The Penguin Cafe Orchestra was the creation of classically-trained guitaris… Read Full Bio ↴The Penguin Cafe Orchestra was the creation of classically-trained guitarist, composer, and arranger Simon Jeffes (Crawley, Sussex, England, 1949–1997). Jeffes and cellist co-founder Helen Liebmann were members throughout its life; a number of other musicians became part of the ensemble playing live and also appearing on studio albums according to the instrumentation of particular pieces. Several members of the original PCO, Geoffrey Richardson, Jennifer Maidman, Steve Fletcher, and Annie Whitehead have continued to play the music initially under the name “The Anteaters” but more recently as “The Orchestra That Fell to Earth”.
The orchestra’s sound is not easily categorized, but has elements of exuberant folk music and a minimalist aesthetic occasionally reminiscent of composers such as Philip Glass.
The group toured extensively during the 1980s and early 1990s; two albums, When in Rome (1988) and Concert Program (1995), captured the sound of the live ensemble. Penguin Cafe Orchestra recorded and performed for twenty-four years until Jeffes died of a brain tumour in 1997. The tenth anniversary of Jeffes’ death was marked by the original PCO members reforming for three concerts at the Union Chapel in London in 2007.
In 2009 Simon Jeffes’ son Arthur Jeffes formed a new group called “Music from the Penguin Cafe” which plays some of the music of PCO along with Arthur’s own compositions. In 2011 Arthur’s group changed their name to simply “Penguin Cafe”.
History
After becoming disillusioned with the rigid structures of classical music and the limitations of rock music, in which he also dabbled, Jeffes became interested in the relative freedom in ethnic music and decided to imbue his work with the same sense of immediacy and spirit.
Describing how the idea of the Penguin Cafe Orchestra came to him, Jeffes said, “I was on the beach sunbathing and suddenly a poem popped into my head. It started out ‘I am the proprietor of the Penguin Café, I will tell you things at random’ and it went on about how the quality of randomness, spontaneity, surprise, unexpectedness, and irrationality in our lives is a very precious thing. And if you suppress that to have a nice orderly life, you kill off what’s most important. Whereas in the Penguin Café your unconscious can just be. It’s acceptable there, and that’s how everybody is. There is an acceptance there that has to do with living the present with no fear in ourselves.”
Their first album, Music from the Penguin Cafe, was released in 1976 on Brian Eno’s experimental E.G. Records label; a collection of pieces recorded from 1974–1976, it was followed in 1981 by Penguin Cafe Orchestra, after which the band settled into a more regular release schedule.
They played their first major concert in 1977, supporting Kraftwerk at The Roundhouse. They went on to tour the world and play at a variety of music festivals as well as residencies on London's South Bank.
Evolution
Simon Jeffes experimented with various configurations both live and in the studio, including an occasional “dance orchestra” and a quintet of strings, oboe, trombone, and himself on piano. On the studio albums he sometimes played many of the instruments himself, bringing in the other musicians according to the needs of a particular piece.
There were a number of incarnations of the live band. Original members Gavyn Wright and Steve Nye left in 1984 and 1988 respectively. Bob Loveday replaced Gavyn Wright on violin. Gradually, a regular line-up evolved around Simon Jeffes and Helen Liebman: Neil Rennie, who joined in 1975 on ukulele; Geoffrey Richardson who had joined in 1976 and co-wrote three pieces on Broadcasting from Home (1984), played viola, cuatro, guitar, clarinet, mandolin, and ukulele; Julio Segovia answered an advert in Melody Maker and joined in 1978 on percussion; Jennifer Maidman joined in 1984 on percussion, bass, ukulele, and cuatro; Steve Fletcher replaced Steve Nye in 1988 on piano and keyboards; and Annie Whitehead, who had also appeared on Broadcasting from Home, joined the live band in 1988 on trombone. Finally, Peter McGowan took over from Bob Loveday on violin and Barbara Bolte joined on oboe. Doug Bevridge also became a regular fixture at the live mixing desk. The album Concert Program (1995) is the definitive recording of this line up, and includes many of the orchestra’s best-known pieces.
