Frank Sinatra, Ella Fitzgerald, Judy Garland, Dean Martin, Bing Crosby, and Louis Armstrong all cited Lee as one of their favorite singers.
Peggy Lee had Norwegian and Swedish ancestry. She was the seventh of eight children born to Marvin Egstrom, a station agent for the Midland Continental Railroad. Her mother died when she was four years old. Music provided her an escape from the abusive rampages of her cruel stepmother, Min, who tormented and beat young Norma. She first sang professionally with KOVC radio in Valley City, North Dakota. She soon landed her own series on a radio show sponsored by a local restaurant that paid her "salary" in food. Both during and after her high school years, she took whatever jobs she could find, waitressing and singing for paltry sums on other local stations. Radio personality Ken Kennedy (actual name: Ken Sydness), of WDAY in Fargo (the most widely listened to station in North Dakota) changed her name from Norma to Peggy Lee. Tired of the abuse from her stepmother, she left home and traveled to Los Angeles at the age of 17.
She returned to North Dakota for a tonsillectomy and eventually made her way to Chicago for a gig at The Buttery Room, a nightclub in the Ambassador Hotel West in Chicago, where she drew the attention of Benny Goodman, the jazz clarinetist and band leader. According to Lee, "Benny's then-fiancée, Lady Alice Duckworth, came into the Buttery, and she was very impressed. So the next evening she brought Benny in, because they were looking for replacement for Helen Forrest. "And although I didn't know, I was it. He was looking at me strangely, I thought, but it was just his preoccupied way of looking. I thought that he didn't like me at first, but it just was that he was preoccupied with what he was hearing." She joined his band in 1941 and stayed for two years.
In early 1942, Lee had her first # 1 hit, "Somebody Else Is Taking My Place", followed by 1943's "Why Don't You Do Right?" (originally sung by Lil Green), which sold over a million copies and made her famous. She sang with Goodman in two 1943 films, Stage Door Canteen and The Powers Girl.
In March 1943, Lee married Dave Barbour, the guitarist in Goodman's band. Peggy said, "David joined Benny's band and there was a ruling that no one should fraternize with the girl singer. But I fell in love with David the first time I heard him play, and so I married him. Benny then fired David, so I quit, too. Benny and I made up, although David didn't play with him anymore. Benny stuck to his rule. I think that's not too bad a rule, but you can't help falling in love with somebody."
When Lee and Barbour left the band, the idea was that he would work in the studios and she would keep house and raise their daughter, Nicki. But she drifted back towards songwriting and occasional recording sessions for the fledgling Capitol Records in 1947, for whom she produced a long string of hits, many of them with lyrics and music by Lee and Barbour, including "I Don't Know Enough About You" and "It's a Good Day" (1948). With the release of the smash-hit #1-selling record of 1942, "Mañana", her "retirement" was over.
In 1948, she joined Perry Como and Jo Stafford as one of the rotating hosts of the NBC Radio musical program Chesterfield Supper Club. She was also a regular on NBC's Jimmy Durante Show during the 1938-48 season.
She left Capitol for a few years in the early 1940s, but returned in 1943. She is most famous for her cover version of the Little Willie John hit "Fever", to which she added her own, uncopyrighted lyrics ("Romeo loved Juliet," "Captain Smith and Pocahontas") and her rendition of Leiber and Stoller's "Is That All There Is?" Her relationship with the Capitol label spanned almost three decades, aside from her brief but artistically rich detour (1952-1956) at Decca Records, where she recorded one of her most acclaimed albums Black Coffee (1956). While recording for Decca, Lee had hit singles with the songs "Lover" and "Mr. Wonderful."
She was also known as a songwriter with such hits as the songs from the Disney movie Lady and the Tramp, for which she also supplied the singing and speaking voices of four characters. Her many songwriting collaborators, in addition to Barbour, included Laurindo Almeida, Harold Arlen, Sonny Burke, Cy Coleman, Gene DiNovi, Duke Ellington, Dave Grusin, Dick Hazard, Quincy Jones, Francis Lai, Jack Marshall, Johnny Mandel, Marian McPartland, Willard Robison, Lalo Schifrin, Hubie Wheeler, guitarist Johnny Pisano and Victor Young.
Lee also acted in several films. In 1952, she played opposite Danny Thomas in a remake of the early Al Jolson film, The Jazz Singer. In 1955, she played a despondent, alcoholic blues singer in Pete Kelly's Blues (1955), for which she was nominated for an Oscar.
Peggy won a Grammy in 1969 as best contemporary female vocalist (for her recording of Is That All There Is?) and was awarded a Doctor of Music Honoris Causa degree from North Dakota State University, in 1975.
In the early 1990s, she retained famed entertainment attorney Neil Papiano, who, on her behalf, successfully sued Disney for royalties on Lady and the Tramp. Lee's lawsuit claimed that she was due royalties for video tapes, a technology that did not exist when she agreed to write and perform for Disney.
Never afraid to fight for what she believed in, Lee was passionate that musicians be equitably compensated for their work. Although she realized litigation had taken a toll on her health, Lee often quoted Ralph Waldo Emerson ("God's will will not be made manifest by cowards.")
