Pavement formed in Stockton, California, in 1989 as a studio project of guitarists and vocalists Stephen Malkmus and Scott Kannberg, known originally only as "S.M." and "Spiral Stairs", respectively. Their debut EPs were extremely lo-fi releases titled Slay Tracks (1933-1969), Demolition Plot J-7, and Perfect Sound Forever. They were recorded at Louder Than You Think, the home studio of infamous Stockton local and former hippie Gary Young. The eccentric and aging hipster also provided drums. Upon first hearing the duo's songs, Young was quoted as saying, "this Malkmus idiot is a complete songwriting genius".
Pavement's most obvious influence during this time was English rock band The Fall, although Kannberg stated in a 1992 interview that he preferred The Replacements to The Fall. The Fall's primary member, Mark E. Smith, would often angrily claim through the years that Pavement was a "rip-off" of his band and that they didn't "have an original idea in their heads". However, some of the other members of The Fall actually enjoyed Pavement.
Around 1992 Pavement became a full-time band, with the addition of bassist Mark Ibold - who had been one of the band's first fans - and extra percussionist Bob Nastanovich (a fellow museum security guard along with Malkmus and David Berman, of Silver Jews) to help Young keep time. Their debut album, Slanted and Enchanted, was released commercially in 1992 after being circulated among critics and tastemakers for nearly a year, and became an instant indie classic. Though the percussive influence of The Fall was still pervasive (as was that of English post punks, Swell Maps), many of the songs also exhibited a strong sense of melody. The following year, the band released the EP, Watery, Domestic, which represented a balance between their earlier and later styles.
Gary Young's departure and Crooked Rain, Crooked Rain
The tour for Slanted & Enchanted gave Gary Young a chance to showcase his bizarre live behavior. He would act out by giving away cabbage and mashed potatoes to fans at the door of the venue, doing handstands, running around the venue and stage while the rest of the band was playing and drunkenly falling off his drum stool. His bizarre drug- and alcohol-fueled personality had grated on the rest of the band through several years of touring and recording and they could no longer take it. At the end of the tour, Young left Pavement. The final straw came when Young allegedly pulled a gun on Malkmus. (Malkmus later stated that this was not true: while Young had bought a gun, he never pulled it on Malkmus). The group soon after had a meeting in a hotel room in Copenhagen during which Malkmus, Kannberg and Ibold remained silent while Nastanovich (Young's best friend at the time) argued with the drummer and informed him that his antics were unnecessary. According to the band, Gary Young quit and was replaced by Steve West.
With an improved recording quality and more original songwriting, they released Crooked Rain, Crooked Rain in 1994. The record was far more indebted to the classic rock tradition than their more obscure debut. The single, "Cut Your Hair" was the band's closest brush with the mainstream, and briefly enjoyed airplay on alternative rock radio and MTV.
Another single, "Range Life", was infamous chiefly for lyrics that criticized alt-rock superstars The Smashing Pumpkins and Stone Temple Pilots. Malkmus has insisted over the years that the line is meant to be light-hearted and timely, sung from the point of view of the aging hippie character in the song - later live versions of the track had the singer substituting Spice Girls, The Counting Crows, or countless others for "Stone Temple Pilots". Billy Corgan, leader of The Smashing Pumpkins, threatened to drop his band from the 1994 Lollapalooza Festival if Pavement was allowed to play. The Smashing Pumpkins were headlining Lollapalooza that year. Corgan and Malkmus would trade barbs through the press for several years after.
Wowee Zowee and Brighten the Corners
Pavement's next album was the eclectic, inscrutable Wowee Zowee (1995). In eighteen tracks, the band covered a wide range of styles including punk, country and balladry, and largely dispensed with conventional song structures. The album was not widely admired at the time of release but is now generally embraced by fans. On the Slow Century DVD, Malkmus attributed his odd choice of singles to his pot smoking, stating that "I was smoking a lot of grass back then but to me they sounded like hits." Although Malkmus has said in recent interviews that the album is the last "classic Pavement record", Kannberg has voiced regrets about Wowee Zowee. "We made some mistakes on that record... we were kind of pressured into putting out a record a little faster than we were ready to. I mean, I'm totally into the record. It's just if we had another six months to think about it, it would've been much different." During the tour for the album, Nastonovich stated on the Slow Century DVD, the band would often not work out a setlist before shows, opting for drug and alcohol fueled jams over hit singles.
