Pavement is an American indie rock band that formed in Stockton, CA, in 198… Read Full Bio ↴Pavement is an American indie rock band that formed in Stockton, CA, in 1989. For most of the period to 1999, the band consisted of Stephen Malkmus (vocals, guitar), Scott "Spiral Stairs" Kannberg (guitar, vocals), Mark Ibold (bass), Steve West (drums) and Bob Nastanovich (percussion, vocals). During that period, and since, they have frequently been described as one of the most influential bands to emerge from the American underground of the '90s. While their split in 1999 was reportedly rather acrimonious, they undertook a well-received reunion tour during 2010.
Pavement formed in Stockton, California, in 1989 as a studio project of guitarists and vocalists Stephen Malkmus and Scott Kannberg, known originally only as "S.M." and "Spiral Stairs", respectively. Their debut EPs were extremely lo-fi releases titled Slay Tracks (1933-1969), Demolition Plot J-7, and Perfect Sound Forever. They were recorded at Louder Than You Think, the home studio of infamous Stockton local and former hippie Gary Young. The eccentric and aging hipster also provided drums. Upon first hearing the duo's songs, Young was quoted as saying, "this Malkmus idiot is a complete songwriting genius".
Pavement's most obvious influence during this time was English rock band The Fall, although Kannberg stated in a 1992 interview that he preferred The Replacements to The Fall. The Fall's primary member, Mark E. Smith, would often angrily claim through the years that Pavement was a "rip-off" of his band and that they didn't "have an original idea in their heads". However, some of the other members of The Fall actually enjoyed Pavement.
Around 1992 Pavement became a full-time band, with the addition of bassist Mark Ibold - who had been one of the band's first fans - and extra percussionist Bob Nastanovich (a fellow museum security guard along with Malkmus and David Berman, of Silver Jews) to help Young keep time. Their debut album, Slanted and Enchanted, was released commercially in 1992 after being circulated among critics and tastemakers for nearly a year, and became an instant indie classic. Though the percussive influence of The Fall was still pervasive (as was that of English post punks, Swell Maps), many of the songs also exhibited a strong sense of melody. The following year, the band released the EP, Watery, Domestic, which represented a balance between their earlier and later styles.
Gary Young's departure and Crooked Rain, Crooked Rain
The tour for Slanted & Enchanted gave Gary Young a chance to showcase his bizarre live behavior. He would act out by giving away cabbage and mashed potatoes to fans at the door of the venue, doing handstands, running around the venue and stage while the rest of the band was playing and drunkenly falling off his drum stool. His bizarre drug- and alcohol-fueled personality had grated on the rest of the band through several years of touring and recording and they could no longer take it. At the end of the tour, Young left Pavement. The final straw came when Young allegedly pulled a gun on Malkmus. (Malkmus later stated that this was not true: while Young had bought a gun, he never pulled it on Malkmus). The group soon after had a meeting in a hotel room in Copenhagen during which Malkmus, Kannberg and Ibold remained silent while Nastanovich (Young's best friend at the time) argued with the drummer and informed him that his antics were unnecessary. According to the band, Gary Young quit and was replaced by Steve West.
With an improved recording quality and more original songwriting, they released Crooked Rain, Crooked Rain in 1994. The record was far more indebted to the classic rock tradition than their more obscure debut. The single, "Cut Your Hair" was the band's closest brush with the mainstream, and briefly enjoyed airplay on alternative rock radio and MTV.
Another single, "Range Life", was infamous chiefly for lyrics that criticized alt-rock superstars The Smashing Pumpkins and Stone Temple Pilots. Malkmus has insisted over the years that the line is meant to be light-hearted and timely, sung from the point of view of the aging hippie character in the song - later live versions of the track had the singer substituting Spice Girls, The Counting Crows, or countless others for "Stone Temple Pilots". Billy Corgan, leader of The Smashing Pumpkins, threatened to drop his band from the 1994 Lollapalooza Festival if Pavement was allowed to play. The Smashing Pumpkins were headlining Lollapalooza that year. Corgan and Malkmus would trade barbs through the press for several years after.
