever heard of it? Oakey is as much responsible as anyone for making it the clubber's paradise it is today, as two years after that first trip he, alongside mates Trevor Fung, Nicky Holloway, Ian St Paul, Danny Rampling and Johnny Walker, went there for a week to celebrate his birthday. If the first visit had been good, this one changed their lives forever. Dancing in the warm night air beneath stars at the then open-air Amnesia to the oddest mix of music any of them had ever heard, courtesy of island legend Alfredo, Paul's urge to import this incredible experience - and the Balearic sound - back to England became too great to resist.
Prior to his Ibiza trip, Paul had been running a successful soul/jazz night at The Project in Streatham. On his return from the white island he persuaded the owner to let him run an after-hours 'Ibiza reunion' party. An attempt at a Balearic music policy had failed Paul one year earlier: the crowd just hadn't been ready to hear so many musical styles mixed together in one night, let alone in one DJ's set, but by 1987, and coupled with Paul's sheer enthusiasm and showman's talent for setting a musical mood, attitudes were changing. The night was a complete success, and led to what was to be - alongside Danny Rampling's Shoom - one of London's, and England's, first major acid house nights: Spectrum at Heaven in Charing Cross.
Spectrum grew out of Future, a night held in The Sanctuary, which annexed the much bigger Heaven club. Many never thought Spectrum (suitably subtitled 'Theatre Of Madness') would succeed: a 1500+ capacity club on a Monday night? Forget about it. And at first they looked to be right. For the first few weeks, attendance was low, leaving Paul and co-promoter Ian St Paul in dire financial straits. Then, suddenly, the vibe was out and the queues were literally going around the block. And a new phase in club culture had begun.
Spectrum continued for a couple of years, changing its name along the way to Land Of Oz. New initiates to the scene (as almost everybody was) marvelled at the full-on atmosphere of the place: hands reaching up into the sweat hazed air, laser lights pulsing and washing over the smiling crowd. Alex Paterson (later of The Orb) DJed in the VIP chillout area (the White Room), while Paul created his now trademark fervour in the cavernous main room.
Alongside running a seminal club night, Paul's production career had also begun by 1988 under the name Electra, working with long-time collaborator Steve Osborne. By 1990, with his work on The Happy Mondays' frugadelic Wrote For Luck and then Hallelujah (on the Madchester Rave On EP), Paul had created two of the cornerstone records of the indie-dance scene, a hybrid that demystified acid house for kids who'd been raised on a musical diet of guitar, bass, and drums. Paul was one of the guest DJs at The Stone Roses' legendary Spike Island gig, and his work with Osborne on The Happy Mondays' classic Pills, Thrills And Bellyaches LP (NME's 1990 Album Of The Year) won the pair the 1991 Brit Award for Best Producer.
Remix galore followed, for Mondays labelmates New Order; Massive Attack; The Shamen, and Arrested Development among others, as Paul and Steve began trading under the name Perfecto. If the name was little known at first that soon changed with the 1992 Perfecto mix of U2's Even Better Than The Real Thing. The track, with delicious irony, attained a higher chart position on release than the original song, thus signalling a watershed in the history and growth of dance music.
1993 saw Paul hired to provide the warm-up sonics on U2's Zoo TV world tour, and as a result the de facto arrival of the superstar DJ. The past decade has seen Paul rack up a dizzying blur of firsts and foremosts, including, not least, his being voted the number one DJ in the world by the readers of DJ magazine, and has heard the name "Oakey!" yelled hoarsely from clubs, fields (including an epoch-making set on the main stage at Glastonbury Festival, no less) and arenas in every corner of the globe.
On the production front Paul began to release his own tracks as well as continuing to turn in remixes, while Perfecto expanded into a fully-fledged label. Its offshoot, Perfecto Fluoro, became the label of choice in the mid-'nineties for the harder, trippier Goa trance sound. Today Perfecto boasts artists as diverse as Arthur Baker, Harry 'Choo Choo' Romero, and Timo Maas on its roster, and has gone from strength to strength by refusing to pander to only one style of dance music. Alongside the building of the Perfecto brand, Paul released a string of superlative mix CD's, amongst them his awesome New York set for Global Underground - still the series' biggest seller to date. And who else would have been commissioned to write the theme for what was certain to be the biggest TV show of all time? How did you guess? Paul wrote and produced the Big Brother theme, as Element 4, with Andy Gray.
