Pauline Oliveros (May 30, 1932 – November 24, 2016) was an American compose… Read Full Bio ↴Pauline Oliveros (May 30, 1932 – November 24, 2016) was an American composer and accordionist who was a central figure in the development of experimental and post-war electronic art music.
She was a founding member of the San Francisco Tape Music Center in the 1960s, and served as its director. She has taught music at Mills College, the University of California, San Diego (UCSD), Oberlin Conservatory of Music, and Rensselaer Polytechnic Institute. Oliveros has written books, formulated new music theories and investigated new ways to focus attention on music including her concepts of "Deep Listening" and "sonic awareness". She was an Eyebeam resident.
Composer Pauline Oliveros is a maverick in the field of electronic music. Oliveros' first instrument was the accordion; as a teenager in Texas she played in a 100-piece accordion group that appeared at the rodeo. In 1949 she entered the University of Houston, but in 1952 transferred to San Francisco State College. Oliveros studied music privately with Robert Erickson and began to associate with a loose confederation of like-minded composers; Terry Riley, Steve Reich, and Morton Subotnick among them. Oliveros was among the first composers to participate when Subotnick and Ramon Sender founded the San Francisco Tape Center in 1961, and served as the Center's director in the first year following its move to Mills College (1966-1967). Some of the pieces Oliveros created in the 1960s, such as Bye Bye Butterfly (1965) and I of IV (1966; created at the University of Toronto) are acknowledged as classics of electronic music. From the beginning Oliveros was not greatly interested in electronic tape and its manipulation, preferring to explore real-time electronics, interactivity, and the use of delays.
In the early '70s Oliveros began to amplify the theatrical aspect of her works, in addition to incorporating elements of her growing interests in spirituality and meditation. This touched off a series of pieces that emphasized intuition and consciousness among large masses of people. During this time Oliveros temporarily abandoned systems of notation, instruments, and even the use of electronics. By 1975, however, Oliveros had rediscovered her accordion and began to compose drone pieces with voice, among the earliest being Horse Sings From Cloud. In the mid-'80s, Oliveros began to develop EIS (the Expanded Instrument System) utilizing early digital electronic music technology. In 1988 Oliveros, Stuart Dempster, and vocalist Panaoitis formed the Deep Listening Band, which debuted playing in an empty two-million gallon water tank located at Fort Worden in Washington State; a year later composer David Gamper joined the group as the permanent third member. Among Oliveros' major works since then has been the multimedia theater piece Njinga the Queen King (1993), a collaboration with the writer Ione. In 1985 Oliveros founded the Pauline Oliveros Foundation (now the Deep Listening Institute) in Kingston, NY, a humanitarian organization that promotes the performance, practice, and technological developments associated with Oliveros' concept of "deep listening."
See www.deeplistening.org
https://en.wikipedia.org/wiki/Pauline_Oliveros
She was a founding member of the San Francisco Tape Music Center in the 1960s, and served as its director. She has taught music at Mills College, the University of California, San Diego (UCSD), Oberlin Conservatory of Music, and Rensselaer Polytechnic Institute. Oliveros has written books, formulated new music theories and investigated new ways to focus attention on music including her concepts of "Deep Listening" and "sonic awareness". She was an Eyebeam resident.
Composer Pauline Oliveros is a maverick in the field of electronic music. Oliveros' first instrument was the accordion; as a teenager in Texas she played in a 100-piece accordion group that appeared at the rodeo. In 1949 she entered the University of Houston, but in 1952 transferred to San Francisco State College. Oliveros studied music privately with Robert Erickson and began to associate with a loose confederation of like-minded composers; Terry Riley, Steve Reich, and Morton Subotnick among them. Oliveros was among the first composers to participate when Subotnick and Ramon Sender founded the San Francisco Tape Center in 1961, and served as the Center's director in the first year following its move to Mills College (1966-1967). Some of the pieces Oliveros created in the 1960s, such as Bye Bye Butterfly (1965) and I of IV (1966; created at the University of Toronto) are acknowledged as classics of electronic music. From the beginning Oliveros was not greatly interested in electronic tape and its manipulation, preferring to explore real-time electronics, interactivity, and the use of delays.