Wowee Zowee and Brighten the Corners
Pavement's next album was the eclectic, inscrutable Wowee Zowee (1995). In eighteen tracks, the band covered a wide range of styles including punk, country and balladry, and largely dispensed with conventional song structures. The album was not widely admired at the time of release but is now generally embraced by fans. On the Slow Century DVD, Malkmus attributed his odd choice of singles to his pot smoking, stating that "I was smoking a lot of grass back then but to me they sounded like hits." Although Malkmus has said in recent interviews that the album is the last "classic Pavement record", Kannberg has voiced regrets about Wowee Zowee. "We made some mistakes on that record... we were kind of pressured into putting out a record a little faster than we were ready to. I mean, I'm totally into the record. It's just if we had another six months to think about it, it would've been much different." During the tour for the album, Nastonovich stated on the Slow Century DVD, the band would often not work out a setlist before shows, opting for drug and alcohol fueled jams over hit singles.
Wowee Zowee was followed up by the EP, Pacific Trim, which was recorded with only Malkmus and drummers Nastanovich and Steve West. Their studio time was originally reserved for a Silver Jews recording, but frontman David Berman walked out in frustration and the trio decided not to waste prepaid recording time.
1997's Brighten the Corners, a shorter, mellower and more focused record than the previous album, was produced by Mitch Easter. In style it resembled Crooked Rain, Crooked Rain and contained two of the band's best known singles in "Stereo" and "Shady Lane". It was the only Pavement album to include a lyric sheet. The album sold better than its predecessors, but Pavement remained a cult band. It was at about this time that the band started to fragment, with its members focusing more on other musical projects or on raising families.
Terror Twilight and breakup
In 1999, the band released its final album, Terror Twilight. Bob Nastanovich came up with the title, and has revealed the meaning of it in several interviews: "Twilight Terror is the short span between sunset and dusk; this is considered the most dangerous time in traffic, because half of the people switch on the headlights, and the other half doesn't. It's when most accidents happen." During an interview on the Slow Century documentary DVD, he said that the band was having trouble coming up with names for the record until he put forth Terror Twilight. One of the final contenders was Farewell Horizontal (also the name of a 1989 science fiction novel by K.W. Jeter), and Nastanovich said, "There was no way I was going to be on the Farewell Horizontal tour for the next year."
Malkmus wrote the entirety of the record, and the recording of the music only featured minor contributions from the rest of the band. The music on the record is by far the gentlest and most emotionally direct in the band's discography, though the oddball Captain Beefheart homage "Platform Blues" is a nod to their more obscure roots. Its comparatively pristine production was helmed by Nigel Godrich, best known for his work with Radiohead and Beck.
The group released one last EP, titled Major Leagues. It features three Malkmus songs, two original Spiral Stairs songs and two covers: "The Killing Moon" by Echo and the Bunnymen and "The Classical" by The Fall. Stephen Malkmus sings on both of the cover songs.
After completing a world tour in London in 1999, the band announced that they were going on hiatus, which eventually revealed itself as an unofficial break-up. Nastanovich later said that it was a somewhat civil dissolution. "There was too much exhaustion for heavy emotion."
Slow Century and Perfect Sound Forever
In 2002, Slow Century, a documentary by Lance Bangs coupled with all of the band's music videos, was released as a 2 DVD set. Included was extensive footage, both professionally shot and taped by fans on camcorders, from the band's earliest shows in 1989 forward. The three final songs from the band's last show ever ("Stop Breathin'", "Conduit for Sale" and "Here") are presented at the end of the documentary. Also on the DVD is a hidden easter egg clip from the same show, wherein Malkmus apparently jokingly talks about how the handcuffs attached to his microphone stand "represent what it's like being in a band all these years." A bonus disc with a complete concert in Seattle, Washington, from the early part of the Terror Twilight tour was included on the second disc, as well as several songs from their second to last show.
2004 saw the publication of "Perfect Sound Forever: The Story of Pavement", a biography on the band written by Rob Jovanovic. Most reviews of the book rated it poorly, saying that it contained much of the same information as the Slow Century DVD and expanded very little on it.
Post-Pavement projects
* Stephen Malkmus has gone on to enjoy success as a solo artist combining his intricate guitar playing with a progressive rock influence. He has released four albums, Stephen Malkmus (2001), Pig Lib (2003), Face the Truth (2005), and Real Emotional Trash (2008) each garnering mainly warm reviews from critics and fans alike. Malkmus' new group has been known to treat audiences to Pavement songs every once in a while (On May 24, 2003, while touring in Milwaukee, Wisconsin with his new band The Jicks, Malkmus opened the show by saying, "This is off our first record". The band then proceeded to play an evening's worth of Pavement songs. This show has been dubbed by fans as The Milwaukee Show). He is a revolving member of the group Silver Jews, led by David Berman.