On the club front, well, time for a deep breath...Ready? OK, here we go: Paul undertook a legendary two-year residence at Liverpool's Cream that took residencies in general to another level, from the personally designed DJ booth to die-hard fans (dubbed 'the Oakenfolk' in the press) who would travel the length and breadth of the country week in, week out to hear him whip up a magical musical storm, that would still be ringing in the ears and exciting the mind in the office or the lecture hall on Monday morning. Ever keen to push himself further and harder, Paul decamped in 1999 to become Director of Music at home, the multi-million pound superclub built defiantly - and, as it turned out, problematically - in Leicester Square, the heart of London's West End. That club's immediate downturn in popularity after Paul's departure goes to show the extent of his impact and following. There are but a handful of DJ's in the world who attract the fervour and create the excitement that he is capable of provoking in a crowd. You only have to be there when he plays to feel the electric charge in the atmosphere, more akin to the devotional than the merely appreciative.
Leaving home was a difficult decision for Paul, but he risked his UK and European profile, not to mention turning down the certainty of serious amounts of cash, to decamp to America, one of the few places in the world - ironically, given that it all started there - where dance music is yet to be championed and grasped in the way in which it is elsewhere around the globe. But this was a move typical of the man: where others would sit on their laurels and bathe in their hard-won glory, he has always taken the tougher option, sustained by his belief that greater effort means greater rewards. It's this attitude that saw him leave a huge fanbase in Britain to start all over again in the U.S.; that has seen him play to crowds in the low hundreds in isolated Alaska; and that led him to take a pair of Technics with him when he went on holiday to Cuba, and organise a free, unpromoted and not strictly legal party, purely to spread the word of great, life-affirming music and good, good times. This man lives, breathes and eats his art.
So what now for a man at the pinnacle of his profession, the world's premiere DJ? Why, upward, ever upward of course. 2001 has seen Paul score the Joel Silver-produced and John Travolta-starring Swordfish, remix the theme to Tim Burton's Planet Of The Apes, DJ on Moby's Arena:One U.S. tour, and make a triumphal return to his home shores with a free gig that left tens of thousands sweat-soaked and grinning like Cheshire Cats on London's Clapham Common. We can only expect that the best is yet to come, so stay tuned and prepare to be amazed.
Not only does Paul Oakenfold produce records, but he also mixes them. In 1987 he spent several months in Ibiza with a few friends and fell in love with dance club music. Oakenfold produced "Happy Mondays' Pills 'n' Thrills and Bellyaches" before producing for U2, Massive Attack, Simply Red and New Order (to name a few).
In 1999 after building an American fanbase he released "Tranceport" which was widely accepted by American trance fans.
After "Tranceport" came "Perfecto Presents Another World" which was arguably his most successful album, as it introduced millions more to his style.
His popularity grew as many of his works were inclulded in movie soundtracks such as Swordfish, The Matrix Reloaded, The Matrix Revolutions, Die Another Day (where he remixed the James Bond theme before later going to work on the videogame Goldeneye: Rogue Agent in 2004) and Collateral.
In 2002 he released Bunkka, which featured the hit single 'Starry-Eyed Surprise'. In the same year, Oakenfold was listed in Q's "50 Bands to see Before you Die" compilition.
2004 brought about the double album 'Creamfields', but it was in 2005 that he released the Perfecto Album entitled 'Perfecto Presents The Club'.
He also released the album Great Wall, recorded live at the Great Wall of China.
2006 saw the release of 'A Lively Mind' where he colloborated with, amongst others, Brittany Murphy (for the single Faster Kill Pussycat) and Pharrell Williams. 'A Lively Mind' is an edgier, more club-based album, as opposed to his calmer album Bunkka.
Paul Oakenfold's musical career started from admirably humble beginnings, playing soul and rare groove cuts in a Covent Garden wine bar in the late 'seventies with mate Trevor Fung. By the early 'eighties, having decided that NYC was the place, Paul decamped there armed only with the chutzpah to blag his way into a courier's job in West Harlem. At that time, more than any other, New York was bursting with musical invention: hip-hop was the freshest street sound around, and Larry Levan - arguably the first ever superstar DJ, inspiring a frenzy in the crowd that some guy playing records had never inspired before - was packing out the Paradise Garage every week with the revolutionary, hypnotic mixing style that would become the acid house DJ's stock in trade.
Returning to London, Paul became one of the UK's leading authorities on hip-hop. During his stint as an A&R man for Champion he signed the as-then unknowns Jazzy Jeff and the Fresh Prince, and Salt N'Pepa. Oh yeah, and he appeared on Blue Peter with a breakdancing crew who he was looking after at the time.