After Simon’s death, members of the orchestra continued to meet up occasionally to play together but there were no recordings or public appearances for over ten years. In 2007 the band briefly re-appeared, with the same line up minus Julio Segovia, but joined by Simon Jeffes’ son Arthur on percussion and piano, to mark the tenth anniversary of its dissolution, playing three sold-out shows at the Union Chapel in London.
However, after the Union Chapel farewell concerts a core of long-time members, the multi-instrumentalists Geoffrey Richardson and Jennifer Maidman, trombonist Annie Whitehead, and pianist Steve Fletcher decided to continue playing the orchestra’s music. They called themselves “The Anteaters” at first, then “The Orchestra That Fell to Earth”, and have been joined by percussionist Liam Genockey, best known as a member of Steeleye Span, but who also played live with the original Penguins.
Films
Penguin Cafe Orchestra provided the complete score for the 1986 Australian film Malcolm. One of their most popular and recognisable pieces is “Music For A Found Harmonium”, which has been used extensively as incidental music in films ranging from Ferris Bueller’s Day Off to Napoleon Dynamite. It has also enjoyed frequent plays as a chill out anthem in Ibiza and has featured in many television advertisements in the U.K.
The orchestra’s sound is not easily categorized, but has elements of exuberant folk music and a minimalist aesthetic occasionally reminiscent of composers such as Philip Glass.
The group toured extensively during the 1980s and early 1990s; two albums, When in Rome (1988) and Concert Program (1995), captured the sound of the live ensemble. Penguin Cafe Orchestra recorded and performed for twenty-four years until Jeffes died of a brain tumour in 1997. The tenth anniversary of Jeffes’ death was marked by the original PCO members reforming for three concerts at the Union Chapel in London in 2007.
In 2009 Simon Jeffes’ son Arthur Jeffes formed a new group called “Music from the Penguin Cafe” which plays some of the music of PCO along with Arthur’s own compositions. In 2011 Arthur’s group changed their name to simply “Penguin Cafe”.
History
After becoming disillusioned with the rigid structures of classical music and the limitations of rock music, in which he also dabbled, Jeffes became interested in the relative freedom in ethnic music and decided to imbue his work with the same sense of immediacy and spirit.
Describing how the idea of the Penguin Cafe Orchestra came to him, Jeffes said, “I was on the beach sunbathing and suddenly a poem popped into my head. It started out ‘I am the proprietor of the Penguin Café, I will tell you things at random’ and it went on about how the quality of randomness, spontaneity, surprise, unexpectedness, and irrationality in our lives is a very precious thing. And if you suppress that to have a nice orderly life, you kill off what’s most important. Whereas in the Penguin Café your unconscious can just be. It’s acceptable there, and that’s how everybody is. There is an acceptance there that has to do with living the present with no fear in ourselves.”
Their first album, Music from the Penguin Cafe, was released in 1976 on Brian Eno’s experimental E.G. Records label; a collection of pieces recorded from 1974–1976, it was followed in 1981 by Penguin Cafe Orchestra, after which the band settled into a more regular release schedule.
They played their first major concert in 1977, supporting Kraftwerk at The Roundhouse. They went on to tour the world and play at a variety of music festivals as well as residencies on London's South Bank.
Evolution
Simon Jeffes experimented with various configurations both live and in the studio, including an occasional “dance orchestra” and a quintet of strings, oboe, trombone, and himself on piano. On the studio albums he sometimes played many of the instruments himself, bringing in the other musicians according to the needs of a particular piece.
