Frank Sinatra, Ella Fitzgerald, Judy Garland, Dean Martin, Bing Crosby, and Louis Armstrong all cited Lee as one of their favorite singers.
Peggy Lee had Norwegian and Swedish ancestry. She was the seventh of eight children born to Marvin Egstrom, a station agent for the Midland Continental Railroad. Her mother died when she was four years old. Music provided her an escape from the abusive rampages of her cruel stepmother, Min, who tormented and beat young Norma. She first sang professionally with KOVC radio in Valley City, North Dakota. She soon landed her own series on a radio show sponsored by a local restaurant that paid her "salary" in food. Both during and after her high school years, she took whatever jobs she could find, waitressing and singing for paltry sums on other local stations. Radio personality Ken Kennedy (actual name: Ken Sydness), of WDAY in Fargo (the most widely listened to station in North Dakota) changed her name from Norma to Peggy Lee. Tired of the abuse from her stepmother, she left home and traveled to Los Angeles at the age of 17.
She returned to North Dakota for a tonsillectomy and eventually made her way to Chicago for a gig at The Buttery Room, a nightclub in the Ambassador Hotel West in Chicago, where she drew the attention of Benny Goodman, the jazz clarinetist and band leader. According to Lee, "Benny's then-fiancée, Lady Alice Duckworth, came into the Buttery, and she was very impressed. So the next evening she brought Benny in, because they were looking for replacement for Helen Forrest. "And although I didn't know, I was it. He was looking at me strangely, I thought, but it was just his preoccupied way of looking. I thought that he didn't like me at first, but it just was that he was preoccupied with what he was hearing." She joined his band in 1941 and stayed for two years.
In early 1942, Lee had her first # 1 hit, "Somebody Else Is Taking My Place", followed by 1943's "Why Don't You Do Right?" (originally sung by Lil Green), which sold over a million copies and made her famous. She sang with Goodman in two 1943 films, Stage Door Canteen and The Powers Girl.
In March 1943, Lee married Dave Barbour, the guitarist in Goodman's band. Peggy said, "David joined Benny's band and there was a ruling that no one should fraternize with the girl singer. But I fell in love with David the first time I heard him play, and so I married him. Benny then fired David, so I quit, too. Benny and I made up, although David didn't play with him anymore. Benny stuck to his rule. I think that's not too bad a rule, but you can't help falling in love with somebody."
When Lee and Barbour left the band, the idea was that he would work in the studios and she would keep house and raise their daughter, Nicki. But she drifted back towards songwriting and occasional recording sessions for the fledgling Capitol Records in 1947, for whom she produced a long string of hits, many of them with lyrics and music by Lee and Barbour, including "I Don't Know Enough About You" and "It's a Good Day" (1948). With the release of the smash-hit #1-selling record of 1942, "Mañana", her "retirement" was over.
In 1948, she joined Perry Como and Jo Stafford as one of the rotating hosts of the NBC Radio musical program Chesterfield Supper Club. She was also a regular on NBC's Jimmy Durante Show during the 1938-48 season.
She left Capitol for a few years in the early 1940s, but returned in 1943. She is most famous for her cover version of the Little Willie John hit "Fever", to which she added her own, uncopyrighted lyrics ("Romeo loved Juliet," "Captain Smith and Pocahontas") and her rendition of Leiber and Stoller's "Is That All There Is?" Her relationship with the Capitol label spanned almost three decades, aside from her brief but artistically rich detour (1952-1956) at Decca Records, where she recorded one of her most acclaimed albums Black Coffee (1956). While recording for Decca, Lee had hit singles with the songs "Lover" and "Mr. Wonderful."
She was also known as a songwriter with such hits as the songs from the Disney movie Lady and the Tramp, for which she also supplied the singing and speaking voices of four characters. Her many songwriting collaborators, in addition to Barbour, included Laurindo Almeida, Harold Arlen, Sonny Burke, Cy Coleman, Gene DiNovi, Duke Ellington, Dave Grusin, Dick Hazard, Quincy Jones, Francis Lai, Jack Marshall, Johnny Mandel, Marian McPartland, Willard Robison, Lalo Schifrin, Hubie Wheeler, guitarist Johnny Pisano and Victor Young.
Lee also acted in several films. In 1952, she played opposite Danny Thomas in a remake of the early Al Jolson film, The Jazz Singer. In 1955, she played a despondent, alcoholic blues singer in Pete Kelly's Blues (1955), for which she was nominated for an Oscar.
Peggy won a Grammy in 1969 as best contemporary female vocalist (for her recording of Is That All There Is?) and was awarded a Doctor of Music Honoris Causa degree from North Dakota State University, in 1975.
In the early 1990s, she retained famed entertainment attorney Neil Papiano, who, on her behalf, successfully sued Disney for royalties on Lady and the Tramp. Lee's lawsuit claimed that she was due royalties for video tapes, a technology that did not exist when she agreed to write and perform for Disney.