In 1985 young Paul spent the summer on a beautiful Balearic island called Ibiza. Ever heard of it? Oakey is as much responsible as anyone for making it the clubber's paradise it is today, as two years after that first trip he, alongside mates Trevor Fung, Nicky Holloway, Ian St Paul, Danny Rampling and Johnny Walker, went there for a week to celebrate his birthday. If the first visit had been good, this one changed their lives forever. Dancing in the warm night air beneath stars at the then open-air Amnesia to the oddest mix of music any of them had ever heard, courtesy of island legend Alfredo, Paul's urge to import this incredible experience - and the Balearic sound - back to England became too great to resist.
Prior to his Ibiza trip, Paul had been running a successful soul/jazz night at The Project in Streatham. On his return from the white island he persuaded the owner to let him run an after-hours 'Ibiza reunion' party. An attempt at a Balearic music policy had failed Paul one year earlier: the crowd just hadn't been ready to hear so many musical styles mixed together in one night, let alone in one DJ's set, but by 1987, and coupled with Paul's sheer enthusiasm and showman's talent for setting a musical mood, attitudes were changing. The night was a complete success, and led to what was to be - alongside Danny Rampling's Shoom - one of London's, and England's, first major acid house nights: Spectrum at Heaven in Charing Cross.
Spectrum grew out of Future, a night held in The Sanctuary, which annexed the much bigger Heaven club. Many never thought Spectrum (suitably subtitled 'Theatre Of Madness') would succeed: a 1500+ capacity club on a Monday night? Forget about it. And at first they looked to be right. For the first few weeks, attendance was low, leaving Paul and co-promoter Ian St Paul in dire financial straits. Then, suddenly, the vibe was out and the queues were literally going around the block. And a new phase in club culture had begun.
Spectrum continued for a couple of years, changing its name along the way to Land Of Oz. New initiates to the scene (as almost everybody was) marvelled at the full-on atmosphere of the place: hands reaching up into the sweat hazed air, laser lights pulsing and washing over the smiling crowd. Alex Paterson (later of The Orb) DJed in the VIP chillout area (the White Room), while Paul created his now trademark fervour in the cavernous main room.
Alongside running a seminal club night, Paul's production career had also begun by 1988 under the name Electra, working with long-time collaborator Steve Osborne. By 1990, with his work on The Happy Mondays' frugadelic Wrote For Luck and then Hallelujah (on the Madchester Rave On EP), Paul had created two of the cornerstone records of the indie-dance scene, a hybrid that demystified acid house for kids who'd been raised on a musical diet of guitar, bass, and drums. Paul was one of the guest DJs at The Stone Roses' legendary Spike Island gig, and his work with Osborne on The Happy Mondays' classic Pills, Thrills And Bellyaches LP (NME's 1990 Album Of The Year) won the pair the 1991 Brit Award for Best Producer.
Remix galore followed, for Mondays labelmates New Order; Massive Attack; The Shamen, and Arrested Development among others, as Paul and Steve began trading under the name Perfecto. If the name was little known at first that soon changed with the 1992 Perfecto mix of U2's Even Better Than The Real Thing. The track, with delicious irony, attained a higher chart position on release than the original song, thus signalling a watershed in the history and growth of dance music.
1993 saw Paul hired to provide the warm-up sonics on U2's Zoo TV world tour, and as a result the de facto arrival of the superstar DJ. The past decade has seen Paul rack up a dizzying blur of firsts and foremosts, including, not least, his being voted the number one DJ in the world by the readers of DJ magazine, and has heard the name "Oakey!" yelled hoarsely from clubs, fields (including an epoch-making set on the main stage at Glastonbury Festival, no less) and arenas in every corner of the globe.
On the production front Paul began to release his own tracks as well as continuing to turn in remixes, while Perfecto expanded into a fully-fledged label. Its offshoot, Perfecto Fluoro, became the label of choice in the mid-'nineties for the harder, trippier Goa trance sound. Today Perfecto boasts artists as diverse as Arthur Baker, Harry 'Choo Choo' Romero, and Timo Maas on its roster, and has gone from strength to strength by refusing to pander to only one style of dance music. Alongside the building of the Perfecto brand, Paul released a string of superlative mix CD's, amongst them his awesome New York set for Global Underground - still the series' biggest seller to date. And who else would have been commissioned to write the theme for what was certain to be the biggest TV show of all time? How did you guess? Paul wrote and produced the Big Brother theme, as Element 4, with Andy Gray.
