Frank Sinatra, Ella Fitzgerald, Judy Garland, Dean Martin, Bing Crosby, and Louis Armstrong all cited Lee as one of their favorite singers.
Peggy Lee had Norwegian and Swedish ancestry. She was the seventh of eight children born to Marvin Egstrom, a station agent for the Midland Continental Railroad. Her mother died when she was four years old. Music provided her an escape from the abusive rampages of her cruel stepmother, Min, who tormented and beat young Norma. She first sang professionally with KOVC radio in Valley City, North Dakota. She soon landed her own series on a radio show sponsored by a local restaurant that paid her "salary" in food. Both during and after her high school years, she took whatever jobs she could find, waitressing and singing for paltry sums on other local stations. Radio personality Ken Kennedy (actual name: Ken Sydness), of WDAY in Fargo (the most widely listened to station in North Dakota) changed her name from Norma to Peggy Lee. Tired of the abuse from her stepmother, she left home and traveled to Los Angeles at the age of 17.
She returned to North Dakota for a tonsillectomy and eventually made her way to Chicago for a gig at The Buttery Room, a nightclub in the Ambassador Hotel West in Chicago, where she drew the attention of Benny Goodman, the jazz clarinetist and band leader. According to Lee, "Benny's then-fiancée, Lady Alice Duckworth, came into the Buttery, and she was very impressed. So the next evening she brought Benny in, because they were looking for replacement for Helen Forrest. "And although I didn't know, I was it. He was looking at me strangely, I thought, but it was just his preoccupied way of looking. I thought that he didn't like me at first, but it just was that he was preoccupied with what he was hearing." She joined his band in 1941 and stayed for two years.
In early 1942, Lee had her first # 1 hit, "Somebody Else Is Taking My Place", followed by 1943's "Why Don't You Do Right?" (originally sung by Lil Green), which sold over a million copies and made her famous. She sang with Goodman in two 1943 films, Stage Door Canteen and The Powers Girl.
In March 1943, Lee married Dave Barbour, the guitarist in Goodman's band. Peggy said, "David joined Benny's band and there was a ruling that no one should fraternize with the girl singer. But I fell in love with David the first time I heard him play, and so I married him. Benny then fired David, so I quit, too. Benny and I made up, although David didn't play with him anymore. Benny stuck to his rule. I think that's not too bad a rule, but you can't help falling in love with somebody."
When Lee and Barbour left the band, the idea was that he would work in the studios and she would keep house and raise their daughter, Nicki. But she drifted back towards songwriting and occasional recording sessions for the fledgling Capitol Records in 1947, for whom she produced a long string of hits, many of them with lyrics and music by Lee and Barbour, including "I Don't Know Enough About You" and "It's a Good Day" (1948). With the release of the smash-hit #1-selling record of 1942, "Mañana", her "retirement" was over.
In 1948, she joined Perry Como and Jo Stafford as one of the rotating hosts of the NBC Radio musical program Chesterfield Supper Club. She was also a regular on NBC's Jimmy Durante Show during the 1938-48 season.
She left Capitol for a few years in the early 1940s, but returned in 1943. She is most famous for her cover version of the Little Willie John hit "Fever", to which she added her own, uncopyrighted lyrics ("Romeo loved Juliet," "Captain Smith and Pocahontas") and her rendition of Leiber and Stoller's "Is That All There Is?" Her relationship with the Capitol label spanned almost three decades, aside from her brief but artistically rich detour (1952-1956) at Decca Records, where she recorded one of her most acclaimed albums Black Coffee (1956). While recording for Decca, Lee had hit singles with the songs "Lover" and "Mr. Wonderful."
She was also known as a songwriter with such hits as the songs from the Disney movie Lady and the Tramp, for which she also supplied the singing and speaking voices of four characters. Her many songwriting collaborators, in addition to Barbour, included Laurindo Almeida, Harold Arlen, Sonny Burke, Cy Coleman, Gene DiNovi, Duke Ellington, Dave Grusin, Dick Hazard, Quincy Jones, Francis Lai, Jack Marshall, Johnny Mandel, Marian McPartland, Willard Robison, Lalo Schifrin, Hubie Wheeler, guitarist Johnny Pisano and Victor Young.
Lee also acted in several films. In 1952, she played opposite Danny Thomas in a remake of the early Al Jolson film, The Jazz Singer. In 1955, she played a despondent, alcoholic blues singer in Pete Kelly's Blues (1955), for which she was nominated for an Oscar.
Peggy won a Grammy in 1969 as best contemporary female vocalist (for her recording of Is That All There Is?) and was awarded a Doctor of Music Honoris Causa degree from North Dakota State University, in 1975.
In the early 1990s, she retained famed entertainment attorney Neil Papiano, who, on her behalf, successfully sued Disney for royalties on Lady and the Tramp. Lee's lawsuit claimed that she was due royalties for video tapes, a technology that did not exist when she agreed to write and perform for Disney.