* Scott Kannberg went on to form a musical group named Preston School of Industry, not to be confused with the Ione, California reform school nor the Pavement tune of the same name. They have released two albums with Matador Records, All this Sounds Gas (2001), and Monsoon (2004). The latter album boasts studio contributions from members of The Minus 5 and Wilco. Preston School of Industry has remained apparently inactive since the end of their September 2004 Australian tour.
*Mark Ibold has been reported to be working behind the bar at a restaurant called Great Jones Cafe in New York, New York. In early 2005, rumors began to spread on the internet that he had a new group called Cam'Ron's Foreskin. In the summer of 2006, Ibold joined Sonic Youth as their touring bass player for their Rather Ripped tour. He became a full time member of Sonic Youth and contributed to/co-wrote (as Sonic Youth albums are group efforts) on the new album The Eternal.
* Steve West lives in Lexington, Virginia. He has two children and works as a stonemason. He has released 3 albums as Marble Valley.
* Bob Nastanovich has a home in Louisville, Kentucky and produces a website called "Lonely on the Rail" which combines his passions for horse racing and writing. He tour managed for The Jicks during their first tour. Since then, Nastanovich has been a jockey agent for Greta Kuntzweiler. When asked if he was in contact with his former band members, he said, "West - yes, Malkmus - yes, Ibold - rarely, Kannberg - never". He accompanied Malkmus on drums for two songs during a solo acoustic set at the 2007 Pitchfork Music Festival.
* Gary Young has continued recording bands at his Stockton studio. He also has a new group, Gary Young's Hospital, with which he records and plays concerts. Young also invented the Universal Microphone Shock Mount, "an innovative approach to keeping your microphones isolated from stand vibrations."
Reunion
There is frequent speculation about the possibility of a Pavement reunion. In a 2006 Pitchfork interview, Scott Kannberg discussed the possibility of a reunion for the band's 20th anniversary in 2009. In a 2008 Entertainment Weekly article, Kannberg echoed the possibility of a 2009 reunion, and mentioned Matador Records' 20th anniversary. Mark Ibold was amiable to the idea; Malkmus, however, stated: "something small in 10 years like the Zeppelin thing sounds good to me."
On September 16, 2009 it was confirmed that Pavement will reunite for a show at Central Park's SummerStage on September 21, 2010.
Official statements by the band, label, venue and promoter were released on September 17, 2009 confirming the reunion. The announcement included one concert in Central Park and the promise of a tour, but said that the reunion may only be a one-off event. It said, "Please be advised this tour is not a prelude to additional jaunts and/or a permanent reunion. The band held rehearsal at Audio Cinema in Portland, Oregon. The band performed several shows throughout 2010.
There is another band with the same name:
2) Pavement was a British reggae-soul-ska band active in the late-60s. They released their eponymous album in 1969.
Pavement formed in Stockton, California, in 1989 as a studio project of guitarists and vocalists Stephen Malkmus and Scott Kannberg, known originally only as "S.M." and "Spiral Stairs", respectively. Their debut EPs were extremely lo-fi releases titled Slay Tracks (1933-1969), Demolition Plot J-7, and Perfect Sound Forever. They were recorded at Louder Than You Think, the home studio of infamous Stockton local and former hippie Gary Young. The eccentric and aging hipster also provided drums. Upon first hearing the duo's songs, Young was quoted as saying, "this Malkmus idiot is a complete songwriting genius".
Pavement's most obvious influence during this time was English rock band The Fall, although Kannberg stated in a 1992 interview that he preferred The Replacements to The Fall. The Fall's primary member, Mark E. Smith, would often angrily claim through the years that Pavement was a "rip-off" of his band and that they didn't "have an original idea in their heads". However, some of the other members of The Fall actually enjoyed Pavement.
