Paul Revere & the Raiders is an American rock band that saw enormous mainst… Read Full Bio ↴Paul Revere & the Raiders is an American rock band that saw enormous mainstream success in the 1960s, best-known for hits like "Indian Reservation (The Lament Of The Cherokee Reservation Indian)" (1971), "Steppin' Out", "Kicks", "Let Me" (1969) and "Hungry" (1966).

The band, initially located in Boise, Idaho, started as an instrumental rock outfit led by organist Paul Revere Dick (January 7, 1938 – October 4, 2014) (named in honor of the Revolutionary War hero), who in his early twenties already owned several restaurants in Portland, Oregon. Singer Mark Lindsay (March 9, 1942), joined in 1958. Originally called The Downbeats, their name was changed to Paul Revere & The Raiders in 1960 on the eve of their first record release for Gardena Records. The band scored their first Pacific Northwest regional hit in 1961 with "Like Long Hair", an instrumental. Revere was drafted, became a conscientious objector and worked at a mental institution for a year and half of deferred service. After reforming the band, they attracted national attention again with a cover of "Louie Louie", which was picked up by Columbia Records although beaten in the charts by The Kingsmen's version.

Known for their live high energy rock n' roll performances they consistently toured the Northwest - hitting the no-alcohol teen venues where the testosterone levels were as high as the high school beer buzzes that fueled the rowdy crowds of sweating dancers out for the transcendence of the music, or maybe just to get laid. The highlight of their gigs in the early 60's was the 6 foot high cardboard mock up of a can of Crisco that came on during the song "Crisco Party", which was about the delights of getting naked, smearing yourself and your teenage honey all over in Crisco and doing the diry boogie all night long. Never has an organ (Paul Revere's that is!) wailed so in tune with with the zeitgeist. Mark Lindsay was always out in front, on stage and into the crowds, but it was Paul Revere who lead the crowd involvement, bouncing the big Crisco barrel off the stage and into the dancehalls and dance floors of the teenage wastelands - before the Vietnam war changed the vibes and the audiences began to sit and listen to the lyrics and innocent horniness teenage was replaced by the searching for meaning in the midst of a war that threatened to kill them.

They would maintain a huge level of popularity in the mid-1960s beginning with "Just Like Me" (1965), which marked the beginning of a string of garage rock classics. The Raiders, under the guidance of producer Terry Melcher, increasingly emulated the sounds of British Invasion bands such as The Beatles, The Rolling Stones, and The Animals albeit with an American R&B feel.

The band appeared regularly on national television, especially on Dick Clark's Where the Action Is, Happening '68, and It's Happening, the latter two of which were co-hosted by Paul Revere and Mark Lindsay. Here they were presented as the American response to the British Invasion. The group wore American Revolutionary War soldier uniforms and performed slapstick comedy and synchronized dance steps while the ponytailed Lindsay lip synched to their music. This farcical, cartoonish image obscured the proto-hard rock sound that their music often took.

Their hits from the mid-60's included "Kicks" (Billboard Pop Chart #4), "Him or Me - What's It Gonna Be?" (#7), "Good Thing" (#5), "Hungry" (#5), and "Great Airplane Strike" (#20). Of these, "Kicks" became their best-known song, an anti-drug message written by Barry Mann and Cynthia Weil that was especially akin to The Animals.

In mid-1967, with three gold albums to their credit, they were Columbia Records' top-selling rock band; their Greatest Hits album was one of two releases selected by Clive Davis to try out a higher list price for albums expected to be particularly popular, along with Bob Dylan's Greatest Hits.

Changing tastes in the late 1960s rendered the group unfashionable, but they still continued to have hits through the rest of the decade, "I Had A Dream" (1967 - #20), "Too Much Talk" (1968 - #18, and an illustration of their tendency towards Beatles imitations), and "Mr. Sun, Mr. Moon" (1969 - #18). Tensions between Lindsay and Revere increased during this time; Lindsay wanted to go more in the direction of hard rock acts like Led Zeppelin or the James Gang, while Revere sought a bubblegum pop direction. Lindsay's vision for the Raiders was represented on songs such as "Let Me" (1969 - #20 - Gold Single), "Powder Blue Mercedes Queen" (1972 - #54) and "Just Seventeen" (1970 - #70) and the 1970 album Collage. By the time of the release of Collage the band's name was officially shortened to The Raiders. "Freeborn Man", written by Lindsay and bassist Keith Allison, has since gone on to be a Country Rock standard, covered by The Outlaws, Junior Brown, and Glen Campbell amongst many others.

Ironically, their single release "Indian Reservation" (1971 - #1 - Platinum single) would be their biggest hit of all, after about a year and a half or so of no hits.
In 1972 The Raiders made one last attempt at a pop album with Country Wine but Columbia was sinking money into other acts, such as Mott The Hoople and Aerosmith, and Country Wine and The Raiders sank in the resulting quagmire.
Lindsay left the band in 1975 to continue his solo career as a country star of sorts, landing a hit single with Kenny Young's "Arizona". Country music was also the choice of short-lived member Freddy Weller, who had more success in this market. Revere continued to put together Raiders lineups with some success, but Lindsay had clearly been the star of the band.