Wowee Zowee was followed up by the EP, Pacific Trim, which was recorded with only Malkmus and drummers Nastanovich and Steve West. Their studio time was originally reserved for a Silver Jews recording, but frontman David Berman walked out in frustration and the trio decided not to waste prepaid recording time.
1997's Brighten the Corners, a shorter, mellower and more focused record than the previous album, was produced by Mitch Easter. In style it resembled Crooked Rain, Crooked Rain and contained two of the band's best known singles in "Stereo" and "Shady Lane". It was the only Pavement album to include a lyric sheet. The album sold better than its predecessors, but Pavement remained a cult band. It was at about this time that the band started to fragment, with its members focusing more on other musical projects or on raising families.
Terror Twilight and breakup
In 1999, the band released its final album, Terror Twilight. Bob Nastanovich came up with the title, and has revealed the meaning of it in several interviews: "Twilight Terror is the short span between sunset and dusk; this is considered the most dangerous time in traffic, because half of the people switch on the headlights, and the other half doesn't. It's when most accidents happen." During an interview on the Slow Century documentary DVD, he said that the band was having trouble coming up with names for the record until he put forth Terror Twilight. One of the final contenders was Farewell Horizontal (also the name of a 1989 science fiction novel by K.W. Jeter), and Nastanovich said, "There was no way I was going to be on the Farewell Horizontal tour for the next year."
Malkmus wrote the entirety of the record, and the recording of the music only featured minor contributions from the rest of the band. The music on the record is by far the gentlest and most emotionally direct in the band's discography, though the oddball Captain Beefheart homage "Platform Blues" is a nod to their more obscure roots. Its comparatively pristine production was helmed by Nigel Godrich, best known for his work with Radiohead and Beck.
The group released one last EP, titled Major Leagues. It features three Malkmus songs, two original Spiral Stairs songs and two covers: "The Killing Moon" by Echo and the Bunnymen and "The Classical" by The Fall. Stephen Malkmus sings on both of the cover songs.
After completing a world tour in London in 1999, the band announced that they were going on hiatus, which eventually revealed itself as an unofficial break-up. Nastanovich later said that it was a somewhat civil dissolution. "There was too much exhaustion for heavy emotion."
Slow Century and Perfect Sound Forever
In 2002, Slow Century, a documentary by Lance Bangs coupled with all of the band's music videos, was released as a 2 DVD set. Included was extensive footage, both professionally shot and taped by fans on camcorders, from the band's earliest shows in 1989 forward. The three final songs from the band's last show ever ("Stop Breathin'", "Conduit for Sale" and "Here") are presented at the end of the documentary. Also on the DVD is a hidden easter egg clip from the same show, wherein Malkmus apparently jokingly talks about how the handcuffs attached to his microphone stand "represent what it's like being in a band all these years." A bonus disc with a complete concert in Seattle, Washington, from the early part of the Terror Twilight tour was included on the second disc, as well as several songs from their second to last show.
2004 saw the publication of "Perfect Sound Forever: The Story of Pavement", a biography on the band written by Rob Jovanovic. Most reviews of the book rated it poorly, saying that it contained much of the same information as the Slow Century DVD and expanded very little on it.
Post-Pavement projects
* Stephen Malkmus has gone on to enjoy success as a solo artist combining his intricate guitar playing with a progressive rock influence. He has released four albums, Stephen Malkmus (2001), Pig Lib (2003), Face the Truth (2005), and Real Emotional Trash (2008) each garnering mainly warm reviews from critics and fans alike. Malkmus' new group has been known to treat audiences to Pavement songs every once in a while (On May 24, 2003, while touring in Milwaukee, Wisconsin with his new band The Jicks, Malkmus opened the show by saying, "This is off our first record". The band then proceeded to play an evening's worth of Pavement songs. This show has been dubbed by fans as The Milwaukee Show). He is a revolving member of the group Silver Jews, led by David Berman.
