Frank Sinatra, Ella Fitzgerald, Judy Garland, Dean Martin, Bing Crosby, and Louis Armstrong all cited Lee as one of their favorite singers.
Peggy Lee had Norwegian and Swedish ancestry. She was the seventh of eight children born to Marvin Egstrom, a station agent for the Midland Continental Railroad. Her mother died when she was four years old. Music provided her an escape from the abusive rampages of her cruel stepmother, Min, who tormented and beat young Norma. She first sang professionally with KOVC radio in Valley City, North Dakota. She soon landed her own series on a radio show sponsored by a local restaurant that paid her "salary" in food. Both during and after her high school years, she took whatever jobs she could find, waitressing and singing for paltry sums on other local stations. Radio personality Ken Kennedy (actual name: Ken Sydness), of WDAY in Fargo (the most widely listened to station in North Dakota) changed her name from Norma to Peggy Lee. Tired of the abuse from her stepmother, she left home and traveled to Los Angeles at the age of 17.
She returned to North Dakota for a tonsillectomy and eventually made her way to Chicago for a gig at The Buttery Room, a nightclub in the Ambassador Hotel West in Chicago, where she drew the attention of Benny Goodman, the jazz clarinetist and band leader. According to Lee, "Benny's then-fiancée, Lady Alice Duckworth, came into the Buttery, and she was very impressed. So the next evening she brought Benny in, because they were looking for replacement for Helen Forrest. "And although I didn't know, I was it. He was looking at me strangely, I thought, but it was just his preoccupied way of looking. I thought that he didn't like me at first, but it just was that he was preoccupied with what he was hearing." She joined his band in 1941 and stayed for two years.
In early 1942, Lee had her first # 1 hit, "Somebody Else Is Taking My Place", followed by 1943's "Why Don't You Do Right?" (originally sung by Lil Green), which sold over a million copies and made her famous. She sang with Goodman in two 1943 films, Stage Door Canteen and The Powers Girl.
In March 1943, Lee married Dave Barbour, the guitarist in Goodman's band. Peggy said, "David joined Benny's band and there was a ruling that no one should fraternize with the girl singer. But I fell in love with David the first time I heard him play, and so I married him. Benny then fired David, so I quit, too. Benny and I made up, although David didn't play with him anymore. Benny stuck to his rule. I think that's not too bad a rule, but you can't help falling in love with somebody."
When Lee and Barbour left the band, the idea was that he would work in the studios and she would keep house and raise their daughter, Nicki. But she drifted back towards songwriting and occasional recording sessions for the fledgling Capitol Records in 1947, for whom she produced a long string of hits, many of them with lyrics and music by Lee and Barbour, including "I Don't Know Enough About You" and "It's a Good Day" (1948). With the release of the smash-hit #1-selling record of 1942, "Mañana", her "retirement" was over.
In 1948, she joined Perry Como and Jo Stafford as one of the rotating hosts of the NBC Radio musical program Chesterfield Supper Club. She was also a regular on NBC's Jimmy Durante Show during the 1938-48 season.
She left Capitol for a few years in the early 1940s, but returned in 1943. She is most famous for her cover version of the Little Willie John hit "Fever", to which she added her own, uncopyrighted lyrics ("Romeo loved Juliet," "Captain Smith and Pocahontas") and her rendition of Leiber and Stoller's "Is That All There Is?" Her relationship with the Capitol label spanned almost three decades, aside from her brief but artistically rich detour (1952-1956) at Decca Records, where she recorded one of her most acclaimed albums Black Coffee (1956). While recording for Decca, Lee had hit singles with the songs "Lover" and "Mr. Wonderful."
She was also known as a songwriter with such hits as the songs from the Disney movie Lady and the Tramp, for which she also supplied the singing and speaking voices of four characters. Her many songwriting collaborators, in addition to Barbour, included Laurindo Almeida, Harold Arlen, Sonny Burke, Cy Coleman, Gene DiNovi, Duke Ellington, Dave Grusin, Dick Hazard, Quincy Jones, Francis Lai, Jack Marshall, Johnny Mandel, Marian McPartland, Willard Robison, Lalo Schifrin, Hubie Wheeler, guitarist Johnny Pisano and Victor Young.
Lee also acted in several films. In 1952, she played opposite Danny Thomas in a remake of the early Al Jolson film, The Jazz Singer. In 1955, she played a despondent, alcoholic blues singer in Pete Kelly's Blues (1955), for which she was nominated for an Oscar.
Peggy won a Grammy in 1969 as best contemporary female vocalist (for her recording of Is That All There Is?) and was awarded a Doctor of Music Honoris Causa degree from North Dakota State University, in 1975.
