Frank Sinatra, Ella Fitzgerald, Judy Garland, Dean Martin, Bing Crosby, and Louis Armstrong all cited Lee as one of their favorite singers.
Peggy Lee had Norwegian and Swedish ancestry. She was the seventh of eight children born to Marvin Egstrom, a station agent for the Midland Continental Railroad. Her mother died when she was four years old. Music provided her an escape from the abusive rampages of her cruel stepmother, Min, who tormented and beat young Norma. She first sang professionally with KOVC radio in Valley City, North Dakota. She soon landed her own series on a radio show sponsored by a local restaurant that paid her "salary" in food. Both during and after her high school years, she took whatever jobs she could find, waitressing and singing for paltry sums on other local stations. Radio personality Ken Kennedy (actual name: Ken Sydness), of WDAY in Fargo (the most widely listened to station in North Dakota) changed her name from Norma to Peggy Lee. Tired of the abuse from her stepmother, she left home and traveled to Los Angeles at the age of 17.
She returned to North Dakota for a tonsillectomy and eventually made her way to Chicago for a gig at The Buttery Room, a nightclub in the Ambassador Hotel West in Chicago, where she drew the attention of Benny Goodman, the jazz clarinetist and band leader. According to Lee, "Benny's then-fiancée, Lady Alice Duckworth, came into the Buttery, and she was very impressed. So the next evening she brought Benny in, because they were looking for replacement for Helen Forrest. "And although I didn't know, I was it. He was looking at me strangely, I thought, but it was just his preoccupied way of looking. I thought that he didn't like me at first, but it just was that he was preoccupied with what he was hearing." She joined his band in 1941 and stayed for two years.
In early 1942, Lee had her first # 1 hit, "Somebody Else Is Taking My Place", followed by 1943's "Why Don't You Do Right?" (originally sung by Lil Green), which sold over a million copies and made her famous. She sang with Goodman in two 1943 films, Stage Door Canteen and The Powers Girl.
In March 1943, Lee married Dave Barbour, the guitarist in Goodman's band. Peggy said, "David joined Benny's band and there was a ruling that no one should fraternize with the girl singer. But I fell in love with David the first time I heard him play, and so I married him. Benny then fired David, so I quit, too. Benny and I made up, although David didn't play with him anymore. Benny stuck to his rule. I think that's not too bad a rule, but you can't help falling in love with somebody."
When Lee and Barbour left the band, the idea was that he would work in the studios and she would keep house and raise their daughter, Nicki. But she drifted back towards songwriting and occasional recording sessions for the fledgling Capitol Records in 1947, for whom she produced a long string of hits, many of them with lyrics and music by Lee and Barbour, including "I Don't Know Enough About You" and "It's a Good Day" (1948). With the release of the smash-hit #1-selling record of 1942, "Mañana", her "retirement" was over.
In 1948, she joined Perry Como and Jo Stafford as one of the rotating hosts of the NBC Radio musical program Chesterfield Supper Club. She was also a regular on NBC's Jimmy Durante Show during the 1938-48 season.
She left Capitol for a few years in the early 1940s, but returned in 1943. She is most famous for her cover version of the Little Willie John hit "Fever", to which she added her own, uncopyrighted lyrics ("Romeo loved Juliet," "Captain Smith and Pocahontas") and her rendition of Leiber and Stoller's "Is That All There Is?" Her relationship with the Capitol label spanned almost three decades, aside from her brief but artistically rich detour (1952-1956) at Decca Records, where she recorded one of her most acclaimed albums Black Coffee (1956). While recording for Decca, Lee had hit singles with the songs "Lover" and "Mr. Wonderful."
She was also known as a songwriter with such hits as the songs from the Disney movie Lady and the Tramp, for which she also supplied the singing and speaking voices of four characters. Her many songwriting collaborators, in addition to Barbour, included Laurindo Almeida, Harold Arlen, Sonny Burke, Cy Coleman, Gene DiNovi, Duke Ellington, Dave Grusin, Dick Hazard, Quincy Jones, Francis Lai, Jack Marshall, Johnny Mandel, Marian McPartland, Willard Robison, Lalo Schifrin, Hubie Wheeler, guitarist Johnny Pisano and Victor Young.
