Perdoa
Paulinho da Viola Lyrics
Meu bem, perdoa
Perdoa meu coração pecador
Você sabe que jamais eu viverei
Sem o seu amor
Ando comprado fiado
Porque meu dinheiro não dá
Imagine se eu fosse casado
Com mais de seis filhos para sustentar
E posso dizer que sou trabalhador
Fiz um trato com você
Quando fui receber você não me pagou
Mas ora meu bem
Meu bem, perdoa
Perdoa meu coração pecador
Você sabe que jamais eu viverei
Sem o seu amor
Chama o dono dessa casa
Que eu quero dizer como é o meu nome
Diga um verso bem bonito
Ele vai responder pra matar minha fome
Eu como dono da casa
Não sou obrigado a servir nem banana
Se quiser saber meu nome
É o tal que não como há mais de uma semana
Mas ora meu bem
Meu bem, perdoa
Perdoa meu coração pecador
Você sabe que jamais eu viverei
Sem o seu amor
Chama o dono da quitanda
Que vive sonhando deitado na rede
Diga um verso bem bonito
Ele vai responder pra matar minha sede
O dono dessa quitanda
Não é obrigado a vender pra ninguém
Pode pegar a viola que hoje é Domingo
E cerveja não tem
Mas ora meu bem...
Meu bem, perdoa
Perdoa meu coração pecador
Você sabe que jamais eu viverei
Sem o seu amor
Falado:
Esse partido é em homenagem à Velha-Guarda da Portela.
Sr. Armando Santos, Alberto Lonato,
Manacé, falecido Ventura, falecido João da Gente,
Santinho, Casquinha.
Meu bem, perdoa
Perdoa meu coração pecador
Você sabe que jamais eu viverei
Sem o seu amor
Contributed by Taylor H. Suggest a correction in the comments below.
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Paulinho da Viola (born Paulo César Batista de Faria on November 12, 1942) is a Brazilian guitar, cavaquinho and bandolin player, known for his sophisticated harmonies and soft, gentle singing voice.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. Read Full BioPaulinho da Viola (born Paulo César Batista de Faria on November 12, 1942) is a Brazilian guitar, cavaquinho and bandolin player, known for his sophisticated harmonies and soft, gentle singing voice.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. After the rehearsals, Paulinho would pick up his father's guitar and strum the few chords he knew. Later, as a teenager, he was frequently seen at jams at Jacob do Bandolim's house, quietly and attentively observing the older, more experienced musicians. He began writing his own songs as a teenager, but never considered a career as a professional musician until he met poet Hermínio Bello de Carvalho in 1964. By then, Paulinho was working as a teller at a bank in Rio de Janeiro, and recognised Hermínio from the jam sessions at Jacob do Bandolim's house. The two became close friends and soon began writing music together. The first song they wrote together was Duvide-o-dó, recorded by singer Isaurinha Garcia. He then began performing his own songs at a restaurant in Rio, owned by samba legend Cartola and his wife.
He got his famous nickname in 1965, when he was a member of the samba group A Voz do Morro (the voice of the hills), alongside Zé Keti and Oscar Bigode. After their first recording session, a publicist from the record label reportedly told him "'Paulo César' is not a samba name!". Zé Keti and journalist Sérgio Cabral eventually came up with the nickname "Paulinho da Viola" (something to the lines of "Guitar Paul").
By the 1970s, Paulinho was at the most prolific stage of his career, releasing an average of one album per year. He was already a household name in samba, choro and MPB circles and broadened his audience by touring all over Brazil and also playing at festivals in Europe and the USA. His productivity and popularity had waned by the mid-80s, when he decided to focus more on his songwriting. In 1996 he regained notoriety after releasing the much-acclaimed album Bebadosamba, in which he once again joined forces with Hermínio Bello de Carvalho and Elton Medeiros, his early songwriting partners. He still lives in Rio de Janeiro and performs around Brazil.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. Read Full BioPaulinho da Viola (born Paulo César Batista de Faria on November 12, 1942) is a Brazilian guitar, cavaquinho and bandolin player, known for his sophisticated harmonies and soft, gentle singing voice.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. After the rehearsals, Paulinho would pick up his father's guitar and strum the few chords he knew. Later, as a teenager, he was frequently seen at jams at Jacob do Bandolim's house, quietly and attentively observing the older, more experienced musicians. He began writing his own songs as a teenager, but never considered a career as a professional musician until he met poet Hermínio Bello de Carvalho in 1964. By then, Paulinho was working as a teller at a bank in Rio de Janeiro, and recognised Hermínio from the jam sessions at Jacob do Bandolim's house. The two became close friends and soon began writing music together. The first song they wrote together was Duvide-o-dó, recorded by singer Isaurinha Garcia. He then began performing his own songs at a restaurant in Rio, owned by samba legend Cartola and his wife.
He got his famous nickname in 1965, when he was a member of the samba group A Voz do Morro (the voice of the hills), alongside Zé Keti and Oscar Bigode. After their first recording session, a publicist from the record label reportedly told him "'Paulo César' is not a samba name!". Zé Keti and journalist Sérgio Cabral eventually came up with the nickname "Paulinho da Viola" (something to the lines of "Guitar Paul").
By the 1970s, Paulinho was at the most prolific stage of his career, releasing an average of one album per year. He was already a household name in samba, choro and MPB circles and broadened his audience by touring all over Brazil and also playing at festivals in Europe and the USA. His productivity and popularity had waned by the mid-80s, when he decided to focus more on his songwriting. In 1996 he regained notoriety after releasing the much-acclaimed album Bebadosamba, in which he once again joined forces with Hermínio Bello de Carvalho and Elton Medeiros, his early songwriting partners. He still lives in Rio de Janeiro and performs around Brazil.
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Pedro M
Interessante é que no final da música o Paulinho da Viola homenageia a Velha Guarda da Portela, citando os nomes dos componentes, e até de quem já morreu. Isso é que é dignidade.
Váva Je'suis
Os pés coçam para sambar um sambão desse. É samba nos pés e rebolado nas ancas. Esse é o Brasil que eu amo.
Pedro Silveira Viana
Samba de qualidade !!!! 14 - 10 - 2020 grande Paulinho da viola
Lucas Macedo
Presente prà alma.
Nelson Santos
Paulinho da viola ... participação de casquinha !
Fabrício messias
Elton Medeiros.
Tom Paixão
paulinho? paulinho é um lorde preto!
gumat2k
Perdóname e coraçao pecador
fernando de andrade
quanta diferença entre um sambista ,e um pagodeiro
Maria NH
Exato!