Miudinho
Paulinho da Viola Lyrics
Ô devagar miudinho, devagarinho
Ô devagar miudinho, devagarinho
Ô devagar, ô devagar, ô devagar, ô devagar
Ô devagar miudinho, devagarinho
Ô devagar miudinho, devagarinho
Ô devagar, ô devagar, ô devagar, ô devagar
Se você quer dinheiro eu não tenho não
Se você quer carinho eu ′tô de prontidão
Ô devagar miudinho, devagarinho
Ô devagar miudinho, devagarinho
Ô devagar, ô devagar, ô devagar, ô devagar
Ô devagar miudinho, devagarinho
Ô devagar miudinho, devagarinho
Ô devagar, ô devagar, ô devagar, ô devagar
Monarco!
Se eu soubesse eu tinha me preparado
Penteava meu cabelo, tinha meu quarto arrumado
Penteava meu cabelo, tinha meu quarto arrumado devagar
Ô devagar miudinho, devagarinho
Ô devagar miudinho, devagarinho
Ô devagar, ô devagar, ô devagar, ô devagar
Ô devagar miudinho, devagarinho
Ô devagar miudinho, devagarinho
Ô devagar, ô devagar, ô devagar, ô devagar
Você...
Você meu bem assim se rebolando
Nessa maneira está me tentando
Dessa maneira está me matando devagar
Ô devagar miudinho, devagarinho
Ô devagar miudinho, devagarinho
Ô devagar, ô devagar, ô devagar, ô devagar
Ô devagar miudinho, devagarinho
Ô devagar miudinho, devagarinho
Ô devagar, ô devagar, ô devagar, ô devagar
Raul!
Eu canto samba ma′ não é por valentia
É uma prova de amizade que eu tenho pela orgia
É uma prova de amizade que eu tenho pela orgia (é devagar)
Ô devagar miudinho, devagarinho
Ô devagar miudinho, devagarinho
Ô devagar, ô devagar, ô devagar, ô devagar
Ô devagar miudinho, devagarinho
Ô devagar miudinho, devagarinho
Ô devagar, ô devagar, ô devagar, ô devagar
Ô devagar miudinho, devagarinho...
Writer(s): Bucy Moreira, Raul Marques
Contributed by James E. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
Paulinho da Viola (born Paulo César Batista de Faria on November 12, 1942) is a Brazilian guitar, cavaquinho and bandolin player, known for his sophisticated harmonies and soft, gentle singing voice.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. Read Full BioPaulinho da Viola (born Paulo César Batista de Faria on November 12, 1942) is a Brazilian guitar, cavaquinho and bandolin player, known for his sophisticated harmonies and soft, gentle singing voice.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. After the rehearsals, Paulinho would pick up his father's guitar and strum the few chords he knew. Later, as a teenager, he was frequently seen at jams at Jacob do Bandolim's house, quietly and attentively observing the older, more experienced musicians. He began writing his own songs as a teenager, but never considered a career as a professional musician until he met poet Hermínio Bello de Carvalho in 1964. By then, Paulinho was working as a teller at a bank in Rio de Janeiro, and recognised Hermínio from the jam sessions at Jacob do Bandolim's house. The two became close friends and soon began writing music together. The first song they wrote together was Duvide-o-dó, recorded by singer Isaurinha Garcia. He then began performing his own songs at a restaurant in Rio, owned by samba legend Cartola and his wife.
He got his famous nickname in 1965, when he was a member of the samba group A Voz do Morro (the voice of the hills), alongside Zé Keti and Oscar Bigode. After their first recording session, a publicist from the record label reportedly told him "'Paulo César' is not a samba name!". Zé Keti and journalist Sérgio Cabral eventually came up with the nickname "Paulinho da Viola" (something to the lines of "Guitar Paul").
By the 1970s, Paulinho was at the most prolific stage of his career, releasing an average of one album per year. He was already a household name in samba, choro and MPB circles and broadened his audience by touring all over Brazil and also playing at festivals in Europe and the USA. His productivity and popularity had waned by the mid-80s, when he decided to focus more on his songwriting. In 1996 he regained notoriety after releasing the much-acclaimed album Bebadosamba, in which he once again joined forces with Hermínio Bello de Carvalho and Elton Medeiros, his early songwriting partners. He still lives in Rio de Janeiro and performs around Brazil.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. Read Full BioPaulinho da Viola (born Paulo César Batista de Faria on November 12, 1942) is a Brazilian guitar, cavaquinho and bandolin player, known for his sophisticated harmonies and soft, gentle singing voice.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. After the rehearsals, Paulinho would pick up his father's guitar and strum the few chords he knew. Later, as a teenager, he was frequently seen at jams at Jacob do Bandolim's house, quietly and attentively observing the older, more experienced musicians. He began writing his own songs as a teenager, but never considered a career as a professional musician until he met poet Hermínio Bello de Carvalho in 1964. By then, Paulinho was working as a teller at a bank in Rio de Janeiro, and recognised Hermínio from the jam sessions at Jacob do Bandolim's house. The two became close friends and soon began writing music together. The first song they wrote together was Duvide-o-dó, recorded by singer Isaurinha Garcia. He then began performing his own songs at a restaurant in Rio, owned by samba legend Cartola and his wife.
He got his famous nickname in 1965, when he was a member of the samba group A Voz do Morro (the voice of the hills), alongside Zé Keti and Oscar Bigode. After their first recording session, a publicist from the record label reportedly told him "'Paulo César' is not a samba name!". Zé Keti and journalist Sérgio Cabral eventually came up with the nickname "Paulinho da Viola" (something to the lines of "Guitar Paul").
By the 1970s, Paulinho was at the most prolific stage of his career, releasing an average of one album per year. He was already a household name in samba, choro and MPB circles and broadened his audience by touring all over Brazil and also playing at festivals in Europe and the USA. His productivity and popularity had waned by the mid-80s, when he decided to focus more on his songwriting. In 1996 he regained notoriety after releasing the much-acclaimed album Bebadosamba, in which he once again joined forces with Hermínio Bello de Carvalho and Elton Medeiros, his early songwriting partners. He still lives in Rio de Janeiro and performs around Brazil.
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Cleber Pinho
No samba se escreve lindas poesias tbm com os pés.
Parabéns, Paulinho da Viola e Velha Guarda da Portela!
Rogério Rufino
Que Coisa Linda!!! Simplesmente Sensacional!!! Viva o BOM SAMBA!!!!!!!!!!!!!!
ricardo augusto Amaro
Mestre Paulinho da Viola PARTIDEIRO de Alta Frequência em Alto Tom de Humildade 👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Wagner Emanuel
Esse sim é o verdadeiro samba que eu admiro! Que elegância de Paulinho e a velha guarda da Portela! Que gingado!
Agnaldo Oliveira
Vendo esses jovens senhores dançando. Volto a dizer só envelhece quem quer . Agente fica idoso mas o importante é ter um espírito jovem . Lindo de ver 👏👏👏👏👏
Rafael Tricolor84
SOU Salgueiro ❤ mas vê a velha guarda de qualquer escola é lindo D+ 👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻🙂
Jorge Celio
Isso sim sambar , to até chorando pq emociona .
Ricardo Amorim
Verdade mano.Que elegância.
Eli Pinto Borges
Atenção pagodeiros demeia-tigela,de meia-pataca da atualidade,aprendam o q é samba de verdade com este mestre de verdade.
Gloria Vascocelos
Verdade!! Saudades dr u
Verdadeira partido alto! Lembrado meu pai batucando na caixa de fósforos !