* Scott Kannberg went on to form a musical group named Preston School of Industry, not to be confused with the Ione, California reform school nor the Pavement tune of the same name. They have released two albums with Matador Records, All this Sounds Gas (2001), and Monsoon (2004). The latter album boasts studio contributions from members of The Minus 5 and Wilco. Preston School of Industry has remained apparently inactive since the end of their September 2004 Australian tour.
*Mark Ibold has been reported to be working behind the bar at a restaurant called Great Jones Cafe in New York, New York. In early 2005, rumors began to spread on the internet that he had a new group called Cam'Ron's Foreskin. In the summer of 2006, Ibold joined Sonic Youth as their touring bass player for their Rather Ripped tour. He became a full time member of Sonic Youth and contributed to/co-wrote (as Sonic Youth albums are group efforts) on the new album The Eternal.
* Steve West lives in Lexington, Virginia. He has two children and works as a stonemason. He has released 3 albums as Marble Valley.
* Bob Nastanovich has a home in Louisville, Kentucky and produces a website called "Lonely on the Rail" which combines his passions for horse racing and writing. He tour managed for The Jicks during their first tour. Since then, Nastanovich has been a jockey agent for Greta Kuntzweiler. When asked if he was in contact with his former band members, he said, "West - yes, Malkmus - yes, Ibold - rarely, Kannberg - never". He accompanied Malkmus on drums for two songs during a solo acoustic set at the 2007 Pitchfork Music Festival.
* Gary Young has continued recording bands at his Stockton studio. He also has a new group, Gary Young's Hospital, with which he records and plays concerts. Young also invented the Universal Microphone Shock Mount, "an innovative approach to keeping your microphones isolated from stand vibrations."
Reunion
There is frequent speculation about the possibility of a Pavement reunion. In a 2006 Pitchfork interview, Scott Kannberg discussed the possibility of a reunion for the band's 20th anniversary in 2009. In a 2008 Entertainment Weekly article, Kannberg echoed the possibility of a 2009 reunion, and mentioned Matador Records' 20th anniversary. Mark Ibold was amiable to the idea; Malkmus, however, stated: "something small in 10 years like the Zeppelin thing sounds good to me."
On September 16, 2009 it was confirmed that Pavement will reunite for a show at Central Park's SummerStage on September 21, 2010.
Official statements by the band, label, venue and promoter were released on September 17, 2009 confirming the reunion. The announcement included one concert in Central Park and the promise of a tour, but said that the reunion may only be a one-off event. It said, "Please be advised this tour is not a prelude to additional jaunts and/or a permanent reunion. The band held rehearsal at Audio Cinema in Portland, Oregon. The band performed several shows throughout 2010.
There is another band with the same name:
2) Pavement was a British reggae-soul-ska band active in the late-60s. They released their eponymous album in 1969.
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Pavement Lyrics
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You know I cannot do it myself.
Stick your fingers in my mouth.
Pull my lips back and watch me smile.
Catch me on my troubled portion.
Maybe there is something there for you.
Look below her nylon stockings,
Snapped the double notch and left untied.
Some king chooser will wind up with my number.
I'll go to sleep and wait for my number to come.
Deep pockets may be deeper
And always had a nickel to spare.
Now the blood blister's,
The blister's black
As she washes her hands and crosses her chest. (Across her chest)
But if you're willing to call my machine,
Flip the coins and watch me light up
Hope the time is right for it
When its done, turn your back
King chooser has come for my number.
I'll just roll over on my back
And wait for my number to come.
The song "Home" by Pavement seems to be about a person who is struggling to find happiness or contentment in their life, and is looking for someone to fight for their well-being. The opening line "Fight for felicity for me" suggests a desire to have someone help them attain happiness, or perhaps a longing to find someone who can provide them with a sense of purpose or meaning. The following line, "You know I cannot do it myself" reinforces this idea, as it suggests a sense of helplessness.