In the early '70s Oliveros began to amplify the theatrical aspect of her works, in addition to incorporating elements of her growing interests in spirituality and meditation. This touched off a series of pieces that emphasized intuition and consciousness among large masses of people. During this time Oliveros temporarily abandoned systems of notation, instruments, and even the use of electronics. By 1975, however, Oliveros had rediscovered her accordion and began to compose drone pieces with voice, among the earliest being Horse Sings From Cloud. In the mid-'80s, Oliveros began to develop EIS (the Expanded Instrument System) utilizing early digital electronic music technology. In 1988 Oliveros, Stuart Dempster, and vocalist Panaoitis formed the Deep Listening Band, which debuted playing in an empty two-million gallon water tank located at Fort Worden in Washington State; a year later composer David Gamper joined the group as the permanent third member. Among Oliveros' major works since then has been the multimedia theater piece Njinga the Queen King (1993), a collaboration with the writer Ione. In 1985 Oliveros founded the Pauline Oliveros Foundation (now the Deep Listening Institute) in Kingston, NY, a humanitarian organization that promotes the performance, practice, and technological developments associated with Oliveros' concept of "deep listening."
See www.deeplistening.org
https://en.wikipedia.org/wiki/Pauline_Oliveros
Nike
Pauline Oliveros Lyrics
We have lyrics for 'Nike' by these artists:
88KVLY Grosse liasse dans ma boîte de Nike Grand collage à droite…
A.D.A. Yah Racks Ayye It’s the Champs CC You know everything real c…
Afrika Bambaata & H. Funk Baby I'm just being honest Showed her the way, now you…
Artie 5ive Yeah, yeah, yeah (Oh Jaily, l'hai rifatto) Ora che dentro la…
Bapcat Yeah she ride me like a bike Fumo green, cheiro white Quero…
Ché Mijn patta's vaak van Nike bro, ik heb een domme…
Coelho J'ai mis de quoi m'détruire au ras-bord de mon cup T'auras…
Dre Breezo I fell in love with the money I fell inlove with…
Heavy D & The Boyz "Ni-Ni-Nike-Nikes" N-N-N-Nikes I'm for 'em, out the store I…
Issam Ki b7al chi psycho, fog batterie sonore El capo f stade…
Jimmy Brown & Sweet The Kid I can't never stop playing games Baby, you're alwa…
K-Bully आ आ दिन नाइकी बीते जाते है सुमरन कर सिया राम…
Kvly Grosse liasse dans ma boîte de Nike Grand collage à droite…
Loopy I just do it like nikes I just do lt like…
Lorentz Sakarias Jag hade sån tur och växa upp där kultur fanns…
Pi'erre Bourne Yeah, woke up in a white tee, bro All I ever…
Polpo Mi scrivi che hai ancora da fare Io non ho pazienza…
Rin Ey, ey Ey Chill' im Auto, höre aye, hah-ah, ja (ja) Ich chil…
ShyGirl He told me Nike, just do it Hands on my breast…
Shygirl & DETO BLACK He told me, "Nike, just do it" Hands on my breast…
Shygirl - Topic He told me Nike, just do it Hands on my breast…
Shygirl DETO BLACK He told me, "Nike, just do it" Hands on my breast…
Soh باش يكلاشوني ديرو كونفيرونس ماشي سامع هارب لاكونكيروس نتكيف …
V.A. Yeah, yeah, yeah (Oh Jaily, l'hai rifatto) Ora che dentro la…
Vipra Vorrei Che mi trattassi come le tue Nike Ché non le sporchi…
Yng Oski Chodzę w Nike'ach świat jest piękny dam Ci fajka To nie…
yungJAN Mit jungs und wir laufen auf nike Sag wer hat den…
Вуди Вуд Я воу воу найки А ты носишь найки,сука? Эээй опа Да короче д…
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