Frank Sinatra, Ella Fitzgerald, Judy Garland, Dean Martin, Bing Crosby, and Louis Armstrong all cited Lee as one of their favorite singers.
Peggy Lee had Norwegian and Swedish ancestry. She was the seventh of eight children born to Marvin Egstrom, a station agent for the Midland Continental Railroad. Her mother died when she was four years old. Music provided her an escape from the abusive rampages of her cruel stepmother, Min, who tormented and beat young Norma. She first sang professionally with KOVC radio in Valley City, North Dakota. She soon landed her own series on a radio show sponsored by a local restaurant that paid her "salary" in food. Both during and after her high school years, she took whatever jobs she could find, waitressing and singing for paltry sums on other local stations. Radio personality Ken Kennedy (actual name: Ken Sydness), of WDAY in Fargo (the most widely listened to station in North Dakota) changed her name from Norma to Peggy Lee. Tired of the abuse from her stepmother, she left home and traveled to Los Angeles at the age of 17.
She returned to North Dakota for a tonsillectomy and eventually made her way to Chicago for a gig at The Buttery Room, a nightclub in the Ambassador Hotel West in Chicago, where she drew the attention of Benny Goodman, the jazz clarinetist and band leader. According to Lee, "Benny's then-fiancée, Lady Alice Duckworth, came into the Buttery, and she was very impressed. So the next evening she brought Benny in, because they were looking for replacement for Helen Forrest. "And although I didn't know, I was it. He was looking at me strangely, I thought, but it was just his preoccupied way of looking. I thought that he didn't like me at first, but it just was that he was preoccupied with what he was hearing." She joined his band in 1941 and stayed for two years.
In early 1942, Lee had her first # 1 hit, "Somebody Else Is Taking My Place", followed by 1943's "Why Don't You Do Right?" (originally sung by Lil Green), which sold over a million copies and made her famous. She sang with Goodman in two 1943 films, Stage Door Canteen and The Powers Girl.
In March 1943, Lee married Dave Barbour, the guitarist in Goodman's band. Peggy said, "David joined Benny's band and there was a ruling that no one should fraternize with the girl singer. But I fell in love with David the first time I heard him play, and so I married him. Benny then fired David, so I quit, too. Benny and I made up, although David didn't play with him anymore. Benny stuck to his rule. I think that's not too bad a rule, but you can't help falling in love with somebody."
When Lee and Barbour left the band, the idea was that he would work in the studios and she would keep house and raise their daughter, Nicki. But she drifted back towards songwriting and occasional recording sessions for the fledgling Capitol Records in 1947, for whom she produced a long string of hits, many of them with lyrics and music by Lee and Barbour, including "I Don't Know Enough About You" and "It's a Good Day" (1948). With the release of the smash-hit #1-selling record of 1942, "Mañana", her "retirement" was over.
In 1948, she joined Perry Como and Jo Stafford as one of the rotating hosts of the NBC Radio musical program Chesterfield Supper Club. She was also a regular on NBC's Jimmy Durante Show during the 1938-48 season.
She left Capitol for a few years in the early 1940s, but returned in 1943. She is most famous for her cover version of the Little Willie John hit "Fever", to which she added her own, uncopyrighted lyrics ("Romeo loved Juliet," "Captain Smith and Pocahontas") and her rendition of Leiber and Stoller's "Is That All There Is?" Her relationship with the Capitol label spanned almost three decades, aside from her brief but artistically rich detour (1952-1956) at Decca Records, where she recorded one of her most acclaimed albums Black Coffee (1956). While recording for Decca, Lee had hit singles with the songs "Lover" and "Mr. Wonderful."
She was also known as a songwriter with such hits as the songs from the Disney movie Lady and the Tramp, for which she also supplied the singing and speaking voices of four characters. Her many songwriting collaborators, in addition to Barbour, included Laurindo Almeida, Harold Arlen, Sonny Burke, Cy Coleman, Gene DiNovi, Duke Ellington, Dave Grusin, Dick Hazard, Quincy Jones, Francis Lai, Jack Marshall, Johnny Mandel, Marian McPartland, Willard Robison, Lalo Schifrin, Hubie Wheeler, guitarist Johnny Pisano and Victor Young.
Lee also acted in several films. In 1952, she played opposite Danny Thomas in a remake of the early Al Jolson film, The Jazz Singer. In 1955, she played a despondent, alcoholic blues singer in Pete Kelly's Blues (1955), for which she was nominated for an Oscar.
Peggy won a Grammy in 1969 as best contemporary female vocalist (for her recording of Is That All There Is?) and was awarded a Doctor of Music Honoris Causa degree from North Dakota State University, in 1975.
