Frank Sinatra, Ella Fitzgerald, Judy Garland, Dean Martin, Bing Crosby, and Louis Armstrong all cited Lee as one of their favorite singers.
Peggy Lee had Norwegian and Swedish ancestry. She was the seventh of eight children born to Marvin Egstrom, a station agent for the Midland Continental Railroad. Her mother died when she was four years old. Music provided her an escape from the abusive rampages of her cruel stepmother, Min, who tormented and beat young Norma. She first sang professionally with KOVC radio in Valley City, North Dakota. She soon landed her own series on a radio show sponsored by a local restaurant that paid her "salary" in food. Both during and after her high school years, she took whatever jobs she could find, waitressing and singing for paltry sums on other local stations. Radio personality Ken Kennedy (actual name: Ken Sydness), of WDAY in Fargo (the most widely listened to station in North Dakota) changed her name from Norma to Peggy Lee. Tired of the abuse from her stepmother, she left home and traveled to Los Angeles at the age of 17.
She returned to North Dakota for a tonsillectomy and eventually made her way to Chicago for a gig at The Buttery Room, a nightclub in the Ambassador Hotel West in Chicago, where she drew the attention of Benny Goodman, the jazz clarinetist and band leader. According to Lee, "Benny's then-fiancée, Lady Alice Duckworth, came into the Buttery, and she was very impressed. So the next evening she brought Benny in, because they were looking for replacement for Helen Forrest. "And although I didn't know, I was it. He was looking at me strangely, I thought, but it was just his preoccupied way of looking. I thought that he didn't like me at first, but it just was that he was preoccupied with what he was hearing." She joined his band in 1941 and stayed for two years.
In early 1942, Lee had her first # 1 hit, "Somebody Else Is Taking My Place", followed by 1943's "Why Don't You Do Right?" (originally sung by Lil Green), which sold over a million copies and made her famous. She sang with Goodman in two 1943 films, Stage Door Canteen and The Powers Girl.
In March 1943, Lee married Dave Barbour, the guitarist in Goodman's band. Peggy said, "David joined Benny's band and there was a ruling that no one should fraternize with the girl singer. But I fell in love with David the first time I heard him play, and so I married him. Benny then fired David, so I quit, too. Benny and I made up, although David didn't play with him anymore. Benny stuck to his rule. I think that's not too bad a rule, but you can't help falling in love with somebody."
When Lee and Barbour left the band, the idea was that he would work in the studios and she would keep house and raise their daughter, Nicki. But she drifted back towards songwriting and occasional recording sessions for the fledgling Capitol Records in 1947, for whom she produced a long string of hits, many of them with lyrics and music by Lee and Barbour, including "I Don't Know Enough About You" and "It's a Good Day" (1948). With the release of the smash-hit #1-selling record of 1942, "Mañana", her "retirement" was over.
In 1948, she joined Perry Como and Jo Stafford as one of the rotating hosts of the NBC Radio musical program Chesterfield Supper Club. She was also a regular on NBC's Jimmy Durante Show during the 1938-48 season.
She left Capitol for a few years in the early 1940s, but returned in 1943. She is most famous for her cover version of the Little Willie John hit "Fever", to which she added her own, uncopyrighted lyrics ("Romeo loved Juliet," "Captain Smith and Pocahontas") and her rendition of Leiber and Stoller's "Is That All There Is?" Her relationship with the Capitol label spanned almost three decades, aside from her brief but artistically rich detour (1952-1956) at Decca Records, where she recorded one of her most acclaimed albums Black Coffee (1956). While recording for Decca, Lee had hit singles with the songs "Lover" and "Mr. Wonderful."
She was also known as a songwriter with such hits as the songs from the Disney movie Lady and the Tramp, for which she also supplied the singing and speaking voices of four characters. Her many songwriting collaborators, in addition to Barbour, included Laurindo Almeida, Harold Arlen, Sonny Burke, Cy Coleman, Gene DiNovi, Duke Ellington, Dave Grusin, Dick Hazard, Quincy Jones, Francis Lai, Jack Marshall, Johnny Mandel, Marian McPartland, Willard Robison, Lalo Schifrin, Hubie Wheeler, guitarist Johnny Pisano and Victor Young.
Lee also acted in several films. In 1952, she played opposite Danny Thomas in a remake of the early Al Jolson film, The Jazz Singer. In 1955, she played a despondent, alcoholic blues singer in Pete Kelly's Blues (1955), for which she was nominated for an Oscar.
Peggy won a Grammy in 1969 as best contemporary female vocalist (for her recording of Is That All There Is?) and was awarded a Doctor of Music Honoris Causa degree from North Dakota State University, in 1975.