On the club front, well, time for a deep breath...Ready? OK, here we go: Paul undertook a legendary two-year residence at Liverpool's Cream that took residencies in general to another level, from the personally designed DJ booth to die-hard fans (dubbed 'the Oakenfolk' in the press) who would travel the length and breadth of the country week in, week out to hear him whip up a magical musical storm, that would still be ringing in the ears and exciting the mind in the office or the lecture hall on Monday morning. Ever keen to push himself further and harder, Paul decamped in 1999 to become Director of Music at home, the multi-million pound superclub built defiantly - and, as it turned out, problematically - in Leicester Square, the heart of London's West End. That club's immediate downturn in popularity after Paul's departure goes to show the extent of his impact and following. There are but a handful of DJ's in the world who attract the fervour and create the excitement that he is capable of provoking in a crowd. You only have to be there when he plays to feel the electric charge in the atmosphere, more akin to the devotional than the merely appreciative.
Leaving home was a difficult decision for Paul, but he risked his UK and European profile, not to mention turning down the certainty of serious amounts of cash, to decamp to America, one of the few places in the world - ironically, given that it all started there - where dance music is yet to be championed and grasped in the way in which it is elsewhere around the globe. But this was a move typical of the man: where others would sit on their laurels and bathe in their hard-won glory, he has always taken the tougher option, sustained by his belief that greater effort means greater rewards. It's this attitude that saw him leave a huge fanbase in Britain to start all over again in the U.S.; that has seen him play to crowds in the low hundreds in isolated Alaska; and that led him to take a pair of Technics with him when he went on holiday to Cuba, and organise a free, unpromoted and not strictly legal party, purely to spread the word of great, life-affirming music and good, good times. This man lives, breathes and eats his art.
So what now for a man at the pinnacle of his profession, the world's premiere DJ? Why, upward, ever upward of course. 2001 has seen Paul score the Joel Silver-produced and John Travolta-starring Swordfish, remix the theme to Tim Burton's Planet Of The Apes, DJ on Moby's Arena:One U.S. tour, and make a triumphal return to his home shores with a free gig that left tens of thousands sweat-soaked and grinning like Cheshire Cats on London's Clapham Common. We can only expect that the best is yet to come, so stay tuned and prepare to be amazed.
Carabella
Paul Oakenfold Lyrics
We have lyrics for 'Carabella' by these artists:
Royden On Earth, the bright, small world. We cry of the…
We have lyrics for these tracks by Paul Oakenfold:
#Southern Sun# Piece by piece I release Once was mine Now undone Turned blu…
Amnesia I need a spirit who can touch my life I need…
angel You have the bravest heart I've ever known You have the…
As the Rush Comes There's a coldness in the air But I don't care (Embrace…
Away From You It's down to this I've got to make this life make…
Beautiful Day The heart is a bloom Shoots up through the stony ground Th…
Born Slippy Nuxx Drive boy dog boy Dirty numb angel boy In the doorway boy Sh…
clear blue Oh Somewhere When you were talking I wasn't listening to …
Cry Me a River You were my sun You were my Earth But I bet you…
Cut It Up Pump pump pump it up x4 When I walk into the…
Damaged Dreaming comes so easily 'Cause it's all that I've known Tru…
Dark Machine He exists in a world beyond your world What we only…
Days Go By You You You You You You You You You You You is still a whis…
Dirty Sticky Floors Waiting for the last time for my friend to change…
Dreams So where did you go today? I found a little lie…
Everything in Its Right Place Everything Everything Everything Everything In its rig…
Everytime Can you hear me, Talking in my mind. I can feel you, You're…
Faster Kill Pussycat Faster kill faster still pussycat I can't stand to see you…
Firefly Slowly uncovered, from a shallow grave of amber leaves Wind …
Flesh ahhh.. baby, i can hardly recognize myself mmmmmmmm.... tou…
Gamemaster Embracing the goddess' energy within yourselves, Will bring …
Get Em Up This right here is payback from way back, I don't…
Get Em Up (feat. Ice Cube) "This right here is payback from way back, I don't…
