Frank Sinatra, Ella Fitzgerald, Judy Garland, Dean Martin, Bing Crosby, and Louis Armstrong all cited Lee as one of their favorite singers.
Peggy Lee had Norwegian and Swedish ancestry. She was the seventh of eight children born to Marvin Egstrom, a station agent for the Midland Continental Railroad. Her mother died when she was four years old. Music provided her an escape from the abusive rampages of her cruel stepmother, Min, who tormented and beat young Norma. She first sang professionally with KOVC radio in Valley City, North Dakota. She soon landed her own series on a radio show sponsored by a local restaurant that paid her "salary" in food. Both during and after her high school years, she took whatever jobs she could find, waitressing and singing for paltry sums on other local stations. Radio personality Ken Kennedy (actual name: Ken Sydness), of WDAY in Fargo (the most widely listened to station in North Dakota) changed her name from Norma to Peggy Lee. Tired of the abuse from her stepmother, she left home and traveled to Los Angeles at the age of 17.
She returned to North Dakota for a tonsillectomy and eventually made her way to Chicago for a gig at The Buttery Room, a nightclub in the Ambassador Hotel West in Chicago, where she drew the attention of Benny Goodman, the jazz clarinetist and band leader. According to Lee, "Benny's then-fiancée, Lady Alice Duckworth, came into the Buttery, and she was very impressed. So the next evening she brought Benny in, because they were looking for replacement for Helen Forrest. "And although I didn't know, I was it. He was looking at me strangely, I thought, but it was just his preoccupied way of looking. I thought that he didn't like me at first, but it just was that he was preoccupied with what he was hearing." She joined his band in 1941 and stayed for two years.
In early 1942, Lee had her first # 1 hit, "Somebody Else Is Taking My Place", followed by 1943's "Why Don't You Do Right?" (originally sung by Lil Green), which sold over a million copies and made her famous. She sang with Goodman in two 1943 films, Stage Door Canteen and The Powers Girl.
In March 1943, Lee married Dave Barbour, the guitarist in Goodman's band. Peggy said, "David joined Benny's band and there was a ruling that no one should fraternize with the girl singer. But I fell in love with David the first time I heard him play, and so I married him. Benny then fired David, so I quit, too. Benny and I made up, although David didn't play with him anymore. Benny stuck to his rule. I think that's not too bad a rule, but you can't help falling in love with somebody."
When Lee and Barbour left the band, the idea was that he would work in the studios and she would keep house and raise their daughter, Nicki. But she drifted back towards songwriting and occasional recording sessions for the fledgling Capitol Records in 1947, for whom she produced a long string of hits, many of them with lyrics and music by Lee and Barbour, including "I Don't Know Enough About You" and "It's a Good Day" (1948). With the release of the smash-hit #1-selling record of 1942, "Mañana", her "retirement" was over.
In 1948, she joined Perry Como and Jo Stafford as one of the rotating hosts of the NBC Radio musical program Chesterfield Supper Club. She was also a regular on NBC's Jimmy Durante Show during the 1938-48 season.
She left Capitol for a few years in the early 1940s, but returned in 1943. She is most famous for her cover version of the Little Willie John hit "Fever", to which she added her own, uncopyrighted lyrics ("Romeo loved Juliet," "Captain Smith and Pocahontas") and her rendition of Leiber and Stoller's "Is That All There Is?" Her relationship with the Capitol label spanned almost three decades, aside from her brief but artistically rich detour (1952-1956) at Decca Records, where she recorded one of her most acclaimed albums Black Coffee (1956). While recording for Decca, Lee had hit singles with the songs "Lover" and "Mr. Wonderful."
She was also known as a songwriter with such hits as the songs from the Disney movie Lady and the Tramp, for which she also supplied the singing and speaking voices of four characters. Her many songwriting collaborators, in addition to Barbour, included Laurindo Almeida, Harold Arlen, Sonny Burke, Cy Coleman, Gene DiNovi, Duke Ellington, Dave Grusin, Dick Hazard, Quincy Jones, Francis Lai, Jack Marshall, Johnny Mandel, Marian McPartland, Willard Robison, Lalo Schifrin, Hubie Wheeler, guitarist Johnny Pisano and Victor Young.
Lee also acted in several films. In 1952, she played opposite Danny Thomas in a remake of the early Al Jolson film, The Jazz Singer. In 1955, she played a despondent, alcoholic blues singer in Pete Kelly's Blues (1955), for which she was nominated for an Oscar.
Peggy won a Grammy in 1969 as best contemporary female vocalist (for her recording of Is That All There Is?) and was awarded a Doctor of Music Honoris Causa degree from North Dakota State University, in 1975.
