While Pere Ubu have never been widely popular—usually categorized as "underground rock"—they have a devoted following, have been hugely influential on several generations of avant-garde musicians and are a critically acclaimed American musical group. To define their music, Pere Ubu coined the term Avant Garage to reflect interest in both avant-garde music (especially Musique concrète) and raw, direct garage rock.
When Cleveland-based band Rocket From The Tombs fragmented some members formed Dead Boys, while David Thomas and guitarist Peter Laughner joined with guitarist Tom Herman, bass guitarist Tim Wright, drummer Scott Krauss and synthesist Allen Ravenstine to form Pere Ubu in 1975. At the time the band formed, Herman, Krauss, and Ravenstine lived in a house owned by Ravenstine.
Pere Ubu's first single (their first five releases were singles on their own "Hearthan" label) was "30 Seconds Over Tokyo" (inspired by the "Doolittle Raid" and named after a film depicting the raid), backed with "Heart of Darkness"; followed by "Final Solution" in 1976. One review noted that "30 Seconds..." "was clearly the work of a garage band, yet its arty dissonance and weird experimentalism were startlingly unique."
Of their second single, "Final Solution" (backed with "Cloud 149"), one reviewer wrote that Ubu's "call for a 'final solution' was the cry of teen angst run down in the decaying rust belt of America, and unlike the British punks who were looking around England the same year, seeing no future, and hating what they saw, Ubu reveled in it." They would rarely perform this song after some listeners misinterpreted it as being associated with the 'Nazi final solution'.
After "Street Waves", their third single, Pere Ubu signed to Blank Records, a short-lived imprint of Mercury Records.
Laughner left the group after their first two singles, and died soon afterward after a struggle with drug addiction. Tony Maimone signed on as bassist after Tim Wright left to join DNA.
In 1978 they released their debut album, The Modern Dance, which sold poorly but has proven influential. With the song "Sentimental Journey," the debut also introduced the practice of re-appropriating titles from well-known popular songs: Pere Ubu's "Sentimental Journey" has no obvious relation to the Doris Day hit song of the same name; "Drinking Wine Spodyody" has no apparent connection to the Sticks McGhee song (later revived by Jerry Lee Lewis). This practice has continued through 2006's Why I Hate Women, which has a song called "Blue Velvet" (again, no relation to the 1963 hit song by Bobby Vinton).
Special note should be made of Ravenstine's contributions to Pere Ubu. While most synthesizer players tended to play the instrument as they would a piano or organ, Ravenstine generally opted instead to make sounds that were reminiscent of spooky sound effects from 1950s science fiction films, or perhaps electronic music and musique concrète.
Dub Housing was released in 1978 and New Picnic Time in 1979. The group briefly disbanded in 1979, but reformed soon afterward with Tom Herman replaced by Mayo Thompson (of Red Krayola).
The Art of Walking was released in 1980, and by the release of Song of the Bailing Man in 1982, Krauss was replaced by Anton Fier. The group disbanded again soon afterwards; Krauss and Maimone formed Home and Garden, while Thomas worked on a solo career, notably with Richard Thompson and with members of Henry Cow.
By the late 1980s, one of Thomas' solo projects eventually featured much of Pere Ubu. The band was reformed again in 1987, with Jim Jones and Chris Cutler joining for the release of The Tenement Year in 1988, a far more pop-oriented album than ever before. The following year, the track "Waiting for Mary" (off the album 1989 Cloudland) appeared on MTV briefly. After the recording of Cloudland, Ravenstine left the group (although he made a guest appearance on Worlds in Collision in 1991) and later became an airline pilot. Eric Drew Feldman joined the band in time for the Cloudland tour and the recording of Worlds in Collision but left afterwards, joining Frank Black.
Story of My Life was released in 1993 on Imago Records; Maimone left (once again) to join They Might Be Giants, and Michele Temple and Garo Yellin joined the band for the Story of My Life tour and feature on Ubu's 1995 album, Ray Gun Suitcase. Robert Wheeler has played synthesizer and theremin with Pere Ubu since 1994. Krauss left the band during the Ray Gun Suitcase sessions. For the Ray Gun Suitcase tour, guitarist Jim Jones departed as a touring member (although he continued to contribute to recordings), founding guitarist Tom Herman replaced him for the tour.
