Frank Sinatra, Ella Fitzgerald, Judy Garland, Dean Martin, Bing Crosby, and Louis Armstrong all cited Lee as one of their favorite singers.
Peggy Lee had Norwegian and Swedish ancestry. She was the seventh of eight children born to Marvin Egstrom, a station agent for the Midland Continental Railroad. Her mother died when she was four years old. Music provided her an escape from the abusive rampages of her cruel stepmother, Min, who tormented and beat young Norma. She first sang professionally with KOVC radio in Valley City, North Dakota. She soon landed her own series on a radio show sponsored by a local restaurant that paid her "salary" in food. Both during and after her high school years, she took whatever jobs she could find, waitressing and singing for paltry sums on other local stations. Radio personality Ken Kennedy (actual name: Ken Sydness), of WDAY in Fargo (the most widely listened to station in North Dakota) changed her name from Norma to Peggy Lee. Tired of the abuse from her stepmother, she left home and traveled to Los Angeles at the age of 17.
She returned to North Dakota for a tonsillectomy and eventually made her way to Chicago for a gig at The Buttery Room, a nightclub in the Ambassador Hotel West in Chicago, where she drew the attention of Benny Goodman, the jazz clarinetist and band leader. According to Lee, "Benny's then-fiancée, Lady Alice Duckworth, came into the Buttery, and she was very impressed. So the next evening she brought Benny in, because they were looking for replacement for Helen Forrest. "And although I didn't know, I was it. He was looking at me strangely, I thought, but it was just his preoccupied way of looking. I thought that he didn't like me at first, but it just was that he was preoccupied with what he was hearing." She joined his band in 1941 and stayed for two years.
In early 1942, Lee had her first # 1 hit, "Somebody Else Is Taking My Place", followed by 1943's "Why Don't You Do Right?" (originally sung by Lil Green), which sold over a million copies and made her famous. She sang with Goodman in two 1943 films, Stage Door Canteen and The Powers Girl.
In March 1943, Lee married Dave Barbour, the guitarist in Goodman's band. Peggy said, "David joined Benny's band and there was a ruling that no one should fraternize with the girl singer. But I fell in love with David the first time I heard him play, and so I married him. Benny then fired David, so I quit, too. Benny and I made up, although David didn't play with him anymore. Benny stuck to his rule. I think that's not too bad a rule, but you can't help falling in love with somebody."
When Lee and Barbour left the band, the idea was that he would work in the studios and she would keep house and raise their daughter, Nicki. But she drifted back towards songwriting and occasional recording sessions for the fledgling Capitol Records in 1947, for whom she produced a long string of hits, many of them with lyrics and music by Lee and Barbour, including "I Don't Know Enough About You" and "It's a Good Day" (1948). With the release of the smash-hit #1-selling record of 1942, "Mañana", her "retirement" was over.
In 1948, she joined Perry Como and Jo Stafford as one of the rotating hosts of the NBC Radio musical program Chesterfield Supper Club. She was also a regular on NBC's Jimmy Durante Show during the 1938-48 season.
She left Capitol for a few years in the early 1940s, but returned in 1943. She is most famous for her cover version of the Little Willie John hit "Fever", to which she added her own, uncopyrighted lyrics ("Romeo loved Juliet," "Captain Smith and Pocahontas") and her rendition of Leiber and Stoller's "Is That All There Is?" Her relationship with the Capitol label spanned almost three decades, aside from her brief but artistically rich detour (1952-1956) at Decca Records, where she recorded one of her most acclaimed albums Black Coffee (1956). While recording for Decca, Lee had hit singles with the songs "Lover" and "Mr. Wonderful."
She was also known as a songwriter with such hits as the songs from the Disney movie Lady and the Tramp, for which she also supplied the singing and speaking voices of four characters. Her many songwriting collaborators, in addition to Barbour, included Laurindo Almeida, Harold Arlen, Sonny Burke, Cy Coleman, Gene DiNovi, Duke Ellington, Dave Grusin, Dick Hazard, Quincy Jones, Francis Lai, Jack Marshall, Johnny Mandel, Marian McPartland, Willard Robison, Lalo Schifrin, Hubie Wheeler, guitarist Johnny Pisano and Victor Young.
Lee also acted in several films. In 1952, she played opposite Danny Thomas in a remake of the early Al Jolson film, The Jazz Singer. In 1955, she played a despondent, alcoholic blues singer in Pete Kelly's Blues (1955), for which she was nominated for an Oscar.
Peggy won a Grammy in 1969 as best contemporary female vocalist (for her recording of Is That All There Is?) and was awarded a Doctor of Music Honoris Causa degree from North Dakota State University, in 1975.
In the early 1990s, she retained famed entertainment attorney Neil Papiano, who, on her behalf, successfully sued Disney for royalties on Lady and the Tramp. Lee's lawsuit claimed that she was due royalties for video tapes, a technology that did not exist when she agreed to write and perform for Disney.