The punk rock and New Wave eras would see a wave of interest in the Raiders' music; "I'm Not Your Stepping Stone" was covered by The Sex Pistols and Liverpool band The Farm (although The Monkees' cover version was more well known than the Raiders' original), and later "Just Like Me" would be covered by The Circle Jerks (as well as by more mainstream figures like Joan Jett and Pat Benatar). "Hungry" was also covered by Sammy Hagar. The Paisley Underground, garage rock revival, and grunge movements would all acknowledge the Raiders' influence.
Revere has continued to play shows on the oldies circuit and in Las Vegas with various Raiders. Lindsay is musically semi-retired and lives in Hawaii, but occasionally plays. Other members of the band constantly changed; bassist Keith Allison, who played in the Raiders from 1968 to 1975, is probably the best known of them, and has since gone into acting, and has appeared in the film Gods and Generals.

In 1997 the group's classic Midnight Ride lineup - Mark Lindsay, guitarist Drake Levin, bassist Phil "Fang" Volk, and drummer Mike "Smitty" Smith - reunited in full costume (though without Revere himself) for a one-off 30th anniversary performance in Portland. Smith died four years later.

Mark Lindsay performed as part of the "Happy Together" tour with the Turtles, Mickey Dolenz, the Grass Roots and the Buckinghams in 2010. The tour was well received in the US.

Lindsay was invited on stage by Mitch Ryder at the "Hippiefest" tour in Fort Lauderdale, FL, on July 31, 2010 and performed "Kicks" to a wildly appreciative audience at the Broward Center for the Performing Arts.

There's Always Tomorrow
Paul Revere & The Raiders Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Lookin′ for the words so I can say the things I feel
Tears are fallin' from the sky, my whole world seems unreal
It′s the loneliness I've felt ever since you went away
My head is low, and I've got to go, but now I′m gonna say
That there′s

Always tomorrow
Always tomorrow, oh

Now, I used to look at yesterday, so I'd know what to do
But all my yesterdays are filled with thoughts of you
So I′ll look toward tomorrow trusting things will work out right
I have no fear, the pain has cleared, so I can smile tonight
'Cause there′s

Always tomorrow
Always tomorrow, oh-oh, oh

But now, I've found the words to say just what I feel
My eyes are clear, I have no fear, the whole world is for real
The loneliness is gone, completely went away
My head is high, so am I, it′s all because I say
That there's

Always tomorrow
Always tomorrow, oh, oh

Tomorrow
Tomorrow
Tomorrow
Tomorrow
Tomorrow
Tomorrow
Tomorrow
Tomorrow
Tomorrow
Tomorrow

Tomorrow
Tomorrow

Overall Meaning

The lyrics of "There's Always Tomorrow" by Paul Revere & The Raiders express a sense of longing and heartbreak, but also resilience and hope for the future. The singer is searching for the right words to express their feelings, as they are overwhelmed with sadness and tears. The world around them feels unreal without the person who went away. Despite feeling low and having to move on, the singer finds solace in the idea that there's always tomorrow, a new day where things can get better.

The song suggests that in the past, the singer relied on their memories and experiences from yesterday to guide their actions. However, all those memories are now filled with thoughts of the person who is no longer with them. Instead, the singer decides to look forward to tomorrow, trusting that things will work out and hoping for a positive outcome. They no longer fear or feel pain, and the loneliness that consumed them has disappeared. With their head held high, they can smile, knowing that there will always be a new opportunity to start again.

Line by Line Meaning

Lookin' for the words so I can say the things I feel
Searching for the right expressions to articulate my emotions

Tears are fallin' from the sky, my whole world seems unreal
Overwhelming sadness fills my surroundings, making everything feel surreal

It's the loneliness I've felt ever since you went away
Since your departure, solitude has consumed me entirely

My head is low, and I've got to go, but now I'm gonna say
Feeling disheartened, but I must forge ahead and express myself

That there's
Conveying the message that

Always tomorrow
There is consistently a fresh opportunity in the future

Always tomorrow, oh
A perpetual chance for growth and happiness

Now, I used to look at yesterday, so I'd know what to do
Previously, I relied on past experiences to guide my actions

But all my yesterdays are filled with thoughts of you
Unfortunately, memories of you occupy all my previous days

So I'll look toward tomorrow trusting things will work out right
Henceforth, I'll focus on the future with faith that it holds favorable outcomes

I have no fear, the pain has cleared, so I can smile tonight
Fear has vanished, and suffering has dissipated, enabling me to embrace happiness this evening

'Cause there's
Because there exists

Always tomorrow
An everlasting chance for renewal

Always tomorrow, oh-oh, oh
Perpetual opportunities lie ahead, creating endless possibilities

But now, I've found the words to say just what I feel
Currently, I have discovered the precise words to express my emotions

My eyes are clear, I have no fear, the whole world is for real
My vision is unclouded, devoid of fear, and the entire world feels palpable and genuine

The loneliness is gone, completely went away
Loneliness has completely vanished and no longer lingers

My head is high, so am I, it's all because I say
Confidence fills me, uplifting my spirit, solely because of the words I utter

That there's
Conveying the message that

Always tomorrow
There is consistently a fresh opportunity in the future

Always tomorrow, oh, oh
A perpetual chance for growth and happiness

Tomorrow
The upcoming day

Tomorrow
The impending day

Tomorrow
The following day

Tomorrow
The forthcoming day

Tomorrow
The future day

Tomorrow
The next day

Tomorrow
The subsequent day