In the early 1990s, she retained famed entertainment attorney Neil Papiano, who, on her behalf, successfully sued Disney for royalties on Lady and the Tramp. Lee's lawsuit claimed that she was due royalties for video tapes, a technology that did not exist when she agreed to write and perform for Disney.
Never afraid to fight for what she believed in, Lee was passionate that musicians be equitably compensated for their work. Although she realized litigation had taken a toll on her health, Lee often quoted Ralph Waldo Emerson ("God's will will not be made manifest by cowards.")
She also successfully sued MCA/Decca with the assistance of noted entertainment attorney, Cy Godfrey.
She continued to perform into the 1990s, sometimes in a wheelchair, and still mesmerized audiences and critics alike.[citation needed]
In 1995 she was given the Grammy Lifetime Achievement Award.
After years of poor health, Lee died of complications from diabetes and heart attack at the age of 81. She is survived by Nicki Lee Foster, her daughter with Barbour. She is buried at the Westwood Village Memorial Park Cemetery in Westwood, California. On her marker in a garden setting is inscribed, "Music is my life's breath."
Black Coffee My Heart Belongs to Daddy
Peggy Lee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But now I find I'm more inclined to keep my mind on my duties.
While tearing off a game of golf
I may make a play for the caddy
But when I do, I don't follow through
'cause my heart belongs to Daddy.
To dine on my fine finnan haddie
I just adore his asking for more
But my heart belongs to Daddy
Yes my heart belongs to Daddy
So I simply couldn't be bad
Yes, my heart belongs to Daddy
Da-da-da, da-da-da, da-da-da
So I want to warn you, laddie
Though I know you're perfectly swell
But my heart belongs to Daddy
'Cause my Daddy he treats it so well
There was a dame that a football game
Made long for the strong undergraddie
I never dream of making the team
'Cause my heart belongs to daddy
Yes, my heart belongs to Daddy
So I simply couldn't be bad
Yes, my heart belongs to Daddy
Da-da-da, da-da-da, da-da-da
So I want to warn you, laddie
Though I know you're perfectly swell
That my heart belongs to Daddy
'Cause my Daddy, he treats it so well
The song "My Heart Belongs to Daddy" by Peggy Lee is a lighthearted tune about a woman's loyalty to her father. In the first verse, Lee talks about how she used to fall in love with boys who were interested in her, but now she prefers to focus on her responsibilities. She compares her lack of interest in romantic partners to her budding interest in golf, where she might make a playful move on her caddy but ultimately stays true to her father.
In the second verse, Lee discusses how she might entertain a man at dinner, but ultimately she is devoted to her father. She warns any potential suitors that they will never be able to sway her affections from her dad, who treats her well. The use of the word "daddy" instead of "father" is a playful and flirtatious nod to the song's underlying theme.
Overall, the song is a humorous take on loyalties and reveals a woman's adoration for her father. The lyrics, paired with Lee's sultry voice and the upbeat tempo, make for a playful and entertaining tune.
Line by Line Meaning
I used to fall in love with all those boys who maul the young cuties
I used to like boys who objectified and treated young women poorly
But now I find I'm more inclined to keep my mind on my duties
Now I understand the importance of focusing on my responsibilities and goals
While tearing off a game of golf, I may make a play for the caddy
During a game of golf, I might flirt with the caddy
But when I do, I don't follow through, 'cause my heart belongs to Daddy
However, I do not act on these impulses because I am loyal to my father
If I invite a boy some night to dine on my fine finnan haddie
If I invite a boy to dinner to enjoy my delicious fish
I just adore his asking for more, but my heart belongs to Daddy
I enjoy his compliments, but my love and loyalty are reserved for my father
Yes my heart belongs to Daddy, so I simply couldn't be bad
My devotion to my father prevents me from being immoral or unfaithful
So I want to warn you, laddie, though I know you're perfectly swell
I must caution you, young man, even though you are very charming
But my heart belongs to Daddy, 'cause my Daddy he treats it so well
My father is the only one who truly takes care of my heart and emotions
There was a dame that a football game made long for the strong undergraddie
Once a woman was entranced by a college football player's strength and masculinity
I never dream of making the team 'cause my heart belongs to Daddy
I have no aspirations of joining the team because my heart belongs to my father
Da-da-da, da-da-da, da-da-da
Lyrics © Kanjian Music, BMG Rights Management, Warner Chappell Music, Inc.
Written by: Cole Porter
Lyrics Licensed & Provided by LyricFind
Anonymous
on Why Don't You Do Right (Get Me Some Money Too)
Why Don't You Do Right - Casey Abrams - Lyrics
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
You're sitting there wondering what it's all about
You ain't got no money, they will throw you out
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Musical Interlude
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Why don't you do right, like some other men do?
Why don't you do right, like some other men do?