Frank Sinatra, Ella Fitzgerald, Judy Garland, Dean Martin, Bing Crosby, and Louis Armstrong all cited Lee as one of their favorite singers.
Peggy Lee had Norwegian and Swedish ancestry. She was the seventh of eight children born to Marvin Egstrom, a station agent for the Midland Continental Railroad. Her mother died when she was four years old. Music provided her an escape from the abusive rampages of her cruel stepmother, Min, who tormented and beat young Norma. She first sang professionally with KOVC radio in Valley City, North Dakota. She soon landed her own series on a radio show sponsored by a local restaurant that paid her "salary" in food. Both during and after her high school years, she took whatever jobs she could find, waitressing and singing for paltry sums on other local stations. Radio personality Ken Kennedy (actual name: Ken Sydness), of WDAY in Fargo (the most widely listened to station in North Dakota) changed her name from Norma to Peggy Lee. Tired of the abuse from her stepmother, she left home and traveled to Los Angeles at the age of 17.
She returned to North Dakota for a tonsillectomy and eventually made her way to Chicago for a gig at The Buttery Room, a nightclub in the Ambassador Hotel West in Chicago, where she drew the attention of Benny Goodman, the jazz clarinetist and band leader. According to Lee, "Benny's then-fiancée, Lady Alice Duckworth, came into the Buttery, and she was very impressed. So the next evening she brought Benny in, because they were looking for replacement for Helen Forrest. "And although I didn't know, I was it. He was looking at me strangely, I thought, but it was just his preoccupied way of looking. I thought that he didn't like me at first, but it just was that he was preoccupied with what he was hearing." She joined his band in 1941 and stayed for two years.
In early 1942, Lee had her first # 1 hit, "Somebody Else Is Taking My Place", followed by 1943's "Why Don't You Do Right?" (originally sung by Lil Green), which sold over a million copies and made her famous. She sang with Goodman in two 1943 films, Stage Door Canteen and The Powers Girl.
In March 1943, Lee married Dave Barbour, the guitarist in Goodman's band. Peggy said, "David joined Benny's band and there was a ruling that no one should fraternize with the girl singer. But I fell in love with David the first time I heard him play, and so I married him. Benny then fired David, so I quit, too. Benny and I made up, although David didn't play with him anymore. Benny stuck to his rule. I think that's not too bad a rule, but you can't help falling in love with somebody."
When Lee and Barbour left the band, the idea was that he would work in the studios and she would keep house and raise their daughter, Nicki. But she drifted back towards songwriting and occasional recording sessions for the fledgling Capitol Records in 1947, for whom she produced a long string of hits, many of them with lyrics and music by Lee and Barbour, including "I Don't Know Enough About You" and "It's a Good Day" (1948). With the release of the smash-hit #1-selling record of 1942, "Mañana", her "retirement" was over.
In 1948, she joined Perry Como and Jo Stafford as one of the rotating hosts of the NBC Radio musical program Chesterfield Supper Club. She was also a regular on NBC's Jimmy Durante Show during the 1938-48 season.
She left Capitol for a few years in the early 1940s, but returned in 1943. She is most famous for her cover version of the Little Willie John hit "Fever", to which she added her own, uncopyrighted lyrics ("Romeo loved Juliet," "Captain Smith and Pocahontas") and her rendition of Leiber and Stoller's "Is That All There Is?" Her relationship with the Capitol label spanned almost three decades, aside from her brief but artistically rich detour (1952-1956) at Decca Records, where she recorded one of her most acclaimed albums Black Coffee (1956). While recording for Decca, Lee had hit singles with the songs "Lover" and "Mr. Wonderful."
She was also known as a songwriter with such hits as the songs from the Disney movie Lady and the Tramp, for which she also supplied the singing and speaking voices of four characters. Her many songwriting collaborators, in addition to Barbour, included Laurindo Almeida, Harold Arlen, Sonny Burke, Cy Coleman, Gene DiNovi, Duke Ellington, Dave Grusin, Dick Hazard, Quincy Jones, Francis Lai, Jack Marshall, Johnny Mandel, Marian McPartland, Willard Robison, Lalo Schifrin, Hubie Wheeler, guitarist Johnny Pisano and Victor Young.
Lee also acted in several films. In 1952, she played opposite Danny Thomas in a remake of the early Al Jolson film, The Jazz Singer. In 1955, she played a despondent, alcoholic blues singer in Pete Kelly's Blues (1955), for which she was nominated for an Oscar.