Get Out of My Life His was such a... so take it alright Shook it... taste…
Get to You In your book I'd write the words From afar, I'd find…
Go! Ready steady go! Ready steady go! Ready steady go! Ready, go…
Gold If it takes control of your body and soul Embrace it If…
Got Em Up This right here is payback from way back, I don't…
Groove Machine Lay down your burdens by the riverside Take a deep breath…
Harder They Come [Nelly:] ohhh [Tricky:] The harder they come! [Nelly:] M…
Hold Your Hand Maybe I find it hard Watching you live Maybe I find the…
Hollywood Everybody comes to Hollywood They wanna make it in the…
Hypnotic Melodies, hypnotic and bad Oh, I've been looking for you wa…
Hypnotised You came in from the darkness and held the door…
I Feel Wonderful No, it never crossed my mind You might try to hide…
I Found You Never let you go.. Thought I lost you, in the darkness,…
If You're Gonna Jump I got a short attention plan Can't sit around couch potato…
Insane Dime todo lo que paso No me di cuenta ni…
Legacy Aquaman knows what to do Days seem shorter than they are F…
Life Of Your Own Time of your life Time of you life now Time of your…
LSD 'I believe with the advent of acid. We discovered new…
Missing 2-I step off the train I'm walking down your street again …
More Than Human I don't know what But I see this more to this It's…
Motion He won't come down never He won't come down He won't come…
My Love If I wrote you a symphony Just to say how much…
New Born Link it to the world Link it to yourself Stretch it like…
Nixon's Spirit "This is a message for Paul Oakenfold, how are you?…
No Compromise You want it all, you want it all (No compromise, no…
No Compromise (feat. Spitfire) You want it all You want it all No compromise No compromise …
Not Over Time to say goodbye, it’s time to make a move Nothing…
Not Over Yet I'd live for you I'd die for you Do what you want…
Oakenfold feat. Perry Farrell Piece by piece I release Once was mine Now undone Turn…
Pagan Poetry Pedaling through The dark currents I find An accurate cop…
Perfect I know we're just like old friends We just can't…
Planet Rock Party people Party people Can y'all get funky? Soul Sonic Fo…
Play Dead Darling stop confusing me With your wishful thinking Hopeful…
Praise the Lord When you're up against a struggle that shatters all your…
Pump It Up Pump pump pump it up x4 When I walk into the…
Ready Steady Go Ready steady go! Ready steady go! Ready steady go! Ready, go…
Ready Steady Go - Vocals: Asher D R-r-r-r-ready s-s-steady go! Ready steady go! Ready steady…
Ready Steady Go! Ready steady go! Ready steady go! Ready steady go! Ready, go…
Ready, Steady, Go R-r-r-r-ready s-s-steady go! Ready steady go! Ready steady…
Rock Your Body Don't be so quick to walk away (dance with me) I…
Save The Last Trance For Me You can dance ev'ry dance with the guy who gives…
Set It Off Featuring Grandmaster Flash Are motherfuckers ready, I said, motherfucker are you read…
Sex 'N' Money Cold, cold, cold but leaving me hot hot hot (cold) Cold,…
Sex 'n' Money (feat. Pharrell Williams) Cold, cold, cold but leaving me hot hot hot (cold)…
Sex And Money Cold, cold, cold but leaving me hot hot hot (cold) Cold,…
Sex N Money Cold, cold, cold but leaving me hot hot hot (cold) Cold,…
Sex N' Money Cold, cold, cold but leaving me hot hot hot (cold) Cold,…
Shine On It's crazy how two strangers meet each other Exchange some c…
Skin on skin I've got you under my skin. I've got you deep in…
Someone I need a spirit who can touch my life I need…
Sorry Je suis désolé Lo siento Ik ben droevig Sono spiacente Perdó…
Southern Sun Piece by piece I release Once was mine Now undone Turned blu…
Southern Sun (Solarstone After Hours mix) Piece by piece I release Once was mine Now undone Turned bl…
Southern Sun - Vocals: Carla Werner Piece by piece I release Once was mine Now undone Turned blu…
Starry Eyed Suprise Ooh la la, I see stars, I'm seeing stars Ooh la…
Starry Eyed Suprise /Vocals: Shifty Shellshock Ooh la la, I see stars, I'm seeing stars Ooh la…
Starry Eyed Surprise Ooh la la, I see stars, I'm seeing stars Ooh la…
Starry Eyed Surprise (Josh Wink Re-Interpretation) Hey DJ! Tonight.stars Tonight I'm seein stars Tonight.stars …
Starry Eyed Surprise (Oliver Lieb remix) Hey DJ Tonight, to the stars Tonight, I'm seein' stars Tonig…
Starry Eyed Surprise feat. Shifty of CrazyTown Ooh la la, I see stars, I'm seeing stars Ooh la…
Step On He's gonna step on you again, he's gonna step on…
Stop Me Stop me, oh, stop me Stop me if you think that…