Never afraid to fight for what she believed in, Lee was passionate that musicians be equitably compensated for their work. Although she realized litigation had taken a toll on her health, Lee often quoted Ralph Waldo Emerson ("God's will will not be made manifest by cowards.")
She also successfully sued MCA/Decca with the assistance of noted entertainment attorney, Cy Godfrey.
She continued to perform into the 1990s, sometimes in a wheelchair, and still mesmerized audiences and critics alike.[citation needed]
In 1995 she was given the Grammy Lifetime Achievement Award.
After years of poor health, Lee died of complications from diabetes and heart attack at the age of 81. She is survived by Nicki Lee Foster, her daughter with Barbour. She is buried at the Westwood Village Memorial Park Cemetery in Westwood, California. On her marker in a garden setting is inscribed, "Music is my life's breath."
Cheek To Cheek
Peggy Lee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And my heart beats so that I can hardly speak
And I seem to find the happiness I seek
When we're out together dancing cheek to cheek
Heaven, I'm in heaven
And the cares that hung around me through the week
Seem to vanish like a gambler's lucky streak
When we're out together dancing (swinging) cheek to cheek
And reach the highest peak
But it doesn't thrill (boot) me half as much
As dancing cheek to cheek
Oh I love to go out fishing
In a river or a creek
But I don't enjoy it half as much
As dancing cheek to cheek
(Come on and) Dance with me
I want my arm(s) about you
That (Those) charm(s) about you
Will carry me through
(Right up) To heaven, I'm in heaven
And my heart beats so that I can hardly speak
And I seem to find the happiness I seek
When we're out together dancing, out together dancing (swinging)
Out together dancing cheek to cheek
The lyrics of Peggy Lee's song Cheek To Cheek describe the euphoria that the singer feels when she is in the arms of her dancing partner. The first two lines of the song, "Heaven, I'm in heaven, And my heart beats so that I can hardly speak" depict her incredible happiness and the physical effects it has on her. She then goes on to explain that despite her love for activities such as climbing mountains and fishing, nothing compares to the joy she feels when dancing with her partner. By dancing together, she is able to forget about the cares of the world and enter a state of blissful happiness.
The lyrics are a testament to the power of dance to uplift and transport individuals to another plane of existence. The singer is no longer concerned with the mundane aspects of life when she is Cheek To Cheek with her partner. All that matters is the feeling of being safe, happy and content in their arms. The song is a celebration of the transformative power of music and dance, turning even the most ordinary moments into something extraordinary.
Line by Line Meaning
Heaven, I'm in heaven
I feel overwhelmingly happy and content.
And my heart beats so that I can hardly speak
My heart is racing and I can barely talk because I'm so elated.
And I seem to find the happiness I seek
I am finally experiencing the pure joy that I have been longing for.
When we're out together dancing cheek to cheek
We are dancing so closely that our cheeks are touching and it's making me feel incredibly happy.
And the cares that hung around me through the week
All of the worries and stresses that have been weighing on me for the week are disappearing.
Seem to vanish like a gambler's lucky streak
My concerns fade away as if I am on a winning streak like a gambler.
Oh I love to climb a mountain
While I do enjoy climbing mountains,
And reach the highest peak
reaching the peak of a mountain does not bring me as much joy as dancing cheek to cheek.
But it doesn't thrill (boot) me half as much
The thrill of climbing a mountain pales in comparison to the excitement of dancing cheek to cheek.
As dancing cheek to cheek
The happiness I feel when we dance together is beyond compare.
Oh I love to go out fishing
Even though I enjoy fishing,
In a river or a creek
fishing in a river or creek doesn't bring me nearly as much pleasure as dancing cheek to cheek.
But I don't enjoy it half as much
Compared to dancing cheek to cheek, fishing brings me only a fraction of the joy.
As dancing cheek to cheek
Nothing beats the happiness I feel when we are dancing so intimately together.
(Come on and) Dance with me
I am inviting you to dance with me.
I want my arm(s) about you
I want to hold you close and feel your arms around me while we dance.
That (Those) charm(s) about you
The things that make you charming and attractive to me.
Will carry me through
Your charm will lift me up and make me happy.
(Right up) To heaven, I'm in heaven
Dancing with you is such a euphoric experience that it makes me feel like I'm in heaven.
And my heart beats so that I can hardly speak
Your presence and the act of dancing with you is so thrilling that it leaves me breathless.
And I seem to find the happiness I seek
Being with you and dancing with you finally brings me the joy I've been searching for.
When we're out together dancing, out together dancing (swinging)
When we dance together it's more than just dancing, it's a swinging celebration of joy and happiness .
Out together dancing cheek to cheek
Dancing so closely together brings me pure happiness and contentment.
Lyrics © Universal Music Publishing Group
Written by: Irving Berlin
Lyrics Licensed & Provided by LyricFind
Anonymous
on Why Don't You Do Right (Get Me Some Money Too)
Why Don't You Do Right - Casey Abrams - Lyrics
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
You're sitting there wondering what it's all about
You ain't got no money, they will throw you out
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Musical Interlude
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Why don't you do right, like some other men do?
Why don't you do right, like some other men do?