Peggy won a Grammy in 1969 as best contemporary female vocalist (for her recording of Is That All There Is?) and was awarded a Doctor of Music Honoris Causa degree from North Dakota State University, in 1975.
In the early 1990s, she retained famed entertainment attorney Neil Papiano, who, on her behalf, successfully sued Disney for royalties on Lady and the Tramp. Lee's lawsuit claimed that she was due royalties for video tapes, a technology that did not exist when she agreed to write and perform for Disney.
Never afraid to fight for what she believed in, Lee was passionate that musicians be equitably compensated for their work. Although she realized litigation had taken a toll on her health, Lee often quoted Ralph Waldo Emerson ("God's will will not be made manifest by cowards.")
She also successfully sued MCA/Decca with the assistance of noted entertainment attorney, Cy Godfrey.
She continued to perform into the 1990s, sometimes in a wheelchair, and still mesmerized audiences and critics alike.[citation needed]
In 1995 she was given the Grammy Lifetime Achievement Award.
After years of poor health, Lee died of complications from diabetes and heart attack at the age of 81. She is survived by Nicki Lee Foster, her daughter with Barbour. She is buried at the Westwood Village Memorial Park Cemetery in Westwood, California. On her marker in a garden setting is inscribed, "Music is my life's breath."
I Let a Song Go out of My Heart
Peggy Lee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It was the sweetest melody
I know I lost heaven 'cause you were the song
Since you and I have drifted apart
Life doesn't mean a thing to me
Please come back, sweet music, I know I was wrong
Am I too late to make amends?
You know that we were meant to be more than just friends, just friends
I let a song go out of my heart
Believe me, darlin', when I say
I won't know sweet music until you return some day
I let a song go out of my heart
Believe me, darlin', when I say
I won't know sweet music until you return some day
The lyrics of Peggy Lee's song, "I Let a Song Go Out of My Heart," are emotive and heart-wrenching. They depict the agony of a person who has lost their most treasured possession, their loved one, and with it, the sweet melody that they once shared. The song opens with the singer acknowledging that she let go of a beautiful melody from her heart, which was once the sweetest she has ever created. She admits that losing her lover removed heaven from her life since he was the inspiration behind the song that she had created.
As the song progresses, the singer laments how life has become meaningless to her, now that she and her lover have drifted apart. She pleads with him to return and bring back the music. She acknowledges that she was wrong in letting him go and seeks to make amends. The singer expresses how she wants to be more than just friends with her lover and hopes that he feels the same way. Her pain is palpable, and it's clear that she needs her lover's return to find happiness and the inspiration to create her beautiful melodies.
In conclusion, "I Let a Song Go Out of My Heart" is a beautiful and poignant song that masterfully captures the pain of lost love and the longing for its return. Peggy Lee's powerful vocal delivery of the lyrics adds depth and emotion to the song, leaving a profound impact on the listener.
Line by Line Meaning
I let a song go out of my heart
I allowed a beautiful melody to fade away and disappear from my life
It was the sweetest melody
This music was the most beautiful and enjoyable melody I had ever experienced
I know I lost heaven 'cause you were the song
You were the source of my greatest joy and the reason why my life felt so wonderful. Losing you made me feel as though I had lost paradise itself
Since you and I have drifted apart
Our relationship has come to an end and we have become emotionally distant
Life doesn't mean a thing to me
Without you, my life has become pointless and unfulfilling
Please come back, sweet music, I know I was wrong
I am deeply sorry for my mistakes and I beg you to return so that we can bring the beautiful music back into our lives
Am I too late to make amends?
I fear that I may have missed my chance to make things right between us
You know that we were meant to be more than just friends, just friends
Our relationship was always meant to be a deeper and more meaningful connection than just simple friendship
Believe me, darlin', when I say
I am speaking sincerely and from the heart when I tell you
I won't know sweet music until you return some day
Without you, the beauty and joy of music will never be the same in my life. I need you to come back to fill my life with sweet melodies again
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: Duke Ellington, Henry Nemo, John Redmond, Irving Mills
Lyrics Licensed & Provided by LyricFind
Anonymous
on Why Don't You Do Right (Get Me Some Money Too)
Why Don't You Do Right - Casey Abrams - Lyrics
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
You're sitting there wondering what it's all about
You ain't got no money, they will throw you out
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Musical Interlude
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Why don't you do right, like some other men do?
Why don't you do right, like some other men do?