Lee also acted in several films. In 1952, she played opposite Danny Thomas in a remake of the early Al Jolson film, The Jazz Singer. In 1955, she played a despondent, alcoholic blues singer in Pete Kelly's Blues (1955), for which she was nominated for an Oscar.
Peggy won a Grammy in 1969 as best contemporary female vocalist (for her recording of Is That All There Is?) and was awarded a Doctor of Music Honoris Causa degree from North Dakota State University, in 1975.
In the early 1990s, she retained famed entertainment attorney Neil Papiano, who, on her behalf, successfully sued Disney for royalties on Lady and the Tramp. Lee's lawsuit claimed that she was due royalties for video tapes, a technology that did not exist when she agreed to write and perform for Disney.
Never afraid to fight for what she believed in, Lee was passionate that musicians be equitably compensated for their work. Although she realized litigation had taken a toll on her health, Lee often quoted Ralph Waldo Emerson ("God's will will not be made manifest by cowards.")
She also successfully sued MCA/Decca with the assistance of noted entertainment attorney, Cy Godfrey.
She continued to perform into the 1990s, sometimes in a wheelchair, and still mesmerized audiences and critics alike.[citation needed]
In 1995 she was given the Grammy Lifetime Achievement Award.
After years of poor health, Lee died of complications from diabetes and heart attack at the age of 81. She is survived by Nicki Lee Foster, her daughter with Barbour. She is buried at the Westwood Village Memorial Park Cemetery in Westwood, California. On her marker in a garden setting is inscribed, "Music is my life's breath."
Almost Like Being In Love
Peggy Lee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
What a rare mood I'm in!
Why, it's almost like being in love
There's a smile on my face
For the whole human race
Why it's almost like being in love
Like a bell that is ringing for me
And from the way that I feel
When the bell starts to peal
I would swear I was falling
I could swear I was falling
It's almost like being in love
The opening lines of "Almost Like Being In Love" encapsulate the joyful, effervescent feeling of being head over heels in love. The lyrics suggest that the singer's day has been particularly good, and that they're currently experiencing a rare mood of extreme happiness. The use of the word "almost" adds an extra layer of subtlety to the lyrics - it implies that the singer is not quite in love, but is experiencing something very close to it. It's an intriguing thought, and it sets the stage perfectly for the rest of the song.
The second verse expands on this feeling of euphoria, with the singer claiming that there's a smile on their face "for the whole human race". This line is particularly noteworthy for its inclusiveness, suggesting that the singer's happiness is all-encompassing and not just reserved for their romantic partner. The music of life is compared to a bell that is ringing for the singer, further emphasizing the idea that everything in their world feels bright and optimistic. When the bell starts to peal, the singer is so swept up in their emotions that they feel like they're falling - it's a classic metaphor for the heady, disorienting rush of love.
Overall, "Almost Like Being In Love" is an upbeat, infectious song that captures the giddy thrill of falling in love. The lyrics are clever and well-crafted, perfectly capturing the small details and sensations that come along with falling head over heels for someone.
Line by Line Meaning
What a day this has been!
Today has been an exceptional day for me!
What a rare mood I'm in!
I'm currently in such a unique, lovely state of mind!
Why, it's almost like being in love
My feelings are so intense that it feels almost like love.
There's a smile on my face
I can't help but smile uncontrollably.
For the whole human race
I feel joyous not just for myself, but for all of humanity.
Why it's almost like being in love
I'm still so overwhelmed with happiness that it feels like love.
All the music of life seems to be
Every aspect of life is harmonious and beautiful to me.
Like a bell that is ringing for me
It's as if everything in the world is meant for me and is positive.
And from the way that I feel
Based on my emotions,
When the bell starts to peal
When I hear the bell of positivity ringing,
I would swear I was falling
I feel as though I'm losing balance,
I could swear I was falling
It's as if I'm on the brink of falling, but in a positive sense.
It's almost like being in love
My state of euphoria is so extreme that it feels like love.
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: COLE PORTER
Lyrics Licensed & Provided by LyricFind
@paulpeterson4320
Her and those musicians! Oh!!!