In the early 1990s, she retained famed entertainment attorney Neil Papiano, who, on her behalf, successfully sued Disney for royalties on Lady and the Tramp. Lee's lawsuit claimed that she was due royalties for video tapes, a technology that did not exist when she agreed to write and perform for Disney.
Never afraid to fight for what she believed in, Lee was passionate that musicians be equitably compensated for their work. Although she realized litigation had taken a toll on her health, Lee often quoted Ralph Waldo Emerson ("God's will will not be made manifest by cowards.")
She also successfully sued MCA/Decca with the assistance of noted entertainment attorney, Cy Godfrey.
She continued to perform into the 1990s, sometimes in a wheelchair, and still mesmerized audiences and critics alike.[citation needed]
In 1995 she was given the Grammy Lifetime Achievement Award.
After years of poor health, Lee died of complications from diabetes and heart attack at the age of 81. She is survived by Nicki Lee Foster, her daughter with Barbour. She is buried at the Westwood Village Memorial Park Cemetery in Westwood, California. On her marker in a garden setting is inscribed, "Music is my life's breath."
Old Devil Moon
Peggy Lee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Something in your eyes I see
Soon begins bewitching me
It's that old devil moon
That you stole from the skies
It's that old devil moon in your eyes
You and you glance make this romance
Stars in the night
Blazing their light
Can't hold a candle
To your razzle-dazzle
You've got me flyin' high and wide
On a magic carpet ride
Full of butterflies inside
Wanna cry, wanna croon
Wanna laugh like a loon
It's that old devil moon in your eyes
Just when I think
I'm free as a dove
Old devil moon
Deep in your eyes
Blinds me with love
The song Old Devil Moon by Peggy Lee starts off by describing how the singer gets bewitched by the object of their affection, whose eyes are reminiscent of the old devil moon that they stole from the skies. The lyrics paint a picture of how the singer’s heart is captured by the spellbinding charm of the person they are looking at. The chorus then describes how the romance between the singer and their love interest is too hot to handle, thanks to the way the person looks at them. The stars in the night sky pale in comparison to their sparkling eyes, and the singer is unable to hold back their emotions. In the second verse, the singer is swept off their feet and is still under the spell of the devil moon in their love interest's eyes. The singer is so smitten that they feel like they are flying on a magic carpet ride and have butterflies in their stomach. They describe wanting to cry, croon or laugh like a loon, just because of the magic that their love interest creates. In the end, the song describes how the old devil moon blinds the singer with love, and they feel lost in the person's eyes.
Line by Line Meaning
I look at you and suddenly
As I gaze upon your countenance, I am taken aback
Something in your eyes I see
I observe something intriguing and captivating when I look into your eyes
Soon begins bewitching me
This intriguing quality begins to charm and captivate me
It's that old devil moon
I realize that this enchanting quality in your eyes is due to the magic of the moon
That you stole from the skies
You have figuratively taken possession of the moon and its magic
It's that old devil moon in your eyes
This captivating quality I see in your eyes is the influence of the moon upon you
You and your glance make this romance
Our attraction and connection is largely fueled by your gaze and expression
Too hot to handle
Our attraction is dangerously intense
Stars in the night
Celestial bodies in the sky
Blazing their light
Radiating their brilliance
Can't hold a candle
Are simply no match for
To your razzle-dazzle
The captivating aura that surrounds you
You've got me flyin' high and wide
Your influence on me has caused me to experience an elevated and expansive emotional state
On a magic carpet ride
I feel like I'm being whisked away on a mystical journey
Full of butterflies inside
I'm overcome with a fluttery, excited sensation in my chest
Wanna cry, wanna croon
I feel a deep emotional pull and desire to express myself vocally
Wanna laugh like a loon
I feel a lighthearted and carefree urge to express joy and happiness through laughter
It's that old devil moon in your eyes
The source of these intense emotions and desires is the magic of the moon in your gaze
Just when I think
At times when I believe
I'm free as a dove
I have the sense of being unburdened and unrestricted, like a flying bird
Old devil moon
The controlling and captivating influence of the moon
Deep in your eyes
Lurking behind the captivating expression in your eyes
Blinds me with love
Overpowers me with a feeling of deep affection and devotion
Lyrics © Wixen Music Publishing, Royalty Network, Warner Chappell Music, Inc.
Written by: Burton Lane, E. Y. Harburg
Lyrics Licensed & Provided by LyricFind
Anonymous
on Why Don't You Do Right (Get Me Some Money Too)
Why Don't You Do Right - Casey Abrams - Lyrics
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
You're sitting there wondering what it's all about
You ain't got no money, they will throw you out
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Musical Interlude
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Why don't you do right, like some other men do?
Why don't you do right, like some other men do?