Around 1992 Pavement became a full-time band, with the addition of bassist Mark Ibold - who had been one of the band's first fans - and extra percussionist Bob Nastanovich (a fellow museum security guard along with Malkmus and David Berman, of Silver Jews) to help Young keep time. Their debut album, Slanted and Enchanted, was released commercially in 1992 after being circulated among critics and tastemakers for nearly a year, and became an instant indie classic. Though the percussive influence of The Fall was still pervasive (as was that of English post punks, Swell Maps), many of the songs also exhibited a strong sense of melody. The following year, the band released the EP, Watery, Domestic, which represented a balance between their earlier and later styles.
Gary Young's departure and Crooked Rain, Crooked Rain
The tour for Slanted & Enchanted gave Gary Young a chance to showcase his bizarre live behavior. He would act out by giving away cabbage and mashed potatoes to fans at the door of the venue, doing handstands, running around the venue and stage while the rest of the band was playing and drunkenly falling off his drum stool. His bizarre drug- and alcohol-fueled personality had grated on the rest of the band through several years of touring and recording and they could no longer take it. At the end of the tour, Young left Pavement. The final straw came when Young allegedly pulled a gun on Malkmus. (Malkmus later stated that this was not true: while Young had bought a gun, he never pulled it on Malkmus). The group soon after had a meeting in a hotel room in Copenhagen during which Malkmus, Kannberg and Ibold remained silent while Nastanovich (Young's best friend at the time) argued with the drummer and informed him that his antics were unnecessary. According to the band, Gary Young quit and was replaced by Steve West.
With an improved recording quality and more original songwriting, they released Crooked Rain, Crooked Rain in 1994. The record was far more indebted to the classic rock tradition than their more obscure debut. The single, "Cut Your Hair" was the band's closest brush with the mainstream, and briefly enjoyed airplay on alternative rock radio and MTV.
Another single, "Range Life", was infamous chiefly for lyrics that criticized alt-rock superstars The Smashing Pumpkins and Stone Temple Pilots. Malkmus has insisted over the years that the line is meant to be light-hearted and timely, sung from the point of view of the aging hippie character in the song - later live versions of the track had the singer substituting Spice Girls, The Counting Crows, or countless others for "Stone Temple Pilots". Billy Corgan, leader of The Smashing Pumpkins, threatened to drop his band from the 1994 Lollapalooza Festival if Pavement was allowed to play. The Smashing Pumpkins were headlining Lollapalooza that year. Corgan and Malkmus would trade barbs through the press for several years after.
Wowee Zowee and Brighten the Corners
Pavement's next album was the eclectic, inscrutable Wowee Zowee (1995). In eighteen tracks, the band covered a wide range of styles including punk, country and balladry, and largely dispensed with conventional song structures. The album was not widely admired at the time of release but is now generally embraced by fans. On the Slow Century DVD, Malkmus attributed his odd choice of singles to his pot smoking, stating that "I was smoking a lot of grass back then but to me they sounded like hits." Although Malkmus has said in recent interviews that the album is the last "classic Pavement record", Kannberg has voiced regrets about Wowee Zowee. "We made some mistakes on that record... we were kind of pressured into putting out a record a little faster than we were ready to. I mean, I'm totally into the record. It's just if we had another six months to think about it, it would've been much different." During the tour for the album, Nastonovich stated on the Slow Century DVD, the band would often not work out a setlist before shows, opting for drug and alcohol fueled jams over hit singles.
Wowee Zowee was followed up by the EP, Pacific Trim, which was recorded with only Malkmus and drummers Nastanovich and Steve West. Their studio time was originally reserved for a Silver Jews recording, but frontman David Berman walked out in frustration and the trio decided not to waste prepaid recording time.
1997's Brighten the Corners, a shorter, mellower and more focused record than the previous album, was produced by Mitch Easter. In style it resembled Crooked Rain, Crooked Rain and contained two of the band's best known singles in "Stereo" and "Shady Lane". It was the only Pavement album to include a lyric sheet. The album sold better than its predecessors, but Pavement remained a cult band. It was at about this time that the band started to fragment, with its members focusing more on other musical projects or on raising families.
Terror Twilight and breakup
In 1999, the band released its final album, Terror Twilight. Bob Nastanovich came up with the title, and has revealed the meaning of it in several interviews: "Twilight Terror is the short span between sunset and dusk; this is considered the most dangerous time in traffic, because half of the people switch on the headlights, and the other half doesn't. It's when most accidents happen." During an interview on the Slow Century documentary DVD, he said that the band was having trouble coming up with names for the record until he put forth Terror Twilight. One of the final contenders was Farewell Horizontal (also the name of a 1989 science fiction novel by K.W. Jeter), and Nastanovich said, "There was no way I was going to be on the Farewell Horizontal tour for the next year."