She also successfully sued MCA/Decca with the assistance of noted entertainment attorney, Cy Godfrey.
She continued to perform into the 1990s, sometimes in a wheelchair, and still mesmerized audiences and critics alike.[citation needed]
In 1995 she was given the Grammy Lifetime Achievement Award.
After years of poor health, Lee died of complications from diabetes and heart attack at the age of 81. She is survived by Nicki Lee Foster, her daughter with Barbour. She is buried at the Westwood Village Memorial Park Cemetery in Westwood, California. On her marker in a garden setting is inscribed, "Music is my life's breath."
What a Little Moonlight Can Do
Peggy Lee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ooh, what a little moonlight can do for you
You're in love, your heart's aflutter
All day long, you only stutter
'Cause your poor tongue just will not utter
The words, 'I love you'
Ooh, what a little moonlight can do
Wait a while till a little moonbeam
Comes peepin' through, you'll get bold
Can't resist him, all you'll say
When you have kissed him is
Ooh, what a little moonlight can do
Ooh, what a little moonlight can do
Ooh, what a little moonlight can do to you
You're in love, your heart's aflutter
All day long, you'll only stutter
'Cause your poor tongue just will not utter
The words, 'I love you'
Ooh, ooh, what a little moonlight can do
Wait a while till a little moonbeam
Comes peepin' through, you'll get bold
You can't resist him, and all you'll say
When you have kissed him is
Ooh, what a little moonlight will do
Ooh, what a little moonlight can do
Ooh, what a little moonlight can do for you
You're in love, your heart's aflutter
All day long, you'll only, only stutter
'Cause your poor tongue just will not utter
The words, 'I love you'
Ooh, what a little moonlight can do
Wait a while till a little moonbeam
Comes peepin' through, you'll get bold
Can't resist him and all you'll say
When you have kissed him is
Ooh, what a little moonlight can do
Ooh, what a little moonlight can do
Ooh, what a little moonlight can do
All you know, you can't resist him
And you'll have to kiss him
Ooh, what a little moonlight can do
Oh, you'll flutter then you'll stutter
Then you cannot utter the words that
'I love you'
Moonlight, it's like a lunar fantasy
What a little moonlight can do for you
For you and for me
Peggy Lee's "What a Little Moonlight Can Do" is a song about the transformative and romantic potential of moonlight. The song begins with the singer acknowledging the power of moonlight to make a person feel in love and their heart aflutter. The second verse describes the effects of moonlight more explicitly, suggesting that its gentle light can give a person courage to confess their love. The chorus repeats the idea that moonlight can "do" something for a person, making them more romantic and open to love.
The lyrics also highlight the difficulties of expressing one's feelings of love, referencing the challenge of stuttering and the tongue's inability to utter the words "I love you." However, the moonlight seems to offer the courage needed to overcome this, acting as a sort of romantic catalyst that finally inspires the singer to kiss the object of her affection.
Overall, "What a Little Moonlight Can Do" is a dreamy and romantic song that celebrates the transformative power of love, and of moonlight as a metaphor for that power.
Line by Line Meaning
Ooh, what a little moonlight can do
Moonlight has the power to make you fall in love and do things you normally wouldn't.
Ooh, what a little moonlight can do for you
Moonlight can make you feel alive and open to new experiences.
You're in love, your heart's aflutter
You have fallen in love and your heart is racing with excitement.
All day long, you only stutter
You can't stop thinking about your love and it's affecting your ability to speak.
'Cause your poor tongue just will not utter
Your tongue is tied because you're too overwhelmed with emotion to speak.
The words, 'I love you'
You cannot bring yourself to say those three little words.
Wait a while till a little moonbeam
Be patient and wait until the moonlight illuminates your path.
Comes peepin' through, you'll get bold
The moonlight will give you the confidence to take a chance.
Can't resist him, all you'll say
You can't help but give in to your emotions.
When you have kissed him is
After you have taken the leap of faith and kissed the one you love, you'll realize the impact of moonlight.
Ooh, what a little moonlight will do
Moonlight will remind you of the magic of the moment.
All you know, you can't resist him
You're up against the irresistible force of love and attraction.
And you'll have to kiss him
You can't imagine not embracing the love of your life any longer.
Oh, you'll flutter then you'll stutter
Your heart will flutter as you try to muster the words to express your feelings.
Then you cannot utter the words that 'I love you'
Despite your best efforts, the words 'I love you' are too difficult to verbalize.
Moonlight, it's like a lunar fantasy
The moonlight is like a dreamy, otherworldly experience.
What a little moonlight can do for you
The power of moonlight can bring forth vivid emotions and desires.
For you and for me
Moonlight can affect anyone and everyone who experiences it.
Lyrics © Warner Chappell Music, Inc.
Written by: Harry Woods
Lyrics Licensed & Provided by LyricFind
Anonymous
on Why Don't You Do Right (Get Me Some Money Too)
Why Don't You Do Right - Casey Abrams - Lyrics
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
You're sitting there wondering what it's all about
You ain't got no money, they will throw you out
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Musical Interlude
You had plenty money 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too?
Why don't you do right, like some other men do?
Why don't you do right, like some other men do?