In the early 1990s, she retained famed entertainment attorney Neil Papiano, who, on her behalf, successfully sued Disney for royalties on Lady and the Tramp. Lee's lawsuit claimed that she was due royalties for video tapes, a technology that did not exist when she agreed to write and perform for Disney.
Never afraid to fight for what she believed in, Lee was passionate that musicians be equitably compensated for their work. Although she realized litigation had taken a toll on her health, Lee often quoted Ralph Waldo Emerson ("God's will will not be made manifest by cowards.")
She also successfully sued MCA/Decca with the assistance of noted entertainment attorney, Cy Godfrey.
She continued to perform into the 1990s, sometimes in a wheelchair, and still mesmerized audiences and critics alike.[citation needed]
In 1995 she was given the Grammy Lifetime Achievement Award.
After years of poor health, Lee died of complications from diabetes and heart attack at the age of 81. She is survived by Nicki Lee Foster, her daughter with Barbour. She is buried at the Westwood Village Memorial Park Cemetery in Westwood, California. On her marker in a garden setting is inscribed, "Music is my life's breath."
C'est magnifique
Peggy Lee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And takes you for a spin,
Ooh-la-la-la, c'est magnifique!
when every night
Your love one holds you tight,
Ooh-la-la-la, c'est magnifique!
But when, one day,
Ooh-la-la-la, it's so tragique!
But when, once more,
He whispers "Je t'adore!",
C'est magnifique!
When love comes in
And takes you for a spin,
Ooh-la-la-la, c'est magnifique!
when every night
Your love one holds you tight,
Ooh-la-la-la, c'est magnifique!
But when, one day,
Your love one drifts away,
Ooh-la-la-la, it's so tragique!
But when, once more,
He whispers "Je t'adore!",
C'est magnifique!
Yes when, once more,
He whispers "Je t'adore!",
C'est magnifique!
Peggy Lee's song C'est magnifique is a joyful celebration of love and its twist and turns. The lyrics describe the blissful moments of being in love, with "When love comes in and takes you for a spin" and the feeling of being held tight every night by the loved one. The phrase "Ooh-la-la-la, c'est magnifique" is used throughout the song to amplify the excitement and joy of the experience.
However, the song also acknowledges the reality of love's ups and downs, as indicated by the verse "But when, one day, your love one drifts away, Ooh-la-la-la, it's so tragique!" This verse captures the sense of loss and heartbreak that can come with love, but the refrain remains steadfast with the hope of a joyful future, as "when once more, he whispers 'Je t'adore!', C'est magnifique!"
Overall, C'est magnifique is a song that encapsulates the highs and lows of love, showcasing its beauty and magic while also acknowledging the challenges that come with it.
Line by Line Meaning
When love comes in
And takes you for a spin,
Ooh-la-la-la, c'est magnifique!
When love unexpectedly enters your life and sweeps you off your feet, it's an awe-inspiring and joyful experience.
when every night
Your love one holds you tight,
Ooh-la-la-la, c'est magnifique!
Being embraced by the one you love every night is a beautiful and amazing feeling.
But when, one day,
Your love one drifts away,
Ooh-la-la-la, it's so tragique!
Experiencing the loss of love when someone leaves you is heart-breaking and unfortunate.
But when, once more,
He whispers "Je t'adore!",
C'est magnifique!
When love is rekindled and he professes his love for you again, it's a glorious and splendid moment.
Yes when, once more,
He whispers "Je t'adore!",
C'est magnifique!
When he tells you 'I adore you' again, you know that love is back and it's wonderful.
Lyrics © Warner Chappell Music, Inc.
Written by: Cole Porter
Lyrics Licensed & Provided by LyricFind
@gr8tastesforya799
C’est truly magnifique!!! 👌😍👌
@tapeomatic
I have this version of the song on a stereo demo tape called "Pleasure's New Sound" from the late 1950's. Great stuff!
@davidwalsh3439
Simply beautiful music by the magical Peggy Lee
@rockerbyal
In early 60"s Bought this album plus follow up album which continued same format of Latin Backing.still play both a lot.outstanding arrangements
@tosagua
By adding a nice beat and a great arrangement to Peggy Lee's charming voice you obtained a sure winner. Regards from Guayaquil, Ecuador, South America.
@angelcossio784
Wonderful
Peggy Lee is second to none!
@inspectorfunk
that's wonderful
@onceinablue19
My hubby likes to listen to this music
@VyNguyen-zq4bi
Quarantine time :)))