Malkmus wrote the entirety of the record, and the recording of the music only featured minor contributions from the rest of the band. The music on the record is by far the gentlest and most emotionally direct in the band's discography, though the oddball Captain Beefheart homage "Platform Blues" is a nod to their more obscure roots. Its comparatively pristine production was helmed by Nigel Godrich, best known for his work with Radiohead and Beck.
The group released one last EP, titled Major Leagues. It features three Malkmus songs, two original Spiral Stairs songs and two covers: "The Killing Moon" by Echo and the Bunnymen and "The Classical" by The Fall. Stephen Malkmus sings on both of the cover songs.
After completing a world tour in London in 1999, the band announced that they were going on hiatus, which eventually revealed itself as an unofficial break-up. Nastanovich later said that it was a somewhat civil dissolution. "There was too much exhaustion for heavy emotion."
Slow Century and Perfect Sound Forever
In 2002, Slow Century, a documentary by Lance Bangs coupled with all of the band's music videos, was released as a 2 DVD set. Included was extensive footage, both professionally shot and taped by fans on camcorders, from the band's earliest shows in 1989 forward. The three final songs from the band's last show ever ("Stop Breathin'", "Conduit for Sale" and "Here") are presented at the end of the documentary. Also on the DVD is a hidden easter egg clip from the same show, wherein Malkmus apparently jokingly talks about how the handcuffs attached to his microphone stand "represent what it's like being in a band all these years." A bonus disc with a complete concert in Seattle, Washington, from the early part of the Terror Twilight tour was included on the second disc, as well as several songs from their second to last show.
2004 saw the publication of "Perfect Sound Forever: The Story of Pavement", a biography on the band written by Rob Jovanovic. Most reviews of the book rated it poorly, saying that it contained much of the same information as the Slow Century DVD and expanded very little on it.
Post-Pavement projects
* Stephen Malkmus has gone on to enjoy success as a solo artist combining his intricate guitar playing with a progressive rock influence. He has released four albums, Stephen Malkmus (2001), Pig Lib (2003), Face the Truth (2005), and Real Emotional Trash (2008) each garnering mainly warm reviews from critics and fans alike. Malkmus' new group has been known to treat audiences to Pavement songs every once in a while (On May 24, 2003, while touring in Milwaukee, Wisconsin with his new band The Jicks, Malkmus opened the show by saying, "This is off our first record". The band then proceeded to play an evening's worth of Pavement songs. This show has been dubbed by fans as The Milwaukee Show). He is a revolving member of the group Silver Jews, led by David Berman.
* Scott Kannberg went on to form a musical group named Preston School of Industry, not to be confused with the Ione, California reform school nor the Pavement tune of the same name. They have released two albums with Matador Records, All this Sounds Gas (2001), and Monsoon (2004). The latter album boasts studio contributions from members of The Minus 5 and Wilco. Preston School of Industry has remained apparently inactive since the end of their September 2004 Australian tour.
*Mark Ibold has been reported to be working behind the bar at a restaurant called Great Jones Cafe in New York, New York. In early 2005, rumors began to spread on the internet that he had a new group called Cam'Ron's Foreskin. In the summer of 2006, Ibold joined Sonic Youth as their touring bass player for their Rather Ripped tour. He became a full time member of Sonic Youth and contributed to/co-wrote (as Sonic Youth albums are group efforts) on the new album The Eternal.
* Steve West lives in Lexington, Virginia. He has two children and works as a stonemason. He has released 3 albums as Marble Valley.
* Bob Nastanovich has a home in Louisville, Kentucky and produces a website called "Lonely on the Rail" which combines his passions for horse racing and writing. He tour managed for The Jicks during their first tour. Since then, Nastanovich has been a jockey agent for Greta Kuntzweiler. When asked if he was in contact with his former band members, he said, "West - yes, Malkmus - yes, Ibold - rarely, Kannberg - never". He accompanied Malkmus on drums for two songs during a solo acoustic set at the 2007 Pitchfork Music Festival.
* Gary Young has continued recording bands at his Stockton studio. He also has a new group, Gary Young's Hospital, with which he records and plays concerts. Young also invented the Universal Microphone Shock Mount, "an innovative approach to keeping your microphones isolated from stand vibrations."