There were a number of incarnations of the live band. Original members Gavyn Wright and Steve Nye left in 1984 and 1988 respectively. Bob Loveday replaced Gavyn Wright on violin. Gradually, a regular line-up evolved around Simon Jeffes and Helen Liebman: Neil Rennie, who joined in 1975 on ukulele; Geoffrey Richardson who had joined in 1976 and co-wrote three pieces on Broadcasting from Home (1984), played viola, cuatro, guitar, clarinet, mandolin, and ukulele; Julio Segovia answered an advert in Melody Maker and joined in 1978 on percussion; Jennifer Maidman joined in 1984 on percussion, bass, ukulele, and cuatro; Steve Fletcher replaced Steve Nye in 1988 on piano and keyboards; and Annie Whitehead, who had also appeared on Broadcasting from Home, joined the live band in 1988 on trombone. Finally, Peter McGowan took over from Bob Loveday on violin and Barbara Bolte joined on oboe. Doug Bevridge also became a regular fixture at the live mixing desk. The album Concert Program (1995) is the definitive recording of this line up, and includes many of the orchestra’s best-known pieces.
After Simon’s death, members of the orchestra continued to meet up occasionally to play together but there were no recordings or public appearances for over ten years. In 2007 the band briefly re-appeared, with the same line up minus Julio Segovia, but joined by Simon Jeffes’ son Arthur on percussion and piano, to mark the tenth anniversary of its dissolution, playing three sold-out shows at the Union Chapel in London.
However, after the Union Chapel farewell concerts a core of long-time members, the multi-instrumentalists Geoffrey Richardson and Jennifer Maidman, trombonist Annie Whitehead, and pianist Steve Fletcher decided to continue playing the orchestra’s music. They called themselves “The Anteaters” at first, then “The Orchestra That Fell to Earth”, and have been joined by percussionist Liam Genockey, best known as a member of Steeleye Span, but who also played live with the original Penguins.
Films
Penguin Cafe Orchestra provided the complete score for the 1986 Australian film Malcolm. One of their most popular and recognisable pieces is “Music For A Found Harmonium”, which has been used extensively as incidental music in films ranging from Ferris Bueller’s Day Off to Napoleon Dynamite. It has also enjoyed frequent plays as a chill out anthem in Ibiza and has featured in many television advertisements in the U.K.
Zopf: In a Sydney Motel
Penguin Cafe Orchestra Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
From our complete outfit
For a double suicide
I choose
The palm
That crosses
The smart Tahitian shirt
From our complete outfit
For a double suicide
I choose
The palm
That crosses
The smart Tahitian shirt
For a double suicide
I choose
The palm
That crosses
The smart Tahitian shirt
From our complete outfit
I choose
The palm
That crosses
The smart Tahitian shirt
The lyrics of Penguin Cafe Orchestra's song "Zopf" seem to be quite surrealistic and abstract in nature, and their interpretation is left to the listener's imagination. However, one possible explanation could be that the song is about a couple who decide to commit suicide together, and they are choosing their final outfits. The singer seems to be deciding on his own outfit, suggesting that he may be one part of the couple. He chooses a palm that crosses over a smart Tahitian shirt.
The palm could represent palm trees, which are often associated with tropical beaches and relaxation. However, the image of the palm crossing the shirt could be a metaphor for something more ominous - perhaps the crossing represents two entwined objects, resembling the intertwined bodies of two people in a double suicide. The smart Tahitian shirt, on the other hand, could represent the couple's desire to look good and make an impression in their final moments.
Overall, the lyrics of "Zopf" are open to interpretation, and the song might mean different things to different people. However, these surrealistic images create a haunting and ethereal quality, which is characteristic of Penguin Cafe Orchestra's music.
Line by Line Meaning
From our complete outfit
Considering all of our clothing options
For a double suicide
For a joint, purposeful act of leaving this world
I choose
I select or pick
The palm
A type of tree with large leaves
That crosses
Which intersects or cuts through
The smart Tahitian shirt
A stylish and well-kept shirt from Tahiti
Contributed by Kaelyn W. Suggest a correction in the comments below.
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