In the early 1990s, she retained famed entertainment attorney Neil Papiano, who, on her behalf, successfully sued Disney for royalties on Lady and the Tramp. Lee's lawsuit claimed that she was due royalties for video tapes, a technology that did not exist when she agreed to write and perform for Disney.
Never afraid to fight for what she believed in, Lee was passionate that musicians be equitably compensated for their work. Although she realized litigation had taken a toll on her health, Lee often quoted Ralph Waldo Emerson ("God's will will not be made manifest by cowards.")
She also successfully sued MCA/Decca with the assistance of noted entertainment attorney, Cy Godfrey.
She continued to perform into the 1990s, sometimes in a wheelchair, and still mesmerized audiences and critics alike.[citation needed]
In 1995 she was given the Grammy Lifetime Achievement Award.
After years of poor health, Lee died of complications from diabetes and heart attack at the age of 81. She is survived by Nicki Lee Foster, her daughter with Barbour. She is buried at the Westwood Village Memorial Park Cemetery in Westwood, California. On her marker in a garden setting is inscribed, "Music is my life's breath."
Don't Let Me Be Lonely Tonight
Peggy Lee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tell me lies, but hold me tight
Save your good-byes for the morning light
But don't let me be lonely tonight
Say good-bye and say hello
Sure 'nough good to see you
But it's time to go
Don't say no
I don't want to be lonely tonight
Go away then, damn you
Go on and do as you please, yeah
You ain't gonna see me getting down on my knees
I'm undecided and your heart's been divided
You've been turning my world upside down
Do me wrong, do me right, right now baby
Go on and tell me lies, but hold me tight
Save your good-byes for the morning light, morning light
But don't let me be lonely tonight
I don't want to be lonely tonight
No, no, I don't want to be lonely tonight
I don't want to be lonely tonight
The lyrics of Don't Let Me Be Lonely Tonight by Peggy Lee, Benny Goodman, and Tommy Dorsey Orchestra reflect the struggle of a person who is torn between a desire for companionship and fear of commitment. The singer of the song begs their partner to stay with them for the night, even if it means telling them lies, as long as they hold them tight and don't leave them alone. The singer is conflicted and expresses such through their internal dialogue, one moment asking their partner to go away and the next moment saying they don't want to be lonely. The fear of being alone is the driving force behind the urgency of the song's message.
The second verse of the song sees the singer saying hello and goodbye, acknowledging the excitement of seeing their partner but also knowing they need to leave soon. They ask their partner not to say yes or no, indicating their confusion and indecisiveness about their feelings. The bridge of the song sees the singer become frustrated and angry, telling their partner to leave if they want but not expect them to beg for their return. The overall message of the song is that even though the singer may be afraid of commitment, they would rather have someone in their life for the moment than be alone.
Line by Line Meaning
Do me wrong, do me right
Play with my emotions however you feel, but don't leave me hanging
Tell me lies, but hold me tight
Deceive me with your words, but hold me close and provide comfort
Save your good-byes for the morning light
Don't say farewell now, wait till the morning to depart
But don't let me be lonely tonight
Avoid leaving me alone to deal with my thoughts and feelings
Say good-bye and say hello
Acknowledge our departure and subsequent reunion
Sure 'nough good to see you
I'm happy to see you again
But it's time to go
Our time together is over for now
Don't say yes, but please
Don't agree to leave, but please stay
Don't say no
Don't completely reject my request
I don't want to be lonely tonight
I want your companionship to ward off feelings of isolation
Go away then, damn you
I'm expressing frustration and anger at your departure
Go on and do as you please, yeah
Take action as you please, without regard for my sentiments
You ain't gonna see me getting down on my knees
I won't beg for you to stay or change your mind
I'm undecided and your heart's been divided
I'm conflicted and unsure of what I want, while you're torn between options
You've been turning my world upside down
Your actions have been causing chaos and confusion in my life
Do me wrong, do me right, right now baby
In this moment, treat me however you wish, whether good or bad
Go on and tell me lies, but hold me tight
Even if you're not truthful, provide me with affection and comfort
Save your good-byes for the morning light, morning light
Wait till the morning to bid farewell
But don't let me be lonely tonight
Despite the impending separation, don't let me feel isolated
I don't want to be lonely tonight
Reiterating the desire for company and closeness
No, no, I don't want to be lonely tonight
Emphasizing the aversion towards feeling alone
Lyrics © Sony/ATV Music Publishing LLC
Written by: James Taylor
Lyrics Licensed & Provided by LyricFind
Anonymous
on Why Don't You Do Right (Get Me Some Money Too)
Why Don't You Do Right - Casey Abrams - Lyrics
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
You're sitting there wondering what it's all about
You ain't got no money, they will throw you out
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Musical Interlude
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Why don't you do right, like some other men do?
Why don't you do right, like some other men do?