Reunion
There is frequent speculation about the possibility of a Pavement reunion. In a 2006 Pitchfork interview, Scott Kannberg discussed the possibility of a reunion for the band's 20th anniversary in 2009. In a 2008 Entertainment Weekly article, Kannberg echoed the possibility of a 2009 reunion, and mentioned Matador Records' 20th anniversary. Mark Ibold was amiable to the idea; Malkmus, however, stated: "something small in 10 years like the Zeppelin thing sounds good to me."
On September 16, 2009 it was confirmed that Pavement will reunite for a show at Central Park's SummerStage on September 21, 2010.
Official statements by the band, label, venue and promoter were released on September 17, 2009 confirming the reunion. The announcement included one concert in Central Park and the promise of a tour, but said that the reunion may only be a one-off event. It said, "Please be advised this tour is not a prelude to additional jaunts and/or a permanent reunion. The band held rehearsal at Audio Cinema in Portland, Oregon. The band performed several shows throughout 2010.
There is another band with the same name:
2) Pavement was a British reggae-soul-ska band active in the late-60s. They released their eponymous album in 1969.
Spit on a Stranger
Pavement Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
However you feel,
Whatever it takes,
Whenever it's real,
Whatever awaits,
Whatever you need,
However so slight,
Whenever it's real,
Whenever it's right.
I've been thinking long and hard
About the things you said to me,
Like a bitter stranger,
And now I see the long,
The short, the middle and what's inbetween,
I could spit on a stranger,
(Pour/pull me out)
You're a bitter stranger.
(Pour me out)
Whatever you feel,
Whatever it takes,
Whenever it's real,
Whatever awaits me,
Whatever you need,
However so slight,
Whenever it leads,
Whenever it's right.
Honey I'm a prize and you're a catch
And we're a perfect match,
Like two bitter strangers,
And now I see the long,
The short of it and I can make it last,
I could spit on a stranger,
(Pour me out)
You're a bitter stranger,
(Pour me out)
I could spit on a stranger,
(Pour me out)
You're a bitter stranger.
(Pour me out)
I see the sunshine in your eyes,
I'll try the things you'll never try,
I'll be the one that leaves
You high...high...high
Whatever it takes,
Whenever it's real,
Whatever awaits,
Whatever you need,
However so slight,
Whenever it's real,
Whenever it's right.
I've been thinking long and hard
About the things you said to me,
Like a bitter stranger,
And now I see the long,
The short, the middle and what's inbetween,
I could spit on a stranger,
(Pour/pull me out)
You're a bitter stranger.
(Pour me out)
Whatever you feel,
Whatever it takes,
Whenever it's real,
Whatever awaits me,
Whatever you need,
However so slight,
Whenever it leads,
Whenever it's right.
Honey I'm a prize and you're a catch
And we're a perfect match,
Like two bitter strangers,
And now I see the long,
The short of it and I can make it last,
I could spit on a stranger,
(Pour me out)
You're a bitter stranger,
(Pour me out)
I could spit on a stranger,
(Pour me out)
You're a bitter stranger.
(Pour me out)
I see the sunshine in your eyes,
I'll try the things you'll never try,
I'll be the one that leaves
You high...high...high
The lyrics of Pavement's song Spit on a Stranger speak about being open to love, taking the risk to find it and being able to see the good in people. The lines "However you feel, Whatever it takes,Whenever it's real, Whatever awaits" imply that the singer is willing to do whatever it takes to find love and is open to whatever approaches will help him achieve that end. The chorus "Whatever you need, However so slight, Whenever it leads, Whenever it's right" reiterates that idea and shows that the singer is set to take their desires seriously because they do not want to miss out on love.
The second verse talks about a person who previously was bitter and could not see the good in the singer. However, things seem to have changed, and the singer seems more understanding and mature, able to see that there is more to a person than their negative attitude towards them. This maturity is emphasized as the singer is ready to take the person as they are, and even though they had been strangers, they can connect and find love. The line "I see the sunshine in your eyes, I'll try the things you'll never try, I'll be the one that leaves You high...high...high" beautifully captures the singer's commitment to do whatever it takes to make the relationship work.