Switch On Switch on! Switch on! I look into your eyes now, I'm …
Swordfish You know what the problem with Hollywood is? They make shit.…
Tears in Rain [Roy:] "I've seen things, you people wouldn't believe, hmmm.…
Teleport Human teleportation, molecular decimation, breakdown, reform…
The Harder They Come [Nelly:] ohhh [Tricky:] The harder they come! [Nelly:] M…
The Harder They Come (feat. Nelly Furtado & Tricky) Nelly Furtado: ohhh Tricky: The harder they come! Nelly Fu…
The Sun Piece by piece I release Once was mine Now undone Turned blu…
The Way I Feel No, it never crossed my mind You might try to hide…
Time of Your Life Time of your life Time of you life now Time of your…
Time of Your Life (feat. Perry Farrell) Time of your life Time of you life now (x3) Woke up…
Touch Me Touch me in the morning Touch me in the morning And last…
Turn It On Turn it around, baby Spend more time with me Try to believe…
Unfinished Sympathy I know that I've been mad in love before And how…
Waterfall This could be the best day of your life We should…
What's Your Love Like They call me bombshell, caramel Wanna get to know me well Go…
White Lights Everything about you turns me inside out Everything about yo…
Wide Open Space I'm in a wide open space, I'm standing I'm all alone…
Work Your Body Don't be so quick to walk away (dance with me) I…
You Get Down In your book I'd write the words From afar, I'd find…
You're Not Alone Your not alone Open your mind Surely its time to be with…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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EDMelodic
Ahhh yes, just before Trance was lost in its prime. While I am now 32 and outgrown from my clubbing days, it's safe to say I am lucky enough having been able to experience quality Trance (this is all strictly subjective and opinionated, of course) back when each artist and track had their own unique qualities about them. It seems as though everyone now adays is in it just for the money, because they know many seem to only follow what mainstream "tells" them what sounds good. But hey, to each their own.
While I still hold a place in my heart for classic Trance, I have gradually made my way to the Deep/Progressive House bang-wagon. If anyone of you are tired of the same old "Big Room" sound, and repetitive "Build-up and drop," then I suggest you check out some of these following artists --- Amazing melodies, subtle breaks, and lots of soul!
- Jeremy Olander
- Guy J
- Hernan Cattaneo
- Guy Mantzur
- Sasha (goes without saying)
~Peace and love from Boston, MA~ \o/
kipketer
2019!!! Дети не поймут...под этот транс я готов пустить слезу. Классика, которой больше никогда не будет! Одно из лучший творений транс музыки!
Abhash Kumar Singh
one of the greatest trance tracks ever made! *hands down*
piezocat
The drop at 4:20 is SICK. It captures that moment on the dance floor I've found with countless tracks spun by the likes of Oakenfold, Tiesto, and Armin van Buuren. Moments where all bounds of society and inhibition break away and dissolve into the pure bliss of sharing a moment in time with complete strangers. Timeless moments that will remain in my memory for the rest of my life.
LA NUEVA CONCIENCIA
This is what I call real TRANCE.
Francis Crocombe
Doesn't matter how old songs are you can still listen to them.
Mewtwo
Because PASSION last in time, money doesnt ;)
Akhtar Khan
Absolutely right. The best of trance
Slobodan Kirkovski
2021 and still one of the best trance tracks out there
dasdasdasdass
can't even describe how much I love this tune
EDMelodic
Ahhh yes, just before Trance was lost in its prime. While I am now 32 and outgrown from my clubbing days, it's safe to say I am lucky enough having been able to experience quality Trance (this is all strictly subjective and opinionated, of course) back when each artist and track had their own unique qualities about them. It seems as though everyone now adays is in it just for the money, because they know many seem to only follow what mainstream "tells" them what sounds good. But hey, to each their own.
While I still hold a place in my heart for classic Trance, I have gradually made my way to the Deep/Progressive House bang-wagon. If anyone of you are tired of the same old "Big Room" sound, and repetitive "Build-up and drop," then I suggest you check out some of these following artists --- Amazing melodies, subtle breaks, and lots of soul!
- Jeremy Olander
- Guy J
- Hernan Cattaneo
- Guy Mantzur
- Sasha (goes without saying)
~Peace and love from Boston, MA~ \o/