Falso Moralista
Paulinho da Viola Lyrics
Você condena o que a moçada anda fazendo
e não aceita o teatro de revista
arte moderna pra você não vale nada
e até vedete você diz não ser artista
Você se julga um tanto bom e até perfeito
Por qualquer coisa deita logo falação
Mas eu conheço bem o seu defeito
e não vou fazer segredo não
e não é só no carnaval que vai pros bailes se acabar
Fim de semana você deixa a companheira
e no bar com os amigos bebe bem a noite inteira
Segunda-feira chega na repartição
pede dispensa para ir ao oculista
e vai curar sua ressaca simplesmente
Você não passa de um falso moralista
Contributed by Lucas Y. Suggest a correction in the comments below.
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Paulinho da Viola (born Paulo César Batista de Faria on November 12, 1942) is a Brazilian guitar, cavaquinho and bandolin player, known for his sophisticated harmonies and soft, gentle singing voice.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. Read Full BioPaulinho da Viola (born Paulo César Batista de Faria on November 12, 1942) is a Brazilian guitar, cavaquinho and bandolin player, known for his sophisticated harmonies and soft, gentle singing voice.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. After the rehearsals, Paulinho would pick up his father's guitar and strum the few chords he knew. Later, as a teenager, he was frequently seen at jams at Jacob do Bandolim's house, quietly and attentively observing the older, more experienced musicians. He began writing his own songs as a teenager, but never considered a career as a professional musician until he met poet Hermínio Bello de Carvalho in 1964. By then, Paulinho was working as a teller at a bank in Rio de Janeiro, and recognised Hermínio from the jam sessions at Jacob do Bandolim's house. The two became close friends and soon began writing music together. The first song they wrote together was Duvide-o-dó, recorded by singer Isaurinha Garcia. He then began performing his own songs at a restaurant in Rio, owned by samba legend Cartola and his wife.
He got his famous nickname in 1965, when he was a member of the samba group A Voz do Morro (the voice of the hills), alongside Zé Keti and Oscar Bigode. After their first recording session, a publicist from the record label reportedly told him "'Paulo César' is not a samba name!". Zé Keti and journalist Sérgio Cabral eventually came up with the nickname "Paulinho da Viola" (something to the lines of "Guitar Paul").
By the 1970s, Paulinho was at the most prolific stage of his career, releasing an average of one album per year. He was already a household name in samba, choro and MPB circles and broadened his audience by touring all over Brazil and also playing at festivals in Europe and the USA. His productivity and popularity had waned by the mid-80s, when he decided to focus more on his songwriting. In 1996 he regained notoriety after releasing the much-acclaimed album Bebadosamba, in which he once again joined forces with Hermínio Bello de Carvalho and Elton Medeiros, his early songwriting partners. He still lives in Rio de Janeiro and performs around Brazil.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. Read Full BioPaulinho da Viola (born Paulo César Batista de Faria on November 12, 1942) is a Brazilian guitar, cavaquinho and bandolin player, known for his sophisticated harmonies and soft, gentle singing voice.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. After the rehearsals, Paulinho would pick up his father's guitar and strum the few chords he knew. Later, as a teenager, he was frequently seen at jams at Jacob do Bandolim's house, quietly and attentively observing the older, more experienced musicians. He began writing his own songs as a teenager, but never considered a career as a professional musician until he met poet Hermínio Bello de Carvalho in 1964. By then, Paulinho was working as a teller at a bank in Rio de Janeiro, and recognised Hermínio from the jam sessions at Jacob do Bandolim's house. The two became close friends and soon began writing music together. The first song they wrote together was Duvide-o-dó, recorded by singer Isaurinha Garcia. He then began performing his own songs at a restaurant in Rio, owned by samba legend Cartola and his wife.
He got his famous nickname in 1965, when he was a member of the samba group A Voz do Morro (the voice of the hills), alongside Zé Keti and Oscar Bigode. After their first recording session, a publicist from the record label reportedly told him "'Paulo César' is not a samba name!". Zé Keti and journalist Sérgio Cabral eventually came up with the nickname "Paulinho da Viola" (something to the lines of "Guitar Paul").
By the 1970s, Paulinho was at the most prolific stage of his career, releasing an average of one album per year. He was already a household name in samba, choro and MPB circles and broadened his audience by touring all over Brazil and also playing at festivals in Europe and the USA. His productivity and popularity had waned by the mid-80s, when he decided to focus more on his songwriting. In 1996 he regained notoriety after releasing the much-acclaimed album Bebadosamba, in which he once again joined forces with Hermínio Bello de Carvalho and Elton Medeiros, his early songwriting partners. He still lives in Rio de Janeiro and performs around Brazil.
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Filipe
Marçal, mete lá
Você, Juquinha
Agora você, Helton
E agora você, Dazinho
Tudo isso pra cantar um samba do Nelson Sargento
Você condena o que a moçada anda fazendo
E não aceita o teatro de revista
Arte moderna pra você não vale nada
Até vedete você diz não ser artista
Você se julga muito bom e até perfeito
Por qualquer coisa deita logo falação
Mas eu conheço bem os seus defeitos
E não vou fazer segredo não
Você é visto toda sexta no Joá... ah, no Joá
E não é só no carnaval que vai pros bailes se acabar
Fim de semana você deixa a companheira
E no bar com os amigos bebe bem a noite inteira
Segunda-feira chega na repartição
Pede dispensa para ir ao oculista
E vai curar sua ressaca simplesmente, meu amigo
Você não passa de um falso moralista
Você não passa de um falso moralista
Você não passa de um falso moralista
Você não passa de um falso moralista
Igor Botelho
conheci por causa do enem KKKKKKKKK
SANDIEGOPB
A melô do bolsominion.
Eduardo Sacramento IRMÃO DE JOREL
O cara qdo é genial, ele é até visionário... Essa música é antiquíssima e do agora finado Nelson. A diferença é q a moçada adepta do "mito" não vai chapar no samba não, q isso é programa de gente de bem. Eles "se divertem" fazendo churrasco de boi cadáver do agronegócio, ouvindo sertanojo e pagode ruim enquanto exaltam as chacinas da PM nas favelas. FORA BOZO & MOURÃO JÁ!
Antonio Paiva Filho
Sem dúvida.