In summary, Spit on a Stranger celebrates the beauty of love and the need for people to be open-minded regardless of past experiences. The song encourages people to take risks and explore different approaches if they want to find love. It also acknowledges the impact of bitterness, but the message is: don't let bitterness stop you from finding the love you desire.
Line by Line Meaning
However you feel,
No matter the emotions you experience,
Whatever it takes,
No matter what effort is required,
Whenever it's real,
Whenever it's genuine and true,
Whatever awaits,
Regardless of what lies ahead,
Whatever you need,
Whatever requirements you may have,
However so slight,
Even if it's a subtle desire,
Whenever it's real,
Whenever it's genuine and true,
Whenever it's right.
Whenever it aligns perfectly.
I've been thinking long and hard
Ruminating over and over,
About the things you said to me,
Reflecting on your words and impact,
Like a bitter stranger,
Causing resentment like an outsider,
And now I see the long,
I can now envision the extended outcome,
The short, the middle and what's inbetween,
The beginning, the end, and everything in the middle,
I could spit on a stranger,
I feel a level of disgust/contempt towards an unfamiliar person,
(Pour/pull me out)
Symbolic action of being drawn out or away,
You're a bitter stranger.
Referring to the individual who exhibits a similar negative attitude,
Honey I'm a prize and you're a catch
I am desirable and you are lucky to have me,
And we're a perfect match,
We are ideally suited for one another,
Like two bitter strangers,
Despite our compatibility, we still hold negative emotions,
And now I see the long,
My vision is clear enough to see the big picture,
The short of it and I can make it last,
I acknowledge the limited time, but can extend it,
I could spit on a stranger,
Again feeling a sense of animosity towards the unknown individual,
(Pour me out)
A request to be removed or let go of,
You're a bitter stranger,
Referring to the negative attitude of the person,
I see the sunshine in your eyes,
I see the positive and bright aspects of your personality,
I'll try the things you'll never try,
I am willing to explore and take risks that you are reluctant to attempt,
I'll be the one that leaves
I will be the factor that produces a sense of euphoria,
You high...high...high
You will experience a state of utmost joy and satisfaction.
Lyrics © Hipgnosis Songs Group
Written by: STEPHEN MALKMUS
Lyrics Licensed & Provided by LyricFind
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@Aizubunny
However you feel,
Whatever it takes,
Whenever it's real,
Whatever awaits,
Whatever you need,
However so slight,
Whenever it's real,
Whenever it's right.
I've been thinking long and hard
About the things you said to me,
Like a bitter stranger,
And now I see the long,
The short, the middle and what's inbetween,
I could spit on a stranger,
(Pour/pull me out)
You're a bitter stranger.
(Pour me out)
Whatever you feel,
Whatever it takes,
Whenever it's real,
Whatever awaits me,
Whatever you need,
However so slight,
Whenever it leads,
Whenever it's right.
Honey I'm a prize and you're a catch
And we're a perfect match,
Like two bitter strangers,
And now I see the long,
The short of it and I can make it last,
I could spit on a stranger,
(Pour me out)
You're a bitter stranger,
(Pour me out)
I could spit on a stranger,
(Pour me out)
You're a bitter stranger.
(Pour me out)
I see the sunshine in your eyes,
I'll try the things you'll never try,
I'll be the one that leaves
You high...high...high
@CliveGulch
The fact that I want this to be the first dance song at my wedding says allot about why I have never been married.
@mgmegt5920
Need a wife?
@GobanShodan
@@mgmegt5920 I'll take 3 please
@alexairene8749
My friend's fiance was a roadie. Pavement PLAYED AT THEIR WEDDING. I'm not even kidding, it was epic. They also sang "Shady Lane," but changed the words for the bride. "The worlds collide, but all that we want is a Tracy Lane." 💜
@kewlozer7979
@@mgmegt5920 Hi
@edensblues7688
Feel ya tho
@nayohmee4365
one of my all time favorite songs ever made. thank you pavement you helped me through my awkward teenage years and are still helping me through my awkward adult years
@debaser_666
You're a bitter stranger.
@ogami1972
Damn...it just really takes you back. Like, you can suddenly smell the apartment you were in, see the crappy pier 1 furniture, really just feel that mid-90's feeling. Indescribable if you weren't there.
@z6ppa325
Wow. Nice description. This is interesting to hear. I’m a teenager so obviously wasn’t there but that somehow made me sad.