Never afraid to fight for what she believed in, Lee was passionate that musicians be equitably compensated for their work. Although she realized litigation had taken a toll on her health, Lee often quoted Ralph Waldo Emerson ("God's will will not be made manifest by cowards.")
She also successfully sued MCA/Decca with the assistance of noted entertainment attorney, Cy Godfrey.
She continued to perform into the 1990s, sometimes in a wheelchair, and still mesmerized audiences and critics alike.[citation needed]
In 1995 she was given the Grammy Lifetime Achievement Award.
After years of poor health, Lee died of complications from diabetes and heart attack at the age of 81. She is survived by Nicki Lee Foster, her daughter with Barbour. She is buried at the Westwood Village Memorial Park Cemetery in Westwood, California. On her marker in a garden setting is inscribed, "Music is my life's breath."
Love Is Just Around The Corner
Peggy Lee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Can't you see? Oh, you have captured me!
Being so glamorous, now can't you be amorous just with me,
Make it soon, Cop a look at that moon.
Love is just around the corner,
Any cozy little corner,
Love is just around the corner,
I'm a sentimental mourner,
And I couldn't be forlorner,
When you keep me on that corner,
Just waiting for you.
Venus de Milo was noted for her charms,
But strictly between us,
You are cuter than Venus,
And what's more you've got arms!
Let's go cuddle in a corner,
Any cozy little corner,
Love is just around the corner,
And I'm around you.
Love is just around the corner,
Any cozy corner,
Love is just around the corner,
When I'm around you.
I'm ten times as faithful,
As all your other men,
They all are true to no one but you,
But me I'm true to ten.
Oh, let's go cuddle in a cozy corner,
Any cozy little corner,
Love is just around the corner,
And I'm around you.
The song 'Love Is Just Around The Corner' by Peggy Lee is a beautiful love song reflecting the emotions of a person who has fallen in love with someone but is still waiting for their love to be reciprocated. The lyrics in the first paragraph describe the way the person feels about the other with beautiful adjectives like 'glamorous', 'captivating' and 'amorous' - all indicating the fondness and love the person feels for the other. The second paragraph is more focused on the concept of love being just around the corner, in any corner, while also showing a sense of waiting and longing from the singer. The line 'I'm a sentimental mourner, and I couldn't be forlorner' is particularly emotive, as it illustrates a deep sense of sadness and hopelessness that comes with unrequited love.
The third paragraph is an extension of the second one, with the singer coupling the imagery of waiting in a corner with that of the Venus de Milo - a statue renowned for its beauty and elegance. The comparison of the beauty and elegance of the Venus de Milo with that of the person they love shows the high regard in which the singer holds the person. The lyrics, 'so cuddle in a corner, any cozy corner, love is just around the corner and I'm around you', is a plea for the person to come closer and feel the same love the singer feels.
Line by Line Meaning
Beautiful miracle, pardon my lyrical rhapsody,
You are so wonderful that I cannot help but express myself through poetic words.
But can't you see, you've captured me.
I am completely captivated by your beauty and charm.
Being so glamorous, can't you be amorous just with me?
You are so attractive, can't you show me some of that love and affection?
Make it soon, take a look at the moon.
Please don't make me wait any longer, let's enjoy this romantic moment while looking at the moon.
Love is just around the corner, any cozy little corner.
Love is always nearby, waiting for us to find it in the most intimate and comfortable places.
Love is just around the corner when I'm around you.
Whenever I am with you, I feel like I am close to finding true love.
I'm a sentimental mourner, and I couldn't be forlorner,
I am a hopeless romantic who cannot help but to feel saddened by the thought of being without you.
When you keep me in a corner just waiting for you.
I feel like I am waiting in vain for your love and attention, and it is starting to feel lonely.
Venus de Milo was noted for her charms,
Even though Venus de Milo was known for her beauty and grace,
But strictly between us, you're cuter than Venus,
I find you to be even more adorable and lovely than even the most famous beauty in history.
And what's more you got arms.
Moreover, you have very attractive physical qualities that make me admire you even more.
So cuddle in a corner, any cozy corner,
Let's hold each other close in a comfortable and intimate setting,
Love is just around the corner and I'm around you.
Because whenever I am with you, I know that love is nearby and waiting for us.
Lyrics © Sony/ATV Music Publishing LLC, Spirit Music Group, Peermusic Publishing
Written by: IRWIN LEVINE, SANDY LINZER
Lyrics Licensed & Provided by LyricFind
Anonymous
on Why Don't You Do Right (Get Me Some Money Too)
Why Don't You Do Right - Casey Abrams - Lyrics
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
You're sitting there wondering what it's all about
You ain't got no money, they will throw you out
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Musical Interlude
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Why don't you do right, like some other men do?
Why don't you do right, like some other men do?