Concurrent with the 1996 release of the Datapanik in Year Zero box set, Jim Jones retired due to health problems. Tom Herman returned to the band after a twenty year absence to tour with the band in 1995, and went on to record Pennsylvania in 1998 and St. Arkansas in 2002. Jim Jones contributed guitar tracks to each album as well, and guitarist Wayne Kramer of MC5 fame joined the band for their 1998 summer tour. Herman left again in 2005, being replaced by Keith Moliné, of David Thomas's "solo" group Two Pale Boys. The new lineup completed an album entitled Why I Hate Women, which was released on September 19th 2006.
On 18 February 2008, Jim Jones passed away at his Cleveland residence.
Down By The River
Pere Ubu Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The corn is creepin'
I cry for my lover
My lover's sleepin'
Bad as it gets
Gotten worse
I want to run
Had to learn to crawl
The house on fire
The treaty's broken
I call for the law
The law is a token
As bad as it gets
It's gotten worse
I want to run
I had to learn to crawl
This trip is the worst
I don't mean maybe
I call for the captain
She cries like a baby
As bad as it gets
It's gotten worse
I want to run
I had to learn to crawl first
Bye-bye
Bye-bye baby my friend
Bye-bye!
Bye-bye baby
And she cries
And she cries
And she
And then she
I mighta not known
I mighta not guessed
I mighta been fine if she'd never confessed
As bad as it gets
It's gotten worse
I want to run
I had to learn to crawl
Bye-bye
Bye-bye baby my friend
Bye-bye!
Bye-bye baby
It's time to leave
But I don't know when
The lyrics of Pere Ubu's song "Down by the River" are steeped in a sense of despair and unease. The song describes a series of unpleasant scenarios and obstacles, from crops that creep slowly to the ground to a house on fire, from a broken treaty to a captain who cries like a baby. The singer also laments a lover who is sleeping and confesses that, had they not known the truth, things might have been better. Throughout the song, there is a sense of things getting progressively worse and the singer, at a loss for what to do, just wants to run away from it all.
The overall tone of the song suggests a feeling of chaos and hopelessness, with each verse building on the sense of despair from the one before it. The repetition of the line "As bad as it gets, it's gotten worse" serves to underscore the hopelessness of the situation, while the final lines "Bye-bye baby my friend, it's time to leave, but I don't know when" suggest that the singer is ready to move on from all of these troubles, but has no idea how or when to do so.
Despite the bleakness of the lyrics, the song's melody is oddly upbeat and catchy, highlighting the strange juxtaposition of despair and optimism that is present throughout the song.
Line by Line Meaning
Down by the river
We are next to a river
The corn is creepin'
The corn is growing
I cry for my lover
I am mourning for my beloved
My lover's sleepin'
My beloved is asleep
Bad as it gets
This is currently terrible
Gotten worse
It has become even more terrible
I want to run
I wish to escape from this situation
Had to learn to crawl
I had to learn to cope with this difficult situation
The house on fire
The house is burning down
The treaty's broken
An agreement has been violated
I call for the law
I am asking for the authorities to intervene
The law is a token
The authorities are ineffective
This trip is the worst
This journey is terrible
I don't mean maybe
I am absolutely sure
I call for the captain
I am asking for help from the leader of this journey
She cries like a baby
The leader is emotional and helpless
Bye-bye baby my friend
Farewell, my friend
And she cries
The emotional leader is crying
And she
The leader
And then she
The leader is about to do something
I mighta not known
Perhaps I would not have known
I mighta not guessed
Maybe I would not have guessed
I mighta been fine if she'd never confessed
Perhaps everything would have been okay if she did not reveal the truth
Bye-bye baby
Farewell, my beloved
It's time to leave
It is time for me to go
But I don't know when
I do not know when I will leave
Lyrics © Warner/Chappell Music, Inc.
Written by: KIM CHADWICK TRIBBLE, TIFFANY THOMPSON, WADE ALLEN KIRBY
Lyrics Licensed & Provided by LyricFind
@jak3186
Perfect ending for their most perfect album...
@wrs6565
Better than neil ypung