Never afraid to fight for what she believed in, Lee was passionate that musicians be equitably compensated for their work. Although she realized litigation had taken a toll on her health, Lee often quoted Ralph Waldo Emerson ("God's will will not be made manifest by cowards.")
She also successfully sued MCA/Decca with the assistance of noted entertainment attorney, Cy Godfrey.
She continued to perform into the 1990s, sometimes in a wheelchair, and still mesmerized audiences and critics alike.[citation needed]
In 1995 she was given the Grammy Lifetime Achievement Award.
After years of poor health, Lee died of complications from diabetes and heart attack at the age of 81. She is survived by Nicki Lee Foster, her daughter with Barbour. She is buried at the Westwood Village Memorial Park Cemetery in Westwood, California. On her marker in a garden setting is inscribed, "Music is my life's breath."
Lullaby of Broadway
Peggy Lee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The lullaby of Broadway
The hip hooray and ballyhoo
The lullaby of Broadway
The rumble of a subway train
The rattle of the taxis
The daffodils who entertain
At Angelo's and Maxi's
When a Broadway baby says good night
It's early in the morning
Manhattan babies don't sleep tight
Until the dawn
Good night, baby
Good night, the milkman's on his way
Sleep tight, baby
Sleep tight, let's call it a day
Hey!
The band begins to go to town
And everyone goes crazy
You rock-a-bye your baby round
'Til everything gets hazy
Hush-a-bye, I'll buy you this and that
You hear a daddy saying
And baby goes home to her flat
To sleep all day
Good night, baby
Good night, the milkman's on his way
Sleep tight, baby
Sleep tight, let's call it a day
Listen to the lullaby
Of old Broadway
Peggy Lee's song Lullaby of Broadway is a classic tribute to the lively and bustling atmosphere of New York City's famous Broadway district. The lyrics invite the listener to join in and enjoy the sights and sounds of Broadway's nightlife, from the hip hooray and ballyhoo to the rumble of the subway train and the rattle of the taxis. The daffodils who perform at Angelo's and Maxi's add to the colorful and vibrant scene.
The song also references the unique lifestyle of Broadway performers and their families. A "Broadway baby" saying good night means it's early in the morning, and Manhattan babies don't sleep tight until dawn. The band playing in the background adds to the excitement and frenzy of the night, and parents promise to buy their children everything they want until they finally go home to sleep all day. The song ends with a gentle reminder to listen to the lullaby of old Broadway, a nod to the district's rich history and enduring legacy.
Overall, Peggy Lee's Lullaby of Broadway celebrates the energy and magic of one of the world's most iconic entertainment destinations. The lyrics paint a vivid picture of the city that never sleeps, and the music captures the essence of Broadway's glamorous and captivating atmosphere.
Line by Line Meaning
Come on along and listen to
Let's together listen to
The lullaby of Broadway
The sweet music of Broadway
The hip hooray and ballyhoo
The excitement and hullabaloo
The lullaby of Broadway
The sweet music of Broadway
The rumble of a subway train
The sound of trains passing below
The rattle of the taxis
The sound of honking cabs
The daffodils who entertain
The performers who keep us amused
At Angelo's and Maxi's
At popular restaurants of the area
When a Broadway baby says good night
When someone who belongs to Broadway world says good night
It's early in the morning
It's late at night, almost dawn
Manhattan babies don't sleep tight
New Yorkers are used to being up late
Until the dawn
Till the morning light
Good night, baby
Sleep well, dear
Good night, the milkman's on his way
The milkman is here early, so it's time to sleep
Sleep tight, baby
Sleep well, dear
Sleep tight, let's call it a day
Let's end our day peacefully
The band begins to go to town
The music starts to get going
And everyone goes crazy
People start getting excited
You rock-a-bye your baby round
You move your baby gently to the music
'Til everything gets hazy
Until you get lost in the music
Hush-a-bye, I'll buy you this and that
Hush, I'll get you anything you want
You hear a daddy saying
You overhear someone saying to their child
And baby goes home to her flat
The child goes home to their apartment
To sleep all day
To rest and sleep in late
Listen to the lullaby
Pay attention to the soothing music
Of old Broadway
The classic, timeless music of Broadway
Lyrics © Peermusic Publishing, Warner Chappell Music, Inc.
Written by: HARRY WARREN, AL DUBIN
Lyrics Licensed & Provided by LyricFind
Anonymous
on Why Don't You Do Right (Get Me Some Money Too)
Why Don't You Do Right - Casey Abrams - Lyrics
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
You're sitting there wondering what it's all about
You ain't got no money, they will throw you out
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Musical Interlude
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Why don't you do right, like some other men do?
Why don't you do right, like some other men do?