The imagery in the next two lines is somewhat unsettling - the idea of someone sticking their fingers in your mouth and pulling your lips back, watching you smile. It almost feels like a violation, but perhaps it's meant to represent a kind of vulnerability, a willingness to let someone else see you in a raw and unguarded state.
The lyrics then take a turn with the mention of "her nylon stockings" and the line "Snapped the double notch and left untied." It's unclear who "she" is or what's happening with her stockings, but it creates a sense of mystery and intrigue.
The chorus brings back the idea of waiting for someone to come and rescue you, in this case the "king chooser" who will "wind up with my number." It's unclear what this means, but it seems to suggest that the singer is waiting for someone to come and save them from their troubles.
The final verse is perhaps the most puzzling, with references to "deep pockets," a blood blister, and washing hands and crossing chests. It creates a sense of unease, but the mention of flipping coins and watching someone "light up" suggests a moment of joy or excitement. The song ends with a repetition of waiting for one's number to be called, like waiting in line for a prize or a chance at something better.
Overall, "Home" is a cryptic and enigmatic song that leaves a lot of room for interpretation. It seems to be about someone who is struggling and waiting for someone else to come and rescue them, but there are many details that are left open to interpretation.
Line by Line Meaning
Fight for felicity for me.
Please fight for my happiness because I am unable to do it on my own.
You know I cannot do it myself.
I need someone else's help because I am incapable of doing it alone.
Stick your fingers in my mouth.
Put your fingers in my mouth and see me smile.
Pull my lips back and watch me smile.
Pull my lips away from my teeth and see me smile.
Catch me on my troubled portion.
Catch me when I am going through hard times.
Maybe there is something there for you.
Maybe you can find something good in helping me.
Look below her nylon stockings,
Look below her stockings made of nylon material.
Snapped the double notch and left untied.
Fastened the stockings with double notches and then left them untied.
Some king chooser will wind up with my number.
Someone will eventually choose me, like how a king chooses his subjects.
I'll go to sleep and wait for my number to come.
I'll just rest and wait for someone to choose me.
Deep pockets may be deeper
Wealthy people with a lot of money might have even more money that's hidden.
And always had a nickel to spare.
These wealthy people always had money to spare.
Now the blood blister's,
Now there is a painful pocket of blood on the skin.
The blister's black
The blister has turned black over time.
As she washes her hands and crosses her chest. (Across her chest)
As she cleans her hands and holds them over her chest as a sign of respect to the dead.
But if you're willing to call my machine,
If you're willing to call me and leave a message on my answering machine.
Flip the coins and watch me light up
Flip some coins and watch me become happy and excited.
Hope the time is right for it
I hope the timing is right for you to make me happy.
When its done, turn your back
When you've made me happy, you can leave and move on from me.
King chooser has come for my number.
The person who will choose me has finally come.
I'll just roll over on my back
I will lay on my back and wait for them to choose me.
And wait for my number to come.
I'll continue waiting for someone to choose me.
Lyrics © WORDS & MUSIC A DIV OF BIG DEAL MUSIC LLC, Kobalt Music Publishing Ltd.
Written by: Scott Kannberg, Stephen Joseph Malkmus
Lyrics Licensed & Provided by LyricFind
Marisol Cortez
i always wanted to salute pavement to this song, one hand snapped to forehead and the other over my heart, as they passed by on a float.
luap ekcol
I know exactly what you are saying..
Rob Bell
Lou Reed lives on as pavement are the velvet underground of their generation.Wonderful
urlocallordandsaviour
The opening riff reminds me of the ending to Talking Head's "Once in a Lifetime", to the point where you can sequence this song after "Once in a Lifetime".
morning bill
Great song from a great band, maybe the best indie band for two or three years. Unfortunately perfect sound didn’t last much long
frflinstone
Too good for the average meathead
jonobrow
Bardo Pond did a great cover of this song.
ThawedTroglodyteJury
frissons
jik03001
Put the coins in and watch me light up.
IndridCold
Love